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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #188703 it is the complementary color #E778FC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #188703. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #188703 shade: #1D8700, #2E9911, #3FAB24, #50BD37 and #61CF4A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #188703. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #188703 shade: #188703, #077500, #006300, #005100 and #003F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #188703 shade: #188703, #3B8703, #5F8703, #838703 and #876803

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #188703 shade: #188703, #038711, #038735, #038759 and #03877C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #188703 shade matches the following richer shades: #188703

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #188703 shade: #188703, #1F7C0E, #277119, #2F6624 and #365A2F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #188703 shade: #5F8703, #3C8703, #198703, #038710 and #038733

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #188703 shade: #0A3601, #115F02, #188703, #1FAF04 and #26D804

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #188703 shade: #188703, #038387 and #87034E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #188703 shade: #188703, #031987 and #870319

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #188703 shade: #188703, #038387, #710387 and #870703

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #188703 shade: #188703, #035B87, #710387 and #872F03

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 98 / 47

HEX #188703

RGB 24 135 3

HSL 110.45, 0.96%, 0.27%

LAB 48.92, -51.45, 51.58

 

Complementary color

CMYK 8 / 52 / 0 / 1

HEX #E778FC

RGB 231 120 252

HSL 290.45, 0.96%, 0.73%

LAB 67.61, 61.84, -47.82

 

CMYK 79 / 0 / 100 / 47

HEX #1D8700

RGB 29 135 0

HSL 107.11, 1%, 0.26%

LAB 48.99, -50.82, 52.25

 

CMYK 70 / 0 / 89 / 40

HEX #2E9911

RGB 46 153 17

HSL 107.21, 0.8%, 0.33%

LAB 55.49, -53.05, 54.71

 

CMYK 63 / 0 / 79 / 33

HEX #3FAB24

RGB 63 171 36

HSL 108, 0.65%, 0.41%

LAB 61.92, -54.53, 55.67

 

CMYK 58 / 0 / 71 / 26

HEX #50BD37

RGB 80 189 55

HSL 108.81, 0.55%, 0.48%

LAB 68.3, -55.45, 55.55

 

CMYK 53 / 0 / 64 / 19

HEX #61CF4A

RGB 97 207 74

HSL 109.62, 0.58%, 0.55%

LAB 74.61, -55.99, 54.86

 

CMYK 82 / 0 / 98 / 47

HEX #188703

RGB 24 135 3

HSL 110.45, 0.96%, 0.27%

LAB 48.92, -51.45, 51.58

 

CMYK 94 / 0 / 100 / 54

HEX #077500

RGB 7 117 0

HSL 116.41, 1%, 0.23%

LAB 42.41, -47.84, 46.87

 

CMYK 100 / 0 / 100 / 61

HEX #006300

RGB 0 99 0

HSL 120, 1%, 0.19%

LAB 35.84, -43.07, 41.57

 

CMYK 100 / 0 / 100 / 68

HEX #005100

RGB 0 81 0

HSL 120, 1%, 0.16%

LAB 29.12, -37.49, 36.18

 

CMYK 100 / 0 / 100 / 75

HEX #003F00

RGB 0 63 0

HSL 120, 1%, 0.12%

LAB 22.14, -31.69, 29.7

 

CMYK 82 / 0 / 98 / 47

HEX #188703

RGB 24 135 3

HSL 110.45, 0.96%, 0.27%

LAB 48.92, -51.45, 51.58

 

CMYK 56 / 0 / 98 / 47

HEX #3B8703

RGB 59 135 3

HSL 94.55, 0.96%, 0.27%

LAB 49.82, -43.89, 52.67

 

CMYK 30 / 0 / 98 / 47

HEX #5F8703

RGB 95 135 3

HSL 78.18, 0.96%, 0.27%

LAB 51.57, -31.03, 54.82

 

CMYK 3 / 0 / 98 / 47

HEX #838703

RGB 131 135 3

HSL 61.82, 0.96%, 0.27%

LAB 54.2, -15.22, 57.97

 

CMYK 0 / 23 / 98 / 47

HEX #876803

RGB 135 104 3

HSL 45.91, 0.96%, 0.27%

LAB 45.71, 3.94, 51.89

 

CMYK 82 / 0 / 98 / 47

HEX #188703

RGB 24 135 3

HSL 110.45, 0.96%, 0.27%

LAB 48.92, -51.45, 51.58

 

CMYK 98 / 0 / 87 / 47

HEX #038711

RGB 3 135 17

HSL 126.36, 0.96%, 0.27%

LAB 48.74, -52.85, 48.51

 

CMYK 98 / 0 / 61 / 47

HEX #038735

RGB 3 135 53

HSL 142.73, 0.96%, 0.27%

LAB 49.01, -49.46, 34.84

 

CMYK 98 / 0 / 34 / 47

HEX #038759

RGB 3 135 89

HSL 159.09, 0.96%, 0.27%

LAB 49.58, -42.72, 16.16

 

CMYK 98 / 0 / 8 / 47

HEX #03877C

RGB 3 135 124

HSL 175, 0.96%, 0.27%

LAB 50.46, -33.27, -2.87

 

CMYK 82 / 0 / 98 / 47

HEX #188703

RGB 24 135 3

HSL 110.45, 0.96%, 0.27%

LAB 48.92, -51.45, 51.58

 

CMYK 82 / 0 / 98 / 47

HEX #188703

RGB 24 135 3

HSL 110.45, 0.96%, 0.27%

LAB 48.92, -51.45, 51.58

 

CMYK 75 / 0 / 89 / 51

HEX #1F7C0E

RGB 31 124 14

HSL 110.73, 0.8%, 0.27%

LAB 45.27, -46.35, 46.29

 

CMYK 65 / 0 / 78 / 56

HEX #277119

RGB 39 113 25

HSL 110.45, 0.64%, 0.27%

LAB 41.71, -39.98, 39.55

 

CMYK 54 / 0 / 65 / 60

HEX #2F6624

RGB 47 102 36

HSL 110, 0.48%, 0.27%

LAB 38.26, -32.15, 31.1

 

CMYK 40 / 0 / 48 / 65

HEX #365A2F

RGB 54 90 47

HSL 110.23, 0.31%, 0.27%

LAB 34.6, -22.52, 20.81

 

CMYK 30 / 0 / 98 / 47

HEX #5F8703

RGB 95 135 3

HSL 78.18, 0.96%, 0.27%

LAB 51.57, -31.03, 54.82

 

CMYK 56 / 0 / 98 / 47

HEX #3C8703

RGB 60 135 3

HSL 94.09, 0.96%, 0.27%

LAB 49.85, -43.6, 52.72

 

CMYK 81 / 0 / 98 / 47

HEX #198703

RGB 25 135 3

HSL 110, 0.96%, 0.27%

LAB 48.93, -51.31, 51.6

 

CMYK 98 / 0 / 88 / 47

HEX #038710

RGB 3 135 16

HSL 125.91, 0.96%, 0.27%

LAB 48.74, -52.9, 48.75

 

CMYK 98 / 0 / 62 / 47

HEX #038733

RGB 3 135 51

HSL 141.82, 0.96%, 0.27%

LAB 48.99, -49.74, 35.79

 

CMYK 81 / 0 / 98 / 79

HEX #0A3601

RGB 10 54 1

HSL 109.81, 0.96%, 0.11%

LAB 18.82, -26.09, 25.67

 

CMYK 82 / 0 / 98 / 63

HEX #115F02

RGB 17 95 2

HSL 110.32, 0.96%, 0.19%

LAB 34.62, -39.54, 40.05

 

CMYK 82 / 0 / 98 / 47

HEX #188703

RGB 24 135 3

HSL 110.45, 0.96%, 0.27%

LAB 48.92, -51.45, 51.58

 

CMYK 82 / 0 / 98 / 31

HEX #1FAF04

RGB 31 175 4

HSL 110.53, 0.96%, 0.35%

LAB 62.47, -62.65, 62.5

 

CMYK 82 / 0 / 98 / 15

HEX #26D804

RGB 38 216 4

HSL 110.38, 0.96%, 0.43%

LAB 75.78, -73.65, 73.31

 

CMYK 82 / 0 / 98 / 47

HEX #188703

RGB 24 135 3

HSL 110.45, 0.96%, 0.27%

LAB 48.92, -51.45, 51.58

 

CMYK 98 / 3 / 0 / 47

HEX #038387

RGB 3 131 135

HSL 181.82, 0.96%, 0.27%

LAB 49.5, -27.86, -10.73

 

CMYK 0 / 98 / 42 / 47

HEX #87034E

RGB 135 3 78

HSL 325.91, 0.96%, 0.27%

LAB 28.81, 53.41, -5.51

 

CMYK 82 / 0 / 98 / 47

HEX #188703

RGB 24 135 3

HSL 110.45, 0.96%, 0.27%

LAB 48.92, -51.45, 51.58

 

CMYK 98 / 81 / 0 / 47

HEX #031987

RGB 3 25 135

HSL 230, 0.96%, 0.27%

LAB 17.75, 38.79, -61.17

 

CMYK 0 / 98 / 81 / 47

HEX #870319

RGB 135 3 25

HSL 350, 0.96%, 0.27%

LAB 27.54, 49.95, 28.18

 

CMYK 82 / 0 / 98 / 47

HEX #188703

RGB 24 135 3

HSL 110.45, 0.96%, 0.27%

LAB 48.92, -51.45, 51.58

 

CMYK 98 / 3 / 0 / 47

HEX #038387

RGB 3 131 135

HSL 181.82, 0.96%, 0.27%

LAB 49.5, -27.86, -10.73

 

CMYK 16 / 98 / 0 / 47

HEX #710387

RGB 113 3 135

HSL 290, 0.96%, 0.27%

LAB 27.64, 57.13, -44.48

 

CMYK 0 / 95 / 98 / 47

HEX #870703

RGB 135 7 3

HSL 1.82, 0.96%, 0.27%

LAB 27.6, 48.78, 39.3

 

CMYK 82 / 0 / 98 / 47

HEX #188703

RGB 24 135 3

HSL 110.45, 0.96%, 0.27%

LAB 48.92, -51.45, 51.58

 

CMYK 98 / 33 / 0 / 47

HEX #035B87

RGB 3 91 135

HSL 200, 0.96%, 0.27%

LAB 36.46, -5.63, -30.82

 

CMYK 16 / 98 / 0 / 47

HEX #710387

RGB 113 3 135

HSL 290, 0.96%, 0.27%

LAB 27.64, 57.13, -44.48

 

CMYK 0 / 65 / 98 / 47

HEX #872F03

RGB 135 47 3

HSL 20, 0.96%, 0.27%

LAB 32.24, 35.93, 42.81

 

Description

Color code: HEX #188703 | qconv.com Color code: HEX #188703 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 135 green and 3 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 135 3 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 98 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 98% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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