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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #187E2ACE it is the complementary color #E781D5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #187E2ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #187E2ACE shade: #1D7E25CE, #2E9038CE, #3FA24BCE, #50B45ECE and #61C671CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #187E2ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #187E2ACE shade: #187E2ACE, #076C17CE, #005A04CE, #004800CE and #003600CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #187E2ACE shade: #187C29, #217C18, #3C7C18, #577C18 and #727C18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #187E2ACE shade: #187C29, #187C45, #187C60, #187C7B and #18637C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #187E2ACE shade matches the following richer shades: #187C29 and #0C8822

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #187E2ACE shade: #187C29, #247031, #306439, #3C5841 and #484C48

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #187E2ACE shade: #3D7C18, #227C18, #187C28, #187C43 and #187C5E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #187E2ACE shade: #0A3712, #115A1E, #187C29, #1E9F35 and #25C241

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #187E2ACE shade: #187E2A, #18577C and #7C182F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #187E2ACE shade: #187E2A, #28187C and #7C2818

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #187E2ACE shade: #187E2A, #18577C, #7C186B and #7C3D18

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #187E2ACE shade: #187E2A, #18397C, #7C186B and #7C5B18

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 54 / 41

HEX #187E2ACE

RGBA 24 126 42 0.81

HSLA 130.59, 0.68%, 0.29%, 0.81

LABA 46.02, -45.89, 36.75, 0.81

 

Complementary color

CMYK 0 / 36 / 6 / 8

HEX #E781D5CE

RGBA 231 129 213 0.81

HSLA 310.59, 0.68%, 0.71%, 0.81

LABA 67.65, 50.52, -26.24, 0.81

 

CMYK 62 / 0 / 57 / 41

HEX #1D7E25CE

RGBA 29 126 37 0.81

HSLA 124.95, 0.63%, 0.3%, 0.81

LABA 46.06, -45.68, 39.06, 0.81

 

CMYK 55 / 0 / 50 / 35

HEX #2E9038CE

RGBA 46 144 56 0.81

HSLA 126.12, 0.52%, 0.37%, 0.81

LABA 52.74, -46.78, 37.89, 0.81

 

CMYK 50 / 0 / 44 / 30

HEX #3FA24BCE

RGBA 63 162 75 0.81

HSLA 127.27, 0.44%, 0.44%, 0.81

LABA 59.35, -47.32, 36.51, 0.81

 

CMYK 45 / 0 / 39 / 24

HEX #50B45ECE

RGBA 80 180 94 0.81

HSLA 128.4, 0.4%, 0.51%, 0.81

LABA 65.87, -47.53, 35.1, 0.81

 

CMYK 41 / 0 / 35 / 18

HEX #61C671CE

RGBA 97 198 113 0.81

HSLA 129.5, 0.47%, 0.58%, 0.81

LABA 72.31, -47.54, 33.74, 0.81

 

CMYK 66 / 0 / 54 / 41

HEX #187E2ACE

RGBA 24 126 42 0.81

HSLA 130.59, 0.68%, 0.29%, 0.81

LABA 46.02, -45.89, 36.75, 0.81

 

CMYK 76 / 0 / 64 / 47

HEX #076C17CE

RGBA 7 108 23 0.81

HSLA 129.5, 0.88%, 0.23%, 0.81

LABA 39.3, -43.73, 37.7, 0.81

 

CMYK 81 / 0 / 77 / 52

HEX #005A04CE

RGBA 0 90 4 0.81

HSLA 122.67, 1%, 0.18%, 0.81

LABA 32.53, -40.05, 37.56, 0.81

 

CMYK 81 / 0 / 81 / 58

HEX #004800CE

RGBA 0 72 0 0.81

HSLA 120, 1%, 0.14%, 0.81

LABA 25.67, -34.62, 33.21, 0.81

 

CMYK 81 / 0 / 81 / 64

HEX #003600CE

RGBA 0 54 0 0.81

HSLA 120, 1%, 0.11%, 0.81

LABA 18.53, -28.69, 25.66, 0.81

 

CMYK 81 / 0 / 67 / 51

HEX #187C29

RGB 24 124 41

HSL 130.2, 0.68%, 0.29%

LAB 45.32, -45.32, 36.43

 

CMYK 73 / 0 / 81 / 51

HEX #217C18

RGB 33 124 24

HSL 114.6, 0.68%, 0.29%

LAB 45.37, -45.39, 43.45

 

CMYK 52 / 0 / 81 / 51

HEX #3C7C18

RGB 60 124 24

HSL 98.4, 0.68%, 0.29%

LAB 46.23, -38.38, 44.58

 

CMYK 30 / 0 / 81 / 51

HEX #577C18

RGB 87 124 24

HSL 82.2, 0.68%, 0.29%

LAB 47.63, -28.4, 46.4

 

CMYK 8 / 0 / 81 / 51

HEX #727C18

RGB 114 124 24

HSL 66, 0.68%, 0.29%

LAB 49.57, -16.61, 48.88

 

CMYK 81 / 0 / 67 / 51

HEX #187C29

RGB 24 124 41

HSL 130.2, 0.68%, 0.29%

LAB 45.32, -45.32, 36.43

 

CMYK 81 / 0 / 44 / 51

HEX #187C45

RGB 24 124 69

HSL 147, 0.68%, 0.29%

LAB 45.69, -40.92, 22.32

 

CMYK 81 / 0 / 23 / 51

HEX #187C60

RGB 24 124 96

HSL 163.2, 0.68%, 0.29%

LAB 46.25, -34.7, 7.5

 

CMYK 81 / 0 / 1 / 51

HEX #187C7B

RGB 24 124 123

HSL 179.4, 0.68%, 0.29%

LAB 47.03, -26.83, -7.34

 

CMYK 81 / 20 / 0 / 51

HEX #18637C

RGB 24 99 124

HSL 195, 0.68%, 0.29%

LAB 38.85, -13.04, -20.36

 

CMYK 81 / 0 / 67 / 51

HEX #187C29

RGB 24 124 41

HSL 130.2, 0.68%, 0.29%

LAB 45.32, -45.32, 36.43

 

CMYK 91 / 0 / 75 / 47

HEX #0C8822

RGB 12 136 34

HSL 130.65, 0.84%, 0.29%

LAB 49.26, -51.33, 43.55

 

CMYK 81 / 0 / 67 / 51

HEX #187C29

RGB 24 124 41

HSL 130.2, 0.68%, 0.29%

LAB 45.32, -45.32, 36.43

 

CMYK 68 / 0 / 56 / 56

HEX #247031

RGB 36 112 49

HSL 130.26, 0.51%, 0.29%

LAB 41.51, -37.54, 28.09

 

CMYK 52 / 0 / 43 / 61

HEX #306439

RGB 48 100 57

HSL 130.38, 0.35%, 0.29%

LAB 37.91, -27.75, 19.17

 

CMYK 32 / 0 / 26 / 65

HEX #3C5841

RGB 60 88 65

HSL 130.71, 0.19%, 0.29%

LAB 34.64, -15.87, 10.07

 

CMYK 5 / 0 / 5 / 70

HEX #484C48

RGB 72 76 72

HSL 120, 0.03%, 0.29%

LAB 31.84, -2.51, 1.81

 

CMYK 51 / 0 / 81 / 51

HEX #3D7C18

RGB 61 124 24

HSL 97.8, 0.68%, 0.29%

LAB 46.28, -38.05, 44.63

 

CMYK 73 / 0 / 81 / 51

HEX #227C18

RGB 34 124 24

HSL 114, 0.68%, 0.29%

LAB 45.39, -45.19, 43.48

 

CMYK 81 / 0 / 68 / 51

HEX #187C28

RGB 24 124 40

HSL 129.6, 0.68%, 0.29%

LAB 45.31, -45.43, 36.88

 

CMYK 81 / 0 / 46 / 51

HEX #187C43

RGB 24 124 67

HSL 145.8, 0.68%, 0.29%

LAB 45.65, -41.3, 23.4

 

CMYK 81 / 0 / 24 / 51

HEX #187C5E

RGB 24 124 94

HSL 162, 0.68%, 0.29%

LAB 46.2, -35.22, 8.61

 

CMYK 82 / 0 / 67 / 78

HEX #0A3712

RGB 10 55 18

HSL 130.67, 0.69%, 0.13%

LAB 19.39, -24.4, 18.64

 

CMYK 81 / 0 / 67 / 65

HEX #115A1E

RGB 17 90 30

HSL 130.68, 0.68%, 0.21%

LAB 32.97, -35.43, 27.87

 

CMYK 81 / 0 / 67 / 51

HEX #187C29

RGB 24 124 41

HSL 130.2, 0.68%, 0.29%

LAB 45.32, -45.32, 36.43

 

CMYK 81 / 0 / 67 / 38

HEX #1E9F35

RGB 30 159 53

HSL 130.7, 0.68%, 0.37%

LAB 57.39, -54.99, 44.41

 

CMYK 81 / 0 / 66 / 24

HEX #25C241

RGB 37 194 65

HSL 130.7, 0.68%, 0.45%

LAB 69.01, -64.11, 52.06

 

CMYK 81 / 0 / 67 / 51

HEX #187E2A

RGB 24 126 42

HSL 130.59, 0.68%, 0.29%

LAB 46.02, -45.89, 36.75

 

CMYK 81 / 30 / 0 / 51

HEX #18577C

RGB 24 87 124

HSL 202.2, 0.68%, 0.29%

LAB 34.93, -5.82, -26.46

 

CMYK 0 / 81 / 62 / 51

HEX #7C182F

RGB 124 24 47

HSL 346.2, 0.68%, 0.29%

LAB 27.14, 43.22, 12.66

 

CMYK 81 / 0 / 67 / 51

HEX #187E2A

RGB 24 126 42

HSL 130.59, 0.68%, 0.29%

LAB 46.02, -45.89, 36.75

 

CMYK 68 / 81 / 0 / 51

HEX #28187C

RGB 40 24 124

HSL 249.6, 0.68%, 0.29%

LAB 18.19, 37.97, -53.42

 

CMYK 0 / 68 / 81 / 51

HEX #7C2818

RGB 124 40 24

HSL 9.6, 0.68%, 0.29%

LAB 29.08, 35.57, 29.67

 

CMYK 81 / 0 / 67 / 51

HEX #187E2A

RGB 24 126 42

HSL 130.59, 0.68%, 0.29%

LAB 46.02, -45.89, 36.75

 

CMYK 81 / 30 / 0 / 51

HEX #18577C

RGB 24 87 124

HSL 202.2, 0.68%, 0.29%

LAB 34.93, -5.82, -26.46

 

CMYK 0 / 81 / 14 / 51

HEX #7C186B

RGB 124 24 107

HSL 310.2, 0.68%, 0.29%

LAB 29.41, 50.06, -23.77

 

CMYK 0 / 51 / 81 / 51

HEX #7C3D18

RGB 124 61 24

HSL 22.2, 0.68%, 0.29%

LAB 33.33, 24.57, 33.97

 

CMYK 81 / 0 / 67 / 51

HEX #187E2A

RGB 24 126 42

HSL 130.59, 0.68%, 0.29%

LAB 46.02, -45.89, 36.75

 

CMYK 81 / 54 / 0 / 51

HEX #18397C

RGB 24 57 124

HSL 220.2, 0.68%, 0.29%

LAB 25.49, 14.3, -41.51

 

CMYK 0 / 81 / 14 / 51

HEX #7C186B

RGB 124 24 107

HSL 310.2, 0.68%, 0.29%

LAB 29.41, 50.06, -23.77

 

CMYK 0 / 27 / 81 / 51

HEX #7C5B18

RGB 124 91 24

HSL 40.2, 0.68%, 0.29%

LAB 40.95, 6.87, 41.31

 

Description

Color code: HEX #187E2ACE | qconv.com Color code: HEX #187E2ACE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 126 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 126 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 54 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 54% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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