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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1872BB it is the complementary color #E78D44. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1872BB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1872BB shade: #1D72B6, #2E84C9, #3F96DC, #50A8EF and #61BAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1872BB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1872BB shade: #1872BB, #0760A8, #004E95, #003C82 and #002A6F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1872BB shade: #1871B9, #1846B9, #181AB9, #4118B9 and #6D18B9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1872BB shade: #1871B9, #1846B9, #181AB9 and #1818B9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1872BB shade matches the following richer shades: #1871B9 and #0773CA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1872BB shade: #1871B9, #296FA8, #3A6D97, #4B6C86 and #5C6A75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1872BB shade: #18B9A9, #189EB9, #1873B9, #1848B9 and #181DB9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1872BB shade: #0F4470, #135B95, #1871B9, #1D87DE and #3E9BE6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1872BB shade: #1872BB, #7E18B9 and #B4B918

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1872BB shade: #1872BB, #B91873 and #73B918

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1872BB shade: #1872BB, #7E18B9, #B95E18 and #53B918

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1872BB shade: #1872BB, #AE18B9, #B95E18 and #23B918

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 39 / 0 / 27

HEX #1872BB

RGB 24 114 187

HSL 206.87, 0.77%, 0.41%

LAB 46.73, 1.97, -45.37

 

Complementary color

CMYK 0 / 39 / 71 / 9

HEX #E78D44

RGB 231 141 68

HSL 26.87, 0.77%, 0.59%

LAB 66.87, 28.2, 52.01

 

CMYK 84 / 37 / 0 / 29

HEX #1D72B6

RGB 29 114 182

HSL 206.67, 0.73%, 0.41%

LAB 46.54, 0.42, -42.77

 

CMYK 77 / 34 / 0 / 21

HEX #2E84C9

RGB 46 132 201

HSL 206.71, 0.63%, 0.48%

LAB 53.28, -1.61, -42.98

 

CMYK 71 / 32 / 0 / 14

HEX #3F96DC

RGB 63 150 220

HSL 206.75, 0.69%, 0.55%

LAB 59.92, -3.2, -43.15

 

CMYK 67 / 30 / 0 / 6

HEX #50A8EF

RGB 80 168 239

HSL 206.79, 0.83%, 0.63%

LAB 66.48, -4.47, -43.29

 

CMYK 62 / 27 / 0 / 0

HEX #61BAFF

RGB 97 186 255

HSL 206.2, 1%, 0.69%

LAB 72.81, -6.44, -42.01

 

CMYK 87 / 39 / 0 / 27

HEX #1872BB

RGB 24 114 187

HSL 206.87, 0.77%, 0.41%

LAB 46.73, 1.97, -45.37

 

CMYK 96 / 43 / 0 / 34

HEX #0760A8

RGB 7 96 168

HSL 206.83, 0.92%, 0.34%

LAB 39.98, 4.85, -45.06

 

CMYK 100 / 48 / 0 / 42

HEX #004E95

RGB 0 78 149

HSL 208.59, 1%, 0.29%

LAB 33.18, 8.51, -44.59

 

CMYK 100 / 54 / 0 / 49

HEX #003C82

RGB 0 60 130

HSL 212.31, 1%, 0.25%

LAB 26.28, 12.82, -44.02

 

CMYK 100 / 62 / 0 / 56

HEX #002A6F

RGB 0 42 111

HSL 217.3, 1%, 0.22%

LAB 19.24, 17.52, -43.41

 

CMYK 87 / 39 / 0 / 27

HEX #1871B9

RGB 24 113 185

HSL 206.83, 0.77%, 0.41%

LAB 46.32, 1.81, -44.87

 

CMYK 87 / 62 / 0 / 27

HEX #1846B9

RGB 24 70 185

HSL 222.86, 0.77%, 0.41%

LAB 34.14, 29.89, -64.55

 

CMYK 87 / 86 / 0 / 27

HEX #181AB9

RGB 24 26 185

HSL 239.25, 0.77%, 0.41%

LAB 25.06, 55.07, -79.55

 

CMYK 65 / 87 / 0 / 27

HEX #4118B9

RGB 65 24 185

HSL 255.28, 0.77%, 0.41%

LAB 27.52, 58.02, -75.39

 

CMYK 41 / 87 / 0 / 27

HEX #6D18B9

RGB 109 24 185

HSL 271.68, 0.77%, 0.41%

LAB 32.72, 62.54, -66.64

 

CMYK 87 / 39 / 0 / 27

HEX #1871B9

RGB 24 113 185

HSL 206.83, 0.77%, 0.41%

LAB 46.32, 1.81, -44.87

 

CMYK 87 / 62 / 0 / 27

HEX #1846B9

RGB 24 70 185

HSL 222.86, 0.77%, 0.41%

LAB 34.14, 29.89, -64.55

 

CMYK 87 / 86 / 0 / 27

HEX #181AB9

RGB 24 26 185

HSL 239.25, 0.77%, 0.41%

LAB 25.06, 55.07, -79.55

 

CMYK 87 / 87 / 0 / 27

HEX #1818B9

RGB 24 24 185

HSL 240, 0.77%, 0.41%

LAB 24.8, 55.87, -79.99

 

CMYK 87 / 39 / 0 / 27

HEX #1871B9

RGB 24 113 185

HSL 206.83, 0.77%, 0.41%

LAB 46.32, 1.81, -44.87

 

CMYK 97 / 43 / 0 / 21

HEX #0773CA

RGB 7 115 202

HSL 206.77, 0.93%, 0.41%

LAB 47.71, 6.41, -52.45

 

CMYK 87 / 39 / 0 / 27

HEX #1871B9

RGB 24 113 185

HSL 206.83, 0.77%, 0.41%

LAB 46.32, 1.81, -44.87

 

CMYK 76 / 34 / 0 / 34

HEX #296FA8

RGB 41 111 168

HSL 206.93, 0.61%, 0.41%

LAB 45.18, -1.74, -36.75

 

CMYK 62 / 28 / 0 / 41

HEX #3A6D97

RGB 58 109 151

HSL 207.1, 0.44%, 0.41%

LAB 44.33, -3.78, -28

 

CMYK 44 / 19 / 0 / 47

HEX #4B6C86

RGB 75 108 134

HSL 206.44, 0.28%, 0.41%

LAB 44.15, -4.54, -18.08

 

CMYK 21 / 9 / 0 / 54

HEX #5C6A75

RGB 92 106 117

HSL 206.4, 0.12%, 0.41%

LAB 44.04, -2.66, -7.91

 

CMYK 87 / 0 / 9 / 27

HEX #18B9A9

RGB 24 185 169

HSL 174.04, 0.77%, 0.41%

LAB 67.84, -41.51, -2.76

 

CMYK 87 / 15 / 0 / 27

HEX #189EB9

RGB 24 158 185

HSL 190.06, 0.77%, 0.41%

LAB 60.02, -23.7, -23.44

 

CMYK 87 / 38 / 0 / 27

HEX #1873B9

RGB 24 115 185

HSL 206.09, 0.77%, 0.41%

LAB 46.92, 0.57, -43.92

 

CMYK 87 / 61 / 0 / 27

HEX #1848B9

RGB 24 72 185

HSL 222.11, 0.77%, 0.41%

LAB 34.66, 28.57, -63.69

 

CMYK 87 / 84 / 0 / 27

HEX #181DB9

RGB 24 29 185

HSL 238.14, 0.77%, 0.41%

LAB 25.49, 53.8, -78.84

 

CMYK 87 / 39 / 0 / 56

HEX #0F4470

RGB 15 68 112

HSL 207.22, 0.76%, 0.25%

LAB 27.86, 0.62, -30.14

 

CMYK 87 / 39 / 0 / 42

HEX #135B95

RGB 19 91 149

HSL 206.77, 0.77%, 0.33%

LAB 37.46, 1.06, -37.71

 

CMYK 87 / 39 / 0 / 27

HEX #1871B9

RGB 24 113 185

HSL 206.83, 0.77%, 0.41%

LAB 46.32, 1.81, -44.87

 

CMYK 87 / 39 / 0 / 13

HEX #1D87DE

RGB 29 135 222

HSL 207.05, 0.77%, 0.49%

LAB 54.93, 2.9, -52.22

 

CMYK 73 / 33 / 0 / 10

HEX #3E9BE6

RGB 62 155 230

HSL 206.79, 0.77%, 0.57%

LAB 61.81, -2.73, -45.72

 

CMYK 87 / 39 / 0 / 27

HEX #1872BB

RGB 24 114 187

HSL 206.87, 0.77%, 0.41%

LAB 46.73, 1.97, -45.37

 

CMYK 32 / 87 / 0 / 27

HEX #7E18B9

RGB 126 24 185

HSL 278.01, 0.77%, 0.41%

LAB 35.19, 64.83, -62.5

 

CMYK 3 / 0 / 87 / 27

HEX #B4B918

RGB 180 185 24

HSL 61.86, 0.77%, 0.41%

LAB 72.54, -18.75, 70.55

 

CMYK 87 / 39 / 0 / 27

HEX #1872BB

RGB 24 114 187

HSL 206.87, 0.77%, 0.41%

LAB 46.73, 1.97, -45.37

 

CMYK 0 / 87 / 38 / 27

HEX #B91873

RGB 185 24 115

HSL 326.09, 0.77%, 0.41%

LAB 41.54, 65.48, -9.2

 

CMYK 38 / 0 / 87 / 27

HEX #73B918

RGB 115 185 24

HSL 86.09, 0.77%, 0.41%

LAB 68.32, -44.88, 65.33

 

CMYK 87 / 39 / 0 / 27

HEX #1872BB

RGB 24 114 187

HSL 206.87, 0.77%, 0.41%

LAB 46.73, 1.97, -45.37

 

CMYK 32 / 87 / 0 / 27

HEX #7E18B9

RGB 126 24 185

HSL 278.01, 0.77%, 0.41%

LAB 35.19, 64.83, -62.5

 

CMYK 0 / 49 / 87 / 27

HEX #B95E18

RGB 185 94 24

HSL 26.09, 0.77%, 0.41%

LAB 49.96, 32.48, 52.4

 

CMYK 55 / 0 / 87 / 27

HEX #53B918

RGB 83 185 24

HSL 98.01, 0.77%, 0.41%

LAB 66.98, -55, 63.65

 

CMYK 87 / 39 / 0 / 27

HEX #1872BB

RGB 24 114 187

HSL 206.87, 0.77%, 0.41%

LAB 46.73, 1.97, -45.37

 

CMYK 6 / 87 / 0 / 27

HEX #AE18B9

RGB 174 24 185

HSL 295.9, 0.77%, 0.41%

LAB 43, 72.51, -49.48

 

CMYK 0 / 49 / 87 / 27

HEX #B95E18

RGB 185 94 24

HSL 26.09, 0.77%, 0.41%

LAB 49.96, 32.48, 52.4

 

CMYK 81 / 0 / 87 / 27

HEX #23B918

RGB 35 185 24

HSL 115.9, 0.77%, 0.41%

LAB 65.84, -64.54, 62.21

 

Description

Color code: HEX #1872BB | qconv.com Color code: HEX #1872BB | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 114 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 114 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, 39 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 39% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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