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Color name
HEX #186838

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #186838 it is the complementary color #E797C7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #186838. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #186838 shade: #1D6833, #2E7A46, #3F8C59, #509E6C and #61B07F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #186838. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #186838 shade: #186838, #075625, #004412, #003200 and #002000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #186838 shade: #186838, #186822, #236818, #386818 and #4E6818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #186838 shade: #186838, #18684D, #186863, #185768 and #184168

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #186838 shade matches the following richer shades: #186838, #0D7236 and #037D34

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #186838 shade: #186838, #225E3A, #2C533C, #37493E and #413F40

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #186838 shade: #226818, #186822, #186838, #18684D and #186863

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #186838 shade: #082514, #104626, #186838, #1F8A4A and #27AB5C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #186838 shade: #186838, #183868 and #681818

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #186838 shade: #186838, #381868 and #683818

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #186838 shade: #186838, #183868, #681848 and #684818

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #186838 shade: #186838, #182068, #681848 and #686018

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 46 / 59

HEX #186838

RGB 24 104 56

HSL 144, 0.63%, 0.25%

LAB 38.52, -35.45, 20.39

 

Complementary color

CMYK 0 / 35 / 14 / 9

HEX #E797C7

RGB 231 151 199

HSL 324, 0.63%, 0.75%

LAB 71.72, 36.85, -12.28

 

CMYK 72 / 0 / 51 / 59

HEX #1D6833

RGB 29 104 51

HSL 137.6, 0.56%, 0.26%

LAB 38.55, -35.45, 23.3

 

CMYK 62 / 0 / 43 / 52

HEX #2E7A46

RGB 46 122 70

HSL 138.95, 0.45%, 0.33%

LAB 45.55, -35.82, 21.69

 

CMYK 55 / 0 / 36 / 45

HEX #3F8C59

RGB 63 140 89

HSL 140.26, 0.38%, 0.4%

LAB 52.44, -35.85, 20.23

 

CMYK 49 / 0 / 32 / 38

HEX #509E6C

RGB 80 158 108

HSL 141.54, 0.33%, 0.47%

LAB 59.2, -35.72, 18.91

 

CMYK 45 / 0 / 28 / 31

HEX #61B07F

RGB 97 176 127

HSL 142.78, 0.33%, 0.54%

LAB 65.85, -35.5, 17.71

 

CMYK 77 / 0 / 46 / 59

HEX #186838

RGB 24 104 56

HSL 144, 0.63%, 0.25%

LAB 38.52, -35.45, 20.39

 

CMYK 92 / 0 / 57 / 66

HEX #075625

RGB 7 86 37

HSL 142.78, 0.85%, 0.18%

LAB 31.43, -34.22, 22.24

 

CMYK 100 / 0 / 74 / 73

HEX #004412

RGB 0 68 18

HSL 135.88, 1%, 0.13%

LAB 24.25, -31.52, 24.11

 

CMYK 100 / 0 / 100 / 80

HEX #003200

RGB 0 50 0

HSL 120, 1%, 0.1%

LAB 16.9, -27.33, 23.7

 

CMYK 100 / 0 / 100 / 87

HEX #002000

RGB 0 32 0

HSL 120, 1%, 0.06%

LAB 9.26, -18.77, 13.51

 

CMYK 77 / 0 / 46 / 59

HEX #186838

RGB 24 104 56

HSL 144, 0.63%, 0.25%

LAB 38.52, -35.45, 20.39

 

CMYK 77 / 0 / 67 / 59

HEX #186822

RGB 24 104 34

HSL 127.5, 0.63%, 0.25%

LAB 38.22, -38.95, 31.83

 

CMYK 66 / 0 / 77 / 59

HEX #236818

RGB 35 104 24

HSL 111.75, 0.63%, 0.25%

LAB 38.42, -37.62, 36.6

 

CMYK 46 / 0 / 77 / 59

HEX #386818

RGB 56 104 24

HSL 96, 0.63%, 0.25%

LAB 39.25, -31.15, 37.71

 

CMYK 25 / 0 / 77 / 59

HEX #4E6818

RGB 78 104 24

HSL 79.5, 0.63%, 0.25%

LAB 40.55, -22.31, 39.43

 

CMYK 77 / 0 / 46 / 59

HEX #186838

RGB 24 104 56

HSL 144, 0.63%, 0.25%

LAB 38.52, -35.45, 20.39

 

CMYK 77 / 0 / 26 / 59

HEX #18684D

RGB 24 104 77

HSL 159.75, 0.63%, 0.25%

LAB 38.95, -30.66, 8.53

 

CMYK 77 / 0 / 5 / 59

HEX #186863

RGB 24 104 99

HSL 176.25, 0.63%, 0.25%

LAB 39.57, -24.33, -3.98

 

CMYK 77 / 16 / 0 / 59

HEX #185768

RGB 24 87 104

HSL 192.75, 0.63%, 0.25%

LAB 34, -13.36, -15.48

 

CMYK 77 / 38 / 0 / 59

HEX #184168

RGB 24 65 104

HSL 209.25, 0.63%, 0.25%

LAB 26.66, 0.49, -26.92

 

CMYK 77 / 0 / 46 / 59

HEX #186838

RGB 24 104 56

HSL 144, 0.63%, 0.25%

LAB 38.52, -35.45, 20.39

 

CMYK 89 / 0 / 53 / 55

HEX #0D7236

RGB 13 114 54

HSL 144.36, 0.8%, 0.25%

LAB 41.82, -41.17, 25.68

 

CMYK 98 / 0 / 58 / 51

HEX #037D34

RGB 3 125 52

HSL 144.1, 0.95%, 0.25%

LAB 45.54, -46.24, 31.25

 

CMYK 77 / 0 / 46 / 59

HEX #186838

RGB 24 104 56

HSL 144, 0.63%, 0.25%

LAB 38.52, -35.45, 20.39

 

CMYK 64 / 0 / 38 / 63

HEX #225E3A

RGB 34 94 58

HSL 144, 0.47%, 0.25%

LAB 35.3, -28.61, 15.03

 

CMYK 47 / 0 / 28 / 67

HEX #2C533C

RGB 44 83 60

HSL 144.62, 0.31%, 0.25%

LAB 31.92, -19.85, 9.25

 

CMYK 25 / 0 / 15 / 71

HEX #37493E

RGB 55 73 62

HSL 143.33, 0.14%, 0.25%

LAB 29.22, -9.76, 4.28

 

CMYK 0 / 3 / 2 / 75

HEX #413F40

RGB 65 63 64

HSL 330, 0.02%, 0.25%

LAB 26.87, 1.07, -0.31

 

CMYK 67 / 0 / 77 / 59

HEX #226818

RGB 34 104 24

HSL 112.5, 0.63%, 0.25%

LAB 38.39, -37.86, 36.56

 

CMYK 77 / 0 / 67 / 59

HEX #186822

RGB 24 104 34

HSL 127.5, 0.63%, 0.25%

LAB 38.22, -38.95, 31.83

 

CMYK 77 / 0 / 46 / 59

HEX #186838

RGB 24 104 56

HSL 144, 0.63%, 0.25%

LAB 38.52, -35.45, 20.39

 

CMYK 77 / 0 / 26 / 59

HEX #18684D

RGB 24 104 77

HSL 159.75, 0.63%, 0.25%

LAB 38.95, -30.66, 8.53

 

CMYK 77 / 0 / 5 / 59

HEX #186863

RGB 24 104 99

HSL 176.25, 0.63%, 0.25%

LAB 39.57, -24.33, -3.98

 

CMYK 78 / 0 / 46 / 85

HEX #082514

RGB 8 37 20

HSL 144.83, 0.64%, 0.09%

LAB 12.12, -15.92, 8.17

 

CMYK 77 / 0 / 46 / 73

HEX #104626

RGB 16 70 38

HSL 144.44, 0.63%, 0.17%

LAB 25.65, -25.98, 14.36

 

CMYK 77 / 0 / 46 / 59

HEX #186838

RGB 24 104 56

HSL 144, 0.63%, 0.25%

LAB 38.52, -35.45, 20.39

 

CMYK 78 / 0 / 46 / 46

HEX #1F8A4A

RGB 31 138 74

HSL 144.11, 0.63%, 0.33%

LAB 50.64, -44.41, 26

 

CMYK 77 / 0 / 46 / 33

HEX #27AB5C

RGB 39 171 92

HSL 144.09, 0.63%, 0.41%

LAB 61.94, -52.41, 30.93

 

CMYK 77 / 0 / 46 / 59

HEX #186838

RGB 24 104 56

HSL 144, 0.63%, 0.25%

LAB 38.52, -35.45, 20.39

 

CMYK 77 / 46 / 0 / 59

HEX #183868

RGB 24 56 104

HSL 216, 0.63%, 0.25%

LAB 23.74, 6.71, -31.57

 

CMYK 0 / 77 / 77 / 59

HEX #681818

RGB 104 24 24

HSL 0, 0.63%, 0.25%

LAB 22.52, 35.24, 21.37

 

CMYK 77 / 0 / 46 / 59

HEX #186838

RGB 24 104 56

HSL 144, 0.63%, 0.25%

LAB 38.52, -35.45, 20.39

 

CMYK 46 / 77 / 0 / 59

HEX #381868

RGB 56 24 104

HSL 264, 0.63%, 0.25%

LAB 17.89, 34.22, -40.91

 

CMYK 0 / 46 / 77 / 59

HEX #683818

RGB 104 56 24

HSL 24, 0.63%, 0.25%

LAB 29, 18.46, 28.53

 

CMYK 77 / 0 / 46 / 59

HEX #186838

RGB 24 104 56

HSL 144, 0.63%, 0.25%

LAB 38.52, -35.45, 20.39

 

CMYK 77 / 46 / 0 / 59

HEX #183868

RGB 24 56 104

HSL 216, 0.63%, 0.25%

LAB 23.74, 6.71, -31.57

 

CMYK 0 / 77 / 31 / 59

HEX #681848

RGB 104 24 72

HSL 324, 0.63%, 0.25%

LAB 23.88, 39.7, -9.54

 

CMYK 0 / 31 / 77 / 59

HEX #684818

RGB 104 72 24

HSL 36, 0.63%, 0.25%

LAB 33.23, 8.66, 32.93

 

CMYK 77 / 0 / 46 / 59

HEX #186838

RGB 24 104 56

HSL 144, 0.63%, 0.25%

LAB 38.52, -35.45, 20.39

 

CMYK 77 / 69 / 0 / 59

HEX #182068

RGB 24 32 104

HSL 234, 0.63%, 0.25%

LAB 16.63, 23.95, -43.09

 

CMYK 0 / 77 / 31 / 59

HEX #681848

RGB 104 24 72

HSL 324, 0.63%, 0.25%

LAB 23.88, 39.7, -9.54

 

CMYK 0 / 8 / 77 / 59

HEX #686018

RGB 104 96 24

HSL 54, 0.63%, 0.25%

LAB 40.2, -5.77, 39.84

 

Description

Color code: HEX #186838 | qconv.com Color code: HEX #186838 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 104 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 104 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 46 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 46% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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