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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1858844C it is the complementary color #E7A77B4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1858844C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1858844C shade: #1D587F4C, #2E6A924C, #3F7CA54C, #508EB84C and #61A0CB4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1858844C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1858844C shade: #1858844C, #0746714C, #00345E4C, #00224B4C and #0010384C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1858844C shade: #195986, #193C86, #191E86, #301986 and #4E1986

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1858844C shade: #195986, #193C86, #191E86 and #191986

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1858844C shade matches the following richer shades: #195986 and #0C5C92

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1858844C shade: #195986, #255779, #32546C, #3F525F and #4C5052

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1858844C shade: #198677, #197786, #195A86, #193D86 and #192086

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1858844C shade: #0C2B40, #124263, #195986, #1F70A8 and #2588CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1858844C shade: #185884, #5A1986 and #868619

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1858844C shade: #185884, #86195A and #5A8619

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1858844C shade: #185884, #5A1986, #864419 and #448619

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1858844C shade: #185884, #7B1986, #864419 and #238619

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 10 / 0 / 14

HEX #1858844C

RGBA 24 88 132 0.3

HSLA 204.44, 0.69%, 0.31%, 0.3

LABA 35.67, -3.32, -30.21, 0.3

 

Complementary color

CMYK 0 / 8 / 14 / 3

HEX #E7A77B4C

RGBA 231 167 123 0.3

HSLA 24.44, 0.69%, 0.69%, 0.3

LABA 73.58, 18.43, 32.02, 0.3

 

CMYK 23 / 9 / 0 / 15

HEX #1D587F4C

RGBA 29 88 127 0.3

HSLA 203.88, 0.63%, 0.31%, 0.3

LABA 35.54, -4.64, -27.34, 0.3

 

CMYK 21 / 8 / 0 / 13

HEX #2E6A924C

RGBA 46 106 146 0.3

HSLA 204, 0.52%, 0.38%, 0.3

LABA 42.71, -5.98, -27.59, 0.3

 

CMYK 19 / 7 / 0 / 11

HEX #3F7CA54C

RGBA 63 124 165 0.3

HSLA 204.12, 0.45%, 0.45%, 0.3

LABA 49.72, -6.93, -27.82, 0.3

 

CMYK 17 / 7 / 0 / 8

HEX #508EB84C

RGBA 80 142 184 0.3

HSLA 204.23, 0.42%, 0.52%, 0.3

LABA 56.6, -7.64, -28.03, 0.3

 

CMYK 16 / 6 / 0 / 6

HEX #61A0CB4C

RGBA 97 160 203 0.3

HSLA 204.34, 0.5%, 0.59%, 0.3

LABA 63.34, -8.18, -28.25, 0.3

 

CMYK 25 / 10 / 0 / 14

HEX #1858844C

RGBA 24 88 132 0.3

HSLA 204.44, 0.69%, 0.31%, 0.3

LABA 35.67, -3.32, -30.21, 0.3

 

CMYK 28 / 11 / 0 / 17

HEX #0746714C

RGBA 7 70 113 0.3

HSLA 204.34, 0.88%, 0.24%, 0.3

LABA 28.43, -0.97, -29.88, 0.3

 

CMYK 30 / 13 / 0 / 19

HEX #00345E4C

RGBA 0 52 94 0.3

HSLA 206.81, 1%, 0.18%, 0.3

LABA 21.07, 2.47, -29.37, 0.3

 

CMYK 30 / 16 / 0 / 21

HEX #00224B4C

RGBA 0 34 75 0.3

HSLA 212.8, 1%, 0.15%, 0.3

LABA 13.54, 6.96, -28.72, 0.3

 

CMYK 30 / 21 / 0 / 23

HEX #0010384C

RGBA 0 16 56 0.3

HSLA 222.86, 1%, 0.11%, 0.3

LABA 5.93, 11.23, -27.67, 0.3

 

CMYK 81 / 34 / 0 / 47

HEX #195986

RGB 25 89 134

HSL 204.77, 0.69%, 0.31%

LAB 36.12, -3.05, -30.72

 

CMYK 81 / 55 / 0 / 47

HEX #193C86

RGB 25 60 134

HSL 220.73, 0.69%, 0.31%

LAB 27.18, 16.42, -45.03

 

CMYK 81 / 78 / 0 / 47

HEX #191E86

RGB 25 30 134

HSL 237.25, 0.69%, 0.31%

LAB 19.46, 36.58, -57.69

 

CMYK 64 / 81 / 0 / 47

HEX #301986

RGB 48 25 134

HSL 252.66, 0.69%, 0.31%

LAB 20.22, 41.5, -56.37

 

CMYK 42 / 81 / 0 / 47

HEX #4E1986

RGB 78 25 134

HSL 269.17, 0.69%, 0.31%

LAB 23.79, 45.7, -50.37

 

CMYK 81 / 34 / 0 / 47

HEX #195986

RGB 25 89 134

HSL 204.77, 0.69%, 0.31%

LAB 36.12, -3.05, -30.72

 

CMYK 81 / 55 / 0 / 47

HEX #193C86

RGB 25 60 134

HSL 220.73, 0.69%, 0.31%

LAB 27.18, 16.42, -45.03

 

CMYK 81 / 78 / 0 / 47

HEX #191E86

RGB 25 30 134

HSL 237.25, 0.69%, 0.31%

LAB 19.46, 36.58, -57.69

 

CMYK 81 / 81 / 0 / 47

HEX #191986

RGB 25 25 134

HSL 240, 0.69%, 0.31%

LAB 18.47, 39.43, -59.33

 

CMYK 81 / 34 / 0 / 47

HEX #195986

RGB 25 89 134

HSL 204.77, 0.69%, 0.31%

LAB 36.12, -3.05, -30.72

 

CMYK 92 / 37 / 0 / 43

HEX #0C5C92

RGB 12 92 146

HSL 204.18, 0.85%, 0.31%

LAB 37.5, -1.28, -35.86

 

CMYK 81 / 34 / 0 / 47

HEX #195986

RGB 25 89 134

HSL 204.77, 0.69%, 0.31%

LAB 36.12, -3.05, -30.72

 

CMYK 69 / 28 / 0 / 53

HEX #255779

RGB 37 87 121

HSL 204.29, 0.53%, 0.31%

LAB 35.18, -5, -24.19

 

CMYK 54 / 22 / 0 / 58

HEX #32546C

RGB 50 84 108

HSL 204.83, 0.37%, 0.31%

LAB 34.19, -4.86, -17.6

 

CMYK 34 / 14 / 0 / 63

HEX #3F525F

RGB 63 82 95

HSL 204.38, 0.2%, 0.31%

LAB 33.81, -3.8, -9.95

 

CMYK 7 / 2 / 0 / 68

HEX #4C5052

RGB 76 80 82

HSL 200, 0.04%, 0.31%

LAB 33.74, -1.15, -1.74

 

CMYK 81 / 0 / 11 / 47

HEX #198677

RGB 25 134 119

HSL 171.74, 0.69%, 0.31%

LAB 50.2, -32.75, -0.29

 

CMYK 81 / 11 / 0 / 47

HEX #197786

RGB 25 119 134

HSL 188.26, 0.69%, 0.31%

LAB 45.8, -20.52, -15.72

 

CMYK 81 / 33 / 0 / 47

HEX #195A86

RGB 25 90 134

HSL 204.22, 0.69%, 0.31%

LAB 36.44, -3.68, -30.22

 

CMYK 81 / 54 / 0 / 47

HEX #193D86

RGB 25 61 134

HSL 220.18, 0.69%, 0.31%

LAB 27.48, 15.72, -44.55

 

CMYK 81 / 76 / 0 / 47

HEX #192086

RGB 25 32 134

HSL 236.15, 0.69%, 0.31%

LAB 19.89, 35.38, -56.98

 

CMYK 81 / 33 / 0 / 75

HEX #0C2B40

RGB 12 43 64

HSL 204.23, 0.68%, 0.15%

LAB 16.39, -2.93, -16.58

 

CMYK 82 / 33 / 0 / 61

HEX #124263

RGB 18 66 99

HSL 204.44, 0.69%, 0.23%

LAB 26.52, -3.08, -23.94

 

CMYK 81 / 34 / 0 / 47

HEX #195986

RGB 25 89 134

HSL 204.77, 0.69%, 0.31%

LAB 36.12, -3.05, -30.72

 

CMYK 82 / 33 / 0 / 34

HEX #1F70A8

RGB 31 112 168

HSL 204.53, 0.69%, 0.39%

LAB 45.23, -3.52, -36.68

 

CMYK 82 / 33 / 0 / 20

HEX #2588CB

RGB 37 136 203

HSL 204.22, 0.69%, 0.47%

LAB 54.36, -4.16, -42.42

 

CMYK 82 / 33 / 0 / 48

HEX #185884

RGB 24 88 132

HSL 204.44, 0.69%, 0.31%

LAB 35.67, -3.32, -30.21

 

CMYK 33 / 81 / 0 / 47

HEX #5A1986

RGB 90 25 134

HSL 275.78, 0.69%, 0.31%

LAB 25.53, 47.75, -47.45

 

CMYK 0 / 0 / 81 / 47

HEX #868619

RGB 134 134 25

HSL 60, 0.69%, 0.31%

LAB 54.23, -12.77, 53.37

 

CMYK 82 / 33 / 0 / 48

HEX #185884

RGB 24 88 132

HSL 204.44, 0.69%, 0.31%

LAB 35.67, -3.32, -30.21

 

CMYK 0 / 81 / 33 / 47

HEX #86195A

RGB 134 25 90

HSL 324.22, 0.69%, 0.31%

LAB 30.64, 49.95, -10.69

 

CMYK 33 / 0 / 81 / 47

HEX #5A8619

RGB 90 134 25

HSL 84.22, 0.69%, 0.31%

LAB 51.03, -31.85, 49.29

 

CMYK 82 / 33 / 0 / 48

HEX #185884

RGB 24 88 132

HSL 204.44, 0.69%, 0.31%

LAB 35.67, -3.32, -30.21

 

CMYK 33 / 81 / 0 / 47

HEX #5A1986

RGB 90 25 134

HSL 275.78, 0.69%, 0.31%

LAB 25.53, 47.75, -47.45

 

CMYK 0 / 49 / 81 / 47

HEX #864419

RGB 134 68 25

HSL 23.67, 0.69%, 0.31%

LAB 36.5, 25.04, 37.12

 

CMYK 49 / 0 / 81 / 47

HEX #448619

RGB 68 134 25

HSL 96.33, 0.69%, 0.31%

LAB 49.92, -39.84, 47.85

 

CMYK 82 / 33 / 0 / 48

HEX #185884

RGB 24 88 132

HSL 204.44, 0.69%, 0.31%

LAB 35.67, -3.32, -30.21

 

CMYK 8 / 81 / 0 / 47

HEX #7B1986

RGB 123 25 134

HSL 293.94, 0.69%, 0.31%

LAB 30.94, 54.07, -38.45

 

CMYK 0 / 49 / 81 / 47

HEX #864419

RGB 134 68 25

HSL 23.67, 0.69%, 0.31%

LAB 36.5, 25.04, 37.12

 

CMYK 74 / 0 / 81 / 47

HEX #238619

RGB 35 134 25

HSL 114.5, 0.69%, 0.31%

LAB 48.86, -48.38, 46.47

 

Description

Color code: HEX #1858844C | qconv.com Color code: HEX #1858844C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 88 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 88 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 10 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 10% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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