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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #185553 it is the complementary color #E7AAAC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #185553. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #185553 shade: #1D554E, #2E6761, #3F7974, #508B87 and #619D9A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #185553. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #185553 shade: #185553, #074340, #00312D, #001F1A and #000D07

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #185553 shade: #185452, #185441, #185431, #185421 and #1E5418

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #185553 shade: #185452, #184554, #183554, #182554 and #181854

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #185553 shade matches the following richer shades: #185452, #0F5C5A and #066562

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #185553 shade: #185452, #204B49, #294241, #323A39 and #3A3131

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #185553 shade: #185432, #185442, #185452, #184654 and #183654

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #185553 shade: #051313, #0E3332, #185452, #217471 and #2A9490

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #185553 shade: #185553, #221854 and #543A18

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #185553 shade: #185553, #521854 and #545218

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #185553 shade: #185553, #221854, #54181A and #4A5418

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #185553 shade: #185553, #341854, #54181A and #385418

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 2 / 67

HEX #185553

RGB 24 85 83

HSL 178.03, 0.56%, 0.21%

LAB 32.52, -19.47, -4.5

 

Complementary color

CMYK 0 / 26 / 26 / 9

HEX #E7AAAC

RGB 231 170 172

HSL 358.03, 0.56%, 0.79%

LAB 75.27, 22.66, 7.8

 

CMYK 66 / 0 / 8 / 67

HEX #1D554E

RGB 29 85 78

HSL 172.5, 0.49%, 0.22%

LAB 32.5, -20.08, -1.35

 

CMYK 55 / 0 / 6 / 60

HEX #2E6761

RGB 46 103 97

HSL 173.68, 0.38%, 0.29%

LAB 39.82, -20.27, -2.32

 

CMYK 48 / 0 / 4 / 53

HEX #3F7974

RGB 63 121 116

HSL 174.83, 0.32%, 0.36%

LAB 46.96, -20.29, -3.15

 

CMYK 42 / 0 / 3 / 45

HEX #508B87

RGB 80 139 135

HSL 175.93, 0.27%, 0.43%

LAB 53.94, -20.24, -3.9

 

CMYK 38 / 0 / 2 / 38

HEX #619D9A

RGB 97 157 154

HSL 177, 0.24%, 0.5%

LAB 60.77, -20.15, -4.59

 

CMYK 72 / 0 / 2 / 67

HEX #185553

RGB 24 85 83

HSL 178.03, 0.56%, 0.21%

LAB 32.52, -19.47, -4.5

 

CMYK 90 / 0 / 4 / 74

HEX #074340

RGB 7 67 64

HSL 177, 0.81%, 0.15%

LAB 25.04, -18.54, -3.37

 

CMYK 100 / 0 / 8 / 81

HEX #00312D

RGB 0 49 45

HSL 175.1, 1%, 0.1%

LAB 17.4, -16.55, -1.88

 

CMYK 100 / 0 / 16 / 88

HEX #001F1A

RGB 0 31 26

HSL 170.32, 1%, 0.06%

LAB 9.44, -12.97, 0.04

 

CMYK 100 / 0 / 46 / 95

HEX #000D07

RGB 0 13 7

HSL 152.31, 1%, 0.03%

LAB 2.74, -4.34, 1.15

 

CMYK 71 / 0 / 2 / 67

HEX #185452

RGB 24 84 82

HSL 178, 0.56%, 0.21%

LAB 32.13, -19.25, -4.44

 

CMYK 71 / 0 / 23 / 67

HEX #185441

RGB 24 84 65

HSL 161, 0.56%, 0.21%

LAB 31.62, -24.34, 5.57

 

CMYK 71 / 0 / 42 / 67

HEX #185431

RGB 24 84 49

HSL 145, 0.56%, 0.21%

LAB 31.25, -28.27, 15.01

 

CMYK 71 / 0 / 61 / 67

HEX #185421

RGB 24 84 33

HSL 129, 0.56%, 0.21%

LAB 30.98, -31.22, 24.01

 

CMYK 64 / 0 / 71 / 67

HEX #1E5418

RGB 30 84 24

HSL 114, 0.56%, 0.21%

LAB 31.07, -30.88, 28.83

 

CMYK 71 / 0 / 2 / 67

HEX #185452

RGB 24 84 82

HSL 178, 0.56%, 0.21%

LAB 32.13, -19.25, -4.44

 

CMYK 71 / 18 / 0 / 67

HEX #184554

RGB 24 69 84

HSL 195, 0.56%, 0.21%

LAB 26.99, -9.88, -13.49

 

CMYK 71 / 37 / 0 / 67

HEX #183554

RGB 24 53 84

HSL 211, 0.56%, 0.21%

LAB 21.51, 0.62, -22.03

 

CMYK 71 / 56 / 0 / 67

HEX #182554

RGB 24 37 84

HSL 227, 0.56%, 0.21%

LAB 16.29, 12.2, -30.35

 

CMYK 71 / 71 / 0 / 67

HEX #181854

RGB 24 24 84

HSL 240, 0.56%, 0.21%

LAB 12.53, 21.73, -36.47

 

CMYK 71 / 0 / 2 / 67

HEX #185452

RGB 24 84 82

HSL 178, 0.56%, 0.21%

LAB 32.13, -19.25, -4.44

 

CMYK 84 / 0 / 2 / 64

HEX #0F5C5A

RGB 15 92 90

HSL 178.44, 0.72%, 0.21%

LAB 34.99, -22.16, -5.24

 

CMYK 94 / 0 / 3 / 60

HEX #066562

RGB 6 101 98

HSL 178.11, 0.89%, 0.21%

LAB 38.25, -24.91, -5.36

 

CMYK 71 / 0 / 2 / 67

HEX #185452

RGB 24 84 82

HSL 178, 0.56%, 0.21%

LAB 32.13, -19.25, -4.44

 

CMYK 57 / 0 / 3 / 71

HEX #204B49

RGB 32 75 73

HSL 177.21, 0.4%, 0.21%

LAB 28.95, -15.41, -3.37

 

CMYK 38 / 0 / 2 / 74

HEX #294241

RGB 41 66 65

HSL 177.6, 0.23%, 0.21%

LAB 26.01, -9.85, -2.46

 

CMYK 14 / 0 / 2 / 77

HEX #323A39

RGB 50 58 57

HSL 172.5, 0.07%, 0.21%

LAB 23.67, -3.59, -0.52

 

CMYK 0 / 16 / 16 / 77

HEX #3A3131

RGB 58 49 49

HSL 0, 0.08%, 0.21%

LAB 21.27, 4.04, 1.49

 

CMYK 71 / 0 / 40 / 67

HEX #185432

RGB 24 84 50

HSL 146, 0.56%, 0.21%

LAB 31.27, -28.05, 14.42

 

CMYK 71 / 0 / 21 / 67

HEX #185442

RGB 24 84 66

HSL 162, 0.56%, 0.21%

LAB 31.64, -24.07, 4.98

 

CMYK 71 / 0 / 2 / 67

HEX #185452

RGB 24 84 82

HSL 178, 0.56%, 0.21%

LAB 32.13, -19.25, -4.44

 

CMYK 71 / 17 / 0 / 67

HEX #184654

RGB 24 70 84

HSL 194, 0.56%, 0.21%

LAB 27.34, -10.49, -12.96

 

CMYK 71 / 36 / 0 / 67

HEX #183654

RGB 24 54 84

HSL 210, 0.56%, 0.21%

LAB 21.85, -0.07, -21.5

 

CMYK 74 / 0 / 0 / 93

HEX #051313

RGB 5 19 19

HSL 180, 0.58%, 0.05%

LAB 4.92, -4.3, -1.52

 

CMYK 73 / 0 / 2 / 80

HEX #0E3332

RGB 14 51 50

HSL 178.38, 0.57%, 0.13%

LAB 18.76, -13.18, -3.26

 

CMYK 71 / 0 / 2 / 67

HEX #185452

RGB 24 84 82

HSL 178, 0.56%, 0.21%

LAB 32.13, -19.25, -4.44

 

CMYK 72 / 0 / 3 / 55

HEX #217471

RGB 33 116 113

HSL 177.83, 0.56%, 0.29%

LAB 44.24, -24.78, -5.51

 

CMYK 72 / 0 / 3 / 42

HEX #2A9490

RGB 42 148 144

HSL 177.74, 0.56%, 0.37%

LAB 55.77, -29.99, -6.52

 

CMYK 72 / 0 / 2 / 67

HEX #185553

RGB 24 85 83

HSL 178.03, 0.56%, 0.21%

LAB 32.52, -19.47, -4.5

 

CMYK 60 / 71 / 0 / 67

HEX #221854

RGB 34 24 84

HSL 250, 0.56%, 0.21%

LAB 13.43, 23.53, -34.95

 

CMYK 0 / 31 / 71 / 67

HEX #543A18

RGB 84 58 24

HSL 34, 0.56%, 0.21%

LAB 26.67, 7.51, 25.16

 

CMYK 72 / 0 / 2 / 67

HEX #185553

RGB 24 85 83

HSL 178.03, 0.56%, 0.21%

LAB 32.52, -19.47, -4.5

 

CMYK 2 / 71 / 0 / 67

HEX #521854

RGB 82 24 84

HSL 298, 0.56%, 0.21%

LAB 20.39, 35.44, -23.4

 

CMYK 0 / 2 / 71 / 67

HEX #545218

RGB 84 82 24

HSL 58, 0.56%, 0.21%

LAB 33.95, -7.35, 32.96

 

CMYK 72 / 0 / 2 / 67

HEX #185553

RGB 24 85 83

HSL 178.03, 0.56%, 0.21%

LAB 32.52, -19.47, -4.5

 

CMYK 60 / 71 / 0 / 67

HEX #221854

RGB 34 24 84

HSL 250, 0.56%, 0.21%

LAB 13.43, 23.53, -34.95

 

CMYK 0 / 71 / 69 / 67

HEX #54181A

RGB 84 24 26

HSL 358, 0.56%, 0.21%

LAB 18.42, 27.97, 14.09

 

CMYK 12 / 0 / 71 / 67

HEX #4A5418

RGB 74 84 24

HSL 70, 0.56%, 0.21%

LAB 33.69, -13.37, 32.41

 

CMYK 72 / 0 / 2 / 67

HEX #185553

RGB 24 85 83

HSL 178.03, 0.56%, 0.21%

LAB 32.52, -19.47, -4.5

 

CMYK 38 / 71 / 0 / 67

HEX #341854

RGB 52 24 84

HSL 268, 0.56%, 0.21%

LAB 15.61, 27.57, -31.32

 

CMYK 0 / 71 / 69 / 67

HEX #54181A

RGB 84 24 26

HSL 358, 0.56%, 0.21%

LAB 18.42, 27.97, 14.09

 

CMYK 33 / 0 / 71 / 67

HEX #385418

RGB 56 84 24

HSL 88, 0.56%, 0.21%

LAB 32.36, -21.54, 30.6

 

Description

Color code: HEX #185553 | qconv.com Color code: HEX #185553 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 85 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 85 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 2 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 2% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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