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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #183DD4 it is the complementary color #E7C22B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #183DD4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #183DD4 shade: #1D3DCF, #2E4FE2, #3F61F5, #5073FF and #6185FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #183DD4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #183DD4 shade: #183DD4, #072BC1, #0019AE, #00079B and #000088

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #183DD4 shade: #173CD3, #2517D3, #5817D3, #8A17D3 and #BD17D3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #183DD4 shade: #173CD3 and #1717D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #183DD4 shade matches the following richer shades: #173CD3 and #0431E6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #183DD4 shade: #173CD3, #2A48C0, #3D53AD, #505F9A and #636A87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #183DD4 shade: #17A1D3, #176FD3, #173DD3, #2417D3 and #5617D3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #183DD4 shade: #0F2789, #1332AE, #173CD3, #2C51E8 and #5170EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #183DD4 shade: #183DD4, #D317D3 and #88D317

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #183DD4 shade: #183DD4, #D3173D and #3DD317

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #183DD4 shade: #183DD4, #D317D3, #D3AE17 and #17D317

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #183DD4 shade: #183DD4, #D3179B, #D3AE17 and #17D350

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 71 / 0 / 17

HEX #183DD4

RGB 24 61 212

HSL 228.19, 0.8%, 0.46%

LAB 34.57, 45.64, -79.6

 

Complementary color

CMYK 0 / 16 / 81 / 9

HEX #E7C22B

RGB 231 194 43

HSL 48.19, 0.8%, 0.54%

LAB 79.47, -0.79, 73.57

 

CMYK 86 / 71 / 0 / 19

HEX #1D3DCF

RGB 29 61 207

HSL 229.21, 0.75%, 0.46%

LAB 34.2, 44.11, -77.32

 

CMYK 80 / 65 / 0 / 11

HEX #2E4FE2

RGB 46 79 226

HSL 229, 0.76%, 0.53%

LAB 40.68, 40.96, -77.54

 

CMYK 74 / 60 / 0 / 4

HEX #3F61F5

RGB 63 97 245

HSL 228.79, 0.9%, 0.6%

LAB 47.23, 38.14, -77.49

 

CMYK 69 / 55 / 0 / 0

HEX #5073FF

RGB 80 115 255

HSL 228, 1%, 0.66%

LAB 53.15, 32.58, -73.38

 

CMYK 62 / 48 / 0 / 0

HEX #6185FF

RGB 97 133 255

HSL 226.33, 1%, 0.69%

LAB 58.54, 24.22, -64.63

 

CMYK 89 / 71 / 0 / 17

HEX #183DD4

RGB 24 61 212

HSL 228.19, 0.8%, 0.46%

LAB 34.57, 45.64, -79.6

 

CMYK 96 / 78 / 0 / 24

HEX #072BC1

RGB 7 43 193

HSL 228.39, 0.93%, 0.39%

LAB 28.44, 48.94, -78.68

 

CMYK 100 / 86 / 0 / 32

HEX #0019AE

RGB 0 25 174

HSL 231.38, 1%, 0.34%

LAB 22.83, 51.63, -76.7

 

CMYK 100 / 95 / 0 / 39

HEX #00079B

RGB 0 7 155

HSL 237.29, 1%, 0.3%

LAB 18, 52.44, -73.2

 

CMYK 100 / 100 / 0 / 47

HEX #000088

RGB 0 0 136

HSL 240, 1%, 0.27%

LAB 14.27, 49.64, -67.6

 

CMYK 89 / 72 / 0 / 17

HEX #173CD3

RGB 23 60 211

HSL 228.19, 0.8%, 0.46%

LAB 34.23, 45.84, -79.59

 

CMYK 82 / 89 / 0 / 17

HEX #2517D3

RGB 37 23 211

HSL 244.47, 0.8%, 0.46%

LAB 28.67, 63.94, -88.81

 

CMYK 58 / 89 / 0 / 17

HEX #5817D3

RGB 88 23 211

HSL 260.74, 0.8%, 0.46%

LAB 32.68, 66.76, -82.02

 

CMYK 35 / 89 / 0 / 17

HEX #8A17D3

RGB 138 23 211

HSL 276.7, 0.8%, 0.46%

LAB 39.1, 72, -71.22

 

CMYK 10 / 89 / 0 / 17

HEX #BD17D3

RGB 189 23 211

HSL 292.98, 0.8%, 0.46%

LAB 47.15, 79.4, -57.78

 

CMYK 89 / 72 / 0 / 17

HEX #173CD3

RGB 23 60 211

HSL 228.19, 0.8%, 0.46%

LAB 34.23, 45.84, -79.59

 

CMYK 89 / 89 / 0 / 17

HEX #1717D3

RGB 23 23 211

HSL 240, 0.8%, 0.46%

LAB 28.11, 63.58, -89.75

 

CMYK 89 / 72 / 0 / 17

HEX #173CD3

RGB 23 60 211

HSL 228.19, 0.8%, 0.46%

LAB 34.23, 45.84, -79.59

 

CMYK 98 / 79 / 0 / 10

HEX #0431E6

RGB 4 49 230

HSL 228.05, 0.97%, 0.46%

LAB 33.85, 57.9, -91.14

 

CMYK 89 / 72 / 0 / 17

HEX #173CD3

RGB 23 60 211

HSL 228.19, 0.8%, 0.46%

LAB 34.23, 45.84, -79.59

 

CMYK 78 / 63 / 0 / 25

HEX #2A48C0

RGB 42 72 192

HSL 228, 0.64%, 0.46%

LAB 35.85, 32.69, -65.84

 

CMYK 65 / 52 / 0 / 32

HEX #3D53AD

RGB 61 83 173

HSL 228.21, 0.48%, 0.46%

LAB 38.19, 21.1, -50.8

 

CMYK 48 / 38 / 0 / 40

HEX #505F9A

RGB 80 95 154

HSL 227.84, 0.32%, 0.46%

LAB 41.57, 11.01, -34.04

 

CMYK 27 / 21 / 0 / 47

HEX #636A87

RGB 99 106 135

HSL 228.33, 0.15%, 0.46%

LAB 45.23, 4.28, -16.87

 

CMYK 89 / 24 / 0 / 17

HEX #17A1D3

RGB 23 161 211

HSL 195.96, 0.8%, 0.46%

LAB 61.98, -16.36, -34.97

 

CMYK 89 / 47 / 0 / 17

HEX #176FD3

RGB 23 111 211

HSL 211.91, 0.8%, 0.46%

LAB 47.31, 13.17, -58.23

 

CMYK 89 / 71 / 0 / 17

HEX #173DD3

RGB 23 61 211

HSL 227.87, 0.8%, 0.46%

LAB 34.44, 45.24, -79.23

 

CMYK 83 / 89 / 0 / 17

HEX #2417D3

RGB 36 23 211

HSL 244.15, 0.8%, 0.46%

LAB 28.62, 63.91, -88.89

 

CMYK 59 / 89 / 0 / 17

HEX #5617D3

RGB 86 23 211

HSL 260.11, 0.8%, 0.46%

LAB 32.47, 66.6, -82.38

 

CMYK 89 / 72 / 0 / 46

HEX #0F2789

RGB 15 39 137

HSL 228.2, 0.8%, 0.3%

LAB 21.43, 31.34, -56.33

 

CMYK 89 / 71 / 0 / 32

HEX #1332AE

RGB 19 50 174

HSL 228, 0.8%, 0.38%

LAB 28.05, 38.44, -68.03

 

CMYK 89 / 72 / 0 / 17

HEX #173CD3

RGB 23 60 211

HSL 228.19, 0.8%, 0.46%

LAB 34.23, 45.84, -79.59

 

CMYK 81 / 65 / 0 / 9

HEX #2C51E8

RGB 44 81 232

HSL 228.19, 0.8%, 0.54%

LAB 41.61, 41.71, -79.43

 

CMYK 66 / 53 / 0 / 7

HEX #5170EC

RGB 81 112 236

HSL 228, 0.8%, 0.62%

LAB 51.14, 28.04, -66.06

 

CMYK 89 / 71 / 0 / 17

HEX #183DD4

RGB 24 61 212

HSL 228.19, 0.8%, 0.46%

LAB 34.57, 45.64, -79.6

 

CMYK 0 / 89 / 0 / 17

HEX #D317D3

RGB 211 23 211

HSL 300, 0.8%, 0.46%

LAB 50.88, 83.04, -51.59

 

CMYK 36 / 0 / 89 / 17

HEX #88D317

RGB 136 211 23

HSL 83.94, 0.8%, 0.46%

LAB 77.21, -48.23, 73.41

 

CMYK 89 / 71 / 0 / 17

HEX #183DD4

RGB 24 61 212

HSL 228.19, 0.8%, 0.46%

LAB 34.57, 45.64, -79.6

 

CMYK 0 / 89 / 71 / 17

HEX #D3173D

RGB 211 23 61

HSL 347.87, 0.8%, 0.46%

LAB 45.36, 68.27, 30.56

 

CMYK 71 / 0 / 89 / 17

HEX #3DD317

RGB 61 211 23

HSL 107.87, 0.8%, 0.46%

LAB 74.6, -68.57, 70.16

 

CMYK 89 / 71 / 0 / 17

HEX #183DD4

RGB 24 61 212

HSL 228.19, 0.8%, 0.46%

LAB 34.57, 45.64, -79.6

 

CMYK 0 / 89 / 0 / 17

HEX #D317D3

RGB 211 23 211

HSL 300, 0.8%, 0.46%

LAB 50.88, 83.04, -51.59

 

CMYK 0 / 18 / 89 / 17

HEX #D3AE17

RGB 211 174 23

HSL 48.19, 0.8%, 0.46%

LAB 72.35, 0.48, 71.76

 

CMYK 89 / 0 / 89 / 17

HEX #17D317

RGB 23 211 23

HSL 120, 0.8%, 0.46%

LAB 74.08, -73.13, 69.52

 

CMYK 89 / 71 / 0 / 17

HEX #183DD4

RGB 24 61 212

HSL 228.19, 0.8%, 0.46%

LAB 34.57, 45.64, -79.6

 

CMYK 0 / 89 / 27 / 17

HEX #D3179B

RGB 211 23 155

HSL 317.87, 0.8%, 0.46%

LAB 48.04, 75.68, -23.26

 

CMYK 0 / 18 / 89 / 17

HEX #D3AE17

RGB 211 174 23

HSL 48.19, 0.8%, 0.46%

LAB 72.35, 0.48, 71.76

 

CMYK 89 / 0 / 62 / 17

HEX #17D350

RGB 23 211 80

HSL 138.19, 0.8%, 0.46%

LAB 74.41, -68.94, 51.67

 

Description

Color code: HEX #183DD4 | qconv.com Color code: HEX #183DD4 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 61 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 61 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, 71 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 71% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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