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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #183B274C it is the complementary color #E7C4D84C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #183B274C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #183B274C shade: #1D3B224C, #2E4D354C, #3F5F484C, #50715B4C and #61836E4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #183B274C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #183B274C shade: #183B274C, #0729144C, #0017014C, #0005004C and #0000004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #183B274C shade: #183A26, #183A1D, #1B3A18, #253A18 and #2E3A18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #183B274C shade: #183A26, #183A30, #183A39, #18323A and #18293A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #183B274C shade matches the following richer shades: #183A26, #114125, #0A4724 and #044E24

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #183B274C shade: #183A26, #1E3327, #252D28, #2B2629 and #32202A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #183B274C shade: #1C3A18, #183A1D, #183A26, #183A2F and #183A38

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #183B274C shade: #000000, #0C1D13, #183A26, #24573A and #30754D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #183B274C shade: #183B27, #18253A and #3A1818

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #183B274C shade: #183B27, #26183A and #3A2618

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #183B274C shade: #183B27, #18253A, #3A182C and #3A2D18

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #183B274C shade: #183B27, #181B3A, #3A182C and #3A3718

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 10 / 23

HEX #183B274C

RGBA 24 59 39 0.3

HSLA 145.71, 0.42%, 0.16%, 0.3

LABA 21.83, -18.3, 8.63, 0.3

 

Complementary color

CMYK 0 / 5 / 2 / 3

HEX #E7C4D84C

RGBA 231 196 216 0.3

HSLA 325.71, 0.42%, 0.84%, 0.3

LABA 82.61, 15.69, -5.34, 0.3

 

CMYK 15 / 0 / 13 / 23

HEX #1D3B224C

RGBA 29 59 34 0.3

HSLA 130, 0.34%, 0.17%, 0.3

LABA 21.96, -17.77, 12.11, 0.3

 

CMYK 12 / 0 / 9 / 21

HEX #2E4D354C

RGBA 46 77 53 0.3

HSLA 133.55, 0.25%, 0.24%, 0.3

LABA 29.78, -17.47, 10.71, 0.3

 

CMYK 10 / 0 / 7 / 19

HEX #3F5F484C

RGBA 63 95 72 0.3

HSLA 136.88, 0.2%, 0.31%, 0.3

LABA 37.32, -17.16, 9.51, 0.3

 

CMYK 9 / 0 / 6 / 17

HEX #50715B4C

RGBA 80 113 91 0.3

HSLA 140, 0.17%, 0.38%, 0.3

LABA 44.62, -16.88, 8.45, 0.3

 

CMYK 8 / 0 / 5 / 15

HEX #61836E4C

RGBA 97 131 110 0.3

HSLA 142.94, 0.15%, 0.45%, 0.3

LABA 51.72, -16.64, 7.5, 0.3

 

CMYK 18 / 0 / 10 / 23

HEX #183B274C

RGBA 24 59 39 0.3

HSLA 145.71, 0.42%, 0.16%, 0.3

LABA 21.83, -18.3, 8.63, 0.3

 

CMYK 25 / 0 / 15 / 25

HEX #0729144C

RGBA 7 41 20 0.3

HSLA 142.94, 0.71%, 0.09%, 0.3

LABA 13.72, -18.29, 10.3, 0.3

 

CMYK 30 / 0 / 29 / 27

HEX #0017014C

RGBA 0 23 1 0.3

HSLA 122.61, 1%, 0.05%, 0.3

LABA 5.56, -11.17, 7.7, 0.3

 

CMYK 30 / 0 / 30 / 29

HEX #0005004C

RGBA 0 5 0 0.3

HSLA 120, 1%, 0.01%, 0.3

LABA 0.98, -2, 1.43, 0.3

 

CMYK 0 / 0 / 0 / 100

HEX #0000004C

RGBA 0 0 0 0.3

HSLA 0, 0%, 0%, 0.3

LABA 0, 0, 0, 0.3

 

CMYK 59 / 0 / 34 / 77

HEX #183A26

RGB 24 58 38

HSL 144.71, 0.41%, 0.16%

LAB 21.43, -18, 8.74

 

CMYK 59 / 0 / 50 / 77

HEX #183A1D

RGB 24 58 29

HSL 128.82, 0.41%, 0.16%

LAB 21.24, -19.96, 14.32

 

CMYK 53 / 0 / 59 / 77

HEX #1B3A18

RGB 27 58 24

HSL 114.71, 0.41%, 0.16%

LAB 21.3, -19.82, 17.53

 

CMYK 36 / 0 / 59 / 77

HEX #253A18

RGB 37 58 24

HSL 97.06, 0.41%, 0.16%

LAB 21.89, -15.81, 18.38

 

CMYK 21 / 0 / 59 / 77

HEX #2E3A18

RGB 46 58 24

HSL 81.18, 0.41%, 0.16%

LAB 22.56, -11.7, 19.35

 

CMYK 59 / 0 / 34 / 77

HEX #183A26

RGB 24 58 38

HSL 144.71, 0.41%, 0.16%

LAB 21.43, -18, 8.74

 

CMYK 59 / 0 / 17 / 77

HEX #183A30

RGB 24 58 48

HSL 162.35, 0.41%, 0.16%

LAB 21.7, -15.35, 2.45

 

CMYK 59 / 0 / 2 / 77

HEX #183A39

RGB 24 58 57

HSL 178.24, 0.41%, 0.16%

LAB 22, -12.6, -3.17

 

CMYK 59 / 14 / 0 / 77

HEX #18323A

RGB 24 50 58

HSL 194.12, 0.41%, 0.16%

LAB 19.14, -7.26, -8.14

 

CMYK 59 / 29 / 0 / 77

HEX #18293A

RGB 24 41 58

HSL 210, 0.41%, 0.16%

LAB 15.93, -1.14, -13.08

 

CMYK 59 / 0 / 34 / 77

HEX #183A26

RGB 24 58 38

HSL 144.71, 0.41%, 0.16%

LAB 21.43, -18, 8.74

 

CMYK 74 / 0 / 43 / 75

HEX #114125

RGB 17 65 37

HSL 145, 0.59%, 0.16%

LAB 23.78, -23.66, 12.52

 

CMYK 86 / 0 / 49 / 72

HEX #0A4724

RGB 10 71 36

HSL 145.57, 0.75%, 0.16%

LAB 25.86, -27.92, 15.83

 

CMYK 95 / 0 / 54 / 69

HEX #044E24

RGB 4 78 36

HSL 145.95, 0.9%, 0.16%

LAB 28.39, -31.69, 19.03

 

CMYK 59 / 0 / 34 / 77

HEX #183A26

RGB 24 58 38

HSL 144.71, 0.41%, 0.16%

LAB 21.43, -18, 8.74

 

CMYK 41 / 0 / 24 / 80

HEX #1E3327

RGB 30 51 39

HSL 145.71, 0.26%, 0.16%

LAB 19.18, -11.67, 4.99

 

CMYK 18 / 0 / 11 / 82

HEX #252D28

RGB 37 45 40

HSL 142.5, 0.1%, 0.16%

LAB 17.57, -4.74, 2.07

 

CMYK 0 / 12 / 5 / 83

HEX #2B2629

RGB 43 38 41

HSL 324, 0.06%, 0.16%

LAB 15.8, 3.01, -1.14

 

CMYK 0 / 36 / 16 / 80

HEX #32202A

RGB 50 32 42

HSL 326.67, 0.22%, 0.16%

LAB 14.84, 10.65, -3.18

 

CMYK 52 / 0 / 59 / 77

HEX #1C3A18

RGB 28 58 24

HSL 112.94, 0.41%, 0.16%

LAB 21.35, -19.45, 17.6

 

CMYK 59 / 0 / 50 / 77

HEX #183A1D

RGB 24 58 29

HSL 128.82, 0.41%, 0.16%

LAB 21.24, -19.96, 14.32

 

CMYK 59 / 0 / 34 / 77

HEX #183A26

RGB 24 58 38

HSL 144.71, 0.41%, 0.16%

LAB 21.43, -18, 8.74

 

CMYK 59 / 0 / 19 / 77

HEX #183A2F

RGB 24 58 47

HSL 160.59, 0.41%, 0.16%

LAB 21.67, -15.64, 3.08

 

CMYK 59 / 0 / 3 / 77

HEX #183A38

RGB 24 58 56

HSL 176.47, 0.41%, 0.16%

LAB 21.97, -12.92, -2.55

 

CMYK 59 / 0 / 34 / 89

HEX #0C1D13

RGB 12 29 19

HSL 144.71, 0.41%, 0.08%

LAB 9.02, -9.87, 4.51

 

CMYK 59 / 0 / 34 / 77

HEX #183A26

RGB 24 58 38

HSL 144.71, 0.41%, 0.16%

LAB 21.43, -18, 8.74

 

CMYK 59 / 0 / 33 / 66

HEX #24573A

RGB 36 87 58

HSL 145.88, 0.41%, 0.24%

LAB 32.91, -24.75, 11.81

 

CMYK 59 / 0 / 34 / 54

HEX #30754D

RGB 48 117 77

HSL 145.22, 0.42%, 0.32%

LAB 44.07, -31.71, 15.71

 

CMYK 59 / 0 / 34 / 77

HEX #183B27

RGB 24 59 39

HSL 145.71, 0.42%, 0.16%

LAB 21.83, -18.3, 8.63

 

CMYK 59 / 36 / 0 / 77

HEX #18253A

RGB 24 37 58

HSL 217.06, 0.41%, 0.16%

LAB 14.53, 1.74, -15.26

 

CMYK 0 / 59 / 59 / 77

HEX #3A1818

RGB 58 24 24

HSL 0, 0.41%, 0.16%

LAB 13.34, 16.79, 7.91

 

CMYK 59 / 0 / 34 / 77

HEX #183B27

RGB 24 59 39

HSL 145.71, 0.42%, 0.16%

LAB 21.83, -18.3, 8.63

 

CMYK 34 / 59 / 0 / 77

HEX #26183A

RGB 38 24 58

HSL 264.71, 0.41%, 0.16%

LAB 11.76, 15.79, -19.54

 

CMYK 0 / 34 / 59 / 77

HEX #3A2618

RGB 58 38 24

HSL 24.71, 0.41%, 0.16%

LAB 17.23, 7.46, 13.03

 

CMYK 59 / 0 / 34 / 77

HEX #183B27

RGB 24 59 39

HSL 145.71, 0.42%, 0.16%

LAB 21.83, -18.3, 8.63

 

CMYK 59 / 36 / 0 / 77

HEX #18253A

RGB 24 37 58

HSL 217.06, 0.41%, 0.16%

LAB 14.53, 1.74, -15.26

 

CMYK 0 / 59 / 24 / 77

HEX #3A182C

RGB 58 24 44

HSL 324.71, 0.41%, 0.16%

LAB 14.03, 19.78, -5.71

 

CMYK 0 / 22 / 59 / 77

HEX #3A2D18

RGB 58 45 24

HSL 37.06, 0.41%, 0.16%

LAB 19.4, 2.71, 15.77

 

CMYK 59 / 0 / 34 / 77

HEX #183B27

RGB 24 59 39

HSL 145.71, 0.42%, 0.16%

LAB 21.83, -18.3, 8.63

 

CMYK 59 / 53 / 0 / 77

HEX #181B3A

RGB 24 27 58

HSL 234.71, 0.41%, 0.16%

LAB 11.16, 9.24, -20.59

 

CMYK 0 / 59 / 24 / 77

HEX #3A182C

RGB 58 24 44

HSL 324.71, 0.41%, 0.16%

LAB 14.03, 19.78, -5.71

 

CMYK 0 / 5 / 59 / 77

HEX #3A3718

RGB 58 55 24

HSL 54.71, 0.41%, 0.16%

LAB 22.65, -3.86, 19.72

 

Description

Color code: HEX #183B274C | qconv.com Color code: HEX #183B274C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 59 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 59 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 10 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 10% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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