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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #181CB2 it is the complementary color #E7E34D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #181CB2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #181CB2 shade: #1D1CAD, #2E2EC0, #3F40D3, #5052E6 and #6164F9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #181CB2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #181CB2 shade: #181CB2, #070A9F, #00008C, #000079 and #000066

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #181CB2 shade: #181DB4, #3E18B4, #6818B4, #9218B4 and #B418AB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #181CB2 shade: #181DB4 and #1818B4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #181CB2 shade matches the following richer shades: #181DB4 and #080DC4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #181CB2 shade: #181DB4, #292CA3, #393C93, #4A4B82 and #5A5B72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #181CB2 shade: #1870B4, #1847B4, #181EB4, #3D18B4 and #6618B4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #181CB2 shade: #0F116B, #14178F, #181DB4, #1D22D8 and #3A3FE4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #181CB2 shade: #181CB2, #B4189A and #5CB418

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #181CB2 shade: #181CB2, #B4181E and #1EB418

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #181CB2 shade: #181CB2, #B4189A, #B4AE18 and #18B432

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #181CB2 shade: #181CB2, #B4186B, #B4AE18 and #18B461

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 84 / 0 / 30

HEX #181CB2

RGB 24 28 178

HSL 238.44, 0.76%, 0.4%

LAB 24.45, 52.1, -76.4

 

Complementary color

CMYK 0 / 2 / 67 / 9

HEX #E7E34D

RGB 231 227 77

HSL 58.44, 0.76%, 0.6%

LAB 88.19, -16.02, 70.38

 

CMYK 83 / 84 / 0 / 32

HEX #1D1CAD

RGB 29 28 173

HSL 240.41, 0.72%, 0.39%

LAB 24.03, 50.75, -74.08

 

CMYK 76 / 76 / 0 / 25

HEX #2E2EC0

RGB 46 46 192

HSL 240, 0.61%, 0.47%

LAB 30.26, 48.76, -75.04

 

CMYK 70 / 70 / 0 / 17

HEX #3F40D3

RGB 63 64 211

HSL 239.59, 0.63%, 0.54%

LAB 36.79, 46.44, -75.3

 

CMYK 65 / 64 / 0 / 10

HEX #5052E6

RGB 80 82 230

HSL 239.2, 0.75%, 0.61%

LAB 43.44, 44.18, -75.22

 

CMYK 61 / 60 / 0 / 2

HEX #6164F9

RGB 97 100 249

HSL 238.82, 0.93%, 0.68%

LAB 50.09, 42.12, -74.98

 

CMYK 87 / 84 / 0 / 30

HEX #181CB2

RGB 24 28 178

HSL 238.44, 0.76%, 0.4%

LAB 24.45, 52.1, -76.4

 

CMYK 96 / 94 / 0 / 38

HEX #070A9F

RGB 7 10 159

HSL 238.82, 0.92%, 0.33%

LAB 19.08, 52.79, -73.85

 

CMYK 100 / 100 / 0 / 45

HEX #00008C

RGB 0 0 140

HSL 240, 1%, 0.27%

LAB 14.92, 50.69, -69.04

 

CMYK 100 / 100 / 0 / 53

HEX #000079

RGB 0 0 121

HSL 240, 1%, 0.24%

LAB 11.83, 45.63, -62.14

 

CMYK 100 / 100 / 0 / 60

HEX #000066

RGB 0 0 102

HSL 240, 1%, 0.2%

LAB 8.65, 40.41, -55.04

 

CMYK 87 / 84 / 0 / 29

HEX #181DB4

RGB 24 29 180

HSL 238.08, 0.76%, 0.4%

LAB 24.85, 52.26, -76.92

 

CMYK 66 / 87 / 0 / 29

HEX #3E18B4

RGB 62 24 180

HSL 254.62, 0.76%, 0.4%

LAB 26.66, 56.44, -73.85

 

CMYK 42 / 87 / 0 / 29

HEX #6818B4

RGB 104 24 180

HSL 270.77, 0.76%, 0.4%

LAB 31.56, 60.77, -65.59

 

CMYK 19 / 87 / 0 / 29

HEX #9218B4

RGB 146 24 180

HSL 286.92, 0.76%, 0.4%

LAB 37.95, 66.92, -54.9

 

CMYK 0 / 87 / 5 / 29

HEX #B418AB

RGB 180 24 171

HSL 303.46, 0.76%, 0.4%

LAB 43.21, 71.44, -40.8

 

CMYK 87 / 84 / 0 / 29

HEX #181DB4

RGB 24 29 180

HSL 238.08, 0.76%, 0.4%

LAB 24.85, 52.26, -76.92

 

CMYK 87 / 87 / 0 / 29

HEX #1818B4

RGB 24 24 180

HSL 240, 0.76%, 0.4%

LAB 24.14, 54.39, -78.11

 

CMYK 87 / 84 / 0 / 29

HEX #181DB4

RGB 24 29 180

HSL 238.08, 0.76%, 0.4%

LAB 24.85, 52.26, -76.92

 

CMYK 96 / 93 / 0 / 23

HEX #080DC4

RGB 8 13 196

HSL 238.4, 0.92%, 0.4%

LAB 24.72, 62.16, -86.65

 

CMYK 87 / 84 / 0 / 29

HEX #181DB4

RGB 24 29 180

HSL 238.08, 0.76%, 0.4%

LAB 24.85, 52.26, -76.92

 

CMYK 75 / 73 / 0 / 36

HEX #292CA3

RGB 41 44 163

HSL 238.52, 0.6%, 0.4%

LAB 26.5, 39.77, -63.93

 

CMYK 61 / 59 / 0 / 42

HEX #393C93

RGB 57 60 147

HSL 238, 0.44%, 0.4%

LAB 29.93, 26.22, -48.52

 

CMYK 43 / 42 / 0 / 49

HEX #4A4B82

RGB 74 75 130

HSL 238.93, 0.27%, 0.4%

LAB 34.19, 14.64, -31.16

 

CMYK 21 / 20 / 0 / 55

HEX #5A5B72

RGB 90 91 114

HSL 237.5, 0.12%, 0.4%

LAB 39.36, 4.99, -13.16

 

CMYK 87 / 38 / 0 / 29

HEX #1870B4

RGB 24 112 180

HSL 206.15, 0.76%, 0.4%

LAB 45.74, 0.48, -42.89

 

CMYK 87 / 61 / 0 / 29

HEX #1847B4

RGB 24 71 180

HSL 221.92, 0.76%, 0.4%

LAB 33.97, 27.28, -61.87

 

CMYK 87 / 83 / 0 / 29

HEX #181EB4

RGB 24 30 180

HSL 237.69, 0.76%, 0.4%

LAB 25.01, 51.8, -76.66

 

CMYK 66 / 87 / 0 / 29

HEX #3D18B4

RGB 61 24 180

HSL 254.23, 0.76%, 0.4%

LAB 26.57, 56.36, -74

 

CMYK 43 / 87 / 0 / 29

HEX #6618B4

RGB 102 24 180

HSL 270, 0.76%, 0.4%

LAB 31.29, 60.52, -66.05

 

CMYK 86 / 84 / 0 / 58

HEX #0F116B

RGB 15 17 107

HSL 238.7, 0.75%, 0.24%

LAB 13.01, 33.87, -51.05

 

CMYK 86 / 84 / 0 / 44

HEX #14178F

RGB 20 23 143

HSL 238.54, 0.75%, 0.32%

LAB 18.99, 43.19, -64.11

 

CMYK 87 / 84 / 0 / 29

HEX #181DB4

RGB 24 29 180

HSL 238.08, 0.76%, 0.4%

LAB 24.85, 52.26, -76.92

 

CMYK 87 / 84 / 0 / 15

HEX #1D22D8

RGB 29 34 216

HSL 238.4, 0.76%, 0.48%

LAB 30.31, 61.09, -88.97

 

CMYK 75 / 72 / 0 / 11

HEX #3A3FE4

RGB 58 63 228

HSL 238.24, 0.76%, 0.56%

LAB 37.94, 52.08, -83.17

 

CMYK 87 / 84 / 0 / 30

HEX #181CB2

RGB 24 28 178

HSL 238.44, 0.76%, 0.4%

LAB 24.45, 52.1, -76.4

 

CMYK 0 / 87 / 14 / 29

HEX #B4189A

RGB 180 24 154

HSL 310, 0.76%, 0.4%

LAB 42.29, 69.02, -32.06

 

CMYK 49 / 0 / 87 / 29

HEX #5CB418

RGB 92 180 24

HSL 93.85, 0.76%, 0.4%

LAB 65.74, -50.52, 62.7

 

CMYK 87 / 84 / 0 / 30

HEX #181CB2

RGB 24 28 178

HSL 238.44, 0.76%, 0.4%

LAB 24.45, 52.1, -76.4

 

CMYK 0 / 87 / 83 / 29

HEX #B4181E

RGB 180 24 30

HSL 357.69, 0.76%, 0.4%

LAB 38.64, 58.79, 39.54

 

CMYK 83 / 0 / 87 / 29

HEX #1EB418

RGB 30 180 24

HSL 117.69, 0.76%, 0.4%

LAB 64.15, -63.64, 60.69

 

CMYK 87 / 84 / 0 / 30

HEX #181CB2

RGB 24 28 178

HSL 238.44, 0.76%, 0.4%

LAB 24.45, 52.1, -76.4

 

CMYK 0 / 87 / 14 / 29

HEX #B4189A

RGB 180 24 154

HSL 310, 0.76%, 0.4%

LAB 42.29, 69.02, -32.06

 

CMYK 0 / 3 / 87 / 29

HEX #B4AE18

RGB 180 174 24

HSL 57.69, 0.76%, 0.4%

LAB 69.5, -13.17, 68.08

 

CMYK 87 / 0 / 72 / 29

HEX #18B432

RGB 24 180 50

HSL 130, 0.76%, 0.4%

LAB 64.22, -62.54, 52.86

 

CMYK 87 / 84 / 0 / 30

HEX #181CB2

RGB 24 28 178

HSL 238.44, 0.76%, 0.4%

LAB 24.45, 52.1, -76.4

 

CMYK 0 / 87 / 41 / 29

HEX #B4186B

RGB 180 24 107

HSL 328.08, 0.76%, 0.4%

LAB 40.28, 63.51, -6.19

 

CMYK 0 / 3 / 87 / 29

HEX #B4AE18

RGB 180 174 24

HSL 57.69, 0.76%, 0.4%

LAB 69.5, -13.17, 68.08

 

CMYK 87 / 0 / 46 / 29

HEX #18B461

RGB 24 180 97

HSL 148.08, 0.76%, 0.4%

LAB 64.72, -56.34, 31.87

 

Description

Color code: HEX #181CB2 | qconv.com Color code: HEX #181CB2 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 28 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 28 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, 84 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 84% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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