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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #181663CE it is the complementary color #E7E99CCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #181663CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #181663CE shade: #1D165ECE, #2E2871CE, #3F3A84CE, #504C97CE and #615EAACE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #181663CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #181663CE shade: #181663CE, #070450CE, #00003DCE, #00002ACE and #000017CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #181663CE shade: #181664, #2D1664, #421664, #571664 and #64165C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #181663CE shade: #181664 and #161664

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #181663CE shade matches the following richer shades: #181664, #0F0C6E and #050278

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #181663CE shade: #181664, #21205A, #2B2A51, #343447 and #3E3E3D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #181663CE shade: #163F64, #162A64, #171664, #2C1664 and #411664

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #181663CE shade: #080721, #100F43, #181664, #201D86 and #2825A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #181663CE shade: #181663, #641653 and #346416

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #181663CE shade: #181663, #641716 and #166417

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #181663CE shade: #181663, #641653, #636416 and #166427

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #181663CE shade: #181663, #64163C, #636416 and #16643F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 63 / 0 / 50

HEX #181663CE

RGBA 24 22 99 0.81

HSLA 241.56, 0.64%, 0.24%, 0.81

LABA 13.64, 28.75, -44.71, 0.81

 

Complementary color

CMYK 1 / 0 / 27 / 7

HEX #E7E99CCE

RGBA 231 233 156 0.81

HSLA 61.56, 0.64%, 0.76%, 0.81

LABA 90.63, -12.2, 37.27, 0.81

 

CMYK 56 / 62 / 0 / 51

HEX #1D165ECE

RGBA 29 22 94 0.81

HSLA 245.83, 0.62%, 0.23%, 0.81

LABA 13.49, 27.56, -41.62, 0.81

 

CMYK 48 / 52 / 0 / 45

HEX #2E2871CE

RGBA 46 40 113 0.81

HSLA 244.93, 0.48%, 0.3%, 0.81

LABA 21.17, 25.43, -41.45, 0.81

 

CMYK 42 / 45 / 0 / 39

HEX #3F3A84CE

RGBA 63 58 132 0.81

HSLA 244.05, 0.39%, 0.37%, 0.81

LABA 28.77, 23.64, -41.11, 0.81

 

CMYK 38 / 40 / 0 / 33

HEX #504C97CE

RGBA 80 76 151 0.81

HSLA 243.2, 0.33%, 0.45%, 0.81

LABA 36.19, 22.18, -40.78, 0.81

 

CMYK 35 / 36 / 0 / 27

HEX #615EAACE

RGBA 97 94 170 0.81

HSLA 242.37, 0.31%, 0.52%, 0.81

LABA 43.43, 20.98, -40.5, 0.81

 

CMYK 61 / 63 / 0 / 50

HEX #181663CE

RGBA 24 22 99 0.81

HSLA 241.56, 0.64%, 0.24%, 0.81

LABA 13.64, 28.75, -44.71, 0.81

 

CMYK 74 / 77 / 0 / 56

HEX #070450CE

RGBA 7 4 80 0.81

HSLA 242.37, 0.9%, 0.16%, 0.81

LABA 6.42, 30.93, -43.84, 0.81

 

CMYK 81 / 81 / 0 / 62

HEX #00003DCE

RGBA 0 0 61 0.81

HSLA 240, 1%, 0.12%, 0.81

LABA 3.04, 21.39, -35.98, 0.81

 

CMYK 81 / 81 / 0 / 68

HEX #00002ACE

RGBA 0 0 42 0.81

HSLA 240, 1%, 0.08%, 0.81

LABA 1.51, 10.61, -24.29, 0.81

 

CMYK 81 / 81 / 0 / 74

HEX #000017CE

RGBA 0 0 23 0.81

HSLA 240, 1%, 0.05%, 0.81

LABA 0.56, 3.93, -10.69, 0.81

 

CMYK 76 / 78 / 0 / 61

HEX #181664

RGB 24 22 100

HSL 241.54, 0.64%, 0.24%

LAB 13.76, 29.11, -45.18

 

CMYK 55 / 78 / 0 / 61

HEX #2D1664

RGB 45 22 100

HSL 257.69, 0.64%, 0.24%

LAB 15.76, 32.1, -41.82

 

CMYK 34 / 78 / 0 / 61

HEX #421664

RGB 66 22 100

HSL 273.85, 0.64%, 0.24%

LAB 18.59, 36.14, -37.07

 

CMYK 13 / 78 / 0 / 61

HEX #571664

RGB 87 22 100

HSL 290, 0.64%, 0.24%

LAB 22.02, 40.79, -31.38

 

CMYK 0 / 78 / 8 / 61

HEX #64165C

RGB 100 22 92

HSL 306.15, 0.64%, 0.24%

LAB 23.86, 42.42, -23.04

 

CMYK 76 / 78 / 0 / 61

HEX #181664

RGB 24 22 100

HSL 241.54, 0.64%, 0.24%

LAB 13.76, 29.11, -45.18

 

CMYK 78 / 78 / 0 / 61

HEX #161664

RGB 22 22 100

HSL 240, 0.64%, 0.24%

LAB 13.62, 28.9, -45.42

 

CMYK 76 / 78 / 0 / 61

HEX #181664

RGB 24 22 100

HSL 241.54, 0.64%, 0.24%

LAB 13.76, 29.11, -45.18

 

CMYK 86 / 89 / 0 / 57

HEX #0F0C6E

RGB 15 12 110

HSL 241.84, 0.8%, 0.24%

LAB 12.55, 37.44, -53.79

 

CMYK 96 / 98 / 0 / 53

HEX #050278

RGB 5 2 120

HSL 241.53, 0.97%, 0.24%

LAB 12.17, 44.53, -60.92

 

CMYK 76 / 78 / 0 / 61

HEX #181664

RGB 24 22 100

HSL 241.54, 0.64%, 0.24%

LAB 13.76, 29.11, -45.18

 

CMYK 63 / 64 / 0 / 65

HEX #21205A

RGB 33 32 90

HSL 241.03, 0.48%, 0.24%

LAB 15.98, 20, -34.86

 

CMYK 47 / 48 / 0 / 68

HEX #2B2A51

RGB 43 42 81

HSL 241.54, 0.32%, 0.24%

LAB 19.07, 12.1, -23.8

 

CMYK 27 / 27 / 0 / 72

HEX #343447

RGB 52 52 71

HSL 240, 0.15%, 0.24%

LAB 22.45, 4.97, -11.74

 

CMYK 0 / 0 / 2 / 76

HEX #3E3E3D

RGB 62 62 61

HSL 60, 0.01%, 0.24%

LAB 26.18, -0.22, 0.61

 

CMYK 78 / 37 / 0 / 61

HEX #163F64

RGB 22 63 100

HSL 208.46, 0.64%, 0.24%

LAB 25.7, -0.09, -25.87

 

CMYK 78 / 58 / 0 / 61

HEX #162A64

RGB 22 42 100

HSL 224.62, 0.64%, 0.24%

LAB 19, 14.84, -36.61

 

CMYK 77 / 78 / 0 / 61

HEX #171664

RGB 23 22 100

HSL 240.77, 0.64%, 0.24%

LAB 13.69, 29.01, -45.3

 

CMYK 56 / 78 / 0 / 61

HEX #2C1664

RGB 44 22 100

HSL 256.92, 0.64%, 0.24%

LAB 15.64, 31.93, -42.02

 

CMYK 35 / 78 / 0 / 61

HEX #411664

RGB 65 22 100

HSL 273.08, 0.64%, 0.24%

LAB 18.44, 35.93, -37.33

 

CMYK 76 / 79 / 0 / 87

HEX #080721

RGB 8 7 33

HSL 242.31, 0.65%, 0.08%

LAB 2.83, 6.26, -15.22

 

CMYK 76 / 78 / 0 / 74

HEX #100F43

RGB 16 15 67

HSL 241.15, 0.63%, 0.16%

LAB 7.74, 20.16, -32.56

 

CMYK 76 / 78 / 0 / 61

HEX #181664

RGB 24 22 100

HSL 241.54, 0.64%, 0.24%

LAB 13.76, 29.11, -45.18

 

CMYK 76 / 78 / 0 / 47

HEX #201D86

RGB 32 29 134

HSL 241.71, 0.64%, 0.32%

LAB 19.67, 37.74, -57.33

 

CMYK 76 / 78 / 0 / 34

HEX #2825A8

RGB 40 37 168

HSL 241.37, 0.64%, 0.4%

LAB 25.57, 45.34, -68.5

 

CMYK 76 / 78 / 0 / 61

HEX #181663

RGB 24 22 99

HSL 241.56, 0.64%, 0.24%

LAB 13.64, 28.75, -44.71

 

CMYK 0 / 78 / 17 / 61

HEX #641653

RGB 100 22 83

HSL 313.08, 0.64%, 0.24%

LAB 23.36, 40.94, -17.82

 

CMYK 48 / 0 / 78 / 61

HEX #346416

RGB 52 100 22

HSL 96.92, 0.64%, 0.24%

LAB 37.67, -30.94, 36.86

 

CMYK 76 / 78 / 0 / 61

HEX #181663

RGB 24 22 99

HSL 241.56, 0.64%, 0.24%

LAB 13.64, 28.75, -44.71

 

CMYK 0 / 77 / 78 / 61

HEX #641716

RGB 100 23 22

HSL 0.77, 0.64%, 0.24%

LAB 21.51, 34.13, 21.29

 

CMYK 78 / 0 / 77 / 61

HEX #166417

RGB 22 100 23

HSL 120.77, 0.64%, 0.24%

LAB 36.64, -39.03, 35.09

 

CMYK 76 / 78 / 0 / 61

HEX #181663

RGB 24 22 99

HSL 241.56, 0.64%, 0.24%

LAB 13.64, 28.75, -44.71

 

CMYK 0 / 78 / 17 / 61

HEX #641653

RGB 100 22 83

HSL 313.08, 0.64%, 0.24%

LAB 23.36, 40.94, -17.82

 

CMYK 1 / 0 / 78 / 61

HEX #636416

RGB 99 100 22

HSL 60.77, 0.64%, 0.24%

LAB 40.94, -10.58, 41.15

 

CMYK 78 / 0 / 61 / 61

HEX #166427

RGB 22 100 39

HSL 133.08, 0.64%, 0.24%

LAB 36.8, -37.12, 27.67

 

CMYK 76 / 78 / 0 / 61

HEX #181663

RGB 24 22 99

HSL 241.56, 0.64%, 0.24%

LAB 13.64, 28.75, -44.71

 

CMYK 0 / 78 / 40 / 61

HEX #64163C

RGB 100 22 60

HSL 330.77, 0.64%, 0.24%

LAB 22.34, 37.73, -3.74

 

CMYK 1 / 0 / 78 / 61

HEX #636416

RGB 99 100 22

HSL 60.77, 0.64%, 0.24%

LAB 40.94, -10.58, 41.15

 

CMYK 78 / 0 / 37 / 61

HEX #16643F

RGB 22 100 63

HSL 151.54, 0.64%, 0.24%

LAB 37.2, -32.61, 14.53

 

Description

Color code: HEX #181663CE | qconv.com Color code: HEX #181663CE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 22 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 22 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 63 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 63% 0% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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