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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #181261 it is the complementary color #E7ED9E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #181261. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #181261 shade: #1D125C, #2E246F, #3F3682, #504895 and #615AA8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #181261. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #181261 shade: #181261, #07004E, #00003B, #000028 and #000015

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #181261 shade: #181263, #2E1263, #441263, #5A1263 and #631257

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #181261 shade: #181263 and #121263

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #181261 shade matches the following richer shades: #181263 and #10096D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #181261 shade: #181263, #201C5A, #282550, #302F47 and #39383D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #181261 shade: #123863, #122263, #181263, #2D1263 and #431263

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #181261 shade: #07051D, #100C40, #181263, #211986 and #291FA9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #181261 shade: #181261, #63124E and #2D6312

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #181261 shade: #181261, #631812 and #126318

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #181261 shade: #181261, #63124E, #5E6312 and #126328

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #181261 shade: #181261, #631235, #5E6312 and #126340

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 81 / 0 / 62

HEX #181261

RGB 24 18 97

HSL 244.56, 0.69%, 0.23%

LAB 12.54, 30.48, -45.19

 

Complementary color

CMYK 3 / 0 / 33 / 7

HEX #E7ED9E

RGB 231 237 158

HSL 64.56, 0.69%, 0.77%

LAB 91.7, -13.95, 37.67

 

CMYK 68 / 80 / 0 / 64

HEX #1D125C

RGB 29 18 92

HSL 248.92, 0.67%, 0.22%

LAB 12.39, 29.32, -42.08

 

CMYK 59 / 68 / 0 / 56

HEX #2E246F

RGB 46 36 111

HSL 248, 0.51%, 0.29%

LAB 20, 27.37, -42.06

 

CMYK 52 / 58 / 0 / 49

HEX #3F3682

RGB 63 54 130

HSL 247.11, 0.41%, 0.36%

LAB 27.59, 25.59, -41.76

 

CMYK 46 / 52 / 0 / 42

HEX #504895

RGB 80 72 149

HSL 246.23, 0.35%, 0.43%

LAB 35.02, 24.11, -41.43

 

CMYK 42 / 46 / 0 / 34

HEX #615AA8

RGB 97 90 168

HSL 245.38, 0.31%, 0.51%

LAB 42.28, 22.87, -41.15

 

CMYK 75 / 81 / 0 / 62

HEX #181261

RGB 24 18 97

HSL 244.56, 0.69%, 0.23%

LAB 12.54, 30.48, -45.19

 

CMYK 91 / 100 / 0 / 69

HEX #07004E

RGB 7 0 78

HSL 245.38, 1%, 0.15%

LAB 5.38, 32.23, -44.19

 

CMYK 100 / 100 / 0 / 77

HEX #00003B

RGB 0 0 59

HSL 240, 1%, 0.12%

LAB 2.85, 20.04, -34.84

 

CMYK 100 / 100 / 0 / 84

HEX #000028

RGB 0 0 40

HSL 240, 1%, 0.08%

LAB 1.38, 9.72, -22.95

 

CMYK 100 / 100 / 0 / 92

HEX #000015

RGB 0 0 21

HSL 240, 1%, 0.04%

LAB 0.49, 3.44, -9.35

 

CMYK 76 / 82 / 0 / 61

HEX #181263

RGB 24 18 99

HSL 244.44, 0.69%, 0.23%

LAB 12.78, 31.18, -46.13

 

CMYK 54 / 82 / 0 / 61

HEX #2E1263

RGB 46 18 99

HSL 260.74, 0.69%, 0.23%

LAB 15.03, 34.09, -42.35

 

CMYK 31 / 82 / 0 / 61

HEX #441263

RGB 68 18 99

HSL 277.04, 0.69%, 0.23%

LAB 18.2, 38.08, -37.04

 

CMYK 9 / 82 / 0 / 61

HEX #5A1263

RGB 90 18 99

HSL 293.33, 0.69%, 0.23%

LAB 21.97, 42.73, -30.77

 

CMYK 0 / 82 / 12 / 61

HEX #631257

RGB 99 18 87

HSL 308.89, 0.69%, 0.23%

LAB 22.91, 42.7, -21.22

 

CMYK 76 / 82 / 0 / 61

HEX #181263

RGB 24 18 99

HSL 244.44, 0.69%, 0.23%

LAB 12.78, 31.18, -46.13

 

CMYK 82 / 82 / 0 / 61

HEX #121263

RGB 18 18 99

HSL 240, 0.69%, 0.23%

LAB 12.36, 30.64, -46.83

 

CMYK 76 / 82 / 0 / 61

HEX #181263

RGB 24 18 99

HSL 244.44, 0.69%, 0.23%

LAB 12.78, 31.18, -46.13

 

CMYK 85 / 92 / 0 / 57

HEX #10096D

RGB 16 9 109

HSL 244.2, 0.85%, 0.23%

LAB 12.02, 38.48, -54

 

CMYK 76 / 82 / 0 / 61

HEX #181263

RGB 24 18 99

HSL 244.44, 0.69%, 0.23%

LAB 12.78, 31.18, -46.13

 

CMYK 64 / 69 / 0 / 65

HEX #201C5A

RGB 32 28 90

HSL 243.87, 0.53%, 0.23%

LAB 14.82, 22.6, -36.75

 

CMYK 50 / 54 / 0 / 69

HEX #282550

RGB 40 37 80

HSL 244.19, 0.37%, 0.23%

LAB 17.24, 14.46, -26.05

 

CMYK 32 / 34 / 0 / 72

HEX #302F47

RGB 48 47 71

HSL 242.5, 0.2%, 0.23%

LAB 20.5, 6.96, -14.76

 

CMYK 7 / 8 / 0 / 76

HEX #39383D

RGB 57 56 61

HSL 252, 0.04%, 0.23%

LAB 23.79, 1.6, -2.95

 

CMYK 82 / 43 / 0 / 61

HEX #123863

RGB 18 56 99

HSL 211.85, 0.69%, 0.23%

LAB 23.2, 3.74, -29.21

 

CMYK 82 / 66 / 0 / 61

HEX #122263

RGB 18 34 99

HSL 228.15, 0.69%, 0.23%

LAB 16.37, 19.76, -40.24

 

CMYK 76 / 82 / 0 / 61

HEX #181263

RGB 24 18 99

HSL 244.44, 0.69%, 0.23%

LAB 12.78, 31.18, -46.13

 

CMYK 55 / 82 / 0 / 61

HEX #2D1263

RGB 45 18 99

HSL 260, 0.69%, 0.23%

LAB 14.91, 33.93, -42.56

 

CMYK 32 / 82 / 0 / 61

HEX #431263

RGB 67 18 99

HSL 276.3, 0.69%, 0.23%

LAB 18.04, 37.88, -37.31

 

CMYK 76 / 83 / 0 / 89

HEX #07051D

RGB 7 5 29

HSL 245, 0.71%, 0.07%

LAB 2.19, 5.46, -13.02

 

CMYK 75 / 81 / 0 / 75

HEX #100C40

RGB 16 12 64

HSL 244.62, 0.68%, 0.15%

LAB 6.71, 20.76, -32.11

 

CMYK 76 / 82 / 0 / 61

HEX #181263

RGB 24 18 99

HSL 244.44, 0.69%, 0.23%

LAB 12.78, 31.18, -46.13

 

CMYK 75 / 81 / 0 / 47

HEX #211986

RGB 33 25 134

HSL 244.4, 0.69%, 0.31%

LAB 18.97, 40.02, -58.48

 

CMYK 76 / 82 / 0 / 34

HEX #291FA9

RGB 41 31 169

HSL 244.35, 0.69%, 0.39%

LAB 24.69, 48.79, -70.56

 

CMYK 75 / 81 / 0 / 62

HEX #181261

RGB 24 18 97

HSL 244.56, 0.69%, 0.23%

LAB 12.54, 30.48, -45.19

 

CMYK 0 / 82 / 21 / 61

HEX #63124E

RGB 99 18 78

HSL 315.56, 0.69%, 0.23%

LAB 22.43, 41.29, -15.93

 

CMYK 55 / 0 / 82 / 61

HEX #2D6312

RGB 45 99 18

HSL 100, 0.69%, 0.23%

LAB 36.98, -33.17, 37.59

 

CMYK 75 / 81 / 0 / 62

HEX #181261

RGB 24 18 97

HSL 244.56, 0.69%, 0.23%

LAB 12.54, 30.48, -45.19

 

CMYK 0 / 76 / 82 / 61

HEX #631812

RGB 99 24 18

HSL 4.44, 0.69%, 0.23%

LAB 21.39, 33.17, 23.66

 

CMYK 82 / 0 / 76 / 61

HEX #126318

RGB 18 99 24

HSL 124.44, 0.69%, 0.23%

LAB 36.21, -39.26, 34.2

 

CMYK 75 / 81 / 0 / 62

HEX #181261

RGB 24 18 97

HSL 244.56, 0.69%, 0.23%

LAB 12.54, 30.48, -45.19

 

CMYK 0 / 82 / 21 / 61

HEX #63124E

RGB 99 18 78

HSL 315.56, 0.69%, 0.23%

LAB 22.43, 41.29, -15.93

 

CMYK 5 / 0 / 82 / 61

HEX #5E6312

RGB 94 99 18

HSL 63.7, 0.69%, 0.23%

LAB 40.16, -12.6, 41.71

 

CMYK 82 / 0 / 60 / 61

HEX #126328

RGB 18 99 40

HSL 136.3, 0.69%, 0.23%

LAB 36.38, -37.25, 26.62

 

CMYK 75 / 81 / 0 / 62

HEX #181261

RGB 24 18 97

HSL 244.56, 0.69%, 0.23%

LAB 12.54, 30.48, -45.19

 

CMYK 0 / 82 / 46 / 61

HEX #631235

RGB 99 18 53

HSL 334.07, 0.69%, 0.23%

LAB 21.37, 38.08, -0.34

 

CMYK 5 / 0 / 82 / 61

HEX #5E6312

RGB 94 99 18

HSL 63.7, 0.69%, 0.23%

LAB 40.16, -12.6, 41.71

 

CMYK 82 / 0 / 35 / 61

HEX #126340

RGB 18 99 64

HSL 154.07, 0.69%, 0.23%

LAB 36.79, -32.54, 13.36

 

Description

Color code: HEX #181261 | qconv.com Color code: HEX #181261 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 18 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 18 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, 81 magenta, none yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 81% 0% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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