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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #17DDB0 it is the complementary color #E8224F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #17DDB0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #17DDB0 shade: #1CDDAB, #2DEFBE, #3EFFD1, #4FFFE4 and #60FFF7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #17DDB0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #17DDB0 shade: #17DDB0, #06CB9D, #00B98A, #00A777 and #009564

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #17DDB0 shade: #17DEB0, #17DE7B, #17DE46, #1EDE17 and #54DE17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #17DDB0 shade: #17DEB0, #17D5DE, #17A0DE, #176ADE and #1735DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #17DDB0 shade matches the following richer shades: #17DEB0 and #03F1BB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #17DDB0 shade: #17DEB0, #2BCAA6, #3FB69B, #53A290 and #668E85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #17DDB0 shade: #17DE46, #17DE7A, #17DEAF, #17D7DE and #17A2DE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #17DDB0 shade: #0F9375, #13B893, #17DEB0, #34EAC0 and #5AEECC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #17DDB0 shade: #17DDB0, #171EDE and #DE6017

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #17DDB0 shade: #17DDB0, #AF17DE and #DEAF17

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #17DDB0 shade: #17DDB0, #171EDE, #DE1746 and #DED717

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #17DDB0 shade: #17DDB0, #4C17DE, #DE1746 and #A9DE17

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 20 / 13

HEX #17DDB0

RGB 23 221 176

HSL 166.36, 0.81%, 0.48%

LAB 79.06, -54.64, 9.69

 

Complementary color

CMYK 0 / 85 / 66 / 9

HEX #E8224F

RGB 232 34 79

HSL 346.36, 0.81%, 0.52%

LAB 50.53, 72.52, 27.01

 

CMYK 87 / 0 / 23 / 13

HEX #1CDDAB

RGB 28 221 171

HSL 164.46, 0.78%, 0.49%

LAB 78.98, -55.57, 12.24

 

CMYK 81 / 0 / 21 / 6

HEX #2DEFBE

RGB 45 239 190

HSL 164.85, 0.86%, 0.56%

LAB 85, -56.81, 10.83

 

CMYK 76 / 0 / 18 / 0

HEX #3EFFD1

RGB 62 255 209

HSL 165.7, 1%, 0.62%

LAB 90.39, -56.96, 8.69

 

CMYK 69 / 0 / 11 / 0

HEX #4FFFE4

RGB 79 255 228

HSL 170.8, 1%, 0.65%

LAB 91.14, -50.28, -0.02

 

CMYK 62 / 0 / 3 / 0

HEX #60FFF7

RGB 96 255 247

HSL 176.98, 1%, 0.69%

LAB 92.01, -42.99, -8.54

 

CMYK 90 / 0 / 20 / 13

HEX #17DDB0

RGB 23 221 176

HSL 166.36, 0.81%, 0.48%

LAB 79.06, -54.64, 9.69

 

CMYK 97 / 0 / 23 / 20

HEX #06CB9D

RGB 6 203 157

HSL 165.99, 0.94%, 0.41%

LAB 73.01, -52.91, 11.23

 

CMYK 100 / 0 / 25 / 27

HEX #00B98A

RGB 0 185 138

HSL 164.76, 1%, 0.36%

LAB 66.93, -50.74, 12.92

 

CMYK 100 / 0 / 29 / 35

HEX #00A777

RGB 0 167 119

HSL 162.75, 1%, 0.33%

LAB 60.75, -48.31, 14.73

 

CMYK 100 / 0 / 33 / 42

HEX #009564

RGB 0 149 100

HSL 160.27, 1%, 0.29%

LAB 54.46, -45.8, 16.62

 

CMYK 90 / 0 / 21 / 13

HEX #17DEB0

RGB 23 222 176

HSL 166.13, 0.81%, 0.48%

LAB 79.36, -55.03, 10.13

 

CMYK 90 / 0 / 45 / 13

HEX #17DE7B

RGB 23 222 123

HSL 150.15, 0.81%, 0.48%

LAB 78.38, -66.18, 36.22

 

CMYK 90 / 0 / 68 / 13

HEX #17DE46

RGB 23 222 70

HSL 134.17, 0.81%, 0.48%

LAB 77.8, -73.27, 59.48

 

CMYK 86 / 0 / 90 / 13

HEX #1EDE17

RGB 30 222 23

HSL 117.89, 0.81%, 0.48%

LAB 77.63, -75.65, 72.57

 

CMYK 62 / 0 / 90 / 13

HEX #54DE17

RGB 84 222 23

HSL 101.61, 0.81%, 0.48%

LAB 78.57, -67.46, 73.75

 

CMYK 90 / 0 / 21 / 13

HEX #17DEB0

RGB 23 222 176

HSL 166.13, 0.81%, 0.48%

LAB 79.36, -55.03, 10.13

 

CMYK 90 / 4 / 0 / 13

HEX #17D5DE

RGB 23 213 222

HSL 182.71, 0.81%, 0.48%

LAB 77.9, -38.57, -16.58

 

CMYK 90 / 28 / 0 / 13

HEX #17A0DE

RGB 23 160 222

HSL 198.69, 0.81%, 0.48%

LAB 62.17, -11.9, -40.78

 

CMYK 90 / 52 / 0 / 13

HEX #176ADE

RGB 23 106 222

HSL 214.97, 0.81%, 0.48%

LAB 46.66, 20.66, -65.53

 

CMYK 90 / 76 / 0 / 13

HEX #1735DE

RGB 23 53 222

HSL 230.95, 0.81%, 0.48%

LAB 33.99, 53.6, -86.32

 

CMYK 90 / 0 / 21 / 13

HEX #17DEB0

RGB 23 222 176

HSL 166.13, 0.81%, 0.48%

LAB 79.36, -55.03, 10.13

 

CMYK 99 / 0 / 22 / 5

HEX #03F1BB

RGB 3 241 187

HSL 166.39, 0.98%, 0.48%

LAB 85.26, -60.33, 12.72

 

CMYK 90 / 0 / 21 / 13

HEX #17DEB0

RGB 23 222 176

HSL 166.13, 0.81%, 0.48%

LAB 79.36, -55.03, 10.13

 

CMYK 79 / 0 / 18 / 21

HEX #2BCAA6

RGB 43 202 166

HSL 166.42, 0.65%, 0.48%

LAB 73.23, -47.98, 6.73

 

CMYK 65 / 0 / 15 / 29

HEX #3FB69B

RGB 63 182 155

HSL 166.39, 0.49%, 0.48%

LAB 67.19, -39.51, 4.08

 

CMYK 49 / 0 / 11 / 36

HEX #53A290

RGB 83 162 144

HSL 166.33, 0.32%, 0.48%

LAB 61.39, -28.82, 1.88

 

CMYK 28 / 0 / 6 / 44

HEX #668E85

RGB 102 142 133

HSL 166.5, 0.16%, 0.48%

LAB 55.95, -15.82, 0.33

 

CMYK 90 / 0 / 68 / 13

HEX #17DE46

RGB 23 222 70

HSL 134.17, 0.81%, 0.48%

LAB 77.8, -73.27, 59.48

 

CMYK 90 / 0 / 45 / 13

HEX #17DE7A

RGB 23 222 122

HSL 149.85, 0.81%, 0.48%

LAB 78.36, -66.35, 36.7

 

CMYK 90 / 0 / 21 / 13

HEX #17DEAF

RGB 23 222 175

HSL 165.83, 0.81%, 0.48%

LAB 79.34, -55.27, 10.63

 

CMYK 90 / 3 / 0 / 13

HEX #17D7DE

RGB 23 215 222

HSL 182.11, 0.81%, 0.48%

LAB 78.49, -39.49, -15.68

 

CMYK 90 / 27 / 0 / 13

HEX #17A2DE

RGB 23 162 222

HSL 198.09, 0.81%, 0.48%

LAB 62.76, -13, -39.86

 

CMYK 90 / 0 / 20 / 42

HEX #0F9375

RGB 15 147 117

HSL 166.36, 0.81%, 0.32%

LAB 54.29, -39.94, 6.76

 

CMYK 90 / 0 / 20 / 28

HEX #13B893

RGB 19 184 147

HSL 166.55, 0.81%, 0.4%

LAB 66.92, -47.31, 8

 

CMYK 90 / 0 / 21 / 13

HEX #17DEB0

RGB 23 222 176

HSL 166.13, 0.81%, 0.48%

LAB 79.36, -55.03, 10.13

 

CMYK 78 / 0 / 18 / 8

HEX #34EAC0

RGB 52 234 192

HSL 166.15, 0.81%, 0.56%

LAB 83.64, -53.7, 7.85

 

CMYK 62 / 0 / 14 / 7

HEX #5AEECC

RGB 90 238 204

HSL 166.22, 0.81%, 0.64%

LAB 85.85, -47.32, 4.83

 

CMYK 90 / 0 / 20 / 13

HEX #17DDB0

RGB 23 221 176

HSL 166.36, 0.81%, 0.48%

LAB 79.06, -54.64, 9.69

 

CMYK 90 / 86 / 0 / 13

HEX #171EDE

RGB 23 30 222

HSL 237.89, 0.81%, 0.48%

LAB 30.36, 64.23, -92.35

 

CMYK 0 / 57 / 90 / 13

HEX #DE6017

RGB 222 96 23

HSL 22.01, 0.81%, 0.48%

LAB 56.04, 46, 59.91

 

CMYK 90 / 0 / 20 / 13

HEX #17DDB0

RGB 23 221 176

HSL 166.36, 0.81%, 0.48%

LAB 79.06, -54.64, 9.69

 

CMYK 21 / 90 / 0 / 13

HEX #AF17DE

RGB 175 23 222

HSL 285.83, 0.81%, 0.48%

LAB 45.64, 79.13, -66.64

 

CMYK 0 / 21 / 90 / 13

HEX #DEAF17

RGB 222 175 23

HSL 45.83, 0.81%, 0.48%

LAB 73.71, 4.77, 73.29

 

CMYK 90 / 0 / 20 / 13

HEX #17DDB0

RGB 23 221 176

HSL 166.36, 0.81%, 0.48%

LAB 79.06, -54.64, 9.69

 

CMYK 90 / 86 / 0 / 13

HEX #171EDE

RGB 23 30 222

HSL 237.89, 0.81%, 0.48%

LAB 30.36, 64.23, -92.35

 

CMYK 0 / 90 / 68 / 13

HEX #DE1746

RGB 222 23 70

HSL 345.83, 0.81%, 0.48%

LAB 47.73, 71.44, 28.51

 

CMYK 0 / 3 / 90 / 13

HEX #DED717

RGB 222 215 23

HSL 57.89, 0.81%, 0.48%

LAB 84.07, -15.73, 81.33

 

CMYK 90 / 0 / 20 / 13

HEX #17DDB0

RGB 23 221 176

HSL 166.36, 0.81%, 0.48%

LAB 79.06, -54.64, 9.69

 

CMYK 66 / 90 / 0 / 13

HEX #4C17DE

RGB 76 23 222

HSL 255.98, 0.81%, 0.48%

LAB 32.75, 68.63, -88.29

 

CMYK 0 / 90 / 68 / 13

HEX #DE1746

RGB 222 23 70

HSL 345.83, 0.81%, 0.48%

LAB 47.73, 71.44, 28.51

 

CMYK 24 / 0 / 90 / 13

HEX #A9DE17

RGB 169 222 23

HSL 75.98, 0.81%, 0.48%

LAB 82.24, -40.68, 78.29

 

Description

Color code: HEX #17DDB0 | qconv.com Color code: HEX #17DDB0 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 221 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 221 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 20 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 20% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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