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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #17DD49 it is the complementary color #E822B6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #17DD49. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #17DD49 shade: #1CDD44, #2DEF57, #3EFF6A, #4FFF7D and #60FF90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #17DD49. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #17DD49 shade: #17DD49, #06CB36, #00B923, #00A710 and #009500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #17DD49 shade: #17DE49, #1BDE17, #50DE17, #86DE17 and #BBDE17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #17DD49 shade: #17DE49, #17DE7F, #17DEB4, #17D1DE and #179CDE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #17DD49 shade matches the following richer shades: #17DE49 and #03F140

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #17DD49 shade: #17DE49, #2BCA53, #3FB65D, #53A267 and #668E71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #17DD49 shade: #4FDE17, #1BDE17, #17DE49, #17DE7E and #17DEB3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #17DD49 shade: #0F9331, #13B83D, #17DE49, #34EA62 and #5AEE7F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #17DD49 shade: #17DD49, #1784DE and #DE1735

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #17DD49 shade: #17DD49, #4917DE and #DE4917

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #17DD49 shade: #17DD49, #1784DE, #DE17AC and #DE7017

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #17DD49 shade: #17DD49, #1749DE, #DE17AC and #DEAC17

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 67 / 13

HEX #17DD49

RGB 23 221 73

HSL 135.15, 0.81%, 0.48%

LAB 77.51, -72.69, 58

 

Complementary color

CMYK 0 / 85 / 22 / 9

HEX #E822B6

RGB 232 34 182

HSL 315.15, 0.81%, 0.52%

LAB 53.68, 81.37, -30.16

 

CMYK 87 / 0 / 69 / 13

HEX #1CDD44

RGB 28 221 68

HSL 132.44, 0.78%, 0.49%

LAB 77.51, -72.83, 59.95

 

CMYK 81 / 0 / 64 / 6

HEX #2DEF57

RGB 45 239 87

HSL 132.99, 0.86%, 0.56%

LAB 83.43, -74.8, 58.9

 

CMYK 76 / 0 / 58 / 0

HEX #3EFF6A

RGB 62 255 106

HSL 133.68, 1%, 0.62%

LAB 88.73, -75.63, 56.94

 

CMYK 69 / 0 / 51 / 0

HEX #4FFF7D

RGB 79 255 125

HSL 135.68, 1%, 0.65%

LAB 89.23, -70.7, 49.07

 

CMYK 62 / 0 / 44 / 0

HEX #60FF90

RGB 96 255 144

HSL 138.11, 1%, 0.69%

LAB 89.87, -64.86, 40.92

 

CMYK 90 / 0 / 67 / 13

HEX #17DD49

RGB 23 221 73

HSL 135.15, 0.81%, 0.48%

LAB 77.51, -72.69, 58

 

CMYK 97 / 0 / 73 / 20

HEX #06CB36

RGB 6 203 54

HSL 134.62, 0.94%, 0.41%

LAB 71.57, -70, 58.89

 

CMYK 100 / 0 / 81 / 27

HEX #00B923

RGB 0 185 35

HSL 131.35, 1%, 0.36%

LAB 65.61, -66.49, 59.16

 

CMYK 100 / 0 / 90 / 35

HEX #00A710

RGB 0 167 16

HSL 125.75, 1%, 0.33%

LAB 59.59, -62.33, 58.25

 

CMYK 100 / 0 / 100 / 42

HEX #009500

RGB 0 149 0

HSL 120, 1%, 0.29%

LAB 53.49, -57.73, 55.72

 

CMYK 90 / 0 / 67 / 13

HEX #17DE49

RGB 23 222 73

HSL 135.08, 0.81%, 0.48%

LAB 77.82, -72.98, 58.33

 

CMYK 88 / 0 / 90 / 13

HEX #1BDE17

RGB 27 222 23

HSL 118.79, 0.81%, 0.48%

LAB 77.6, -75.88, 72.54

 

CMYK 64 / 0 / 90 / 13

HEX #50DE17

RGB 80 222 23

HSL 102.81, 0.81%, 0.48%

LAB 78.47, -68.34, 73.62

 

CMYK 40 / 0 / 90 / 13

HEX #86DE17

RGB 134 222 23

HSL 86.53, 0.81%, 0.48%

LAB 80.39, -53.35, 76.01

 

CMYK 16 / 0 / 90 / 13

HEX #BBDE17

RGB 187 222 23

HSL 70.55, 0.81%, 0.48%

LAB 83.37, -33.59, 79.68

 

CMYK 90 / 0 / 67 / 13

HEX #17DE49

RGB 23 222 73

HSL 135.08, 0.81%, 0.48%

LAB 77.82, -72.98, 58.33

 

CMYK 90 / 0 / 43 / 13

HEX #17DE7F

RGB 23 222 127

HSL 151.36, 0.81%, 0.48%

LAB 78.44, -65.47, 34.3

 

CMYK 90 / 0 / 19 / 13

HEX #17DEB4

RGB 23 222 180

HSL 167.34, 0.81%, 0.48%

LAB 79.45, -54.04, 8.14

 

CMYK 90 / 6 / 0 / 13

HEX #17D1DE

RGB 23 209 222

HSL 183.92, 0.81%, 0.48%

LAB 76.71, -36.73, -18.37

 

CMYK 90 / 30 / 0 / 13

HEX #179CDE

RGB 23 156 222

HSL 199.9, 0.81%, 0.48%

LAB 60.99, -9.67, -42.64

 

CMYK 90 / 0 / 67 / 13

HEX #17DE49

RGB 23 222 73

HSL 135.08, 0.81%, 0.48%

LAB 77.82, -72.98, 58.33

 

CMYK 99 / 0 / 73 / 5

HEX #03F140

RGB 3 241 64

HSL 135.38, 0.98%, 0.48%

LAB 83.6, -79.97, 67.61

 

CMYK 90 / 0 / 67 / 13

HEX #17DE49

RGB 23 222 73

HSL 135.08, 0.81%, 0.48%

LAB 77.82, -72.98, 58.33

 

CMYK 79 / 0 / 59 / 21

HEX #2BCA53

RGB 43 202 83

HSL 135.09, 0.65%, 0.48%

LAB 71.81, -63.89, 47.4

 

CMYK 65 / 0 / 49 / 29

HEX #3FB65D

RGB 63 182 93

HSL 135.13, 0.49%, 0.48%

LAB 65.98, -52.29, 35.64

 

CMYK 49 / 0 / 36 / 36

HEX #53A267

RGB 83 162 103

HSL 135.19, 0.32%, 0.48%

LAB 60.48, -37.63, 23.4

 

CMYK 28 / 0 / 20 / 44

HEX #668E71

RGB 102 142 113

HSL 136.5, 0.16%, 0.48%

LAB 55.44, -20.11, 11.07

 

CMYK 64 / 0 / 90 / 13

HEX #4FDE17

RGB 79 222 23

HSL 103.12, 0.81%, 0.48%

LAB 78.44, -68.55, 73.59

 

CMYK 88 / 0 / 90 / 13

HEX #1BDE17

RGB 27 222 23

HSL 118.79, 0.81%, 0.48%

LAB 77.6, -75.88, 72.54

 

CMYK 90 / 0 / 67 / 13

HEX #17DE49

RGB 23 222 73

HSL 135.08, 0.81%, 0.48%

LAB 77.82, -72.98, 58.33

 

CMYK 90 / 0 / 43 / 13

HEX #17DE7E

RGB 23 222 126

HSL 151.06, 0.81%, 0.48%

LAB 78.42, -65.65, 34.78

 

CMYK 90 / 0 / 19 / 13

HEX #17DEB3

RGB 23 222 179

HSL 167.04, 0.81%, 0.48%

LAB 79.43, -54.29, 8.64

 

CMYK 90 / 0 / 67 / 42

HEX #0F9331

RGB 15 147 49

HSL 135.45, 0.81%, 0.32%

LAB 53.16, -53.07, 41.45

 

CMYK 90 / 0 / 67 / 28

HEX #13B83D

RGB 19 184 61

HSL 135.27, 0.81%, 0.4%

LAB 65.56, -63.08, 49.9

 

CMYK 90 / 0 / 67 / 13

HEX #17DE49

RGB 23 222 73

HSL 135.08, 0.81%, 0.48%

LAB 77.82, -72.98, 58.33

 

CMYK 78 / 0 / 58 / 8

HEX #34EA62

RGB 52 234 98

HSL 135.16, 0.81%, 0.56%

LAB 82.09, -71.21, 52.68

 

CMYK 62 / 0 / 47 / 7

HEX #5AEE7F

RGB 90 238 127

HSL 135, 0.81%, 0.64%

LAB 84.41, -62.46, 42.17

 

CMYK 90 / 0 / 67 / 13

HEX #17DD49

RGB 23 221 73

HSL 135.15, 0.81%, 0.48%

LAB 77.51, -72.69, 58

 

CMYK 90 / 41 / 0 / 13

HEX #1784DE

RGB 23 132 222

HSL 207.14, 0.81%, 0.48%

LAB 53.98, 4.36, -53.74

 

CMYK 0 / 90 / 76 / 13

HEX #DE1735

RGB 222 23 53

HSL 350.95, 0.81%, 0.48%

LAB 47.49, 70.76, 38.35

 

CMYK 90 / 0 / 67 / 13

HEX #17DD49

RGB 23 221 73

HSL 135.15, 0.81%, 0.48%

LAB 77.51, -72.69, 58

 

CMYK 67 / 90 / 0 / 13

HEX #4917DE

RGB 73 23 222

HSL 255.08, 0.81%, 0.48%

LAB 32.49, 68.45, -88.74

 

CMYK 0 / 67 / 90 / 13

HEX #DE4917

RGB 222 73 23

HSL 15.08, 0.81%, 0.48%

LAB 52.24, 56.09, 57.12

 

CMYK 90 / 0 / 67 / 13

HEX #17DD49

RGB 23 221 73

HSL 135.15, 0.81%, 0.48%

LAB 77.51, -72.69, 58

 

CMYK 90 / 41 / 0 / 13

HEX #1784DE

RGB 23 132 222

HSL 207.14, 0.81%, 0.48%

LAB 53.98, 4.36, -53.74

 

CMYK 0 / 90 / 23 / 13

HEX #DE17AC

RGB 222 23 172

HSL 315.08, 0.81%, 0.48%

LAB 50.83, 79.89, -28.88

 

CMYK 0 / 50 / 90 / 13

HEX #DE7017

RGB 222 112 23

HSL 26.83, 0.81%, 0.48%

LAB 59.14, 38.13, 62.22

 

CMYK 90 / 0 / 67 / 13

HEX #17DD49

RGB 23 221 73

HSL 135.15, 0.81%, 0.48%

LAB 77.51, -72.69, 58

 

CMYK 90 / 67 / 0 / 13

HEX #1749DE

RGB 23 73 222

HSL 224.92, 0.81%, 0.48%

LAB 38.24, 41.84, -79.3

 

CMYK 0 / 90 / 23 / 13

HEX #DE17AC

RGB 222 23 172

HSL 315.08, 0.81%, 0.48%

LAB 50.83, 79.89, -28.88

 

CMYK 0 / 23 / 90 / 13

HEX #DEAC17

RGB 222 172 23

HSL 44.92, 0.81%, 0.48%

LAB 72.96, 6.36, 72.71

 

Description

Color code: HEX #17DD49 | qconv.com Color code: HEX #17DD49 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 221 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 221 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 67 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 67% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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