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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #17DC94 it is the complementary color #E8236B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #17DC94. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #17DC94 shade: #1CDC8F, #2DEEA2, #3EFFB5, #4FFFC8 and #60FFDB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #17DC94. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #17DC94 shade: #17DC94, #06CA81, #00B86E, #00A65B and #009448

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #17DC94 shade: #17DE95, #17DE60, #17DE2A, #3ADE17 and #6FDE17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #17DC94 shade: #17DE95, #17DECB, #17BBDE, #1786DE and #1750DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #17DC94 shade matches the following richer shades: #17DE95 and #03F19A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #17DC94 shade: #17DE95, #2BCA90, #3FB68A, #53A285 and #668E80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #17DC94 shade: #17DE2B, #17DE60, #17DE95, #17DECA and #17BCDE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #17DC94 shade: #0F9363, #13B87C, #17DE95, #34EAA7 and #5AEEB8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #17DC94 shade: #17DC94, #1738DE and #DE4617

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #17DC94 shade: #17DC94, #9517DE and #DE9517

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #17DC94 shade: #17DC94, #1738DE, #DE1760 and #DEBC17

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #17DC94 shade: #17DC94, #3217DE, #DE1760 and #C3DE17

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 33 / 14

HEX #17DC94

RGB 23 220 148

HSL 158.07, 0.81%, 0.48%

LAB 78.17, -60.67, 23.19

 

Complementary color

CMYK 0 / 85 / 54 / 9

HEX #E8236B

RGB 232 35 107

HSL 338.07, 0.81%, 0.52%

LAB 51.17, 74, 10.87

 

CMYK 87 / 0 / 35 / 14

HEX #1CDC8F

RGB 28 220 143

HSL 155.94, 0.77%, 0.49%

LAB 78.12, -61.41, 25.72

 

CMYK 81 / 0 / 32 / 7

HEX #2DEEA2

RGB 45 238 162

HSL 156.37, 0.85%, 0.55%

LAB 84.13, -62.68, 24.12

 

CMYK 76 / 0 / 29 / 0

HEX #3EFFB5

RGB 62 255 181

HSL 156.99, 1%, 0.62%

LAB 89.8, -63.24, 22.24

 

CMYK 69 / 0 / 22 / 0

HEX #4FFFC8

RGB 79 255 200

HSL 161.25, 1%, 0.65%

LAB 90.48, -56.95, 13.51

 

CMYK 62 / 0 / 14 / 0

HEX #60FFDB

RGB 96 255 219

HSL 166.42, 1%, 0.69%

LAB 91.29, -49.95, 4.9

 

CMYK 90 / 0 / 33 / 14

HEX #17DC94

RGB 23 220 148

HSL 158.07, 0.81%, 0.48%

LAB 78.17, -60.67, 23.19

 

CMYK 97 / 0 / 36 / 21

HEX #06CA81

RGB 6 202 129

HSL 157.65, 0.94%, 0.41%

LAB 72.14, -58.87, 24.92

 

CMYK 100 / 0 / 40 / 28

HEX #00B86E

RGB 0 184 110

HSL 155.87, 1%, 0.36%

LAB 66.06, -56.55, 26.8

 

CMYK 100 / 0 / 45 / 35

HEX #00A65B

RGB 0 166 91

HSL 152.89, 1%, 0.33%

LAB 59.91, -53.9, 28.78

 

CMYK 100 / 0 / 51 / 42

HEX #009448

RGB 0 148 72

HSL 149.19, 1%, 0.29%

LAB 53.65, -51.07, 30.8

 

CMYK 90 / 0 / 33 / 13

HEX #17DE95

RGB 23 222 149

HSL 157.99, 0.81%, 0.48%

LAB 78.81, -61.18, 23.53

 

CMYK 90 / 0 / 57 / 13

HEX #17DE60

RGB 23 222 96

HSL 142.01, 0.81%, 0.48%

LAB 78.03, -70.32, 48.74

 

CMYK 90 / 0 / 81 / 13

HEX #17DE2A

RGB 23 222 42

HSL 125.73, 0.81%, 0.48%

LAB 77.63, -75.35, 68.5

 

CMYK 74 / 0 / 90 / 13

HEX #3ADE17

RGB 58 222 23

HSL 109.45, 0.81%, 0.48%

LAB 78, -72.38, 73.04

 

CMYK 50 / 0 / 90 / 13

HEX #6FDE17

RGB 111 222 23

HSL 93.47, 0.81%, 0.48%

LAB 79.43, -60.53, 74.82

 

CMYK 90 / 0 / 33 / 13

HEX #17DE95

RGB 23 222 149

HSL 157.99, 0.81%, 0.48%

LAB 78.81, -61.18, 23.53

 

CMYK 90 / 0 / 9 / 13

HEX #17DECB

RGB 23 222 203

HSL 174.27, 0.81%, 0.48%

LAB 80.03, -48.01, -3.25

 

CMYK 90 / 16 / 0 / 13

HEX #17BBDE

RGB 23 187 222

HSL 190.55, 0.81%, 0.48%

LAB 70.17, -26.13, -28.34

 

CMYK 90 / 40 / 0 / 13

HEX #1786DE

RGB 23 134 222

HSL 206.53, 0.81%, 0.48%

LAB 54.56, 3.15, -52.82

 

CMYK 90 / 64 / 0 / 13

HEX #1750DE

RGB 23 80 222

HSL 222.81, 0.81%, 0.48%

LAB 39.9, 37.43, -76.56

 

CMYK 90 / 0 / 33 / 13

HEX #17DE95

RGB 23 222 149

HSL 157.99, 0.81%, 0.48%

LAB 78.81, -61.18, 23.53

 

CMYK 99 / 0 / 36 / 5

HEX #03F19A

RGB 3 241 154

HSL 158.07, 0.98%, 0.48%

LAB 84.62, -67.55, 28.82

 

CMYK 90 / 0 / 33 / 13

HEX #17DE95

RGB 23 222 149

HSL 157.99, 0.81%, 0.48%

LAB 78.81, -61.18, 23.53

 

CMYK 79 / 0 / 29 / 21

HEX #2BCA90

RGB 43 202 144

HSL 158.11, 0.65%, 0.48%

LAB 72.74, -53.2, 17.85

 

CMYK 65 / 0 / 24 / 29

HEX #3FB68A

RGB 63 182 138

HSL 157.82, 0.49%, 0.48%

LAB 66.78, -43.61, 12.84

 

CMYK 49 / 0 / 18 / 36

HEX #53A285

RGB 83 162 133

HSL 157.97, 0.32%, 0.48%

LAB 61.11, -31.44, 7.66

 

CMYK 28 / 0 / 10 / 44

HEX #668E80

RGB 102 142 128

HSL 159, 0.16%, 0.48%

LAB 55.82, -16.95, 3.01

 

CMYK 90 / 0 / 81 / 13

HEX #17DE2B

RGB 23 222 43

HSL 126.03, 0.81%, 0.48%

LAB 77.64, -75.29, 68.24

 

CMYK 90 / 0 / 57 / 13

HEX #17DE60

RGB 23 222 96

HSL 142.01, 0.81%, 0.48%

LAB 78.03, -70.32, 48.74

 

CMYK 90 / 0 / 33 / 13

HEX #17DE95

RGB 23 222 149

HSL 157.99, 0.81%, 0.48%

LAB 78.81, -61.18, 23.53

 

CMYK 90 / 0 / 9 / 13

HEX #17DECA

RGB 23 222 202

HSL 173.97, 0.81%, 0.48%

LAB 80, -48.28, -2.76

 

CMYK 90 / 15 / 0 / 13

HEX #17BCDE

RGB 23 188 222

HSL 190.25, 0.81%, 0.48%

LAB 70.47, -26.63, -27.89

 

CMYK 90 / 0 / 33 / 42

HEX #0F9363

RGB 15 147 99

HSL 158.18, 0.81%, 0.32%

LAB 53.89, -44.4, 16.41

 

CMYK 90 / 0 / 33 / 28

HEX #13B87C

RGB 19 184 124

HSL 158.18, 0.81%, 0.4%

LAB 66.42, -52.78, 19.83

 

CMYK 90 / 0 / 33 / 13

HEX #17DE95

RGB 23 222 149

HSL 157.99, 0.81%, 0.48%

LAB 78.81, -61.18, 23.53

 

CMYK 78 / 0 / 29 / 8

HEX #34EAA7

RGB 52 234 167

HSL 157.91, 0.81%, 0.56%

LAB 83.11, -59.45, 20.15

 

CMYK 62 / 0 / 23 / 7

HEX #5AEEB8

RGB 90 238 184

HSL 158.11, 0.81%, 0.64%

LAB 85.39, -51.9, 14.63

 

CMYK 90 / 0 / 33 / 14

HEX #17DC94

RGB 23 220 148

HSL 158.07, 0.81%, 0.48%

LAB 78.17, -60.67, 23.19

 

CMYK 90 / 75 / 0 / 13

HEX #1738DE

RGB 23 56 222

HSL 230.05, 0.81%, 0.48%

LAB 34.57, 51.95, -85.36

 

CMYK 0 / 68 / 90 / 13

HEX #DE4617

RGB 222 70 23

HSL 14.17, 0.81%, 0.48%

LAB 51.81, 57.26, 56.81

 

CMYK 90 / 0 / 33 / 14

HEX #17DC94

RGB 23 220 148

HSL 158.07, 0.81%, 0.48%

LAB 78.17, -60.67, 23.19

 

CMYK 33 / 90 / 0 / 13

HEX #9517DE

RGB 149 23 222

HSL 277.99, 0.81%, 0.48%

LAB 41.65, 75.6, -73.31

 

CMYK 0 / 33 / 90 / 13

HEX #DE9517

RGB 222 149 23

HSL 37.99, 0.81%, 0.48%

LAB 67.34, 18.64, 68.41

 

CMYK 90 / 0 / 33 / 14

HEX #17DC94

RGB 23 220 148

HSL 158.07, 0.81%, 0.48%

LAB 78.17, -60.67, 23.19

 

CMYK 90 / 75 / 0 / 13

HEX #1738DE

RGB 23 56 222

HSL 230.05, 0.81%, 0.48%

LAB 34.57, 51.95, -85.36

 

CMYK 0 / 90 / 57 / 13

HEX #DE1760

RGB 222 23 96

HSL 337.99, 0.81%, 0.48%

LAB 48.24, 72.88, 13.23

 

CMYK 0 / 15 / 90 / 13

HEX #DEBC17

RGB 222 188 23

HSL 49.75, 0.81%, 0.48%

LAB 77.02, -2.03, 75.85

 

CMYK 90 / 0 / 33 / 14

HEX #17DC94

RGB 23 220 148

HSL 158.07, 0.81%, 0.48%

LAB 78.17, -60.67, 23.19

 

CMYK 77 / 90 / 0 / 13

HEX #3217DE

RGB 50 23 222

HSL 248.14, 0.81%, 0.48%

LAB 30.79, 67.33, -91.6

 

CMYK 0 / 90 / 57 / 13

HEX #DE1760

RGB 222 23 96

HSL 337.99, 0.81%, 0.48%

LAB 48.24, 72.88, 13.23

 

CMYK 12 / 0 / 90 / 13

HEX #C3DE17

RGB 195 222 23

HSL 68.14, 0.81%, 0.48%

LAB 83.92, -30.36, 80.34

 

Description

Color code: HEX #17DC94 | qconv.com Color code: HEX #17DC94 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 220 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 220 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 33 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 33% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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