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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #17CDD6 it is the complementary color #E83229. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #17CDD6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #17CDD6 shade: #1CCDD1, #2DDFE4, #3EF1F7, #4FFFFF and #60FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #17CDD6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #17CDD6 shade: #17CDD6, #06BBC3, #00A9B0, #00979D and #00858A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #17CDD6 shade: #16CBD4, #1698D4, #1665D4, #1632D4 and #2E16D4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #17CDD6 shade: #16CBD4, #1698D4, #1665D4, #1632D4 and #1616D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #17CDD6 shade matches the following richer shades: #16CBD4 and #03DDE7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #17CDD6 shade: #16CBD4, #29BAC1, #3CA9AE, #4F989B and #628788

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #17CDD6 shade: #16D475, #16D4A8, #16CED4, #169BD4 and #1669D4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #17CDD6 shade: #0E848A, #12A8AF, #16CBD4, #2BE0E9 and #50E5ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #17CDD6 shade: #17CDD6, #4316D4 and #D48F16

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #17CDD6 shade: #17CDD6, #D416CE and #CED416

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #17CDD6 shade: #17CDD6, #4316D4, #D41D16 and #A8D416

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #17CDD6 shade: #17CDD6, #7C16D4, #D41D16 and #6FD416

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 4 / 0 / 16

HEX #17CDD6

RGB 23 205 214

HSL 182.83, 0.81%, 0.46%

LAB 75.26, -37.33, -16.25

 

Complementary color

CMYK 0 / 78 / 82 / 9

HEX #E83229

RGB 232 50 41

HSL 2.83, 0.81%, 0.54%

LAB 51.38, 67.34, 49.43

 

CMYK 87 / 2 / 0 / 18

HEX #1CCDD1

RGB 28 205 209

HSL 181.33, 0.76%, 0.46%

LAB 75.15, -38.57, -13.72

 

CMYK 80 / 2 / 0 / 11

HEX #2DDFE4

RGB 45 223 228

HSL 181.64, 0.77%, 0.54%

LAB 81.26, -39.97, -14.71

 

CMYK 75 / 2 / 0 / 3

HEX #3EF1F7

RGB 62 241 247

HSL 181.95, 0.92%, 0.61%

LAB 87.31, -41.08, -15.62

 

CMYK 69 / 0 / 0 / 0

HEX #4FFFFF

RGB 79 255 255

HSL 180, 1%, 0.65%

LAB 91.87, -43.2, -12.94

 

CMYK 62 / 0 / 0 / 0

HEX #60FFFF

RGB 96 255 255

HSL 180, 1%, 0.69%

LAB 92.23, -40.88, -12.35

 

CMYK 89 / 4 / 0 / 16

HEX #17CDD6

RGB 23 205 214

HSL 182.83, 0.81%, 0.46%

LAB 75.26, -37.33, -16.25

 

CMYK 97 / 4 / 0 / 24

HEX #06BBC3

RGB 6 187 195

HSL 182.54, 0.94%, 0.39%

LAB 69.13, -35.44, -15.17

 

CMYK 100 / 4 / 0 / 31

HEX #00A9B0

RGB 0 169 176

HSL 182.39, 1%, 0.35%

LAB 62.94, -33.13, -13.97

 

CMYK 100 / 4 / 0 / 38

HEX #00979D

RGB 0 151 157

HSL 182.29, 1%, 0.31%

LAB 56.65, -30.6, -12.7

 

CMYK 100 / 4 / 0 / 46

HEX #00858A

RGB 0 133 138

HSL 182.17, 1%, 0.27%

LAB 50.23, -28.01, -11.39

 

CMYK 90 / 4 / 0 / 17

HEX #16CBD4

RGB 22 203 212

HSL 182.84, 0.81%, 0.46%

LAB 74.59, -37.06, -16.18

 

CMYK 90 / 28 / 0 / 17

HEX #1698D4

RGB 22 152 212

HSL 198.95, 0.81%, 0.46%

LAB 59.32, -11.11, -39.68

 

CMYK 90 / 52 / 0 / 17

HEX #1665D4

RGB 22 101 212

HSL 215.05, 0.81%, 0.46%

LAB 44.56, 19.94, -63.24

 

CMYK 90 / 76 / 0 / 17

HEX #1632D4

RGB 22 50 212

HSL 231.16, 0.81%, 0.46%

LAB 32.27, 51.88, -83.41

 

CMYK 78 / 90 / 0 / 17

HEX #2E16D4

RGB 46 22 212

HSL 247.58, 0.81%, 0.46%

LAB 29.18, 64.83, -88.52

 

CMYK 90 / 4 / 0 / 17

HEX #16CBD4

RGB 22 203 212

HSL 182.84, 0.81%, 0.46%

LAB 74.59, -37.06, -16.18

 

CMYK 90 / 28 / 0 / 17

HEX #1698D4

RGB 22 152 212

HSL 198.95, 0.81%, 0.46%

LAB 59.32, -11.11, -39.68

 

CMYK 90 / 52 / 0 / 17

HEX #1665D4

RGB 22 101 212

HSL 215.05, 0.81%, 0.46%

LAB 44.56, 19.94, -63.24

 

CMYK 90 / 76 / 0 / 17

HEX #1632D4

RGB 22 50 212

HSL 231.16, 0.81%, 0.46%

LAB 32.27, 51.88, -83.41

 

CMYK 90 / 90 / 0 / 17

HEX #1616D4

RGB 22 22 212

HSL 240, 0.81%, 0.46%

LAB 28.11, 64.16, -90.33

 

CMYK 90 / 4 / 0 / 17

HEX #16CBD4

RGB 22 203 212

HSL 182.84, 0.81%, 0.46%

LAB 74.59, -37.06, -16.18

 

CMYK 99 / 4 / 0 / 9

HEX #03DDE7

RGB 3 221 231

HSL 182.63, 0.97%, 0.46%

LAB 80.46, -40.1, -17.54

 

CMYK 90 / 4 / 0 / 17

HEX #16CBD4

RGB 22 203 212

HSL 182.84, 0.81%, 0.46%

LAB 74.59, -37.06, -16.18

 

CMYK 79 / 4 / 0 / 24

HEX #29BAC1

RGB 41 186 193

HSL 182.76, 0.65%, 0.46%

LAB 69.07, -33.59, -14.13

 

CMYK 66 / 3 / 0 / 32

HEX #3CA9AE

RGB 60 169 174

HSL 182.63, 0.49%, 0.46%

LAB 63.67, -28.72, -11.67

 

CMYK 49 / 2 / 0 / 39

HEX #4F989B

RGB 79 152 155

HSL 182.37, 0.32%, 0.46%

LAB 58.49, -21.89, -8.63

 

CMYK 28 / 1 / 0 / 47

HEX #628788

RGB 98 135 136

HSL 181.58, 0.16%, 0.46%

LAB 53.71, -12.57, -4.72

 

CMYK 90 / 0 / 45 / 17

HEX #16D475

RGB 22 212 117

HSL 150, 0.81%, 0.46%

LAB 75.17, -63.93, 35.09

 

CMYK 90 / 0 / 21 / 17

HEX #16D4A8

RGB 22 212 168

HSL 166.11, 0.81%, 0.46%

LAB 76.12, -53.11, 9.76

 

CMYK 90 / 3 / 0 / 17

HEX #16CED4

RGB 22 206 212

HSL 181.89, 0.81%, 0.46%

LAB 75.49, -38.44, -14.83

 

CMYK 90 / 27 / 0 / 17

HEX #169BD4

RGB 22 155 212

HSL 198, 0.81%, 0.46%

LAB 60.22, -12.78, -38.28

 

CMYK 90 / 50 / 0 / 17

HEX #1669D4

RGB 22 105 212

HSL 213.79, 0.81%, 0.46%

LAB 45.67, 17.35, -61.45

 

CMYK 90 / 4 / 0 / 46

HEX #0E848A

RGB 14 132 138

HSL 182.9, 0.82%, 0.3%

LAB 50.01, -26.8, -11.7

 

CMYK 90 / 4 / 0 / 31

HEX #12A8AF

RGB 18 168 175

HSL 182.68, 0.81%, 0.38%

LAB 62.7, -32.28, -13.75

 

CMYK 90 / 4 / 0 / 17

HEX #16CBD4

RGB 22 203 212

HSL 182.84, 0.81%, 0.46%

LAB 74.59, -37.06, -16.18

 

CMYK 82 / 4 / 0 / 9

HEX #2BE0E9

RGB 43 224 233

HSL 182.84, 0.81%, 0.54%

LAB 81.68, -39.11, -16.74

 

CMYK 66 / 3 / 0 / 7

HEX #50E5ED

RGB 80 229 237

HSL 183.06, 0.81%, 0.62%

LAB 83.89, -36.27, -15.46

 

CMYK 89 / 4 / 0 / 16

HEX #17CDD6

RGB 23 205 214

HSL 182.83, 0.81%, 0.46%

LAB 75.26, -37.33, -16.25

 

CMYK 68 / 90 / 0 / 17

HEX #4316D4

RGB 67 22 212

HSL 254.21, 0.81%, 0.46%

LAB 30.69, 65.83, -85.97

 

CMYK 0 / 33 / 90 / 17

HEX #D48F16

RGB 212 143 22

HSL 38.21, 0.81%, 0.46%

LAB 64.72, 17.53, 66.12

 

CMYK 89 / 4 / 0 / 16

HEX #17CDD6

RGB 23 205 214

HSL 182.83, 0.81%, 0.46%

LAB 75.26, -37.33, -16.25

 

CMYK 0 / 90 / 3 / 17

HEX #D416CE

RGB 212 22 206

HSL 301.89, 0.81%, 0.46%

LAB 50.72, 82.62, -48.96

 

CMYK 3 / 0 / 90 / 17

HEX #CED416

RGB 206 212 22

HSL 61.89, 0.81%, 0.46%

LAB 81.98, -21.04, 79.3

 

CMYK 89 / 4 / 0 / 16

HEX #17CDD6

RGB 23 205 214

HSL 182.83, 0.81%, 0.46%

LAB 75.26, -37.33, -16.25

 

CMYK 68 / 90 / 0 / 17

HEX #4316D4

RGB 67 22 212

HSL 254.21, 0.81%, 0.46%

LAB 30.69, 65.83, -85.97

 

CMYK 0 / 86 / 90 / 17

HEX #D41D16

RGB 212 29 22

HSL 2.21, 0.81%, 0.46%

LAB 45.54, 66.37, 51.8

 

CMYK 21 / 0 / 90 / 17

HEX #A8D416

RGB 168 212 22

HSL 73.89, 0.81%, 0.46%

LAB 79.31, -36.64, 76.04

 

CMYK 89 / 4 / 0 / 16

HEX #17CDD6

RGB 23 205 214

HSL 182.83, 0.81%, 0.46%

LAB 75.26, -37.33, -16.25

 

CMYK 42 / 90 / 0 / 17

HEX #7C16D4

RGB 124 22 212

HSL 272.21, 0.81%, 0.46%

LAB 37.14, 70.73, -75.1

 

CMYK 0 / 86 / 90 / 17

HEX #D41D16

RGB 212 29 22

HSL 2.21, 0.81%, 0.46%

LAB 45.54, 66.37, 51.8

 

CMYK 48 / 0 / 90 / 17

HEX #6FD416

RGB 111 212 22

HSL 91.89, 0.81%, 0.46%

LAB 76.39, -56.88, 72.44

 

Description

Color code: HEX #17CDD6 | qconv.com Color code: HEX #17CDD6 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 205 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 205 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, 4 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 4% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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