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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #17CB55 it is the complementary color #E834AA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #17CB55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #17CB55 shade: #1CCB50, #2DDD63, #3EEF76, #4FFF89 and #60FF9C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #17CB55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #17CB55 shade: #17CB55, #06B942, #00A72F, #00951C and #008309

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #17CB55 shade: #16CA54, #16CA24, #39CA16, #6ACA16 and #9ACA16

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #17CB55 shade: #16CA54, #16CA85, #16CAB5, #16AECA and #167ECA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #17CB55 shade matches the following richer shades: #16CA54 and #04DC4F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #17CB55 shade: #16CA54, #29B85A, #3BA660, #4D9365 and #5F816B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #17CB55 shade: #3ACA16, #16CA22, #16CA52, #16CA82 and #16CAB2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #17CB55 shade: #0E8035, #12A545, #16CA54, #23E766 and #48EB80

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #17CB55 shade: #17CB55, #166ACA and #CA1622

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #17CB55 shade: #17CB55, #5216CA and #CA5216

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #17CB55 shade: #17CB55, #166ACA, #CA168E and #CA7616

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #17CB55 shade: #17CB55, #1634CA, #CA168E and #CAAC16

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 58 / 20

HEX #17CB55

RGB 23 203 85

HSL 140.67, 0.8%, 0.44%

LAB 71.93, -65.85, 46.57

 

Complementary color

CMYK 0 / 78 / 27 / 9

HEX #E834AA

RGB 232 52 170

HSL 320.67, 0.8%, 0.56%

LAB 54.57, 75.95, -21.78

 

CMYK 86 / 0 / 61 / 20

HEX #1CCB50

RGB 28 203 80

HSL 137.83, 0.76%, 0.45%

LAB 71.92, -66.11, 48.83

 

CMYK 80 / 0 / 55 / 13

HEX #2DDD63

RGB 45 221 99

HSL 138.41, 0.72%, 0.52%

LAB 77.98, -67.73, 47.34

 

CMYK 74 / 0 / 51 / 6

HEX #3EEF76

RGB 62 239 118

HSL 138.98, 0.85%, 0.59%

LAB 84, -68.86, 45.84

 

CMYK 69 / 0 / 46 / 0

HEX #4FFF89

RGB 79 255 137

HSL 139.77, 1%, 0.65%

LAB 89.39, -68.94, 43.6

 

CMYK 62 / 0 / 39 / 0

HEX #60FF9C

RGB 96 255 156

HSL 142.64, 1%, 0.69%

LAB 90.05, -62.88, 35.26

 

CMYK 89 / 0 / 58 / 20

HEX #17CB55

RGB 23 203 85

HSL 140.67, 0.8%, 0.44%

LAB 71.93, -65.85, 46.57

 

CMYK 97 / 0 / 64 / 27

HEX #06B942

RGB 6 185 66

HSL 140.11, 0.94%, 0.37%

LAB 65.85, -63.52, 48.07

 

CMYK 100 / 0 / 72 / 35

HEX #00A72F

RGB 0 167 47

HSL 136.89, 1%, 0.33%

LAB 59.75, -60.36, 49.32

 

CMYK 100 / 0 / 81 / 42

HEX #00951C

RGB 0 149 28

HSL 131.28, 1%, 0.29%

LAB 53.58, -56.56, 49.87

 

CMYK 100 / 0 / 93 / 49

HEX #008309

RGB 0 131 9

HSL 124.12, 1%, 0.26%

LAB 47.3, -52.24, 48.97

 

CMYK 89 / 0 / 58 / 21

HEX #16CA54

RGB 22 202 84

HSL 140.67, 0.8%, 0.44%

LAB 71.59, -65.73, 46.63

 

CMYK 89 / 0 / 82 / 21

HEX #16CA24

RGB 22 202 36

HSL 124.67, 0.8%, 0.44%

LAB 71.24, -70.12, 64.17

 

CMYK 72 / 0 / 89 / 21

HEX #39CA16

RGB 57 202 22

HSL 108.33, 0.8%, 0.44%

LAB 71.67, -66.52, 67.8

 

CMYK 48 / 0 / 89 / 21

HEX #6ACA16

RGB 106 202 22

HSL 92, 0.8%, 0.44%

LAB 73.13, -54.65, 69.62

 

CMYK 24 / 0 / 89 / 21

HEX #9ACA16

RGB 154 202 22

HSL 76, 0.8%, 0.44%

LAB 75.56, -37.66, 72.63

 

CMYK 89 / 0 / 58 / 21

HEX #16CA54

RGB 22 202 84

HSL 140.67, 0.8%, 0.44%

LAB 71.59, -65.73, 46.63

 

CMYK 89 / 0 / 34 / 21

HEX #16CA85

RGB 22 202 133

HSL 157, 0.8%, 0.44%

LAB 72.3, -57.34, 23.04

 

CMYK 89 / 0 / 10 / 21

HEX #16CAB5

RGB 22 202 181

HSL 173, 0.8%, 0.44%

LAB 73.38, -45.62, -1.19

 

CMYK 89 / 14 / 0 / 21

HEX #16AECA

RGB 22 174 202

HSL 189.33, 0.8%, 0.44%

LAB 65.52, -26.27, -24.5

 

CMYK 89 / 38 / 0 / 21

HEX #167ECA

RGB 22 126 202

HSL 205.33, 0.8%, 0.44%

LAB 51.1, 0.29, -47.03

 

CMYK 89 / 0 / 58 / 21

HEX #16CA54

RGB 22 202 84

HSL 140.67, 0.8%, 0.44%

LAB 71.59, -65.73, 46.63

 

CMYK 98 / 0 / 64 / 14

HEX #04DC4F

RGB 4 220 79

HSL 140.83, 0.96%, 0.44%

LAB 77.15, -72.59, 55.14

 

CMYK 89 / 0 / 58 / 21

HEX #16CA54

RGB 22 202 84

HSL 140.67, 0.8%, 0.44%

LAB 71.59, -65.73, 46.63

 

CMYK 78 / 0 / 51 / 28

HEX #29B85A

RGB 41 184 90

HSL 140.56, 0.64%, 0.44%

LAB 66.13, -57.1, 37.23

 

CMYK 64 / 0 / 42 / 35

HEX #3BA660

RGB 59 166 96

HSL 140.75, 0.48%, 0.44%

LAB 60.82, -46.41, 27.47

 

CMYK 48 / 0 / 31 / 42

HEX #4D9365

RGB 77 147 101

HSL 140.57, 0.31%, 0.44%

LAB 55.47, -32.87, 17.7

 

CMYK 26 / 0 / 17 / 49

HEX #5F816B

RGB 95 129 107

HSL 141.18, 0.15%, 0.44%

LAB 50.91, -16.89, 8.07

 

CMYK 71 / 0 / 89 / 21

HEX #3ACA16

RGB 58 202 22

HSL 108, 0.8%, 0.44%

LAB 71.69, -66.35, 67.83

 

CMYK 89 / 0 / 83 / 21

HEX #16CA22

RGB 22 202 34

HSL 124, 0.8%, 0.44%

LAB 71.23, -70.22, 64.67

 

CMYK 89 / 0 / 59 / 21

HEX #16CA52

RGB 22 202 82

HSL 140, 0.8%, 0.44%

LAB 71.57, -65.99, 47.51

 

CMYK 89 / 0 / 36 / 21

HEX #16CA82

RGB 22 202 130

HSL 156, 0.8%, 0.44%

LAB 72.24, -57.96, 24.55

 

CMYK 89 / 0 / 12 / 21

HEX #16CAB2

RGB 22 202 178

HSL 172, 0.8%, 0.44%

LAB 73.3, -46.44, 0.32

 

CMYK 89 / 0 / 59 / 50

HEX #0E8035

RGB 14 128 53

HSL 140.53, 0.8%, 0.28%

LAB 46.7, -46.27, 32.14

 

CMYK 89 / 0 / 58 / 35

HEX #12A545

RGB 18 165 69

HSL 140.82, 0.8%, 0.36%

LAB 59.41, -56.16, 39.32

 

CMYK 89 / 0 / 58 / 21

HEX #16CA54

RGB 22 202 84

HSL 140.67, 0.8%, 0.44%

LAB 71.59, -65.73, 46.63

 

CMYK 85 / 0 / 56 / 9

HEX #23E766

RGB 35 231 102

HSL 140.51, 0.8%, 0.52%

LAB 81, -71.47, 49.55

 

CMYK 69 / 0 / 46 / 8

HEX #48EB80

RGB 72 235 128

HSL 140.61, 0.8%, 0.6%

LAB 83.1, -64.47, 39.94

 

CMYK 89 / 0 / 58 / 20

HEX #17CB55

RGB 23 203 85

HSL 140.67, 0.8%, 0.44%

LAB 71.93, -65.85, 46.57

 

CMYK 89 / 48 / 0 / 21

HEX #166ACA

RGB 22 106 202

HSL 212, 0.8%, 0.44%

LAB 45.28, 12.77, -56.35

 

CMYK 0 / 89 / 83 / 21

HEX #CA1622

RGB 202 22 34

HSL 356, 0.8%, 0.44%

LAB 43.13, 65.2, 43.23

 

CMYK 89 / 0 / 58 / 20

HEX #17CB55

RGB 23 203 85

HSL 140.67, 0.8%, 0.44%

LAB 71.93, -65.85, 46.57

 

CMYK 59 / 89 / 0 / 21

HEX #5216CA

RGB 82 22 202

HSL 260, 0.8%, 0.44%

LAB 30.95, 64.33, -79.66

 

CMYK 0 / 59 / 89 / 21

HEX #CA5216

RGB 202 82 22

HSL 20, 0.8%, 0.44%

LAB 50.27, 45.11, 54.48

 

CMYK 89 / 0 / 58 / 20

HEX #17CB55

RGB 23 203 85

HSL 140.67, 0.8%, 0.44%

LAB 71.93, -65.85, 46.57

 

CMYK 89 / 48 / 0 / 21

HEX #166ACA

RGB 22 106 202

HSL 212, 0.8%, 0.44%

LAB 45.28, 12.77, -56.35

 

CMYK 0 / 89 / 30 / 21

HEX #CA168E

RGB 202 22 142

HSL 320, 0.8%, 0.44%

LAB 45.75, 72.48, -19.1

 

CMYK 0 / 42 / 89 / 21

HEX #CA7616

RGB 202 118 22

HSL 32, 0.8%, 0.44%

LAB 57.63, 26.74, 60.12

 

CMYK 89 / 0 / 58 / 20

HEX #17CB55

RGB 23 203 85

HSL 140.67, 0.8%, 0.44%

LAB 71.93, -65.85, 46.57

 

CMYK 89 / 74 / 0 / 21

HEX #1634CA

RGB 22 52 202

HSL 230, 0.8%, 0.44%

LAB 31.56, 47.37, -78.78

 

CMYK 0 / 89 / 30 / 21

HEX #CA168E

RGB 202 22 142

HSL 320, 0.8%, 0.44%

LAB 45.75, 72.48, -19.1

 

CMYK 0 / 15 / 89 / 21

HEX #CAAC16

RGB 202 172 22

HSL 50, 0.8%, 0.44%

LAB 70.95, -2.45, 70.49

 

Description

Color code: HEX #17CB55 | qconv.com Color code: HEX #17CB55 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 203 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 203 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 58 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 58% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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