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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #17C02D it is the complementary color #E83FD2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #17C02D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #17C02D shade: #1CC028, #2DD23B, #3EE44E, #4FF661 and #60FF74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #17C02D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #17C02D shade: #17C02D, #06AE1A, #009C07, #008A00 and #007800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #17C02D shade: #16C02D, #2EC016, #5CC016, #89C016 and #B7C016

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #17C02D shade: #16C02D, #16C05A, #16C088, #16C0B5 and #169CC0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #17C02D shade matches the following richer shades: #16C02D and #05D120

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #17C02D shade: #16C02D, #28AE39, #399D46, #4A8C53 and #5C7A60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #17C02D shade: #5DC016, #30C016, #16C02A, #16C057 and #16C084

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #17C02D shade: #0E761B, #129B24, #16C02D, #1BE435 and #40E956

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #17C02D shade: #17C02D, #168AC0 and #C01646

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #17C02D shade: #17C02D, #2A16C0 and #C02A16

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #17C02D shade: #17C02D, #168AC0, #C016AC and #C04C16

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #17C02D shade: #17C02D, #1657C0, #C016AC and #C07F16

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 77 / 25

HEX #17C02D

RGB 23 192 45

HSL 127.81, 0.79%, 0.42%

LAB 68.07, -66.6, 58.5

 

Complementary color

CMYK 0 / 73 / 9 / 9

HEX #E83FD2

RGB 232 63 210

HSL 307.81, 0.79%, 0.58%

LAB 57.43, 78.01, -40.42

 

CMYK 85 / 0 / 79 / 25

HEX #1CC028

RGB 28 192 40

HSL 124.39, 0.75%, 0.43%

LAB 68.09, -66.51, 60.11

 

CMYK 79 / 0 / 72 / 18

HEX #2DD23B

RGB 45 210 59

HSL 125.09, 0.65%, 0.5%

LAB 74.17, -68.65, 59.87

 

CMYK 73 / 0 / 66 / 11

HEX #3EE44E

RGB 62 228 78

HSL 125.78, 0.75%, 0.57%

LAB 80.21, -70.15, 59.08

 

CMYK 68 / 0 / 61 / 4

HEX #4FF661

RGB 79 246 97

HSL 126.47, 0.9%, 0.64%

LAB 86.22, -71.19, 58.01

 

CMYK 62 / 0 / 55 / 0

HEX #60FF74

RGB 96 255 116

HSL 127.55, 1%, 0.69%

LAB 89.52, -68.8, 53.63

 

CMYK 88 / 0 / 77 / 25

HEX #17C02D

RGB 23 192 45

HSL 127.81, 0.79%, 0.42%

LAB 68.07, -66.6, 58.5

 

CMYK 97 / 0 / 85 / 32

HEX #06AE1A

RGB 6 174 26

HSL 127.14, 0.93%, 0.35%

LAB 61.99, -63.58, 58.22

 

CMYK 100 / 0 / 96 / 39

HEX #009C07

RGB 0 156 7

HSL 122.69, 1%, 0.31%

LAB 55.88, -59.5, 56.54

 

CMYK 100 / 0 / 100 / 46

HEX #008A00

RGB 0 138 0

HSL 120, 1%, 0.27%

LAB 49.71, -54.59, 52.69

 

CMYK 100 / 0 / 100 / 53

HEX #007800

RGB 0 120 0

HSL 120, 1%, 0.24%

LAB 43.41, -49.36, 47.64

 

CMYK 89 / 0 / 77 / 25

HEX #16C02D

RGB 22 192 45

HSL 128.12, 0.79%, 0.42%

LAB 68.06, -66.68, 58.49

 

CMYK 76 / 0 / 89 / 25

HEX #2EC016

RGB 46 192 22

HSL 111.53, 0.79%, 0.42%

LAB 68.27, -65.23, 64.8

 

CMYK 52 / 0 / 89 / 25

HEX #5CC016

RGB 92 192 22

HSL 95.29, 0.79%, 0.42%

LAB 69.49, -55.09, 66.33

 

CMYK 29 / 0 / 89 / 25

HEX #89C016

RGB 137 192 22

HSL 79.41, 0.79%, 0.42%

LAB 71.61, -39.81, 68.96

 

CMYK 5 / 0 / 89 / 25

HEX #B7C016

RGB 183 192 22

HSL 63.18, 0.79%, 0.42%

LAB 74.71, -20.98, 72.78

 

CMYK 89 / 0 / 77 / 25

HEX #16C02D

RGB 22 192 45

HSL 128.12, 0.79%, 0.42%

LAB 68.06, -66.68, 58.49

 

CMYK 89 / 0 / 53 / 25

HEX #16C05A

RGB 22 192 90

HSL 144, 0.79%, 0.42%

LAB 68.47, -61.68, 40.05

 

CMYK 89 / 0 / 29 / 25

HEX #16C088

RGB 22 192 136

HSL 160.24, 0.79%, 0.42%

LAB 69.22, -52.95, 17.22

 

CMYK 89 / 0 / 6 / 25

HEX #16C0B5

RGB 22 192 181

HSL 176.12, 0.79%, 0.42%

LAB 70.32, -41.28, -5.7

 

CMYK 89 / 19 / 0 / 25

HEX #169CC0

RGB 22 156 192

HSL 192.71, 0.79%, 0.42%

LAB 59.67, -20.39, -27.93

 

CMYK 89 / 0 / 77 / 25

HEX #16C02D

RGB 22 192 45

HSL 128.12, 0.79%, 0.42%

LAB 68.06, -66.68, 58.49

 

CMYK 98 / 0 / 85 / 18

HEX #05D120

RGB 5 209 32

HSL 127.94, 0.95%, 0.42%

LAB 73.37, -73.1, 67.05

 

CMYK 89 / 0 / 77 / 25

HEX #16C02D

RGB 22 192 45

HSL 128.12, 0.79%, 0.42%

LAB 68.06, -66.68, 58.49

 

CMYK 77 / 0 / 67 / 32

HEX #28AE39

RGB 40 174 57

HSL 127.61, 0.63%, 0.42%

LAB 62.52, -58.14, 48.34

 

CMYK 64 / 0 / 55 / 38

HEX #399D46

RGB 57 157 70

HSL 127.8, 0.47%, 0.42%

LAB 57.49, -47.46, 36.71

 

CMYK 47 / 0 / 41 / 45

HEX #4A8C53

RGB 74 140 83

HSL 128.18, 0.31%, 0.42%

LAB 52.77, -33.86, 24.09

 

CMYK 25 / 0 / 21 / 52

HEX #5C7A60

RGB 92 122 96

HSL 128, 0.14%, 0.42%

LAB 48.31, -16.42, 10.79

 

CMYK 52 / 0 / 89 / 25

HEX #5DC016

RGB 93 192 22

HSL 94.94, 0.79%, 0.42%

LAB 69.53, -54.8, 66.38

 

CMYK 75 / 0 / 89 / 25

HEX #30C016

RGB 48 192 22

HSL 110.82, 0.79%, 0.42%

LAB 68.3, -64.93, 64.84

 

CMYK 89 / 0 / 78 / 25

HEX #16C02A

RGB 22 192 42

HSL 127.06, 0.79%, 0.42%

LAB 68.05, -66.88, 59.44

 

CMYK 89 / 0 / 55 / 25

HEX #16C057

RGB 22 192 87

HSL 142.94, 0.79%, 0.42%

LAB 68.43, -62.13, 41.46

 

CMYK 89 / 0 / 31 / 25

HEX #16C084

RGB 22 192 132

HSL 158.82, 0.79%, 0.42%

LAB 69.14, -53.84, 19.26

 

CMYK 88 / 0 / 77 / 54

HEX #0E761B

RGB 14 118 27

HSL 127.5, 0.79%, 0.26%

LAB 42.96, -45.98, 39.87

 

CMYK 88 / 0 / 77 / 39

HEX #129B24

RGB 18 155 36

HSL 127.88, 0.79%, 0.34%

LAB 55.78, -56.59, 49.41

 

CMYK 89 / 0 / 77 / 25

HEX #16C02D

RGB 22 192 45

HSL 128.12, 0.79%, 0.42%

LAB 68.06, -66.68, 58.49

 

CMYK 88 / 0 / 77 / 11

HEX #1BE435

RGB 27 228 53

HSL 127.76, 0.79%, 0.5%

LAB 79.6, -76.09, 67.23

 

CMYK 73 / 0 / 63 / 9

HEX #40E956

RGB 64 233 86

HSL 127.81, 0.79%, 0.58%

LAB 81.86, -70.63, 57.64

 

CMYK 88 / 0 / 77 / 25

HEX #17C02D

RGB 23 192 45

HSL 127.81, 0.79%, 0.42%

LAB 68.07, -66.6, 58.5

 

CMYK 89 / 28 / 0 / 25

HEX #168AC0

RGB 22 138 192

HSL 199.06, 0.79%, 0.42%

LAB 54.19, -10.53, -36.46

 

CMYK 0 / 89 / 64 / 25

HEX #C01646

RGB 192 22 70

HSL 343.06, 0.79%, 0.42%

LAB 41.57, 64.03, 19.39

 

CMYK 88 / 0 / 77 / 25

HEX #17C02D

RGB 23 192 45

HSL 127.81, 0.79%, 0.42%

LAB 68.07, -66.6, 58.5

 

CMYK 78 / 89 / 0 / 25

HEX #2A16C0

RGB 42 22 192

HSL 247.06, 0.79%, 0.42%

LAB 26.37, 59.23, -81.5

 

CMYK 0 / 78 / 89 / 25

HEX #C02A16

RGB 192 42 22

HSL 7.06, 0.79%, 0.42%

LAB 42.64, 57.5, 47.85

 

CMYK 88 / 0 / 77 / 25

HEX #17C02D

RGB 23 192 45

HSL 127.81, 0.79%, 0.42%

LAB 68.07, -66.6, 58.5

 

CMYK 89 / 28 / 0 / 25

HEX #168AC0

RGB 22 138 192

HSL 199.06, 0.79%, 0.42%

LAB 54.19, -10.53, -36.46

 

CMYK 0 / 89 / 10 / 25

HEX #C016AC

RGB 192 22 172

HSL 307.06, 0.79%, 0.42%

LAB 45.3, 74.19, -37.93

 

CMYK 0 / 60 / 89 / 25

HEX #C04C16

RGB 192 76 22

HSL 19.06, 0.79%, 0.42%

LAB 47.54, 44.2, 51.65

 

CMYK 88 / 0 / 77 / 25

HEX #17C02D

RGB 23 192 45

HSL 127.81, 0.79%, 0.42%

LAB 68.07, -66.6, 58.5

 

CMYK 89 / 55 / 0 / 25

HEX #1657C0

RGB 22 87 192

HSL 217.06, 0.79%, 0.42%

LAB 39.23, 21.22, -60.36

 

CMYK 0 / 89 / 10 / 25

HEX #C016AC

RGB 192 22 172

HSL 307.06, 0.79%, 0.42%

LAB 45.3, 74.19, -37.93

 

CMYK 0 / 34 / 89 / 25

HEX #C07F16

RGB 192 127 22

HSL 37.06, 0.79%, 0.42%

LAB 58.46, 17.5, 60.21

 

Description

Color code: HEX #17C02D | qconv.com Color code: HEX #17C02D | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 192 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 192 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 77 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 77% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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