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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #17C027 it is the complementary color #E83FD8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #17C027. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #17C027 shade: #1CC022, #2DD235, #3EE448, #4FF65B and #60FF6E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #17C027. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #17C027 shade: #17C027, #06AE14, #009C01, #008A00 and #007800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #17C027 shade: #16C027, #34C016, #62C016, #8FC016 and #BDC016

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #17C027 shade: #16C027, #16C054, #16C082, #16C0AF and #16A2C0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #17C027 shade matches the following richer shades: #16C027 and #05D118

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #17C027 shade: #16C027, #28AE35, #399D43, #4A8C51 and #5C7A5F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #17C027 shade: #63C016, #36C016, #16C025, #16C052 and #16C07F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #17C027 shade: #0E7618, #129B1F, #16C027, #1BE42E and #40E950

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #17C027 shade: #17C027, #1690C0 and #C0164C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #17C027 shade: #17C027, #2516C0 and #C02516

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #17C027 shade: #17C027, #1690C0, #C016B2 and #C04616

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #17C027 shade: #17C027, #165DC0, #C016B2 and #C07916

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 80 / 25

HEX #17C027

RGB 23 192 39

HSL 125.68, 0.79%, 0.42%

LAB 68.04, -67, 60.34

 

Complementary color

CMYK 0 / 73 / 7 / 9

HEX #E83FD8

RGB 232 63 216

HSL 305.68, 0.79%, 0.58%

LAB 57.72, 78.88, -43.36

 

CMYK 85 / 0 / 82 / 25

HEX #1CC022

RGB 28 192 34

HSL 122.2, 0.75%, 0.43%

LAB 68.07, -66.87, 61.79

 

CMYK 79 / 0 / 75 / 18

HEX #2DD235

RGB 45 210 53

HSL 122.91, 0.65%, 0.5%

LAB 74.13, -69.12, 61.92

 

CMYK 73 / 0 / 68 / 11

HEX #3EE448

RGB 62 228 72

HSL 123.61, 0.75%, 0.57%

LAB 80.17, -70.71, 61.38

 

CMYK 68 / 0 / 63 / 4

HEX #4FF65B

RGB 79 246 91

HSL 124.31, 0.9%, 0.64%

LAB 86.17, -71.83, 60.46

 

CMYK 62 / 0 / 57 / 0

HEX #60FF6E

RGB 96 255 110

HSL 125.28, 1%, 0.69%

LAB 89.46, -69.53, 56.22

 

CMYK 88 / 0 / 80 / 25

HEX #17C027

RGB 23 192 39

HSL 125.68, 0.79%, 0.42%

LAB 68.04, -67, 60.34

 

CMYK 97 / 0 / 89 / 32

HEX #06AE14

RGB 6 174 20

HSL 125, 0.93%, 0.35%

LAB 61.96, -63.84, 59.54

 

CMYK 100 / 0 / 99 / 39

HEX #009C01

RGB 0 156 1

HSL 120.38, 1%, 0.31%

LAB 55.87, -59.68, 57.47

 

CMYK 100 / 0 / 100 / 46

HEX #008A00

RGB 0 138 0

HSL 120, 1%, 0.27%

LAB 49.71, -54.59, 52.69

 

CMYK 100 / 0 / 100 / 53

HEX #007800

RGB 0 120 0

HSL 120, 1%, 0.24%

LAB 43.41, -49.36, 47.64

 

CMYK 89 / 0 / 80 / 25

HEX #16C027

RGB 22 192 39

HSL 126, 0.79%, 0.42%

LAB 68.03, -67.08, 60.33

 

CMYK 73 / 0 / 89 / 25

HEX #34C016

RGB 52 192 22

HSL 109.41, 0.79%, 0.42%

LAB 68.38, -64.28, 64.93

 

CMYK 49 / 0 / 89 / 25

HEX #62C016

RGB 98 192 22

HSL 93.18, 0.79%, 0.42%

LAB 69.72, -53.32, 66.61

 

CMYK 26 / 0 / 89 / 25

HEX #8FC016

RGB 143 192 22

HSL 77.29, 0.79%, 0.42%

LAB 71.96, -37.48, 69.39

 

CMYK 2 / 0 / 89 / 25

HEX #BDC016

RGB 189 192 22

HSL 61.06, 0.79%, 0.42%

LAB 75.19, -18.41, 73.35

 

CMYK 89 / 0 / 80 / 25

HEX #16C027

RGB 22 192 39

HSL 126, 0.79%, 0.42%

LAB 68.03, -67.08, 60.33

 

CMYK 89 / 0 / 56 / 25

HEX #16C054

RGB 22 192 84

HSL 141.88, 0.79%, 0.42%

LAB 68.39, -62.55, 42.85

 

CMYK 89 / 0 / 32 / 25

HEX #16C082

RGB 22 192 130

HSL 158.12, 0.79%, 0.42%

LAB 69.1, -54.28, 20.28

 

CMYK 89 / 0 / 9 / 25

HEX #16C0AF

RGB 22 192 175

HSL 174, 0.79%, 0.42%

LAB 70.15, -42.99, -2.66

 

CMYK 89 / 16 / 0 / 25

HEX #16A2C0

RGB 22 162 192

HSL 190.59, 0.79%, 0.42%

LAB 61.5, -23.52, -25.11

 

CMYK 89 / 0 / 80 / 25

HEX #16C027

RGB 22 192 39

HSL 126, 0.79%, 0.42%

LAB 68.03, -67.08, 60.33

 

CMYK 98 / 0 / 89 / 18

HEX #05D118

RGB 5 209 24

HSL 125.59, 0.95%, 0.42%

LAB 73.35, -73.43, 68.67

 

CMYK 89 / 0 / 80 / 25

HEX #16C027

RGB 22 192 39

HSL 126, 0.79%, 0.42%

LAB 68.03, -67.08, 60.33

 

CMYK 77 / 0 / 70 / 32

HEX #28AE35

RGB 40 174 53

HSL 125.82, 0.63%, 0.42%

LAB 62.49, -58.54, 49.95

 

CMYK 64 / 0 / 57 / 38

HEX #399D43

RGB 57 157 67

HSL 126, 0.47%, 0.42%

LAB 57.45, -47.87, 38.15

 

CMYK 47 / 0 / 42 / 45

HEX #4A8C51

RGB 74 140 81

HSL 126.36, 0.31%, 0.42%

LAB 52.74, -34.2, 25.14

 

CMYK 25 / 0 / 22 / 52

HEX #5C7A5F

RGB 92 122 95

HSL 126, 0.14%, 0.42%

LAB 48.29, -16.61, 11.35

 

CMYK 48 / 0 / 89 / 25

HEX #63C016

RGB 99 192 22

HSL 92.82, 0.79%, 0.42%

LAB 69.76, -53.01, 66.66

 

CMYK 72 / 0 / 89 / 25

HEX #36C016

RGB 54 192 22

HSL 108.71, 0.79%, 0.42%

LAB 68.42, -63.94, 64.98

 

CMYK 89 / 0 / 81 / 25

HEX #16C025

RGB 22 192 37

HSL 125.29, 0.79%, 0.42%

LAB 68.02, -67.2, 60.9

 

CMYK 89 / 0 / 57 / 25

HEX #16C052

RGB 22 192 82

HSL 141.18, 0.79%, 0.42%

LAB 68.37, -62.83, 43.76

 

CMYK 89 / 0 / 34 / 25

HEX #16C07F

RGB 22 192 127

HSL 157.06, 0.79%, 0.42%

LAB 69.04, -54.93, 21.8

 

CMYK 88 / 0 / 80 / 54

HEX #0E7618

RGB 14 118 24

HSL 125.77, 0.79%, 0.26%

LAB 42.94, -46.23, 40.97

 

CMYK 88 / 0 / 80 / 39

HEX #129B1F

RGB 18 155 31

HSL 125.69, 0.79%, 0.34%

LAB 55.76, -56.95, 51.06

 

CMYK 89 / 0 / 80 / 25

HEX #16C027

RGB 22 192 39

HSL 126, 0.79%, 0.42%

LAB 68.03, -67.08, 60.33

 

CMYK 88 / 0 / 80 / 11

HEX #1BE42E

RGB 27 228 46

HSL 125.67, 0.79%, 0.5%

LAB 79.57, -76.53, 69.24

 

CMYK 73 / 0 / 66 / 9

HEX #40E950

RGB 64 233 80

HSL 125.68, 0.79%, 0.58%

LAB 81.81, -71.23, 60.03

 

CMYK 88 / 0 / 80 / 25

HEX #17C027

RGB 23 192 39

HSL 125.68, 0.79%, 0.42%

LAB 68.04, -67, 60.34

 

CMYK 89 / 25 / 0 / 25

HEX #1690C0

RGB 22 144 192

HSL 196.94, 0.79%, 0.42%

LAB 56.01, -13.9, -33.61

 

CMYK 0 / 89 / 60 / 25

HEX #C0164C

RGB 192 22 76

HSL 340.94, 0.79%, 0.42%

LAB 41.69, 64.39, 15.76

 

CMYK 88 / 0 / 80 / 25

HEX #17C027

RGB 23 192 39

HSL 125.68, 0.79%, 0.42%

LAB 68.04, -67, 60.34

 

CMYK 81 / 89 / 0 / 25

HEX #2516C0

RGB 37 22 192

HSL 245.29, 0.79%, 0.42%

LAB 26.08, 59.03, -81.99

 

CMYK 0 / 81 / 89 / 25

HEX #C02516

RGB 192 37 22

HSL 5.29, 0.79%, 0.42%

LAB 42.14, 58.93, 47.46

 

CMYK 88 / 0 / 80 / 25

HEX #17C027

RGB 23 192 39

HSL 125.68, 0.79%, 0.42%

LAB 68.04, -67, 60.34

 

CMYK 89 / 25 / 0 / 25

HEX #1690C0

RGB 22 144 192

HSL 196.94, 0.79%, 0.42%

LAB 56.01, -13.9, -33.61

 

CMYK 0 / 89 / 7 / 25

HEX #C016B2

RGB 192 22 178

HSL 304.94, 0.79%, 0.42%

LAB 45.63, 75.03, -40.97

 

CMYK 0 / 64 / 89 / 25

HEX #C04616

RGB 192 70 22

HSL 16.94, 0.79%, 0.42%

LAB 46.5, 46.93, 50.85

 

CMYK 88 / 0 / 80 / 25

HEX #17C027

RGB 23 192 39

HSL 125.68, 0.79%, 0.42%

LAB 68.04, -67, 60.34

 

CMYK 89 / 52 / 0 / 25

HEX #165DC0

RGB 22 93 192

HSL 214.94, 0.79%, 0.42%

LAB 40.9, 17.26, -57.64

 

CMYK 0 / 89 / 7 / 25

HEX #C016B2

RGB 192 22 178

HSL 304.94, 0.79%, 0.42%

LAB 45.63, 75.03, -40.97

 

CMYK 0 / 37 / 89 / 25

HEX #C07916

RGB 192 121 22

HSL 34.94, 0.79%, 0.42%

LAB 57.02, 20.8, 59.08

 

Description

Color code: HEX #17C027 | qconv.com Color code: HEX #17C027 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 192 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 192 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 80 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 80% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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