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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #17B79E it is the complementary color #E84861. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #17B79E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #17B79E shade: #1CB799, #2DC9AC, #3EDBBF, #4FEDD2 and #60FFE5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #17B79E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #17B79E shade: #17B79E, #06A58B, #009378, #008165 and #006F52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #17B79E shade: #16B69D, #16B672, #16B647, #16B61C and #3CB616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #17B79E shade: #16B69D, #16A3B6, #1679B6, #164EB6 and #1623B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #17B79E shade matches the following richer shades: #16B69D and #06C6A8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #17B79E shade: #16B69D, #27A591, #379586, #48847B and #58746F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #17B79E shade: #16B646, #16B671, #16B69B, #16A6B6 and #167BB6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #17B79E shade: #0D6C5D, #12917D, #16B69D, #1BDABC and #38E6CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #17B79E shade: #17B79E, #1C16B6 and #B65B16

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #17B79E shade: #17B79E, #9B16B6 and #B69B16

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #17B79E shade: #17B79E, #1C16B6, #B61631 and #B0B616

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #17B79E shade: #17B79E, #4B16B6, #B61631 and #81B616

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 14 / 28

HEX #17B79E

RGB 23 183 158

HSL 170.63, 0.78%, 0.4%

LAB 66.91, -43.75, 1.95

 

Complementary color

CMYK 0 / 69 / 58 / 9

HEX #E84861

RGB 232 72 97

HSL 350.63, 0.78%, 0.6%

LAB 54.71, 62.74, 21.72

 

CMYK 85 / 0 / 16 / 28

HEX #1CB799

RGB 28 183 153

HSL 168.39, 0.73%, 0.41%

LAB 66.83, -44.74, 4.59

 

CMYK 78 / 0 / 14 / 21

HEX #2DC9AC

RGB 45 201 172

HSL 168.85, 0.63%, 0.48%

LAB 73.1, -45.83, 3.3

 

CMYK 72 / 0 / 13 / 14

HEX #3EDBBF

RGB 62 219 191

HSL 169.3, 0.69%, 0.55%

LAB 79.3, -46.61, 2.13

 

CMYK 67 / 0 / 11 / 7

HEX #4FEDD2

RGB 79 237 210

HSL 169.75, 0.81%, 0.62%

LAB 85.45, -47.16, 1.06

 

CMYK 62 / 0 / 10 / 0

HEX #60FFE5

RGB 96 255 229

HSL 170.19, 1%, 0.69%

LAB 91.53, -47.54, 0.09

 

CMYK 87 / 0 / 14 / 28

HEX #17B79E

RGB 23 183 158

HSL 170.63, 0.78%, 0.4%

LAB 66.91, -43.75, 1.95

 

CMYK 96 / 0 / 16 / 35

HEX #06A58B

RGB 6 165 139

HSL 170.19, 0.93%, 0.34%

LAB 60.62, -42.1, 3.37

 

CMYK 100 / 0 / 18 / 42

HEX #009378

RGB 0 147 120

HSL 168.98, 1%, 0.29%

LAB 54.26, -39.91, 4.99

 

CMYK 100 / 0 / 22 / 49

HEX #008165

RGB 0 129 101

HSL 166.98, 1%, 0.25%

LAB 47.8, -37.41, 6.74

 

CMYK 100 / 0 / 26 / 56

HEX #006F52

RGB 0 111 82

HSL 164.32, 1%, 0.22%

LAB 41.18, -34.84, 8.61

 

CMYK 88 / 0 / 14 / 29

HEX #16B69D

RGB 22 182 157

HSL 170.63, 0.78%, 0.4%

LAB 66.57, -43.66, 1.99

 

CMYK 88 / 0 / 37 / 29

HEX #16B672

RGB 22 182 114

HSL 154.5, 0.78%, 0.4%

LAB 65.62, -53.96, 24.12

 

CMYK 88 / 0 / 61 / 29

HEX #16B647

RGB 22 182 71

HSL 138.38, 0.78%, 0.4%

LAB 65.03, -61.08, 44.94

 

CMYK 88 / 0 / 85 / 29

HEX #16B61C

RGB 22 182 28

HSL 122.25, 0.78%, 0.4%

LAB 64.73, -64.79, 60.25

 

CMYK 67 / 0 / 88 / 29

HEX #3CB616

RGB 60 182 22

HSL 105.75, 0.78%, 0.4%

LAB 65.34, -59.6, 62.37

 

CMYK 88 / 0 / 14 / 29

HEX #16B69D

RGB 22 182 157

HSL 170.63, 0.78%, 0.4%

LAB 66.57, -43.66, 1.99

 

CMYK 88 / 10 / 0 / 29

HEX #16A3B6

RGB 22 163 182

HSL 187.13, 0.78%, 0.4%

LAB 61.43, -27.36, -19.6

 

CMYK 88 / 34 / 0 / 29

HEX #1679B6

RGB 22 121 182

HSL 202.88, 0.78%, 0.4%

LAB 48.54, -4.36, -39.62

 

CMYK 88 / 57 / 0 / 29

HEX #164EB6

RGB 22 78 182

HSL 219, 0.78%, 0.4%

LAB 35.98, 23.25, -59.78

 

CMYK 88 / 81 / 0 / 29

HEX #1623B6

RGB 22 35 182

HSL 235.13, 0.78%, 0.4%

LAB 26.01, 49.94, -76.19

 

CMYK 88 / 0 / 14 / 29

HEX #16B69D

RGB 22 182 157

HSL 170.63, 0.78%, 0.4%

LAB 66.57, -43.66, 1.99

 

CMYK 97 / 0 / 15 / 22

HEX #06C6A8

RGB 6 198 168

HSL 170.63, 0.94%, 0.4%

LAB 71.73, -48.09, 3.44

 

CMYK 88 / 0 / 14 / 29

HEX #16B69D

RGB 22 182 157

HSL 170.63, 0.78%, 0.4%

LAB 66.57, -43.66, 1.99

 

CMYK 76 / 0 / 12 / 35

HEX #27A591

RGB 39 165 145

HSL 170.48, 0.62%, 0.4%

LAB 61.12, -38.01, 0.78

 

CMYK 63 / 0 / 10 / 42

HEX #379586

RGB 55 149 134

HSL 170.43, 0.46%, 0.4%

LAB 56.12, -31.21, -0.24

 

CMYK 45 / 0 / 7 / 48

HEX #48847B

RGB 72 132 123

HSL 171, 0.29%, 0.4%

LAB 51.05, -21.84, -1.23

 

CMYK 24 / 0 / 4 / 55

HEX #58746F

RGB 88 116 111

HSL 169.29, 0.14%, 0.4%

LAB 46.6, -11.28, -0.57

 

CMYK 88 / 0 / 62 / 29

HEX #16B646

RGB 22 182 70

HSL 138, 0.78%, 0.4%

LAB 65.02, -61.21, 45.39

 

CMYK 88 / 0 / 38 / 29

HEX #16B671

RGB 22 182 113

HSL 154.13, 0.78%, 0.4%

LAB 65.61, -54.16, 24.62

 

CMYK 88 / 0 / 15 / 29

HEX #16B69B

RGB 22 182 155

HSL 169.88, 0.78%, 0.4%

LAB 66.51, -44.2, 3.02

 

CMYK 88 / 9 / 0 / 29

HEX #16A6B6

RGB 22 166 182

HSL 186, 0.78%, 0.4%

LAB 62.36, -28.85, -18.19

 

CMYK 88 / 32 / 0 / 29

HEX #167BB6

RGB 22 123 182

HSL 202.13, 0.78%, 0.4%

LAB 49.15, -5.55, -38.66

 

CMYK 88 / 0 / 14 / 58

HEX #0D6C5D

RGB 13 108 93

HSL 170.53, 0.79%, 0.24%

LAB 40.57, -29.36, 1.12

 

CMYK 88 / 0 / 14 / 43

HEX #12917D

RGB 18 145 125

HSL 170.55, 0.78%, 0.32%

LAB 53.88, -36.66, 1.58

 

CMYK 88 / 0 / 14 / 29

HEX #16B69D

RGB 22 182 157

HSL 170.63, 0.78%, 0.4%

LAB 66.57, -43.66, 1.99

 

CMYK 88 / 0 / 14 / 15

HEX #1BDABC

RGB 27 218 188

HSL 170.58, 0.78%, 0.48%

LAB 78.47, -50.17, 2.46

 

CMYK 76 / 0 / 12 / 10

HEX #38E6CB

RGB 56 230 203

HSL 170.69, 0.78%, 0.56%

LAB 82.78, -48.88, 0.81

 

CMYK 87 / 0 / 14 / 28

HEX #17B79E

RGB 23 183 158

HSL 170.63, 0.78%, 0.4%

LAB 66.91, -43.75, 1.95

 

CMYK 85 / 88 / 0 / 29

HEX #1C16B6

RGB 28 22 182

HSL 242.25, 0.78%, 0.4%

LAB 24.32, 55.87, -79

 

CMYK 0 / 50 / 88 / 29

HEX #B65B16

RGB 182 91 22

HSL 25.88, 0.78%, 0.4%

LAB 48.87, 32.78, 52.02

 

CMYK 87 / 0 / 14 / 28

HEX #17B79E

RGB 23 183 158

HSL 170.63, 0.78%, 0.4%

LAB 66.91, -43.75, 1.95

 

CMYK 15 / 88 / 0 / 29

HEX #9B16B6

RGB 155 22 182

HSL 289.88, 0.78%, 0.4%

LAB 39.45, 69.16, -53.59

 

CMYK 0 / 15 / 88 / 29

HEX #B69B16

RGB 182 155 22

HSL 49.88, 0.78%, 0.4%

LAB 64.52, -2.31, 64.57

 

CMYK 87 / 0 / 14 / 28

HEX #17B79E

RGB 23 183 158

HSL 170.63, 0.78%, 0.4%

LAB 66.91, -43.75, 1.95

 

CMYK 85 / 88 / 0 / 29

HEX #1C16B6

RGB 28 22 182

HSL 242.25, 0.78%, 0.4%

LAB 24.32, 55.87, -79

 

CMYK 0 / 88 / 73 / 29

HEX #B61631

RGB 182 22 49

HSL 349.88, 0.78%, 0.4%

LAB 39.14, 60.38, 29.04

 

CMYK 3 / 0 / 88 / 29

HEX #B0B616

RGB 176 182 22

HSL 62.25, 0.78%, 0.4%

LAB 71.38, -19.02, 69.87

 

CMYK 87 / 0 / 14 / 28

HEX #17B79E

RGB 23 183 158

HSL 170.63, 0.78%, 0.4%

LAB 66.91, -43.75, 1.95

 

CMYK 59 / 88 / 0 / 29

HEX #4B16B6

RGB 75 22 182

HSL 259.88, 0.78%, 0.4%

LAB 27.97, 58.71, -72.82

 

CMYK 0 / 88 / 73 / 29

HEX #B61631

RGB 182 22 49

HSL 349.88, 0.78%, 0.4%

LAB 39.14, 60.38, 29.04

 

CMYK 29 / 0 / 88 / 29

HEX #81B616

RGB 129 182 22

HSL 79.88, 0.78%, 0.4%

LAB 68.15, -38.46, 65.89

 

Description

Color code: HEX #17B79E | qconv.com Color code: HEX #17B79E | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 183 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 183 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 14 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 14% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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