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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #17B480 it is the complementary color #E84B7F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #17B480. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #17B480 shade: #1CB47B, #2DC68E, #3ED8A1, #4FEAB4 and #60FCC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #17B480. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #17B480 shade: #17B480, #06A26D, #00905A, #007E47 and #006C34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #17B480 shade: #17B581, #17B556, #17B52C, #2DB517 and #58B517

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #17B480 shade: #17B581, #17B5AB, #1794B5, #1769B5 and #173FB5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #17B480 shade matches the following richer shades: #17B581 and #07C586

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #17B480 shade: #17B581, #28A47B, #389475, #498370 and #59736A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #17B480 shade: #17B52C, #17B556, #17B580, #17B5AA and #1795B5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #17B480 shade: #0E6C4D, #139067, #17B581, #1CD99B and #39E5AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #17B480 shade: #17B480, #172CB5 and #B54117

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #17B480 shade: #17B480, #8017B5 and #B58017

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #17B480 shade: #17B480, #172CB5, #B5174C and #B5A017

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #17B480 shade: #17B480, #3217B5, #B5174C and #9AB517

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 29 / 29

HEX #17B480

RGB 23 180 128

HSL 160.13, 0.77%, 0.4%

LAB 65.27, -50.08, 16.07

 

Complementary color

CMYK 0 / 68 / 45 / 9

HEX #E84B7F

RGB 232 75 127

HSL 340.13, 0.77%, 0.6%

LAB 55.81, 64.01, 5.44

 

CMYK 84 / 0 / 32 / 29

HEX #1CB47B

RGB 28 180 123

HSL 157.5, 0.73%, 0.41%

LAB 65.22, -50.82, 18.73

 

CMYK 77 / 0 / 28 / 22

HEX #2DC68E

RGB 45 198 142

HSL 158.04, 0.63%, 0.48%

LAB 71.49, -51.86, 17.19

 

CMYK 71 / 0 / 25 / 15

HEX #3ED8A1

RGB 62 216 161

HSL 158.57, 0.66%, 0.55%

LAB 77.7, -52.56, 15.79

 

CMYK 66 / 0 / 23 / 8

HEX #4FEAB4

RGB 79 234 180

HSL 159.1, 0.79%, 0.61%

LAB 83.86, -53.01, 14.52

 

CMYK 62 / 0 / 21 / 1

HEX #60FCC7

RGB 96 252 199

HSL 159.62, 0.96%, 0.68%

LAB 89.97, -53.28, 13.34

 

CMYK 87 / 0 / 29 / 29

HEX #17B480

RGB 23 180 128

HSL 160.13, 0.77%, 0.4%

LAB 65.27, -50.08, 16.07

 

CMYK 96 / 0 / 33 / 36

HEX #06A26D

RGB 6 162 109

HSL 159.62, 0.93%, 0.33%

LAB 58.96, -48.43, 17.78

 

CMYK 100 / 0 / 38 / 44

HEX #00905A

RGB 0 144 90

HSL 157.5, 1%, 0.28%

LAB 52.6, -46.14, 19.69

 

CMYK 100 / 0 / 44 / 51

HEX #007E47

RGB 0 126 71

HSL 153.81, 1%, 0.25%

LAB 46.15, -43.42, 21.75

 

CMYK 100 / 0 / 52 / 58

HEX #006C34

RGB 0 108 52

HSL 148.89, 1%, 0.21%

LAB 39.54, -40.48, 23.89

 

CMYK 87 / 0 / 29 / 29

HEX #17B581

RGB 23 181 129

HSL 160.25, 0.77%, 0.4%

LAB 65.6, -50.24, 16

 

CMYK 87 / 0 / 52 / 29

HEX #17B556

RGB 23 181 86

HSL 143.92, 0.77%, 0.4%

LAB 64.88, -58.58, 37.63

 

CMYK 87 / 0 / 76 / 29

HEX #17B52C

RGB 23 181 44

HSL 127.97, 0.77%, 0.4%

LAB 64.49, -63.42, 55.3

 

CMYK 75 / 0 / 87 / 29

HEX #2DB517

RGB 45 181 23

HSL 111.65, 0.77%, 0.4%

LAB 64.7, -61.98, 61.48

 

CMYK 51 / 0 / 87 / 29

HEX #58B517

RGB 88 181 23

HSL 95.32, 0.77%, 0.4%

LAB 65.89, -52.14, 62.98

 

CMYK 87 / 0 / 29 / 29

HEX #17B581

RGB 23 181 129

HSL 160.25, 0.77%, 0.4%

LAB 65.6, -50.24, 16

 

CMYK 87 / 0 / 6 / 29

HEX #17B5AB

RGB 23 181 171

HSL 176.2, 0.77%, 0.4%

LAB 66.65, -39.22, -5.62

 

CMYK 87 / 18 / 0 / 29

HEX #1794B5

RGB 23 148 181

HSL 192.53, 0.77%, 0.4%

LAB 56.78, -19.91, -26.17

 

CMYK 87 / 42 / 0 / 29

HEX #1769B5

RGB 23 105 181

HSL 208.86, 0.77%, 0.4%

LAB 43.69, 5.18, -46.75

 

CMYK 87 / 65 / 0 / 29

HEX #173FB5

RGB 23 63 181

HSL 224.81, 0.77%, 0.4%

LAB 31.97, 32.91, -65.74

 

CMYK 87 / 0 / 29 / 29

HEX #17B581

RGB 23 181 129

HSL 160.25, 0.77%, 0.4%

LAB 65.6, -50.24, 16

 

CMYK 96 / 0 / 32 / 23

HEX #07C586

RGB 7 197 134

HSL 160.11, 0.93%, 0.4%

LAB 70.66, -55.96, 20.27

 

CMYK 87 / 0 / 29 / 29

HEX #17B581

RGB 23 181 129

HSL 160.25, 0.77%, 0.4%

LAB 65.6, -50.24, 16

 

CMYK 76 / 0 / 25 / 36

HEX #28A47B

RGB 40 164 123

HSL 160.16, 0.61%, 0.4%

LAB 60.28, -43.11, 11.9

 

CMYK 62 / 0 / 21 / 42

HEX #389475

RGB 56 148 117

HSL 159.78, 0.45%, 0.4%

LAB 55.39, -34.93, 8.42

 

CMYK 44 / 0 / 15 / 49

HEX #498370

RGB 73 131 112

HSL 160.34, 0.28%, 0.4%

LAB 50.47, -23.81, 4.37

 

CMYK 23 / 0 / 8 / 55

HEX #59736A

RGB 89 115 106

HSL 159.23, 0.13%, 0.4%

LAB 46.21, -11.52, 1.86

 

CMYK 87 / 0 / 76 / 29

HEX #17B52C

RGB 23 181 44

HSL 127.97, 0.77%, 0.4%

LAB 64.49, -63.42, 55.3

 

CMYK 87 / 0 / 52 / 29

HEX #17B556

RGB 23 181 86

HSL 143.92, 0.77%, 0.4%

LAB 64.88, -58.58, 37.63

 

CMYK 87 / 0 / 29 / 29

HEX #17B580

RGB 23 181 128

HSL 159.87, 0.77%, 0.4%

LAB 65.58, -50.47, 16.51

 

CMYK 87 / 0 / 6 / 29

HEX #17B5AA

RGB 23 181 170

HSL 175.82, 0.77%, 0.4%

LAB 66.62, -39.51, -5.11

 

CMYK 87 / 18 / 0 / 29

HEX #1795B5

RGB 23 149 181

HSL 192.15, 0.77%, 0.4%

LAB 57.09, -20.44, -25.69

 

CMYK 87 / 0 / 29 / 58

HEX #0E6C4D

RGB 14 108 77

HSL 160.21, 0.77%, 0.24%

LAB 40.17, -33.7, 10.21

 

CMYK 87 / 0 / 28 / 44

HEX #139067

RGB 19 144 103

HSL 160.32, 0.77%, 0.32%

LAB 53.02, -41.95, 12.96

 

CMYK 87 / 0 / 29 / 29

HEX #17B581

RGB 23 181 129

HSL 160.25, 0.77%, 0.4%

LAB 65.6, -50.24, 16

 

CMYK 87 / 0 / 29 / 15

HEX #1CD99B

RGB 28 217 155

HSL 160.32, 0.77%, 0.48%

LAB 77.42, -57.75, 18.5

 

CMYK 75 / 0 / 25 / 10

HEX #39E5AC

RGB 57 229 172

HSL 160.12, 0.77%, 0.56%

LAB 81.78, -55.87, 15.7

 

CMYK 87 / 0 / 29 / 29

HEX #17B480

RGB 23 180 128

HSL 160.13, 0.77%, 0.4%

LAB 65.27, -50.08, 16.07

 

CMYK 87 / 76 / 0 / 29

HEX #172CB5

RGB 23 44 181

HSL 232.03, 0.77%, 0.4%

LAB 27.63, 44.76, -72.91

 

CMYK 0 / 64 / 87 / 29

HEX #B54117

RGB 181 65 23

HSL 15.95, 0.77%, 0.4%

LAB 43.75, 45.21, 47.44

 

CMYK 87 / 0 / 29 / 29

HEX #17B480

RGB 23 180 128

HSL 160.13, 0.77%, 0.4%

LAB 65.27, -50.08, 16.07

 

CMYK 29 / 87 / 0 / 29

HEX #8017B5

RGB 128 23 181

HSL 279.87, 0.77%, 0.4%

LAB 35.08, 64.54, -60.29

 

CMYK 0 / 29 / 87 / 29

HEX #B58017

RGB 181 128 23

HSL 39.87, 0.77%, 0.4%

LAB 57.39, 12.06, 58.54

 

CMYK 87 / 0 / 29 / 29

HEX #17B480

RGB 23 180 128

HSL 160.13, 0.77%, 0.4%

LAB 65.27, -50.08, 16.07

 

CMYK 87 / 76 / 0 / 29

HEX #172CB5

RGB 23 44 181

HSL 232.03, 0.77%, 0.4%

LAB 27.63, 44.76, -72.91

 

CMYK 0 / 87 / 58 / 29

HEX #B5174C

RGB 181 23 76

HSL 339.87, 0.77%, 0.4%

LAB 39.51, 61.4, 12.42

 

CMYK 0 / 12 / 87 / 29

HEX #B5A017

RGB 181 160 23

HSL 52.03, 0.77%, 0.4%

LAB 65.77, -5.41, 65.32

 

CMYK 87 / 0 / 29 / 29

HEX #17B480

RGB 23 180 128

HSL 160.13, 0.77%, 0.4%

LAB 65.27, -50.08, 16.07

 

CMYK 72 / 87 / 0 / 29

HEX #3217B5

RGB 50 23 181

HSL 250.25, 0.77%, 0.4%

LAB 25.64, 56.24, -76.16

 

CMYK 0 / 87 / 58 / 29

HEX #B5174C

RGB 181 23 76

HSL 339.87, 0.77%, 0.4%

LAB 39.51, 61.4, 12.42

 

CMYK 15 / 0 / 87 / 29

HEX #9AB517

RGB 154 181 23

HSL 70.25, 0.77%, 0.4%

LAB 69.46, -27.89, 67.42

 

Description

Color code: HEX #17B480 | qconv.com Color code: HEX #17B480 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 180 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 180 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 29 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 29% 29% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

16% - GetFit - Personlig t...
Link: http://www.getfit.se

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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