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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #179932 it is the complementary color #E866CD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #179932. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #179932 shade: #1C992D, #2DAB40, #3EBD53, #4FCF66 and #60E179

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #179932. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #179932 shade: #179932, #06871F, #00750C, #006300 and #005100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #179932 shade: #179B33, #1F9B17, #439B17, #679B17 and #8A9B17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #179932 shade: #179B33, #179B56, #179B7A, #17999B and #17759B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #179932 shade matches the following richer shades: #179B33 and #09AA2A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #179932 shade: #179B33, #268D3B, #347E44, #43704C and #516254

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #179932 shade: #439B17, #209B17, #179B32, #179B55 and #179B78

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #179932 shade: #0C541B, #127727, #179B33, #1DBF3E and #26DF4D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #179932 shade: #179932, #17669B and #9B1732

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #179932 shade: #179932, #32179B and #9B3217

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #179932 shade: #179932, #17669B, #9B1781 and #9B4C17

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #179932 shade: #179932, #173F9B, #9B1781 and #9B7417

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 67 / 40

HEX #179932

RGB 23 153 50

HSL 132.46, 0.74%, 0.35%

LAB 55.27, -54.16, 43.36

 

Complementary color

CMYK 0 / 56 / 12 / 9

HEX #E866CD

RGB 232 102 205

HSL 312.46, 0.74%, 0.65%

LAB 62.56, 62.42, -29.57

 

CMYK 82 / 0 / 71 / 40

HEX #1C992D

RGB 28 153 45

HSL 128.16, 0.69%, 0.35%

LAB 55.3, -54.11, 45.51

 

CMYK 74 / 0 / 63 / 33

HEX #2DAB40

RGB 45 171 64

HSL 129.05, 0.58%, 0.42%

LAB 61.7, -55.6, 44.4

 

CMYK 67 / 0 / 56 / 26

HEX #3EBD53

RGB 62 189 83

HSL 129.92, 0.51%, 0.49%

LAB 68.05, -56.49, 43.07

 

CMYK 62 / 0 / 51 / 19

HEX #4FCF66

RGB 79 207 102

HSL 130.78, 0.57%, 0.56%

LAB 74.35, -56.99, 41.67

 

CMYK 57 / 0 / 46 / 12

HEX #60E179

RGB 96 225 121

HSL 131.63, 0.68%, 0.63%

LAB 80.58, -57.24, 40.29

 

CMYK 85 / 0 / 67 / 40

HEX #179932

RGB 23 153 50

HSL 132.46, 0.74%, 0.35%

LAB 55.27, -54.16, 43.36

 

CMYK 96 / 0 / 77 / 47

HEX #06871F

RGB 6 135 31

HSL 131.63, 0.91%, 0.28%

LAB 48.84, -51.71, 44.25

 

CMYK 100 / 0 / 90 / 54

HEX #00750C

RGB 0 117 12

HSL 126.15, 1%, 0.23%

LAB 42.38, -47.94, 44.04

 

CMYK 100 / 0 / 100 / 61

HEX #006300

RGB 0 99 0

HSL 120, 1%, 0.19%

LAB 35.84, -43.07, 41.57

 

CMYK 100 / 0 / 100 / 68

HEX #005100

RGB 0 81 0

HSL 120, 1%, 0.16%

LAB 29.12, -37.49, 36.18

 

CMYK 85 / 0 / 67 / 39

HEX #179B33

RGB 23 155 51

HSL 132.73, 0.74%, 0.35%

LAB 55.95, -54.7, 43.67

 

CMYK 80 / 0 / 85 / 39

HEX #1F9B17

RGB 31 155 23

HSL 116.36, 0.74%, 0.35%

LAB 55.88, -55.97, 53.54

 

CMYK 57 / 0 / 85 / 39

HEX #439B17

RGB 67 155 23

HSL 100, 0.74%, 0.35%

LAB 56.78, -48.45, 54.68

 

CMYK 34 / 0 / 85 / 39

HEX #679B17

RGB 103 155 23

HSL 83.64, 0.74%, 0.35%

LAB 58.4, -36.42, 56.74

 

CMYK 11 / 0 / 85 / 39

HEX #8A9B17

RGB 138 155 23

HSL 67.73, 0.74%, 0.35%

LAB 60.7, -21.96, 59.62

 

CMYK 85 / 0 / 67 / 39

HEX #179B33

RGB 23 155 51

HSL 132.73, 0.74%, 0.35%

LAB 55.95, -54.7, 43.67

 

CMYK 85 / 0 / 45 / 39

HEX #179B56

RGB 23 155 86

HSL 148.64, 0.74%, 0.35%

LAB 56.38, -49.49, 26.9

 

CMYK 85 / 0 / 21 / 39

HEX #179B7A

RGB 23 155 122

HSL 165, 0.74%, 0.35%

LAB 57.1, -41.42, 7.94

 

CMYK 85 / 1 / 0 / 39

HEX #17999B

RGB 23 153 155

HSL 180.91, 0.74%, 0.35%

LAB 57.4, -31.05, -10.42

 

CMYK 85 / 25 / 0 / 39

HEX #17759B

RGB 23 117 155

HSL 197.27, 0.74%, 0.35%

LAB 46, -12.1, -27.84

 

CMYK 85 / 0 / 67 / 39

HEX #179B33

RGB 23 155 51

HSL 132.73, 0.74%, 0.35%

LAB 55.95, -54.7, 43.67

 

CMYK 95 / 0 / 75 / 33

HEX #09AA2A

RGB 9 170 42

HSL 132.3, 0.9%, 0.35%

LAB 60.76, -61.23, 52.23

 

CMYK 85 / 0 / 67 / 39

HEX #179B33

RGB 23 155 51

HSL 132.73, 0.74%, 0.35%

LAB 55.95, -54.7, 43.67

 

CMYK 73 / 0 / 58 / 45

HEX #268D3B

RGB 38 141 59

HSL 132.23, 0.58%, 0.35%

LAB 51.58, -46.82, 35.02

 

CMYK 59 / 0 / 46 / 51

HEX #347E44

RGB 52 126 68

HSL 132.97, 0.42%, 0.35%

LAB 47.07, -36.42, 24.8

 

CMYK 40 / 0 / 32 / 56

HEX #43704C

RGB 67 112 76

HSL 132, 0.25%, 0.35%

LAB 43.22, -23.91, 15.27

 

CMYK 17 / 0 / 14 / 62

HEX #516254

RGB 81 98 84

HSL 130.59, 0.09%, 0.35%

LAB 39.79, -9.57, 5.83

 

CMYK 57 / 0 / 85 / 39

HEX #439B17

RGB 67 155 23

HSL 100, 0.74%, 0.35%

LAB 56.78, -48.45, 54.68

 

CMYK 79 / 0 / 85 / 39

HEX #209B17

RGB 32 155 23

HSL 115.91, 0.74%, 0.35%

LAB 55.9, -55.83, 53.56

 

CMYK 85 / 0 / 68 / 39

HEX #179B32

RGB 23 155 50

HSL 132.27, 0.74%, 0.35%

LAB 55.94, -54.81, 44.09

 

CMYK 85 / 0 / 45 / 39

HEX #179B55

RGB 23 155 85

HSL 148.18, 0.74%, 0.35%

LAB 56.37, -49.68, 27.42

 

CMYK 85 / 0 / 23 / 39

HEX #179B78

RGB 23 155 120

HSL 164.09, 0.74%, 0.35%

LAB 57.06, -41.94, 9

 

CMYK 86 / 0 / 68 / 67

HEX #0C541B

RGB 12 84 27

HSL 132.5, 0.75%, 0.19%

LAB 30.64, -34.36, 26.72

 

CMYK 85 / 0 / 67 / 53

HEX #127727

RGB 18 119 39

HSL 132.48, 0.74%, 0.27%

LAB 43.46, -44.62, 35.27

 

CMYK 85 / 0 / 67 / 39

HEX #179B33

RGB 23 155 51

HSL 132.73, 0.74%, 0.35%

LAB 55.95, -54.7, 43.67

 

CMYK 85 / 0 / 68 / 25

HEX #1DBF3E

RGB 29 191 62

HSL 132.22, 0.74%, 0.43%

LAB 67.93, -64.32, 52.08

 

CMYK 83 / 0 / 65 / 13

HEX #26DF4D

RGB 38 223 77

HSL 132.65, 0.74%, 0.51%

LAB 78.3, -71.7, 57.29

 

CMYK 85 / 0 / 67 / 40

HEX #179932

RGB 23 153 50

HSL 132.46, 0.74%, 0.35%

LAB 55.27, -54.16, 43.36

 

CMYK 85 / 34 / 0 / 39

HEX #17669B

RGB 23 102 155

HSL 204.09, 0.74%, 0.35%

LAB 41.3, -3.16, -35.22

 

CMYK 0 / 85 / 68 / 39

HEX #9B1732

RGB 155 23 50

HSL 347.73, 0.74%, 0.35%

LAB 33.59, 52.81, 20.33

 

CMYK 85 / 0 / 67 / 40

HEX #179932

RGB 23 153 50

HSL 132.46, 0.74%, 0.35%

LAB 55.27, -54.16, 43.36

 

CMYK 68 / 85 / 0 / 39

HEX #32179B

RGB 50 23 155

HSL 252.27, 0.74%, 0.35%

LAB 22.51, 48.85, -65.63

 

CMYK 0 / 68 / 85 / 39

HEX #9B3217

RGB 155 50 23

HSL 12.27, 0.74%, 0.35%

LAB 36.58, 42.45, 39.45

 

CMYK 85 / 0 / 67 / 40

HEX #179932

RGB 23 153 50

HSL 132.46, 0.74%, 0.35%

LAB 55.27, -54.16, 43.36

 

CMYK 85 / 34 / 0 / 39

HEX #17669B

RGB 23 102 155

HSL 204.09, 0.74%, 0.35%

LAB 41.3, -3.16, -35.22

 

CMYK 0 / 85 / 17 / 39

HEX #9B1781

RGB 155 23 129

HSL 311.82, 0.74%, 0.35%

LAB 36.3, 60.55, -26.47

 

CMYK 0 / 51 / 85 / 39

HEX #9B4C17

RGB 155 76 23

HSL 24.09, 0.74%, 0.35%

LAB 41.53, 29.57, 43.84

 

CMYK 85 / 0 / 67 / 40

HEX #179932

RGB 23 153 50

HSL 132.46, 0.74%, 0.35%

LAB 55.27, -54.16, 43.36

 

CMYK 85 / 59 / 0 / 39

HEX #173F9B

RGB 23 63 155

HSL 221.82, 0.74%, 0.35%

LAB 29.67, 22.69, -53.9

 

CMYK 0 / 85 / 17 / 39

HEX #9B1781

RGB 155 23 129

HSL 311.82, 0.74%, 0.35%

LAB 36.3, 60.55, -26.47

 

CMYK 0 / 25 / 85 / 39

HEX #9B7417

RGB 155 116 23

HSL 42.27, 0.74%, 0.35%

LAB 51.29, 6.94, 52.25

 

Description

Color code: HEX #179932 | qconv.com Color code: HEX #179932 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 153 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 153 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 67 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 67% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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