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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #179802 it is the complementary color #E867FD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #179802. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #179802 shade: #1C9800, #2DAA10, #3EBC23, #4FCE36 and #60E049

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #179802. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #179802 shade: #179802, #068600, #007400, #006200 and #005000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #179802 shade: #179702, #3F9702, #679702, #8F9702 and #977602

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #179802 shade: #179702, #029716, #02973E, #029766 and #02978E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #179802 shade matches the following richer shades: #179702

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #179802 shade: #179702, #208A0F, #297E1B, #327227 and #3B6534

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #179802 shade: #689702, #409702, #199702, #029714 and #02973B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #179802 shade: #0B4501, #116E02, #179702, #1DBF03 and #24E804

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #179802 shade: #179802, #028F97 and #970254

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #179802 shade: #179802, #021997 and #970219

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #179802 shade: #179802, #028F97, #800297 and #970A02

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #179802 shade: #179802, #026397, #800297 and #973602

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 99 / 40

HEX #179802

RGB 23 152 2

HSL 111.6, 0.97%, 0.3%

LAB 54.7, -56.79, 56.45

 

Complementary color

CMYK 8 / 59 / 0 / 1

HEX #E867FD

RGB 232 103 253

HSL 291.6, 0.97%, 0.7%

LAB 64.92, 70.01, -52.62

 

CMYK 82 / 0 / 100 / 40

HEX #1C9800

RGB 28 152 0

HSL 108.95, 1%, 0.3%

LAB 54.77, -56.25, 56.85

 

CMYK 74 / 0 / 91 / 33

HEX #2DAA10

RGB 45 170 16

HSL 108.7, 0.83%, 0.36%

LAB 61.08, -58.79, 59.72

 

CMYK 67 / 0 / 81 / 26

HEX #3EBC23

RGB 62 188 35

HSL 109.41, 0.69%, 0.44%

LAB 67.36, -60.57, 61.07

 

CMYK 62 / 0 / 74 / 19

HEX #4FCE36

RGB 79 206 54

HSL 110.13, 0.61%, 0.51%

LAB 73.59, -61.76, 61.28

 

CMYK 57 / 0 / 67 / 12

HEX #60E049

RGB 96 224 73

HSL 110.86, 0.71%, 0.58%

LAB 79.77, -62.52, 60.82

 

CMYK 85 / 0 / 99 / 40

HEX #179802

RGB 23 152 2

HSL 111.6, 0.97%, 0.3%

LAB 54.7, -56.79, 56.45

 

CMYK 96 / 0 / 100 / 47

HEX #068600

RGB 6 134 0

HSL 117.31, 1%, 0.26%

LAB 48.37, -52.99, 51.64

 

CMYK 100 / 0 / 100 / 55

HEX #007400

RGB 0 116 0

HSL 120, 1%, 0.23%

LAB 41.99, -48.17, 46.5

 

CMYK 100 / 0 / 100 / 62

HEX #006200

RGB 0 98 0

HSL 120, 1%, 0.19%

LAB 35.47, -42.76, 41.27

 

CMYK 100 / 0 / 100 / 69

HEX #005000

RGB 0 80 0

HSL 120, 1%, 0.16%

LAB 28.74, -37.17, 35.87

 

CMYK 85 / 0 / 99 / 41

HEX #179702

RGB 23 151 2

HSL 111.54, 0.97%, 0.3%

LAB 54.36, -56.49, 56.17

 

CMYK 58 / 0 / 99 / 41

HEX #3F9702

RGB 63 151 2

HSL 95.44, 0.97%, 0.3%

LAB 55.27, -48.75, 57.28

 

CMYK 32 / 0 / 99 / 41

HEX #679702

RGB 103 151 2

HSL 79.33, 0.97%, 0.3%

LAB 57.1, -35.18, 59.5

 

CMYK 5 / 0 / 99 / 41

HEX #8F9702

RGB 143 151 2

HSL 63.22, 0.97%, 0.3%

LAB 59.87, -18.15, 62.82

 

CMYK 0 / 22 / 99 / 41

HEX #977602

RGB 151 118 2

HSL 46.71, 0.97%, 0.3%

LAB 51.31, 3.49, 56.92

 

CMYK 85 / 0 / 99 / 41

HEX #179702

RGB 23 151 2

HSL 111.54, 0.97%, 0.3%

LAB 54.36, -56.49, 56.17

 

CMYK 99 / 0 / 85 / 41

HEX #029716

RGB 2 151 22

HSL 128.05, 0.97%, 0.3%

LAB 54.24, -57.38, 52.2

 

CMYK 99 / 0 / 59 / 41

HEX #02973E

RGB 2 151 62

HSL 144.16, 0.97%, 0.3%

LAB 54.55, -53.52, 36.94

 

CMYK 99 / 0 / 32 / 41

HEX #029766

RGB 2 151 102

HSL 160.27, 0.97%, 0.3%

LAB 55.18, -46, 16.49

 

CMYK 99 / 0 / 6 / 41

HEX #02978E

RGB 2 151 142

HSL 176.38, 0.97%, 0.3%

LAB 56.19, -35.22, -4.81

 

CMYK 85 / 0 / 99 / 41

HEX #179702

RGB 23 151 2

HSL 111.54, 0.97%, 0.3%

LAB 54.36, -56.49, 56.17

 

CMYK 85 / 0 / 99 / 41

HEX #179702

RGB 23 151 2

HSL 111.54, 0.97%, 0.3%

LAB 54.36, -56.49, 56.17

 

CMYK 77 / 0 / 89 / 46

HEX #208A0F

RGB 32 138 15

HSL 111.71, 0.8%, 0.3%

LAB 50.12, -50.77, 50.34

 

CMYK 67 / 0 / 79 / 51

HEX #297E1B

RGB 41 126 27

HSL 111.52, 0.65%, 0.3%

LAB 46.27, -44.19, 43.35

 

CMYK 56 / 0 / 66 / 55

HEX #327227

RGB 50 114 39

HSL 111.2, 0.49%, 0.3%

LAB 42.55, -36.03, 34.49

 

CMYK 42 / 0 / 49 / 60

HEX #3B6534

RGB 59 101 52

HSL 111.43, 0.32%, 0.3%

LAB 38.7, -25.42, 23.17

 

CMYK 31 / 0 / 99 / 41

HEX #689702

RGB 104 151 2

HSL 78.93, 0.97%, 0.3%

LAB 57.15, -34.79, 59.57

 

CMYK 58 / 0 / 99 / 41

HEX #409702

RGB 64 151 2

HSL 95.03, 0.97%, 0.3%

LAB 55.31, -48.48, 57.32

 

CMYK 83 / 0 / 99 / 41

HEX #199702

RGB 25 151 2

HSL 110.74, 0.97%, 0.3%

LAB 54.39, -56.26, 56.2

 

CMYK 99 / 0 / 87 / 41

HEX #029714

RGB 2 151 20

HSL 127.25, 0.97%, 0.3%

LAB 54.24, -57.48, 52.7

 

CMYK 99 / 0 / 61 / 41

HEX #02973B

RGB 2 151 59

HSL 142.95, 0.97%, 0.3%

LAB 54.51, -53.94, 38.35

 

CMYK 84 / 0 / 99 / 73

HEX #0B4501

RGB 11 69 1

HSL 111.18, 0.97%, 0.14%

LAB 24.73, -31.55, 31.99

 

CMYK 85 / 0 / 98 / 57

HEX #116E02

RGB 17 110 2

HSL 111.67, 0.96%, 0.22%

LAB 40.04, -44.5, 44.5

 

CMYK 85 / 0 / 99 / 41

HEX #179702

RGB 23 151 2

HSL 111.54, 0.97%, 0.3%

LAB 54.36, -56.49, 56.17

 

CMYK 85 / 0 / 98 / 25

HEX #1DBF03

RGB 29 191 3

HSL 111.7, 0.97%, 0.38%

LAB 67.67, -67.52, 66.82

 

CMYK 84 / 0 / 98 / 9

HEX #24E804

RGB 36 232 4

HSL 111.58, 0.97%, 0.46%

LAB 80.79, -78.27, 77.35

 

CMYK 85 / 0 / 99 / 40

HEX #179802

RGB 23 152 2

HSL 111.6, 0.97%, 0.3%

LAB 54.7, -56.79, 56.45

 

CMYK 99 / 5 / 0 / 41

HEX #028F97

RGB 2 143 151

HSL 183.22, 0.97%, 0.3%

LAB 53.91, -28.57, -13.38

 

CMYK 0 / 99 / 44 / 41

HEX #970254

RGB 151 2 84

HSL 326.98, 0.97%, 0.3%

LAB 32.4, 57.84, -3.78

 

CMYK 85 / 0 / 99 / 40

HEX #179802

RGB 23 152 2

HSL 111.6, 0.97%, 0.3%

LAB 54.7, -56.79, 56.45

 

CMYK 99 / 83 / 0 / 41

HEX #021997

RGB 2 25 151

HSL 230.74, 0.97%, 0.3%

LAB 19.81, 44.26, -67.72

 

CMYK 0 / 99 / 83 / 41

HEX #970219

RGB 151 2 25

HSL 350.74, 0.97%, 0.3%

LAB 31.1, 54.34, 32.96

 

CMYK 85 / 0 / 99 / 40

HEX #179802

RGB 23 152 2

HSL 111.6, 0.97%, 0.3%

LAB 54.7, -56.79, 56.45

 

CMYK 99 / 5 / 0 / 41

HEX #028F97

RGB 2 143 151

HSL 183.22, 0.97%, 0.3%

LAB 53.91, -28.57, -13.38

 

CMYK 15 / 99 / 0 / 41

HEX #800297

RGB 128 2 151

HSL 290.74, 0.97%, 0.3%

LAB 31.5, 62.47, -48.01

 

CMYK 0 / 93 / 99 / 41

HEX #970A02

RGB 151 10 2

HSL 3.22, 0.97%, 0.3%

LAB 31.35, 52.74, 44.16

 

CMYK 85 / 0 / 99 / 40

HEX #179802

RGB 23 152 2

HSL 111.6, 0.97%, 0.3%

LAB 54.7, -56.79, 56.45

 

CMYK 99 / 34 / 0 / 41

HEX #026397

RGB 2 99 151

HSL 200.94, 0.97%, 0.3%

LAB 39.87, -4.19, -35.11

 

CMYK 15 / 99 / 0 / 41

HEX #800297

RGB 128 2 151

HSL 290.74, 0.97%, 0.3%

LAB 31.5, 62.47, -48.01

 

CMYK 0 / 64 / 99 / 41

HEX #973602

RGB 151 54 2

HSL 20.94, 0.97%, 0.3%

LAB 36.41, 38.74, 47.19

 

Description

Color code: HEX #179802 | qconv.com Color code: HEX #179802 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 152 green and 2 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 152 2 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 99 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 99% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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