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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #179571 it is the complementary color #E86A8E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #179571. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #179571 shade: #1C956C, #2DA77F, #3EB992, #4FCBA5 and #60DDB8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #179571. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #179571 shade: #179571, #06835E, #00714B, #005F38 and #004D25

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #179571 shade: #179672, #179650, #17962E, #239617 and #469617

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #179571 shade: #179672, #179694, #177696, #175496 and #173296

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #179571 shade matches the following richer shades: #179672 and #09A478

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #179571 shade: #179672, #25886C, #337A66, #416C60 and #505E5A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #179571 shade: #17962D, #17964E, #179670, #179692 and #177896

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #179571 shade: #0C4F3C, #127257, #179672, #1DBA8D and #23DDA8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #179571 shade: #179571, #172496 and #963D17

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #179571 shade: #179571, #701796 and #967017

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #179571 shade: #179571, #172496, #96173D and #968917

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #179571 shade: #179571, #311796, #96173D and #7D9617

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 24 / 42

HEX #179571

RGB 23 149 113

HSL 162.86, 0.73%, 0.34%

LAB 54.94, -41.2, 9.97

 

Complementary color

CMYK 0 / 54 / 39 / 9

HEX #E86A8E

RGB 232 106 142

HSL 342.86, 0.73%, 0.66%

LAB 61.15, 52.24, 4.35

 

CMYK 81 / 0 / 28 / 42

HEX #1C956C

RGB 28 149 108

HSL 159.67, 0.68%, 0.35%

LAB 54.89, -41.93, 12.75

 

CMYK 73 / 0 / 24 / 35

HEX #2DA77F

RGB 45 167 127

HSL 160.33, 0.58%, 0.42%

LAB 61.42, -42.73, 11.29

 

CMYK 66 / 0 / 21 / 27

HEX #3EB992

RGB 62 185 146

HSL 160.98, 0.5%, 0.48%

LAB 67.87, -43.2, 10

 

CMYK 61 / 0 / 19 / 20

HEX #4FCBA5

RGB 79 203 165

HSL 161.61, 0.54%, 0.55%

LAB 74.25, -43.45, 8.83

 

CMYK 57 / 0 / 17 / 13

HEX #60DDB8

RGB 96 221 184

HSL 162.24, 0.65%, 0.62%

LAB 80.55, -43.57, 7.76

 

CMYK 85 / 0 / 24 / 42

HEX #179571

RGB 23 149 113

HSL 162.86, 0.73%, 0.34%

LAB 54.94, -41.2, 9.97

 

CMYK 95 / 0 / 28 / 49

HEX #06835E

RGB 6 131 94

HSL 162.24, 0.91%, 0.27%

LAB 48.36, -39.72, 11.61

 

CMYK 100 / 0 / 34 / 56

HEX #00714B

RGB 0 113 75

HSL 159.82, 1%, 0.22%

LAB 41.72, -37.47, 13.52

 

CMYK 100 / 0 / 41 / 63

HEX #005F38

RGB 0 95 56

HSL 155.37, 1%, 0.19%

LAB 34.94, -34.69, 15.63

HEX #005F38

CMYK 100 / 0 / 52 / 70

HEX #004D25

RGB 0 77 37

HSL 148.83, 1%, 0.15%

LAB 27.96, -31.67, 17.88

HEX #004D25

CMYK 85 / 0 / 24 / 41

HEX #179672

RGB 23 150 114

HSL 162.99, 0.73%, 0.34%

LAB 55.29, -41.36, 9.9

 

CMYK 85 / 0 / 47 / 41

HEX #179650

RGB 23 150 80

HSL 146.93, 0.73%, 0.34%

LAB 54.63, -48.77, 27.85

 

CMYK 85 / 0 / 69 / 41

HEX #17962E

RGB 23 150 46

HSL 130.87, 0.73%, 0.34%

LAB 54.23, -53.62, 43.94

 

CMYK 77 / 0 / 85 / 41

HEX #239617

RGB 35 150 23

HSL 114.33, 0.73%, 0.34%

LAB 54.27, -53.79, 52.1

 

CMYK 53 / 0 / 85 / 41

HEX #469617

RGB 70 150 23

HSL 97.8, 0.73%, 0.34%

LAB 55.25, -45.69, 53.36

 

CMYK 85 / 0 / 24 / 41

HEX #179672

RGB 23 150 114

HSL 162.99, 0.73%, 0.34%

LAB 55.29, -41.36, 9.9

 

CMYK 85 / 0 / 1 / 41

HEX #179694

RGB 23 150 148

HSL 179.06, 0.73%, 0.34%

LAB 56.22, -31.78, -8.18

 

CMYK 85 / 21 / 0 / 41

HEX #177696

RGB 23 118 150

HSL 195.12, 0.73%, 0.34%

LAB 46.1, -14.51, -24.74

 

CMYK 85 / 44 / 0 / 41

HEX #175496

RGB 23 84 150

HSL 211.18, 0.73%, 0.34%

LAB 35.45, 6.38, -41.53

 

CMYK 85 / 67 / 0 / 41

HEX #173296

RGB 23 50 150

HSL 227.24, 0.73%, 0.34%

LAB 25.76, 29.58, -57.25

 

CMYK 85 / 0 / 24 / 41

HEX #179672

RGB 23 150 114

HSL 162.99, 0.73%, 0.34%

LAB 55.29, -41.36, 9.9

 

CMYK 95 / 0 / 27 / 36

HEX #09A478

RGB 9 164 120

HSL 162.97, 0.9%, 0.34%

LAB 59.86, -46.49, 12.93

 

CMYK 85 / 0 / 24 / 41

HEX #179672

RGB 23 150 114

HSL 162.99, 0.73%, 0.34%

LAB 55.29, -41.36, 9.9

 

CMYK 73 / 0 / 21 / 47

HEX #25886C

RGB 37 136 108

HSL 163.03, 0.57%, 0.34%

LAB 50.79, -35.14, 6.98

 

CMYK 58 / 0 / 16 / 52

HEX #337A66

RGB 51 122 102

HSL 163.1, 0.41%, 0.34%

LAB 46.42, -27.46, 4.3

 

CMYK 40 / 0 / 11 / 58

HEX #416C60

RGB 65 108 96

HSL 163.26, 0.25%, 0.34%

LAB 42.3, -18, 2.01

 

CMYK 15 / 0 / 4 / 63

HEX #505E5A

RGB 80 94 90

HSL 162.86, 0.08%, 0.34%

LAB 38.64, -6.29, 0.47

 

CMYK 85 / 0 / 70 / 41

HEX #17962D

RGB 23 150 45

HSL 130.39, 0.73%, 0.34%

LAB 54.22, -53.72, 44.35

 

CMYK 85 / 0 / 48 / 41

HEX #17964E

RGB 23 150 78

HSL 145.98, 0.73%, 0.34%

LAB 54.6, -49.13, 28.88

 

CMYK 85 / 0 / 25 / 41

HEX #179670

RGB 23 150 112

HSL 162.05, 0.73%, 0.34%

LAB 55.24, -41.86, 10.96

 

CMYK 85 / 0 / 3 / 41

HEX #179692

RGB 23 150 146

HSL 178.11, 0.73%, 0.34%

LAB 56.16, -32.4, -7.12

 

CMYK 85 / 20 / 0 / 41

HEX #177896

RGB 23 120 150

HSL 194.17, 0.73%, 0.34%

LAB 46.73, -15.63, -23.76

 

CMYK 85 / 0 / 24 / 69

HEX #0C4F3C

RGB 12 79 60

HSL 162.99, 0.74%, 0.18%

LAB 29.4, -25.29, 5.56

 

CMYK 84 / 0 / 24 / 55

HEX #127257

RGB 18 114 87

HSL 163.13, 0.73%, 0.26%

LAB 42.54, -33.32, 7.56

 

CMYK 85 / 0 / 24 / 41

HEX #179672

RGB 23 150 114

HSL 162.99, 0.73%, 0.34%

LAB 55.29, -41.36, 9.9

 

CMYK 84 / 0 / 24 / 27

HEX #1DBA8D

RGB 29 186 141

HSL 162.8, 0.73%, 0.42%

LAB 67.5, -48.92, 12.13

 

CMYK 84 / 0 / 24 / 13

HEX #23DDA8

RGB 35 221 168

HSL 162.9, 0.73%, 0.5%

LAB 78.98, -55.81, 13.83

 

CMYK 85 / 0 / 24 / 42

HEX #179571

RGB 23 149 113

HSL 162.86, 0.73%, 0.34%

LAB 54.94, -41.2, 9.97

 

CMYK 85 / 76 / 0 / 41

HEX #172496

RGB 23 36 150

HSL 233.86, 0.73%, 0.34%

LAB 22.46, 38.56, -62.68

 

CMYK 0 / 59 / 85 / 41

HEX #963D17

RGB 150 61 23

HSL 17.95, 0.73%, 0.34%

LAB 37.63, 35.38, 40.06

 

CMYK 85 / 0 / 24 / 42

HEX #179571

RGB 23 149 113

HSL 162.86, 0.73%, 0.34%

LAB 54.94, -41.2, 9.97

 

CMYK 25 / 85 / 0 / 41

HEX #701796

RGB 112 23 150

HSL 282.05, 0.73%, 0.34%

LAB 30.06, 55.7, -49.86

 

CMYK 0 / 25 / 85 / 41

HEX #967017

RGB 150 112 23

HSL 42.05, 0.73%, 0.34%

LAB 49.66, 6.89, 50.63

 

CMYK 85 / 0 / 24 / 42

HEX #179571

RGB 23 149 113

HSL 162.86, 0.73%, 0.34%

LAB 54.94, -41.2, 9.97

 

CMYK 85 / 76 / 0 / 41

HEX #172496

RGB 23 36 150

HSL 233.86, 0.73%, 0.34%

LAB 22.46, 38.56, -62.68

 

CMYK 0 / 85 / 59 / 41

HEX #96173D

RGB 150 23 61

HSL 342.05, 0.73%, 0.34%

LAB 32.77, 52.09, 11.88

 

CMYK 0 / 9 / 85 / 41

HEX #968917

RGB 150 137 23

HSL 53.86, 0.73%, 0.34%

LAB 56.52, -7.11, 56.49

 

CMYK 85 / 0 / 24 / 42

HEX #179571

RGB 23 149 113

HSL 162.86, 0.73%, 0.34%

LAB 54.94, -41.2, 9.97

 

CMYK 67 / 85 / 0 / 41

HEX #311796

RGB 49 23 150

HSL 252.28, 0.73%, 0.34%

LAB 21.83, 47.31, -63.68

 

CMYK 0 / 85 / 59 / 41

HEX #96173D

RGB 150 23 61

HSL 342.05, 0.73%, 0.34%

LAB 32.77, 52.09, 11.88

 

CMYK 17 / 0 / 85 / 41

HEX #7D9617

RGB 125 150 23

HSL 71.81, 0.73%, 0.34%

LAB 58.26, -25.09, 57.16

 

Description

Color code: HEX #179571 | qconv.com Color code: HEX #179571 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 149 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 149 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 24 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 24% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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