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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #179462 it is the complementary color #E86B9D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #179462. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #179462 shade: #1C945D, #2DA670, #3EB883, #4FCA96 and #60DCA9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #179462. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #179462 shade: #179462, #06824F, #00703C, #005E29 and #004C16

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #179462 shade: #179663, #179641, #17961F, #329617 and #549617

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #179462 shade: #179663, #179685, #178496, #176296 and #174096

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #179462 shade matches the following richer shades: #179663 and #09A466

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #179462 shade: #179663, #258861, #337A5E, #416C5B and #505E58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #179462 shade: #179620, #179642, #179663, #179685 and #178596

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #179462 shade: #0C4F34, #12724C, #179663, #1DBA7B and #23DD93

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #179462 shade: #179462, #173196 and #963117

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #179462 shade: #179462, #631796 and #966317

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #179462 shade: #179462, #173196, #96174A and #967D17

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #179462 shade: #179462, #241796, #96174A and #899617

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 34 / 42

HEX #179462

RGB 23 148 98

HSL 156, 0.73%, 0.34%

LAB 54.28, -44.36, 17.53

 

Complementary color

CMYK 0 / 54 / 32 / 9

HEX #E86B9D

RGB 232 107 157

HSL 336, 0.73%, 0.66%

LAB 61.75, 53.5, -3.43

 

CMYK 81 / 0 / 37 / 42

HEX #1C945D

RGB 28 148 93

HSL 152.5, 0.68%, 0.35%

LAB 54.26, -44.92, 20.29

 

CMYK 73 / 0 / 33 / 35

HEX #2DA670

RGB 45 166 112

HSL 153.22, 0.57%, 0.41%

LAB 60.78, -45.73, 18.7

 

CMYK 66 / 0 / 29 / 28

HEX #3EB883

RGB 62 184 131

HSL 153.93, 0.5%, 0.48%

LAB 67.23, -46.19, 17.27

 

CMYK 61 / 0 / 26 / 21

HEX #4FCA96

RGB 79 202 150

HSL 154.63, 0.54%, 0.55%

LAB 73.61, -46.4, 15.98

 

CMYK 56 / 0 / 23 / 14

HEX #60DCA9

RGB 96 220 169

HSL 155.32, 0.64%, 0.62%

LAB 79.92, -46.47, 14.8

 

CMYK 84 / 0 / 34 / 42

HEX #179462

RGB 23 148 98

HSL 156, 0.73%, 0.34%

LAB 54.28, -44.36, 17.53

 

CMYK 95 / 0 / 39 / 49

HEX #06824F

RGB 6 130 79

HSL 155.32, 0.91%, 0.27%

LAB 47.71, -42.83, 19.32

 

CMYK 100 / 0 / 46 / 56

HEX #00703C

RGB 0 112 60

HSL 152.14, 1%, 0.22%

LAB 41.08, -40.42, 21.36

 

CMYK 100 / 0 / 56 / 63

HEX #005E29

RGB 0 94 41

HSL 146.17, 1%, 0.18%

LAB 34.33, -37.35, 23.53

 

CMYK 100 / 0 / 71 / 70

HEX #004C16

RGB 0 76 22

HSL 137.37, 1%, 0.15%

LAB 27.37, -33.84, 25.55

 

CMYK 85 / 0 / 34 / 41

HEX #179663

RGB 23 150 99

HSL 155.91, 0.73%, 0.34%

LAB 54.96, -44.93, 17.9

 

CMYK 85 / 0 / 57 / 41

HEX #179641

RGB 23 150 65

HSL 139.84, 0.73%, 0.34%

LAB 54.42, -51.24, 35.36

 

CMYK 85 / 0 / 79 / 41

HEX #17961F

RGB 23 150 31

HSL 123.78, 0.73%, 0.34%

LAB 54.13, -54.92, 49.51

 

CMYK 67 / 0 / 85 / 41

HEX #329617

RGB 50 150 23

HSL 107.24, 0.73%, 0.34%

LAB 54.61, -50.92, 52.53

 

CMYK 44 / 0 / 85 / 41

HEX #549617

RGB 84 150 23

HSL 91.18, 0.73%, 0.34%

LAB 55.85, -41.19, 54.11

 

CMYK 85 / 0 / 34 / 41

HEX #179663

RGB 23 150 99

HSL 155.91, 0.73%, 0.34%

LAB 54.96, -44.93, 17.9

 

CMYK 85 / 0 / 11 / 41

HEX #179685

RGB 23 150 133

HSL 171.97, 0.73%, 0.34%

LAB 55.77, -36.24, -0.24

 

CMYK 85 / 12 / 0 / 41

HEX #178496

RGB 23 132 150

HSL 188.5, 0.73%, 0.34%

LAB 50.55, -22.13, -17.88

 

CMYK 85 / 35 / 0 / 41

HEX #176296

RGB 23 98 150

HSL 204.57, 0.73%, 0.34%

LAB 39.78, -2.63, -34.63

 

CMYK 85 / 57 / 0 / 41

HEX #174096

RGB 23 64 150

HSL 220.63, 0.73%, 0.34%

LAB 29.54, 19.98, -51.07

 

CMYK 85 / 0 / 34 / 41

HEX #179663

RGB 23 150 99

HSL 155.91, 0.73%, 0.34%

LAB 54.96, -44.93, 17.9

 

CMYK 95 / 0 / 38 / 36

HEX #09A466

RGB 9 164 102

HSL 156, 0.9%, 0.34%

LAB 59.5, -50.57, 22.35

 

CMYK 85 / 0 / 34 / 41

HEX #179663

RGB 23 150 99

HSL 155.91, 0.73%, 0.34%

LAB 54.96, -44.93, 17.9

 

CMYK 73 / 0 / 29 / 47

HEX #258861

RGB 37 136 97

HSL 156.36, 0.57%, 0.34%

LAB 50.53, -37.86, 12.97

 

CMYK 58 / 0 / 23 / 52

HEX #337A5E

RGB 51 122 94

HSL 156.34, 0.41%, 0.34%

LAB 46.22, -29.46, 8.73

 

CMYK 40 / 0 / 16 / 58

HEX #416C5B

RGB 65 108 91

HSL 156.28, 0.25%, 0.34%

LAB 42.16, -19.22, 4.83

 

CMYK 15 / 0 / 6 / 63

HEX #505E58

RGB 80 94 88

HSL 154.29, 0.08%, 0.34%

LAB 38.58, -6.74, 1.62

 

CMYK 85 / 0 / 79 / 41

HEX #179620

RGB 23 150 32

HSL 124.25, 0.73%, 0.34%

LAB 54.13, -54.85, 49.18

 

CMYK 85 / 0 / 56 / 41

HEX #179642

RGB 23 150 66

HSL 140.31, 0.73%, 0.34%

LAB 54.44, -51.09, 34.87

 

CMYK 85 / 0 / 34 / 41

HEX #179663

RGB 23 150 99

HSL 155.91, 0.73%, 0.34%

LAB 54.96, -44.93, 17.9

 

CMYK 85 / 0 / 11 / 41

HEX #179685

RGB 23 150 133

HSL 171.97, 0.73%, 0.34%

LAB 55.77, -36.24, -0.24

 

CMYK 85 / 11 / 0 / 41

HEX #178596

RGB 23 133 150

HSL 188.03, 0.73%, 0.34%

LAB 50.87, -22.65, -17.4

 

CMYK 85 / 0 / 34 / 69

HEX #0C4F34

RGB 12 79 52

HSL 155.82, 0.74%, 0.18%

LAB 29.2, -27.44, 10.35

 

CMYK 84 / 0 / 33 / 55

HEX #12724C

RGB 18 114 76

HSL 156.25, 0.73%, 0.26%

LAB 42.28, -36.09, 13.74

 

CMYK 85 / 0 / 34 / 41

HEX #179663

RGB 23 150 99

HSL 155.91, 0.73%, 0.34%

LAB 54.96, -44.93, 17.9

 

CMYK 84 / 0 / 34 / 27

HEX #1DBA7B

RGB 29 186 123

HSL 155.92, 0.73%, 0.42%

LAB 67.13, -53.02, 21.35

 

CMYK 84 / 0 / 33 / 13

HEX #23DD93

RGB 35 221 147

HSL 156.13, 0.73%, 0.5%

LAB 78.56, -60.44, 24.26

 

CMYK 84 / 0 / 34 / 42

HEX #179462

RGB 23 148 98

HSL 156, 0.73%, 0.34%

LAB 54.28, -44.36, 17.53

 

CMYK 85 / 67 / 0 / 41

HEX #173196

RGB 23 49 150

HSL 227.72, 0.73%, 0.34%

LAB 25.51, 30.25, -57.67

 

CMYK 0 / 67 / 85 / 41

HEX #963117

RGB 150 49 23

HSL 12.28, 0.73%, 0.34%

LAB 35.48, 41.08, 38.11

 

CMYK 84 / 0 / 34 / 42

HEX #179462

RGB 23 148 98

HSL 156, 0.73%, 0.34%

LAB 54.28, -44.36, 17.53

 

CMYK 34 / 85 / 0 / 41

HEX #631796

RGB 99 23 150

HSL 275.91, 0.73%, 0.34%

LAB 28.03, 53.57, -53.26

 

CMYK 0 / 34 / 85 / 41

HEX #966317

RGB 150 99 23

HSL 35.91, 0.73%, 0.34%

LAB 46.27, 14.37, 47.7

 

CMYK 84 / 0 / 34 / 42

HEX #179462

RGB 23 148 98

HSL 156, 0.73%, 0.34%

LAB 54.28, -44.36, 17.53

 

CMYK 85 / 67 / 0 / 41

HEX #173196

RGB 23 49 150

HSL 227.72, 0.73%, 0.34%

LAB 25.51, 30.25, -57.67

 

CMYK 0 / 85 / 51 / 41

HEX #96174A

RGB 150 23 74

HSL 335.91, 0.73%, 0.34%

LAB 33.12, 53.1, 3.81

 

CMYK 0 / 17 / 85 / 41

HEX #967D17

RGB 150 125 23

HSL 48.19, 0.73%, 0.34%

LAB 53.18, -0.48, 53.65

 

CMYK 84 / 0 / 34 / 42

HEX #179462

RGB 23 148 98

HSL 156, 0.73%, 0.34%

LAB 54.28, -44.36, 17.53

 

CMYK 76 / 85 / 0 / 41

HEX #241796

RGB 36 23 150

HSL 246.14, 0.73%, 0.34%

LAB 20.79, 46.3, -65.44

 

CMYK 0 / 85 / 51 / 41

HEX #96174A

RGB 150 23 74

HSL 335.91, 0.73%, 0.34%

LAB 33.12, 53.1, 3.81

 

CMYK 9 / 0 / 85 / 41

HEX #899617

RGB 137 150 23

HSL 66.14, 0.73%, 0.34%

LAB 59.15, -19.86, 58.28

 

Description

Color code: HEX #179462 | qconv.com Color code: HEX #179462 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 148 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 148 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 34 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 34% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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