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Color name
HEX #178F2A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #178F2A it is the complementary color #E870D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #178F2A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #178F2A shade: #1C8F25, #2DA138, #3EB34B, #4FC55E and #60D771

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #178F2A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #178F2A shade: #178F2A, #067D17, #006B04, #005900 and #004700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #178F2A shade: #18912B, #259118, #469118, #669118 and #879118

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #178F2A shade: #18912B, #18914B, #18916C, #18918D and #187491

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #178F2A shade matches the following richer shades: #18912B and #0A9E21

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #178F2A shade: #18912B, #258334, #33763D, #406847 and #4E5A50

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #178F2A shade: #469118, #269118, #18912A, #18914A and #18916A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #178F2A shade: #0C4A16, #126D20, #18912B, #1DB435 and #23D840

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #178F2A shade: #178F2A, #186691 and #911836

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #178F2A shade: #178F2A, #2A1891 and #912A18

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #178F2A shade: #178F2A, #186691, #91187F and #914218

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #178F2A shade: #178F2A, #184291, #91187F and #916618

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 71 / 44

HEX #178F2A

RGB 23 143 42

HSL 129.5, 0.72%, 0.33%

LAB 51.83, -51.75, 43.06

 

Complementary color

CMYK 0 / 52 / 8 / 9

HEX #E870D5

RGB 232 112 213

HSL 309.5, 0.72%, 0.67%

LAB 64.6, 59.1, -30.92

 

CMYK 80 / 0 / 74 / 44

HEX #1C8F25

RGB 28 143 37

HSL 124.7, 0.67%, 0.34%

LAB 51.87, -51.59, 45.13

 

CMYK 72 / 0 / 65 / 37

HEX #2DA138

RGB 45 161 56

HSL 125.69, 0.56%, 0.4%

LAB 58.35, -53.07, 44.22

 

CMYK 65 / 0 / 58 / 30

HEX #3EB34B

RGB 62 179 75

HSL 126.67, 0.49%, 0.47%

LAB 64.78, -53.92, 42.98

 

CMYK 60 / 0 / 52 / 23

HEX #4FC55E

RGB 79 197 94

HSL 127.63, 0.5%, 0.54%

LAB 71.15, -54.38, 41.63

 

CMYK 55 / 0 / 47 / 16

HEX #60D771

RGB 96 215 113

HSL 128.57, 0.6%, 0.61%

LAB 77.45, -54.58, 40.27

 

CMYK 84 / 0 / 71 / 44

HEX #178F2A

RGB 23 143 42

HSL 129.5, 0.72%, 0.33%

LAB 51.83, -51.75, 43.06

 

CMYK 95 / 0 / 82 / 51

HEX #067D17

RGB 6 125 23

HSL 128.57, 0.91%, 0.26%

LAB 45.31, -49.23, 43.6

 

CMYK 100 / 0 / 96 / 58

HEX #006B04

RGB 0 107 4

HSL 122.24, 1%, 0.21%

LAB 38.77, -45.29, 42.84

 

CMYK 100 / 0 / 100 / 65

HEX #005900

RGB 0 89 0

HSL 120, 1%, 0.17%

LAB 32.13, -39.99, 38.6

 

CMYK 100 / 0 / 100 / 72

HEX #004700

RGB 0 71 0

HSL 120, 1%, 0.14%

LAB 25.28, -34.3, 32.84

 

CMYK 83 / 0 / 70 / 43

HEX #18912B

RGB 24 145 43

HSL 129.42, 0.72%, 0.33%

LAB 52.53, -52.19, 43.39

 

CMYK 74 / 0 / 83 / 43

HEX #259118

RGB 37 145 24

HSL 113.55, 0.72%, 0.33%

LAB 52.63, -51.77, 50.33

 

CMYK 52 / 0 / 83 / 43

HEX #469118

RGB 70 145 24

HSL 97.19, 0.72%, 0.33%

LAB 53.62, -43.69, 51.6

 

CMYK 30 / 0 / 83 / 43

HEX #669118

RGB 102 145 24

HSL 81.32, 0.72%, 0.33%

LAB 55.22, -32.23, 53.64

 

CMYK 7 / 0 / 83 / 43

HEX #879118

RGB 135 145 24

HSL 64.96, 0.72%, 0.33%

LAB 57.53, -18.15, 56.56

 

CMYK 83 / 0 / 70 / 43

HEX #18912B

RGB 24 145 43

HSL 129.42, 0.72%, 0.33%

LAB 52.53, -52.19, 43.39

 

CMYK 83 / 0 / 48 / 43

HEX #18914B

RGB 24 145 75

HSL 145.29, 0.72%, 0.33%

LAB 52.9, -47.74, 28.31

 

CMYK 83 / 0 / 26 / 43

HEX #18916C

RGB 24 145 108

HSL 161.65, 0.72%, 0.33%

LAB 53.52, -40.68, 10.82

 

CMYK 83 / 0 / 3 / 43

HEX #18918D

RGB 24 145 141

HSL 178.02, 0.72%, 0.33%

LAB 54.42, -31.47, -6.84

 

CMYK 83 / 20 / 0 / 43

HEX #187491

RGB 24 116 145

HSL 194.38, 0.72%, 0.33%

LAB 45.26, -15.1, -23.08

 

CMYK 83 / 0 / 70 / 43

HEX #18912B

RGB 24 145 43

HSL 129.42, 0.72%, 0.33%

LAB 52.53, -52.19, 43.39

 

CMYK 94 / 0 / 79 / 38

HEX #0A9E21

RGB 10 158 33

HSL 129.32, 0.88%, 0.33%

LAB 56.71, -58.29, 51.31

 

CMYK 83 / 0 / 70 / 43

HEX #18912B

RGB 24 145 43

HSL 129.42, 0.72%, 0.33%

LAB 52.53, -52.19, 43.39

 

CMYK 72 / 0 / 60 / 49

HEX #258334

RGB 37 131 52

HSL 129.57, 0.56%, 0.33%

LAB 48.1, -44.26, 34.39

 

CMYK 57 / 0 / 48 / 54

HEX #33763D

RGB 51 118 61

HSL 128.96, 0.4%, 0.33%

LAB 44.23, -34.4, 25.05

 

CMYK 38 / 0 / 32 / 59

HEX #406847

RGB 64 104 71

HSL 130.5, 0.24%, 0.33%

LAB 40.32, -21.81, 14.26

 

CMYK 13 / 0 / 11 / 65

HEX #4E5A50

RGB 78 90 80

HSL 130, 0.07%, 0.33%

LAB 36.95, -6.89, 4.2

 

CMYK 52 / 0 / 83 / 43

HEX #469118

RGB 70 145 24

HSL 97.19, 0.72%, 0.33%

LAB 53.62, -43.69, 51.6

 

CMYK 74 / 0 / 83 / 43

HEX #269118

RGB 38 145 24

HSL 113.06, 0.72%, 0.33%

LAB 52.65, -51.59, 50.36

 

CMYK 83 / 0 / 71 / 43

HEX #18912A

RGB 24 145 42

HSL 128.93, 0.72%, 0.33%

LAB 52.52, -52.29, 43.79

 

CMYK 83 / 0 / 49 / 43

HEX #18914A

RGB 24 145 74

HSL 144.79, 0.72%, 0.33%

LAB 52.88, -47.92, 28.83

 

CMYK 83 / 0 / 27 / 43

HEX #18916A

RGB 24 145 106

HSL 160.66, 0.72%, 0.33%

LAB 53.48, -41.17, 11.9

 

CMYK 84 / 0 / 70 / 71

HEX #0C4A16

RGB 12 74 22

HSL 129.68, 0.72%, 0.17%

LAB 26.83, -31.21, 25

 

CMYK 83 / 0 / 71 / 57

HEX #126D20

RGB 18 109 32

HSL 129.23, 0.72%, 0.25%

LAB 39.87, -41.95, 34.55

 

CMYK 83 / 0 / 70 / 43

HEX #18912B

RGB 24 145 43

HSL 129.42, 0.72%, 0.33%

LAB 52.53, -52.19, 43.39

 

CMYK 84 / 0 / 71 / 29

HEX #1DB435

RGB 29 180 53

HSL 129.54, 0.72%, 0.41%

LAB 64.29, -61.79, 51.8

 

CMYK 84 / 0 / 70 / 15

HEX #23D840

RGB 35 216 64

HSL 129.61, 0.72%, 0.49%

LAB 75.97, -71.13, 59.86

 

CMYK 84 / 0 / 71 / 44

HEX #178F2A

RGB 23 143 42

HSL 129.5, 0.72%, 0.33%

LAB 51.83, -51.75, 43.06

 

CMYK 83 / 30 / 0 / 43

HEX #186691

RGB 24 102 145

HSL 201.32, 0.72%, 0.33%

LAB 40.8, -6.93, -30.02

 

CMYK 0 / 83 / 63 / 43

HEX #911836

RGB 145 24 54

HSL 345.12, 0.72%, 0.33%

LAB 31.67, 49.95, 14.82

 

CMYK 84 / 0 / 71 / 44

HEX #178F2A

RGB 23 143 42

HSL 129.5, 0.72%, 0.33%

LAB 51.83, -51.75, 43.06

 

CMYK 71 / 83 / 0 / 43

HEX #2A1891

RGB 42 24 145

HSL 248.93, 0.72%, 0.33%

LAB 20.79, 44.76, -62.33

 

CMYK 0 / 71 / 83 / 43

HEX #912A18

RGB 145 42 24

HSL 8.93, 0.72%, 0.33%

LAB 33.44, 42.32, 35.34

 

CMYK 84 / 0 / 71 / 44

HEX #178F2A

RGB 23 143 42

HSL 129.5, 0.72%, 0.33%

LAB 51.83, -51.75, 43.06

 

CMYK 83 / 30 / 0 / 43

HEX #186691

RGB 24 102 145

HSL 201.32, 0.72%, 0.33%

LAB 40.8, -6.93, -30.02

 

CMYK 0 / 83 / 12 / 43

HEX #91187F

RGB 145 24 127

HSL 308.93, 0.72%, 0.33%

LAB 34.41, 57.85, -28.33

 

CMYK 0 / 54 / 83 / 43

HEX #914218

RGB 145 66 24

HSL 20.83, 0.72%, 0.33%

LAB 37.81, 30.79, 39.45

 

CMYK 84 / 0 / 71 / 44

HEX #178F2A

RGB 23 143 42

HSL 129.5, 0.72%, 0.33%

LAB 51.83, -51.75, 43.06

 

CMYK 83 / 54 / 0 / 43

HEX #184291

RGB 24 66 145

HSL 219.17, 0.72%, 0.33%

LAB 29.75, 16.64, -47.66

 

CMYK 0 / 83 / 12 / 43

HEX #91187F

RGB 145 24 127

HSL 308.93, 0.72%, 0.33%

LAB 34.41, 57.85, -28.33

 

CMYK 0 / 30 / 83 / 43

HEX #916618

RGB 145 102 24

HSL 38.68, 0.72%, 0.33%

LAB 46.43, 10.35, 47.24

 

Description

Color code: HEX #178F2A | qconv.com Color code: HEX #178F2A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 143 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 143 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 71 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 71% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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