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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #178B7D it is the complementary color #E87482. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #178B7D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #178B7D: #1C8B78, #2D9D8B, #3EAF9E, #4FC1B1 and #60D3C4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #178B7D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #178B7D: #178B7D, #06796A, #006757, #005544 and #004331

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 10 / 45

HEX #178B7D

RGB 23 139 125

HSL 172.76, 0.72%, 0.32%

LAB 51.98, -33.52, -1.18

 

Complementary color

CMYK 0 / 50 / 44 / 9

HEX #E87482

RGB 232 116 130

HSL 352.76, 0.72%, 0.68%

LAB 62.73, 46.14, 13.5

 

CMYK 80 / 0 / 14 / 45

HEX #1C8B78

RGB 28 139 120

HSL 169.73, 0.66%, 0.33%

LAB 51.91, -34.45, 1.63

 

CMYK 71 / 0 / 11 / 38

HEX #2D9D8B

RGB 45 157 139

HSL 170.36, 0.55%, 0.4%

LAB 58.54, -35.24, 0.42

 

CMYK 65 / 0 / 10 / 31

HEX #3EAF9E

RGB 62 175 158

HSL 170.97, 0.48%, 0.46%

LAB 65.08, -35.73, -0.64

 

CMYK 59 / 0 / 8 / 24

HEX #4FC1B1

RGB 79 193 177

HSL 171.58, 0.48%, 0.53%

LAB 71.54, -36.02, -1.6

 

CMYK 55 / 0 / 7 / 17

HEX #60D3C4

RGB 96 211 196

HSL 172.17, 0.57%, 0.6%

LAB 77.91, -36.18, -2.47

 

CMYK 83 / 0 / 10 / 45

HEX #178B7D

RGB 23 139 125

HSL 172.76, 0.72%, 0.32%

LAB 51.98, -33.52, -1.18

 

CMYK 95 / 0 / 12 / 53

HEX #06796A

RGB 6 121 106

HSL 172.17, 0.91%, 0.25%

LAB 45.3, -32.05, 0.18

 

CMYK 100 / 0 / 16 / 60

HEX #006757

RGB 0 103 87

HSL 170.68, 1%, 0.2%

LAB 38.53, -29.84, 1.8

 

CMYK 100 / 0 / 20 / 67

HEX #005544

RGB 0 85 68

HSL 168, 1%, 0.17%

LAB 31.61, -27.17, 3.61

 

CMYK 100 / 0 / 27 / 74

HEX #004331

RGB 0 67 49

HSL 163.88, 1%, 0.13%

LAB 24.44, -24.39, 5.6

 

CMYK 83 / 0 / 10 / 45

HEX #178B7D

RGB 23 139 125

HSL 172.76, 0.72%, 0.32%

LAB 51.98, -33.52, -1.18

 

CMYK 84 / 3 / 0 / 45

HEX #16888C

RGB 22 136 140

HSL 182.03, 0.73%, 0.32%

LAB 51.46, -27.57, -10.68

 

CMYK 84 / 17 / 0 / 45

HEX #16748C

RGB 22 116 140

HSL 192.2, 0.73%, 0.32%

LAB 45.02, -17.08, -20.48

 

CMYK 84 / 31 / 0 / 45

HEX #16618C

RGB 22 97 140

HSL 201.86, 0.73%, 0.32%

LAB 38.92, -6.01, -29.97

 

CMYK 84 / 45 / 0 / 45

HEX #164D8C

RGB 22 77 140

HSL 212.03, 0.73%, 0.32%

LAB 32.64, 6.87, -39.94

 

CMYK 83 / 0 / 10 / 45

HEX #178B7D

RGB 23 139 125

HSL 172.76, 0.72%, 0.32%

LAB 51.98, -33.52, -1.18

 

CMYK 84 / 0 / 10 / 25

HEX #1FBEAB

RGB 31 190 171

HSL 172.83, 0.72%, 0.43%

LAB 69.51, -42.64, -1.4

 

CMYK 83 / 0 / 10 / 5

HEX #28F1D9

RGB 40 241 217

HSL 172.84, 0.88%, 0.55%

LAB 86.19, -51.2, -1.59

 

CMYK 84 / 0 / 11 / 85

HEX #062521

RGB 6 37 33

HSL 172.26, 0.72%, 0.08%

LAB 12.43, -12.56, -0.68

 

CMYK 83 / 0 / 10 / 65

HEX #0F584F

RGB 15 88 79

HSL 172.6, 0.71%, 0.2%

LAB 33.23, -23.65, -0.94

 

CMYK 83 / 0 / 10 / 45

HEX #178B7D

RGB 23 139 125

HSL 172.76, 0.72%, 0.32%

LAB 51.98, -33.52, -1.18

 

CMYK 79 / 84 / 0 / 45

HEX #1E168C

RGB 30 22 140

HSL 244.07, 0.73%, 0.32%

LAB 18.98, 43.25, -62.23

 

CMYK 0 / 45 / 84 / 45

HEX #8C4D16

RGB 140 77 22

HSL 27.97, 0.73%, 0.32%

LAB 39.48, 22.47, 41.57

 

CMYK 83 / 0 / 10 / 45

HEX #178B7D

RGB 23 139 125

HSL 172.76, 0.72%, 0.32%

LAB 51.98, -33.52, -1.18

 

CMYK 11 / 84 / 0 / 45

HEX #7C168C

RGB 124 22 140

HSL 291.86, 0.73%, 0.32%

LAB 31.24, 56.19, -41.69

 

CMYK 0 / 11 / 84 / 45

HEX #8C7C16

RGB 140 124 22

HSL 51.86, 0.73%, 0.32%

LAB 51.89, -4.62, 52.44

 

CMYK 83 / 0 / 10 / 45

HEX #178B7D

RGB 23 139 125

HSL 172.76, 0.72%, 0.32%

LAB 51.98, -33.52, -1.18

 

CMYK 79 / 84 / 0 / 45

HEX #1E168C

RGB 30 22 140

HSL 244.07, 0.73%, 0.32%

LAB 18.98, 43.25, -62.23

 

CMYK 0 / 84 / 73 / 45

HEX #8C1626

RGB 140 22 38

HSL 351.86, 0.73%, 0.32%

LAB 30.13, 48.12, 23.12

 

CMYK 6 / 0 / 84 / 45

HEX #848C16

RGB 132 140 22

HSL 64.07, 0.73%, 0.32%

LAB 55.81, -16.96, 55.52

 

CMYK 83 / 0 / 10 / 45

HEX #178B7D

RGB 23 139 125

HSL 172.76, 0.72%, 0.32%

LAB 51.98, -33.52, -1.18

 

CMYK 54 / 84 / 0 / 45

HEX #41168C

RGB 65 22 140

HSL 261.86, 0.73%, 0.32%

LAB 22.27, 46.61, -56.69

 

CMYK 0 / 84 / 73 / 45

HEX #8C1626

RGB 140 22 38

HSL 351.86, 0.73%, 0.32%

LAB 30.13, 48.12, 23.12

 

CMYK 31 / 0 / 84 / 45

HEX #618C16

RGB 97 140 22

HSL 81.86, 0.73%, 0.32%

LAB 53.34, -31.99, 52.4

 

Description

Color code: HEX #178B7D | qconv.com Color code: HEX #178B7D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 139 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 139 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 10 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 10% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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