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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #178A74 it is the complementary color #E8758B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #178A74. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #178A74 shade: #1C8A6F, #2D9C82, #3EAE95, #4FC0A8 and #60D2BB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #178A74. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #178A74 shade: #178A74, #067861, #00664E, #00543B and #004228

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #178A74 shade: #188C75, #188C56, #188C37, #188C18 and #378C18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #178A74 shade: #188C75, #18828C, #18638C, #18448C and #18258C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #178A74 shade matches the following richer shades: #188C75 and #0A997E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #178A74 shade: #188C75, #257E6D, #327165, #3F645D and #4C5755

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #178A74 shade: #188C37, #188C55, #188C74, #18848C and #18658C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #178A74 shade: #0C453A, #126858, #188C75, #1EAF93 and #24D2B1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #178A74 shade: #178A74, #18188C and #8C4618

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #178A74 shade: #178A74, #74188C and #8C7418

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #178A74 shade: #178A74, #18188C, #8C182F and #8C8C18

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #178A74 shade: #178A74, #3A188C, #8C182F and #698C18

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 16 / 46

HEX #178A74

RGB 23 138 116

HSL 168.52, 0.71%, 0.32%

LAB 51.4, -35.63, 3.2

 

Complementary color

CMYK 0 / 50 / 40 / 9

HEX #E8758B

RGB 232 117 139

HSL 348.52, 0.71%, 0.68%

LAB 63.13, 46.59, 8.92

 

CMYK 80 / 0 / 20 / 46

HEX #1C8A6F

RGB 28 138 111

HSL 165.27, 0.66%, 0.33%

LAB 51.35, -36.46, 6.03

 

CMYK 71 / 0 / 17 / 39

HEX #2D9C82

RGB 45 156 130

HSL 165.95, 0.55%, 0.39%

LAB 57.99, -37.19, 4.72

 

CMYK 64 / 0 / 14 / 32

HEX #3EAE95

RGB 62 174 149

HSL 166.61, 0.47%, 0.46%

LAB 64.54, -37.62, 3.56

 

CMYK 59 / 0 / 13 / 25

HEX #4FC0A8

RGB 79 192 168

HSL 167.26, 0.47%, 0.53%

LAB 71, -37.85, 2.53

 

CMYK 54 / 0 / 11 / 18

HEX #60D2BB

RGB 96 210 187

HSL 167.89, 0.56%, 0.6%

LAB 77.38, -37.95, 1.58

 

CMYK 83 / 0 / 16 / 46

HEX #178A74

RGB 23 138 116

HSL 168.52, 0.71%, 0.32%

LAB 51.4, -35.63, 3.2

 

CMYK 95 / 0 / 19 / 53

HEX #067861

RGB 6 120 97

HSL 167.89, 0.9%, 0.25%

LAB 44.71, -34.21, 4.69

 

CMYK 100 / 0 / 24 / 60

HEX #00664E

RGB 0 102 78

HSL 165.88, 1%, 0.2%

LAB 37.94, -32.01, 6.44

 

CMYK 100 / 0 / 30 / 67

HEX #00543B

RGB 0 84 59

HSL 162.14, 1%, 0.16%

LAB 31.01, -29.3, 8.43

 

CMYK 100 / 0 / 39 / 74

HEX #004228

RGB 0 66 40

HSL 156.36, 1%, 0.13%

LAB 23.83, -26.43, 10.6

 

CMYK 83 / 0 / 16 / 45

HEX #188C75

RGB 24 140 117

HSL 168.1, 0.71%, 0.32%

LAB 52.1, -36.15, 3.63

 

CMYK 83 / 0 / 39 / 45

HEX #188C56

RGB 24 140 86

HSL 152.07, 0.71%, 0.32%

LAB 51.41, -43.72, 20.36

 

CMYK 83 / 0 / 61 / 45

HEX #188C37

RGB 24 140 55

HSL 136.03, 0.71%, 0.32%

LAB 50.95, -49.09, 36.18

 

CMYK 83 / 0 / 83 / 45

HEX #188C18

RGB 24 140 24

HSL 120, 0.71%, 0.32%

LAB 50.71, -52.12, 48.46

 

CMYK 61 / 0 / 83 / 45

HEX #378C18

RGB 55 140 24

HSL 103.97, 0.71%, 0.32%

LAB 51.42, -46.07, 49.38

 

CMYK 83 / 0 / 16 / 45

HEX #188C75

RGB 24 140 117

HSL 168.1, 0.71%, 0.32%

LAB 52.1, -36.15, 3.63

 

CMYK 83 / 7 / 0 / 45

HEX #18828C

RGB 24 130 140

HSL 185.17, 0.71%, 0.32%

LAB 49.56, -24.36, -13.55

 

CMYK 83 / 29 / 0 / 45

HEX #18638C

RGB 24 99 140

HSL 201.21, 0.71%, 0.32%

LAB 39.6, -7.03, -28.9

 

CMYK 83 / 51 / 0 / 45

HEX #18448C

RGB 24 68 140

HSL 217.24, 0.71%, 0.32%

LAB 29.97, 13.21, -44.24

 

CMYK 83 / 74 / 0 / 45

HEX #18258C

RGB 24 37 140

HSL 233.28, 0.71%, 0.32%

LAB 21.62, 34.38, -57.88

 

CMYK 83 / 0 / 16 / 45

HEX #188C75

RGB 24 140 117

HSL 168.1, 0.71%, 0.32%

LAB 52.1, -36.15, 3.63

 

CMYK 93 / 0 / 18 / 40

HEX #0A997E

RGB 10 153 126

HSL 168.67, 0.88%, 0.32%

LAB 56.44, -40.35, 4.7

 

CMYK 83 / 0 / 16 / 45

HEX #188C75

RGB 24 140 117

HSL 168.1, 0.71%, 0.32%

LAB 52.1, -36.15, 3.63

 

CMYK 71 / 0 / 13 / 51

HEX #257E6D

RGB 37 126 109

HSL 168.54, 0.55%, 0.32%

LAB 47.52, -30.25, 1.7

 

CMYK 56 / 0 / 11 / 56

HEX #327165

RGB 50 113 101

HSL 168.57, 0.39%, 0.32%

LAB 43.4, -23.43, 0.52

 

CMYK 37 / 0 / 7 / 61

HEX #3F645D

RGB 63 100 93

HSL 168.65, 0.23%, 0.32%

LAB 39.52, -14.97, -0.22

 

CMYK 13 / 0 / 2 / 66

HEX #4C5755

RGB 76 87 85

HSL 169.09, 0.07%, 0.32%

LAB 36, -4.76, -0.31

 

CMYK 83 / 0 / 61 / 45

HEX #188C37

RGB 24 140 55

HSL 136.03, 0.71%, 0.32%

LAB 50.95, -49.09, 36.18

 

CMYK 83 / 0 / 39 / 45

HEX #188C55

RGB 24 140 85

HSL 151.55, 0.71%, 0.32%

LAB 51.39, -43.93, 20.89

 

CMYK 83 / 0 / 17 / 45

HEX #188C74

RGB 24 140 116

HSL 167.59, 0.71%, 0.32%

LAB 52.08, -36.43, 4.17

 

CMYK 83 / 6 / 0 / 45

HEX #18848C

RGB 24 132 140

HSL 184.14, 0.71%, 0.32%

LAB 50.2, -25.38, -12.57

 

CMYK 83 / 28 / 0 / 45

HEX #18658C

RGB 24 101 140

HSL 200.17, 0.71%, 0.32%

LAB 40.24, -8.23, -27.9

 

CMYK 83 / 0 / 16 / 73

HEX #0C453A

RGB 12 69 58

HSL 168.42, 0.7%, 0.16%

LAB 25.68, -20.89, 1.52

 

CMYK 83 / 0 / 15 / 59

HEX #126858

RGB 18 104 88

HSL 168.84, 0.7%, 0.24%

LAB 39.13, -28.43, 2.08

 

CMYK 83 / 0 / 16 / 45

HEX #188C75

RGB 24 140 117

HSL 168.1, 0.71%, 0.32%

LAB 52.1, -36.15, 3.63

 

CMYK 83 / 0 / 16 / 31

HEX #1EAF93

RGB 30 175 147

HSL 168.41, 0.71%, 0.4%

LAB 64.2, -42.77, 4.1

 

CMYK 83 / 0 / 16 / 18

HEX #24D2B1

RGB 36 210 177

HSL 168.62, 0.71%, 0.48%

LAB 75.85, -49.12, 4.57

 

CMYK 83 / 0 / 16 / 46

HEX #178A74

RGB 23 138 116

HSL 168.52, 0.71%, 0.32%

LAB 51.4, -35.63, 3.2

 

CMYK 83 / 83 / 0 / 45

HEX #18188C

RGB 24 24 140

HSL 240, 0.71%, 0.32%

LAB 18.97, 41.9, -62.25

 

CMYK 0 / 50 / 83 / 45

HEX #8C4618

RGB 140 70 24

HSL 23.79, 0.71%, 0.32%

LAB 37.88, 26.49, 39.23

 

CMYK 83 / 0 / 16 / 46

HEX #178A74

RGB 23 138 116

HSL 168.52, 0.71%, 0.32%

LAB 51.4, -35.63, 3.2

 

CMYK 17 / 83 / 0 / 45

HEX #74188C

RGB 116 24 140

HSL 287.59, 0.71%, 0.32%

LAB 30.06, 54.12, -43.66

 

CMYK 0 / 17 / 83 / 45

HEX #8C7418

RGB 140 116 24

HSL 47.59, 0.71%, 0.32%

LAB 49.66, -0.05, 49.88

 

CMYK 83 / 0 / 16 / 46

HEX #178A74

RGB 23 138 116

HSL 168.52, 0.71%, 0.32%

LAB 51.4, -35.63, 3.2

 

CMYK 83 / 83 / 0 / 45

HEX #18188C

RGB 24 24 140

HSL 240, 0.71%, 0.32%

LAB 18.97, 41.9, -62.25

 

CMYK 0 / 83 / 66 / 45

HEX #8C182F

RGB 140 24 47

HSL 348.1, 0.71%, 0.32%

LAB 30.48, 48.05, 17.68

 

CMYK 0 / 0 / 83 / 45

HEX #8C8C18

RGB 140 140 24

HSL 60, 0.71%, 0.32%

LAB 56.48, -13.27, 55.82

 

CMYK 83 / 0 / 16 / 46

HEX #178A74

RGB 23 138 116

HSL 168.52, 0.71%, 0.32%

LAB 51.4, -35.63, 3.2

 

CMYK 59 / 83 / 0 / 45

HEX #3A188C

RGB 58 24 140

HSL 257.59, 0.71%, 0.32%

LAB 21.75, 44.91, -57.57

 

CMYK 0 / 83 / 66 / 45

HEX #8C182F

RGB 140 24 47

HSL 348.1, 0.71%, 0.32%

LAB 30.48, 48.05, 17.68

 

CMYK 25 / 0 / 83 / 45

HEX #698C18

RGB 105 140 24

HSL 78.1, 0.71%, 0.32%

LAB 53.84, -28.64, 52.48

 

Description

Color code: HEX #178A74 | qconv.com Color code: HEX #178A74 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 138 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 138 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 16 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 16% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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