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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #178965 it is the complementary color #E8769A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #178965. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #178965 shade: #1C8960, #2D9B73, #3EAD86, #4FBF99 and #60D1AC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #178965. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #178965 shade: #178965, #067752, #00653F, #00532C and #004119

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #178965 shade: #178764, #178745, #178727, #258717 and #438717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #178965 shade: #178764, #178782, #176E87, #175087 and #173287

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #178965 shade matches the following richer shades: #178764 and #0A9468

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #178965 shade: #178764, #247A5F, #316E5A, #3D6156 and #4A5451

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #178965 shade: #178728, #178746, #178764, #178782 and #176F87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #178965 shade: #0B4130, #11644A, #178764, #1DAA7E and #23CE98

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #178965 shade: #178965, #172487 and #873717

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #178965 shade: #178965, #641787 and #876417

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #178965 shade: #178965, #172487, #87173A and #877A17

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #178965 shade: #178965, #2C1787, #87173A and #738717

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 26 / 46

HEX #178965

RGB 23 137 101

HSL 161.05, 0.71%, 0.31%

LAB 50.7, -39.16, 10.87

 

Complementary color

CMYK 0 / 49 / 34 / 9

HEX #E8769A

RGB 232 118 154

HSL 341.05, 0.71%, 0.69%

LAB 63.71, 47.82, 1.17

 

CMYK 80 / 0 / 30 / 46

HEX #1C8960

RGB 28 137 96

HSL 157.43, 0.66%, 0.32%

LAB 50.67, -39.8, 13.7

 

CMYK 71 / 0 / 26 / 39

HEX #2D9B73

RGB 45 155 115

HSL 158.18, 0.55%, 0.39%

LAB 57.31, -40.49, 12.22

 

CMYK 64 / 0 / 23 / 32

HEX #3EAD86

RGB 62 173 134

HSL 158.92, 0.47%, 0.46%

LAB 63.86, -40.85, 10.91

 

CMYK 59 / 0 / 20 / 25

HEX #4FBF99

RGB 79 191 153

HSL 159.64, 0.47%, 0.53%

LAB 70.33, -41, 9.74

 

CMYK 54 / 0 / 18 / 18

HEX #60D1AC

RGB 96 209 172

HSL 160.35, 0.55%, 0.6%

LAB 76.72, -41.03, 8.67

 

CMYK 83 / 0 / 26 / 46

HEX #178965

RGB 23 137 101

HSL 161.05, 0.71%, 0.31%

LAB 50.7, -39.16, 10.87

 

CMYK 95 / 0 / 31 / 53

HEX #067752

RGB 6 119 82

HSL 160.35, 0.9%, 0.25%

LAB 44, -37.75, 12.56

 

CMYK 100 / 0 / 38 / 60

HEX #00653F

RGB 0 101 63

HSL 157.43, 1%, 0.2%

LAB 37.24, -35.48, 14.53

 

CMYK 100 / 0 / 47 / 67

HEX #00532C

RGB 0 83 44

HSL 151.81, 1%, 0.16%

LAB 30.32, -32.57, 16.73

 

CMYK 100 / 0 / 62 / 75

HEX #004119

RGB 0 65 25

HSL 143.08, 1%, 0.13%

LAB 23.17, -29.31, 19.02

 

CMYK 83 / 0 / 26 / 47

HEX #178764

RGB 23 135 100

HSL 161.25, 0.71%, 0.31%

LAB 50.01, -38.56, 10.48

 

CMYK 83 / 0 / 49 / 47

HEX #178745

RGB 23 135 69

HSL 144.64, 0.71%, 0.31%

LAB 49.42, -45.24, 27.12

 

CMYK 83 / 0 / 71 / 47

HEX #178727

RGB 23 135 39

HSL 128.57, 0.71%, 0.31%

LAB 49.08, -49.41, 41.39

 

CMYK 73 / 0 / 83 / 47

HEX #258717

RGB 37 135 23

HSL 112.5, 0.71%, 0.31%

LAB 49.23, -48.47, 47.47

 

CMYK 50 / 0 / 83 / 47

HEX #438717

RGB 67 135 23

HSL 96.43, 0.71%, 0.31%

LAB 50.2, -40.68, 48.71

 

CMYK 83 / 0 / 26 / 47

HEX #178764

RGB 23 135 100

HSL 161.25, 0.71%, 0.31%

LAB 50.01, -38.56, 10.48

 

CMYK 83 / 0 / 4 / 47

HEX #178782

RGB 23 135 130

HSL 177.32, 0.71%, 0.31%

LAB 50.83, -30.14, -5.79

 

CMYK 83 / 19 / 0 / 47

HEX #176E87

RGB 23 110 135

HSL 193.39, 0.71%, 0.31%

LAB 42.89, -15.43, -20.78

 

CMYK 83 / 41 / 0 / 47

HEX #175087

RGB 23 80 135

HSL 209.46, 0.71%, 0.31%

LAB 33.28, 2.93, -35.84

 

CMYK 83 / 63 / 0 / 47

HEX #173287

RGB 23 50 135

HSL 225.54, 0.71%, 0.31%

LAB 24.36, 23.63, -50.25

 

CMYK 83 / 0 / 26 / 47

HEX #178764

RGB 23 135 100

HSL 161.25, 0.71%, 0.31%

LAB 50.01, -38.56, 10.48

 

CMYK 93 / 0 / 30 / 42

HEX #0A9468

RGB 10 148 104

HSL 160.87, 0.87%, 0.31%

LAB 54.28, -43.93, 14.14

 

CMYK 83 / 0 / 26 / 47

HEX #178764

RGB 23 135 100

HSL 161.25, 0.71%, 0.31%

LAB 50.01, -38.56, 10.48

 

CMYK 70 / 0 / 22 / 52

HEX #247A5F

RGB 36 122 95

HSL 161.16, 0.54%, 0.31%

LAB 45.8, -32.29, 7.49

 

CMYK 55 / 0 / 18 / 57

HEX #316E5A

RGB 49 110 90

HSL 160.33, 0.38%, 0.31%

LAB 42.07, -25.05, 5.2

 

CMYK 37 / 0 / 11 / 62

HEX #3D6156

RGB 61 97 86

HSL 161.67, 0.23%, 0.31%

LAB 38.22, -15.71, 2.18

 

CMYK 12 / 0 / 4 / 67

HEX #4A5451

RGB 74 84 81

HSL 162, 0.06%, 0.31%

LAB 34.78, -4.63, 0.4

 

CMYK 83 / 0 / 70 / 47

HEX #178728

RGB 23 135 40

HSL 129.11, 0.71%, 0.31%

LAB 49.09, -49.31, 40.97

 

CMYK 83 / 0 / 48 / 47

HEX #178746

RGB 23 135 70

HSL 145.18, 0.71%, 0.31%

LAB 49.44, -45.06, 26.6

 

CMYK 83 / 0 / 26 / 47

HEX #178764

RGB 23 135 100

HSL 161.25, 0.71%, 0.31%

LAB 50.01, -38.56, 10.48

 

CMYK 83 / 0 / 4 / 47

HEX #178782

RGB 23 135 130

HSL 177.32, 0.71%, 0.31%

LAB 50.83, -30.14, -5.79

 

CMYK 83 / 18 / 0 / 47

HEX #176F87

RGB 23 111 135

HSL 192.86, 0.71%, 0.31%

LAB 43.21, -15.99, -20.28

 

CMYK 83 / 0 / 26 / 75

HEX #0B4130

RGB 11 65 48

HSL 161.11, 0.71%, 0.15%

LAB 23.89, -22.01, 5.51

 

CMYK 83 / 0 / 26 / 61

HEX #11644A

RGB 17 100 74

HSL 161.2, 0.71%, 0.23%

LAB 37.35, -30.6, 8.08

 

CMYK 83 / 0 / 26 / 47

HEX #178764

RGB 23 135 100

HSL 161.25, 0.71%, 0.31%

LAB 50.01, -38.56, 10.48

 

CMYK 83 / 0 / 26 / 33

HEX #1DAA7E

RGB 29 170 126

HSL 161.28, 0.71%, 0.39%

LAB 62.1, -46.1, 12.76

 

CMYK 83 / 0 / 26 / 19

HEX #23CE98

RGB 35 206 152

HSL 161.05, 0.71%, 0.47%

LAB 74.04, -53.71, 15.38

 

CMYK 83 / 0 / 26 / 46

HEX #178965

RGB 23 137 101

HSL 161.05, 0.71%, 0.31%

LAB 50.7, -39.16, 10.87

 

CMYK 83 / 73 / 0 / 47

HEX #172487

RGB 23 36 135

HSL 233.04, 0.71%, 0.31%

LAB 20.8, 33.08, -56.1

 

CMYK 0 / 59 / 83 / 47

HEX #873717

RGB 135 55 23

HSL 17.14, 0.71%, 0.31%

LAB 33.87, 32.44, 35.63

 

CMYK 83 / 0 / 26 / 46

HEX #178965

RGB 23 137 101

HSL 161.05, 0.71%, 0.31%

LAB 50.7, -39.16, 10.87

 

CMYK 26 / 83 / 0 / 47

HEX #641787

RGB 100 23 135

HSL 281.25, 0.71%, 0.31%

LAB 26.94, 50.46, -45.73

 

CMYK 0 / 26 / 83 / 47

HEX #876417

RGB 135 100 23

HSL 41.25, 0.71%, 0.31%

LAB 44.7, 6.78, 45.61

 

CMYK 83 / 0 / 26 / 46

HEX #178965

RGB 23 137 101

HSL 161.05, 0.71%, 0.31%

LAB 50.7, -39.16, 10.87

 

CMYK 83 / 73 / 0 / 47

HEX #172487

RGB 23 36 135

HSL 233.04, 0.71%, 0.31%

LAB 20.8, 33.08, -56.1

 

CMYK 0 / 83 / 57 / 47

HEX #87173A

RGB 135 23 58

HSL 341.25, 0.71%, 0.31%

LAB 29.59, 47.62, 8.98

 

CMYK 0 / 10 / 83 / 47

HEX #877A17

RGB 135 122 23

HSL 53.04, 0.71%, 0.31%

LAB 50.84, -5.81, 51.04

 

CMYK 83 / 0 / 26 / 46

HEX #178965

RGB 23 137 101

HSL 161.05, 0.71%, 0.31%

LAB 50.7, -39.16, 10.87

 

CMYK 67 / 83 / 0 / 47

HEX #2C1787

RGB 44 23 135

HSL 251.25, 0.71%, 0.31%

LAB 19.63, 42.35, -57.99

 

CMYK 0 / 83 / 57 / 47

HEX #87173A

RGB 135 23 58

HSL 341.25, 0.71%, 0.31%

LAB 29.59, 47.62, 8.98

 

CMYK 15 / 0 / 83 / 47

HEX #738717

RGB 115 135 23

HSL 70.71, 0.71%, 0.31%

LAB 52.99, -21.92, 52.27

 

Description

Color code: HEX #178965 | qconv.com Color code: HEX #178965 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 137 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 137 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 26 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 26% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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