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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #178955 it is the complementary color #E876AA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #178955. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #178955 shade: #1C8950, #2D9B63, #3EAD76, #4FBF89 and #60D19C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #178955. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #178955 shade: #178955, #067742, #00652F, #00531C and #004109

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #178955 shade: #178754, #178736, #178717, #358717 and #538717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #178955 shade: #178754, #178772, #177E87, #176087 and #174187

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #178955 shade matches the following richer shades: #178754 and #0A9455

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #178955 shade: #178754, #247A53, #316E52, #3D6151 and #4A544F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #178955 shade: #178717, #178735, #178753, #178771 and #178087

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #178955 shade: #0B4128, #11643E, #178754, #1DAA6A and #23CE80

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #178955 shade: #178955, #173587 and #872617

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #178955 shade: #178955, #531787 and #875317

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #178955 shade: #178955, #173587, #87174B and #876917

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #178955 shade: #178955, #1B1787, #87174B and #838717

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 38 / 46

HEX #178955

RGB 23 137 85

HSL 152.63, 0.71%, 0.31%

LAB 50.37, -42.86, 19.53

 

Complementary color

CMYK 0 / 49 / 27 / 9

HEX #E876AA

RGB 232 118 170

HSL 332.63, 0.71%, 0.69%

LAB 64.17, 49.85, -7.27

 

CMYK 80 / 0 / 42 / 46

HEX #1C8950

RGB 28 137 80

HSL 148.62, 0.66%, 0.32%

LAB 50.35, -43.3, 22.32

 

CMYK 71 / 0 / 36 / 39

HEX #2D9B63

RGB 45 155 99

HSL 149.45, 0.55%, 0.39%

LAB 56.98, -44.03, 20.69

 

CMYK 64 / 0 / 32 / 32

HEX #3EAD76

RGB 62 173 118

HSL 150.27, 0.47%, 0.46%

LAB 63.52, -44.39, 19.23

 

CMYK 59 / 0 / 28 / 25

HEX #4FBF89

RGB 79 191 137

HSL 151.07, 0.47%, 0.53%

LAB 69.99, -44.52, 17.91

 

CMYK 54 / 0 / 25 / 18

HEX #60D19C

RGB 96 209 156

HSL 151.86, 0.55%, 0.6%

LAB 76.37, -44.51, 16.7

 

CMYK 83 / 0 / 38 / 46

HEX #178955

RGB 23 137 85

HSL 152.63, 0.71%, 0.31%

LAB 50.37, -42.86, 19.53

 

CMYK 95 / 0 / 45 / 53

HEX #067742

RGB 6 119 66

HSL 151.86, 0.9%, 0.25%

LAB 43.69, -41.36, 21.37

 

CMYK 100 / 0 / 53 / 60

HEX #00652F

RGB 0 101 47

HSL 147.92, 1%, 0.2%

LAB 36.95, -38.84, 23.44

 

CMYK 100 / 0 / 66 / 67

HEX #00531C

RGB 0 83 28

HSL 140.24, 1%, 0.16%

LAB 30.08, -35.48, 25.53

 

CMYK 100 / 0 / 86 / 75

HEX #004109

RGB 0 65 9

HSL 128.31, 1%, 0.13%

LAB 23, -31.47, 26.93

 

CMYK 83 / 0 / 38 / 47

HEX #178754

RGB 23 135 84

HSL 152.68, 0.71%, 0.31%

LAB 49.68, -42.29, 19.16

 

CMYK 83 / 0 / 60 / 47

HEX #178736

RGB 23 135 54

HSL 136.61, 0.71%, 0.31%

LAB 49.22, -47.61, 34.65

 

CMYK 83 / 0 / 83 / 47

HEX #178717

RGB 23 135 23

HSL 120, 0.71%, 0.31%

LAB 48.97, -50.72, 47.13

 

CMYK 61 / 0 / 83 / 47

HEX #358717

RGB 53 135 23

HSL 103.93, 0.71%, 0.31%

LAB 49.67, -44.8, 48.04

 

CMYK 39 / 0 / 83 / 47

HEX #538717

RGB 83 135 23

HSL 87.86, 0.71%, 0.31%

LAB 50.95, -35.1, 49.68

 

CMYK 83 / 0 / 38 / 47

HEX #178754

RGB 23 135 84

HSL 152.68, 0.71%, 0.31%

LAB 49.68, -42.29, 19.16

 

CMYK 83 / 0 / 16 / 47

HEX #178772

RGB 23 135 114

HSL 168.75, 0.71%, 0.31%

LAB 50.36, -34.84, 2.86

 

CMYK 83 / 7 / 0 / 47

HEX #177E87

RGB 23 126 135

HSL 184.82, 0.71%, 0.31%

LAB 48.07, -24.05, -12.86

 

CMYK 83 / 29 / 0 / 47

HEX #176087

RGB 23 96 135

HSL 200.89, 0.71%, 0.31%

LAB 38.37, -7.23, -27.8

 

CMYK 83 / 52 / 0 / 47

HEX #174187

RGB 23 65 135

HSL 217.5, 0.71%, 0.31%

LAB 28.67, 13.13, -43.24

 

CMYK 83 / 0 / 38 / 47

HEX #178754

RGB 23 135 84

HSL 152.68, 0.71%, 0.31%

LAB 49.68, -42.29, 19.16

 

CMYK 93 / 0 / 43 / 42

HEX #0A9455

RGB 10 148 85

HSL 152.61, 0.87%, 0.31%

LAB 53.92, -48.1, 24.21

 

CMYK 83 / 0 / 38 / 47

HEX #178754

RGB 23 135 84

HSL 152.68, 0.71%, 0.31%

LAB 49.68, -42.29, 19.16

 

CMYK 70 / 0 / 32 / 52

HEX #247A53

RGB 36 122 83

HSL 152.79, 0.54%, 0.31%

LAB 45.52, -35.21, 14.14

 

CMYK 55 / 0 / 25 / 57

HEX #316E52

RGB 49 110 82

HSL 152.46, 0.38%, 0.31%

LAB 41.87, -27.02, 9.72

 

CMYK 37 / 0 / 16 / 62

HEX #3D6151

RGB 61 97 81

HSL 153.33, 0.23%, 0.31%

LAB 38.08, -16.92, 5.06

 

CMYK 12 / 0 / 6 / 67

HEX #4A544F

RGB 74 84 79

HSL 150, 0.06%, 0.31%

LAB 34.72, -5.08, 1.58

 

CMYK 83 / 0 / 83 / 47

HEX #178717

RGB 23 135 23

HSL 120, 0.71%, 0.31%

LAB 48.97, -50.72, 47.13

 

CMYK 83 / 0 / 61 / 47

HEX #178735

RGB 23 135 53

HSL 136.07, 0.71%, 0.31%

LAB 49.21, -47.75, 35.13

 

CMYK 83 / 0 / 39 / 47

HEX #178753

RGB 23 135 83

HSL 152.14, 0.71%, 0.31%

LAB 49.66, -42.5, 19.7

 

CMYK 83 / 0 / 16 / 47

HEX #178771

RGB 23 135 113

HSL 168.21, 0.71%, 0.31%

LAB 50.34, -35.12, 3.4

 

CMYK 83 / 5 / 0 / 47

HEX #178087

RGB 23 128 135

HSL 183.75, 0.71%, 0.31%

LAB 48.72, -25.08, -11.88

 

CMYK 83 / 0 / 38 / 75

HEX #0B4128

RGB 11 65 40

HSL 152.22, 0.71%, 0.15%

LAB 23.69, -24.15, 10.44

 

CMYK 83 / 0 / 38 / 61

HEX #11643E

RGB 17 100 62

HSL 152.53, 0.71%, 0.23%

LAB 37.08, -33.57, 14.95

 

CMYK 83 / 0 / 38 / 47

HEX #178754

RGB 23 135 84

HSL 152.68, 0.71%, 0.31%

LAB 49.68, -42.29, 19.16

 

CMYK 83 / 0 / 38 / 33

HEX #1DAA6A

RGB 29 170 106

HSL 152.77, 0.71%, 0.39%

LAB 61.7, -50.55, 23.16

 

CMYK 83 / 0 / 38 / 19

HEX #23CE80

RGB 35 206 128

HSL 152.63, 0.71%, 0.47%

LAB 73.58, -58.83, 27.41

 

CMYK 83 / 0 / 38 / 46

HEX #178955

RGB 23 137 85

HSL 152.63, 0.71%, 0.31%

LAB 50.37, -42.86, 19.53

 

CMYK 83 / 61 / 0 / 47

HEX #173587

RGB 23 53 135

HSL 223.93, 0.71%, 0.31%

LAB 25.19, 21.53, -48.9

 

CMYK 0 / 72 / 83 / 47

HEX #872617

RGB 135 38 23

HSL 8.04, 0.71%, 0.31%

LAB 30.88, 40.42, 32.74

 

CMYK 83 / 0 / 38 / 46

HEX #178955

RGB 23 137 85

HSL 152.63, 0.71%, 0.31%

LAB 50.37, -42.86, 19.53

 

CMYK 39 / 83 / 0 / 47

HEX #531787

RGB 83 23 135

HSL 272.14, 0.71%, 0.31%

LAB 24.33, 47.54, -50.1

 

CMYK 0 / 39 / 83 / 47

HEX #875317

RGB 135 83 23

HSL 32.14, 0.71%, 0.31%

LAB 40.24, 16.75, 41.58

 

CMYK 83 / 0 / 38 / 46

HEX #178955

RGB 23 137 85

HSL 152.63, 0.71%, 0.31%

LAB 50.37, -42.86, 19.53

 

CMYK 83 / 61 / 0 / 47

HEX #173587

RGB 23 53 135

HSL 223.93, 0.71%, 0.31%

LAB 25.19, 21.53, -48.9

 

CMYK 0 / 83 / 44 / 47

HEX #87174B

RGB 135 23 75

HSL 332.14, 0.71%, 0.31%

LAB 30.09, 49.13, -1.63

 

CMYK 0 / 22 / 83 / 47

HEX #876917

RGB 135 105 23

HSL 43.93, 0.71%, 0.31%

LAB 46.06, 3.87, 46.83

 

CMYK 83 / 0 / 38 / 46

HEX #178955

RGB 23 137 85

HSL 152.63, 0.71%, 0.31%

LAB 50.37, -42.86, 19.53

 

CMYK 80 / 83 / 0 / 47

HEX #1B1787

RGB 27 23 135

HSL 242.14, 0.71%, 0.31%

LAB 18.34, 40.95, -60.16

 

CMYK 0 / 83 / 44 / 47

HEX #87174B

RGB 135 23 75

HSL 332.14, 0.71%, 0.31%

LAB 30.09, 49.13, -1.63

 

CMYK 3 / 0 / 83 / 47

HEX #838717

RGB 131 135 23

HSL 62.14, 0.71%, 0.31%

LAB 54.25, -14.74, 53.87

 

Description

Color code: HEX #178955 | qconv.com Color code: HEX #178955 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 137 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 137 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 38 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 38% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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