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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #17867C it is the complementary color #E87983. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #17867C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #17867C shade: #1C8677, #2D988A, #3EAA9D, #4FBCB0 and #60CEC3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #17867C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #17867C shade: #17867C, #067469, #006256, #005043 and #003E30

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #17867C shade: #17877D, #17875F, #178741, #178722 and #2A8717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #17867C shade: #17877D, #177387, #175587, #173687 and #171887

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #17867C shade matches the following richer shades: #17877D and #0A9488

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #17867C shade: #17877D, #247A73, #316E68, #3D615E and #4A5453

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #17867C shade: #178740, #17875E, #17877C, #177487 and #175787

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #17867C shade: #0B413C, #11645C, #17877D, #1DAA9E and #23CEBE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #17867C shade: #17867C, #221787 and #874F17

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #17867C shade: #17867C, #7C1787 and #877C17

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #17867C shade: #17867C, #221787, #871722 and #7C8717

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #17867C shade: #17867C, #441787, #871722 and #5A8717

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 7 / 47

HEX #17867C

RGB 23 134 124

HSL 174.59, 0.71%, 0.31%

LAB 50.32, -31.48, -3.04

 

Complementary color

CMYK 0 / 48 / 44 / 9

HEX #E87983

RGB 232 121 131

HSL 354.59, 0.71%, 0.69%

LAB 63.73, 43.75, 14.33

 

CMYK 79 / 0 / 11 / 47

HEX #1C8677

RGB 28 134 119

HSL 171.51, 0.65%, 0.32%

LAB 50.25, -32.42, -0.21

 

CMYK 70 / 0 / 9 / 40

HEX #2D988A

RGB 45 152 138

HSL 172.15, 0.54%, 0.39%

LAB 56.93, -33.2, -1.37

 

CMYK 64 / 0 / 8 / 33

HEX #3EAA9D

RGB 62 170 157

HSL 172.78, 0.47%, 0.45%

LAB 63.51, -33.67, -2.39

 

CMYK 58 / 0 / 6 / 26

HEX #4FBCB0

RGB 79 188 176

HSL 173.39, 0.45%, 0.52%

LAB 70.01, -33.95, -3.3

 

CMYK 53 / 0 / 5 / 19

HEX #60CEC3

RGB 96 206 195

HSL 174, 0.53%, 0.59%

LAB 76.42, -34.11, -4.13

 

CMYK 83 / 0 / 7 / 47

HEX #17867C

RGB 23 134 124

HSL 174.59, 0.71%, 0.31%

LAB 50.32, -31.48, -3.04

 

CMYK 95 / 0 / 9 / 55

HEX #067469

RGB 6 116 105

HSL 174, 0.9%, 0.24%

LAB 43.58, -30.01, -1.73

 

CMYK 100 / 0 / 12 / 62

HEX #006256

RGB 0 98 86

HSL 172.65, 1%, 0.19%

LAB 36.76, -27.79, -0.17

 

CMYK 100 / 0 / 16 / 69

HEX #005043

RGB 0 80 67

HSL 170.25, 1%, 0.16%

LAB 29.77, -25.09, 1.59

 

CMYK 100 / 0 / 23 / 76

HEX #003E30

RGB 0 62 48

HSL 166.45, 1%, 0.12%

LAB 22.51, -22.29, 3.52

 

CMYK 83 / 0 / 7 / 47

HEX #17877D

RGB 23 135 125

HSL 174.64, 0.71%, 0.31%

LAB 50.68, -31.65, -3.1

 

CMYK 83 / 0 / 30 / 47

HEX #17875F

RGB 23 135 95

HSL 158.57, 0.71%, 0.31%

LAB 49.9, -39.79, 13.21

 

CMYK 83 / 0 / 52 / 47

HEX #178741

RGB 23 135 65

HSL 142.5, 0.71%, 0.31%

LAB 49.36, -45.93, 29.18

 

CMYK 83 / 0 / 75 / 47

HEX #178722

RGB 23 135 34

HSL 125.89, 0.71%, 0.31%

LAB 49.04, -49.89, 43.37

 

CMYK 69 / 0 / 83 / 47

HEX #2A8717

RGB 42 135 23

HSL 109.82, 0.71%, 0.31%

LAB 49.35, -47.45, 47.62

 

CMYK 83 / 0 / 7 / 47

HEX #17877D

RGB 23 135 125

HSL 174.64, 0.71%, 0.31%

LAB 50.68, -31.65, -3.1

 

CMYK 83 / 15 / 0 / 47

HEX #177387

RGB 23 115 135

HSL 190.71, 0.71%, 0.31%

LAB 44.51, -18.21, -18.29

 

CMYK 83 / 37 / 0 / 47

HEX #175587

RGB 23 85 135

HSL 206.79, 0.71%, 0.31%

LAB 34.86, -0.33, -33.34

 

CMYK 83 / 60 / 0 / 47

HEX #173687

RGB 23 54 135

HSL 223.39, 0.71%, 0.31%

LAB 25.47, 20.83, -48.44

 

CMYK 83 / 82 / 0 / 47

HEX #171887

RGB 23 24 135

HSL 239.46, 0.71%, 0.31%

LAB 18.3, 40.18, -60.24

 

CMYK 83 / 0 / 7 / 47

HEX #17877D

RGB 23 135 125

HSL 174.64, 0.71%, 0.31%

LAB 50.68, -31.65, -3.1

 

CMYK 93 / 0 / 8 / 42

HEX #0A9488

RGB 10 148 136

HSL 174.78, 0.87%, 0.31%

LAB 55.09, -35.29, -2.98

 

CMYK 83 / 0 / 7 / 47

HEX #17877D

RGB 23 135 125

HSL 174.64, 0.71%, 0.31%

LAB 50.68, -31.65, -3.1

 

CMYK 70 / 0 / 6 / 52

HEX #247A73

RGB 36 122 115

HSL 175.12, 0.54%, 0.31%

LAB 46.35, -26.73, -3.56

 

CMYK 55 / 0 / 5 / 57

HEX #316E68

RGB 49 110 104

HSL 174.1, 0.38%, 0.31%

LAB 42.47, -21.27, -2.66

 

CMYK 37 / 0 / 3 / 62

HEX #3D615E

RGB 61 97 94

HSL 175, 0.23%, 0.31%

LAB 38.46, -13.64, -2.4

 

CMYK 12 / 0 / 1 / 67

HEX #4A5453

RGB 74 84 83

HSL 174, 0.06%, 0.31%

LAB 34.84, -4.17, -0.76

 

CMYK 83 / 0 / 53 / 47

HEX #178740

RGB 23 135 64

HSL 141.96, 0.71%, 0.31%

LAB 49.35, -46.09, 29.69

 

CMYK 83 / 0 / 30 / 47

HEX #17875E

RGB 23 135 94

HSL 158.04, 0.71%, 0.31%

LAB 49.88, -40.02, 13.75

 

CMYK 83 / 0 / 8 / 47

HEX #17877C

RGB 23 135 124

HSL 174.11, 0.71%, 0.31%

LAB 50.65, -31.95, -2.56

 

CMYK 83 / 14 / 0 / 47

HEX #177487

RGB 23 116 135

HSL 190.18, 0.71%, 0.31%

LAB 44.83, -18.75, -17.79

 

CMYK 83 / 36 / 0 / 47

HEX #175787

RGB 23 87 135

HSL 205.71, 0.71%, 0.31%

LAB 35.49, -1.61, -32.33

 

CMYK 83 / 0 / 8 / 75

HEX #0B413C

RGB 11 65 60

HSL 174.44, 0.71%, 0.15%

LAB 24.25, -18.27, -1.89

 

CMYK 83 / 0 / 8 / 61

HEX #11645C

RGB 17 100 92

HSL 174.22, 0.71%, 0.23%

LAB 37.85, -25.38, -2.24

 

CMYK 83 / 0 / 7 / 47

HEX #17877D

RGB 23 135 125

HSL 174.64, 0.71%, 0.31%

LAB 50.68, -31.65, -3.1

 

CMYK 83 / 0 / 7 / 33

HEX #1DAA9E

RGB 29 170 158

HSL 174.89, 0.71%, 0.39%

LAB 62.91, -37.6, -3.91

 

CMYK 83 / 0 / 8 / 19

HEX #23CEBE

RGB 35 206 190

HSL 174.39, 0.71%, 0.47%

LAB 74.96, -44.03, -3.73

 

CMYK 83 / 0 / 7 / 47

HEX #17867C

RGB 23 134 124

HSL 174.59, 0.71%, 0.31%

LAB 50.32, -31.48, -3.04

 

CMYK 75 / 83 / 0 / 47

HEX #221787

RGB 34 23 135

HSL 245.89, 0.71%, 0.31%

LAB 18.81, 41.45, -59.37

 

CMYK 0 / 41 / 83 / 47

HEX #874F17

RGB 135 79 23

HSL 30, 0.71%, 0.31%

LAB 39.25, 19.09, 40.67

 

CMYK 83 / 0 / 7 / 47

HEX #17867C

RGB 23 134 124

HSL 174.59, 0.71%, 0.31%

LAB 50.32, -31.48, -3.04

 

CMYK 8 / 83 / 0 / 47

HEX #7C1787

RGB 124 23 135

HSL 294.11, 0.71%, 0.31%

LAB 30.99, 55.02, -38.99

 

CMYK 0 / 8 / 83 / 47

HEX #877C17

RGB 135 124 23

HSL 54.11, 0.71%, 0.31%

LAB 51.41, -6.92, 51.54

 

CMYK 83 / 0 / 7 / 47

HEX #17867C

RGB 23 134 124

HSL 174.59, 0.71%, 0.31%

LAB 50.32, -31.48, -3.04

 

CMYK 75 / 83 / 0 / 47

HEX #221787

RGB 34 23 135

HSL 245.89, 0.71%, 0.31%

LAB 18.81, 41.45, -59.37

 

CMYK 0 / 83 / 75 / 47

HEX #871722

RGB 135 23 34

HSL 354.11, 0.71%, 0.31%

LAB 29.11, 46.15, 24.22

 

CMYK 8 / 0 / 83 / 47

HEX #7C8717

RGB 124 135 23

HSL 65.89, 0.71%, 0.31%

LAB 53.68, -17.91, 53.15

 

CMYK 83 / 0 / 7 / 47

HEX #17867C

RGB 23 134 124

HSL 174.59, 0.71%, 0.31%

LAB 50.32, -31.48, -3.04

 

CMYK 50 / 83 / 0 / 47

HEX #441787

RGB 68 23 135

HSL 264.11, 0.71%, 0.31%

LAB 22.27, 45.26, -53.54

 

CMYK 0 / 83 / 75 / 47

HEX #871722

RGB 135 23 34

HSL 354.11, 0.71%, 0.31%

LAB 29.11, 46.15, 24.22

 

CMYK 33 / 0 / 83 / 47

HEX #5A8717

RGB 90 135 23

HSL 84.11, 0.71%, 0.31%

LAB 51.34, -32.41, 50.18

 

Description

Color code: HEX #17867C | qconv.com Color code: HEX #17867C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 134 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 134 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 7 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 7% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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