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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #17802F it is the complementary color #E87FD0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #17802F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #17802F shade: #1C802A, #2D923D, #3EA450, #4FB663 and #60C876

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #17802F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #17802F shade: #17802F, #066E1C, #005C09, #004A00 and #003800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #17802F shade: #17822F, #1B8217, #388217, #558217 and #728217

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #17802F shade: #17822F, #17824C, #178269, #177E82 and #176182

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #17802F shade matches the following richer shades: #17822F and #0B8E29

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #17802F shade: #17822F, #237636, #30693D, #3C5D44 and #48514A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #17802F shade: #398217, #1C8217, #17822E, #17824B and #178267

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #17802F shade: #0B3C16, #115F23, #17822F, #1DA53C and #23C849

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #17802F shade: #17802F, #175582 and #82172B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #17802F shade: #17802F, #2E1782 and #822E17

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #17802F shade: #17802F, #175582, #82176B and #824417

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #17802F shade: #17802F, #173582, #82176B and #826417

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 63 / 50

HEX #17802F

RGB 23 128 47

HSL 133.71, 0.7%, 0.3%

LAB 46.75, -46.11, 35.2

 

Complementary color

CMYK 0 / 45 / 10 / 9

HEX #E87FD0

RGB 232 127 208

HSL 313.71, 0.7%, 0.7%

LAB 67.19, 51.01, -24.13

 

CMYK 78 / 0 / 67 / 50

HEX #1C802A

RGB 28 128 42

HSL 128.4, 0.64%, 0.31%

LAB 46.78, -46, 37.61

 

CMYK 69 / 0 / 58 / 43

HEX #2D923D

RGB 45 146 61

HSL 129.5, 0.53%, 0.37%

LAB 53.44, -47.07, 36.27

 

CMYK 62 / 0 / 51 / 36

HEX #3EA450

RGB 62 164 80

HSL 130.59, 0.45%, 0.44%

LAB 60.03, -47.6, 34.81

 

CMYK 57 / 0 / 46 / 29

HEX #4FB663

RGB 79 182 99

HSL 131.65, 0.41%, 0.51%

LAB 66.53, -47.81, 33.38

 

CMYK 52 / 0 / 41 / 22

HEX #60C876

RGB 96 200 118

HSL 132.69, 0.49%, 0.58%

LAB 72.96, -47.82, 32.01

 

CMYK 82 / 0 / 63 / 50

HEX #17802F

RGB 23 128 47

HSL 133.71, 0.7%, 0.3%

LAB 46.75, -46.11, 35.2

 

CMYK 95 / 0 / 75 / 57

HEX #066E1C

RGB 6 110 28

HSL 132.69, 0.9%, 0.23%

LAB 40.04, -44.01, 36.44

 

CMYK 100 / 0 / 90 / 64

HEX #005C09

RGB 0 92 9

HSL 125.87, 1%, 0.18%

LAB 33.29, -40.37, 36.67

 

CMYK 100 / 0 / 100 / 71

HEX #004A00

RGB 0 74 0

HSL 120, 1%, 0.15%

LAB 26.44, -35.26, 33.91

 

CMYK 100 / 0 / 100 / 78

HEX #003800

RGB 0 56 0

HSL 120, 1%, 0.11%

LAB 19.34, -29.36, 26.61

 

CMYK 82 / 0 / 64 / 49

HEX #17822F

RGB 23 130 47

HSL 133.46, 0.7%, 0.3%

LAB 47.43, -46.81, 35.98

 

CMYK 79 / 0 / 82 / 49

HEX #1B8217

RGB 27 130 23

HSL 117.76, 0.7%, 0.3%

LAB 47.31, -48.53, 45.59

 

CMYK 57 / 0 / 82 / 49

HEX #388217

RGB 56 130 23

HSL 101.5, 0.7%, 0.3%

LAB 48.09, -42.06, 46.6

 

CMYK 35 / 0 / 82 / 49

HEX #558217

RGB 85 130 23

HSL 85.23, 0.7%, 0.3%

LAB 49.45, -32.07, 48.35

 

CMYK 12 / 0 / 82 / 49

HEX #728217

RGB 114 130 23

HSL 68.97, 0.7%, 0.3%

LAB 51.39, -19.8, 50.83

 

CMYK 82 / 0 / 64 / 49

HEX #17822F

RGB 23 130 47

HSL 133.46, 0.7%, 0.3%

LAB 47.43, -46.81, 35.98

 

CMYK 82 / 0 / 42 / 49

HEX #17824C

RGB 23 130 76

HSL 149.72, 0.7%, 0.3%

LAB 47.84, -42, 21.22

 

CMYK 82 / 0 / 19 / 49

HEX #178269

RGB 23 130 105

HSL 165.98, 0.7%, 0.3%

LAB 48.47, -35.07, 5.39

 

CMYK 82 / 3 / 0 / 49

HEX #177E82

RGB 23 126 130

HSL 182.24, 0.7%, 0.3%

LAB 47.9, -25.69, -10.17

 

CMYK 82 / 25 / 0 / 49

HEX #176182

RGB 23 97 130

HSL 198.5, 0.7%, 0.3%

LAB 38.45, -9.74, -24.64

 

CMYK 82 / 0 / 64 / 49

HEX #17822F

RGB 23 130 47

HSL 133.46, 0.7%, 0.3%

LAB 47.43, -46.81, 35.98

 

CMYK 92 / 0 / 71 / 44

HEX #0B8E29

RGB 11 142 41

HSL 133.74, 0.86%, 0.3%

LAB 51.36, -52.63, 42.93

 

CMYK 82 / 0 / 64 / 49

HEX #17822F

RGB 23 130 47

HSL 133.46, 0.7%, 0.3%

LAB 47.43, -46.81, 35.98

 

CMYK 70 / 0 / 54 / 54

HEX #237636

RGB 35 118 54

HSL 133.73, 0.54%, 0.3%

LAB 43.63, -39.38, 27.99

 

CMYK 54 / 0 / 42 / 59

HEX #30693D

RGB 48 105 61

HSL 133.68, 0.37%, 0.3%

LAB 39.7, -29.36, 19.18

 

CMYK 35 / 0 / 27 / 64

HEX #3C5D44

RGB 60 93 68

HSL 134.55, 0.22%, 0.3%

LAB 36.38, -17.99, 10.62

 

CMYK 11 / 0 / 9 / 68

HEX #48514A

RGB 72 81 74

HSL 133.33, 0.06%, 0.3%

LAB 33.47, -5.15, 2.9

 

CMYK 56 / 0 / 82 / 49

HEX #398217

RGB 57 130 23

HSL 100.93, 0.7%, 0.3%

LAB 48.13, -41.77, 46.65

 

CMYK 78 / 0 / 82 / 49

HEX #1C8217

RGB 28 130 23

HSL 117.2, 0.7%, 0.3%

LAB 47.33, -48.37, 45.62

 

CMYK 82 / 0 / 65 / 49

HEX #17822E

RGB 23 130 46

HSL 132.9, 0.7%, 0.3%

LAB 47.42, -46.93, 36.44

 

CMYK 82 / 0 / 42 / 49

HEX #17824B

RGB 23 130 75

HSL 149.16, 0.7%, 0.3%

LAB 47.82, -42.2, 21.76

 

CMYK 82 / 0 / 21 / 49

HEX #178267

RGB 23 130 103

HSL 164.86, 0.7%, 0.3%

LAB 48.42, -35.61, 6.48

 

CMYK 82 / 0 / 63 / 76

HEX #0B3C16

RGB 11 60 22

HSL 133.47, 0.69%, 0.14%

LAB 21.43, -25.69, 18.74

 

CMYK 82 / 0 / 63 / 63

HEX #115F23

RGB 17 95 35

HSL 133.85, 0.7%, 0.22%

LAB 34.85, -36.63, 27.46

 

CMYK 82 / 0 / 64 / 49

HEX #17822F

RGB 23 130 47

HSL 133.46, 0.7%, 0.3%

LAB 47.43, -46.81, 35.98

 

CMYK 82 / 0 / 64 / 35

HEX #1DA53C

RGB 29 165 60

HSL 133.68, 0.7%, 0.38%

LAB 59.43, -56.28, 43.57

 

CMYK 83 / 0 / 64 / 22

HEX #23C849

RGB 35 200 73

HSL 133.82, 0.7%, 0.46%

LAB 70.97, -65.35, 50.84

 

CMYK 82 / 0 / 63 / 50

HEX #17802F

RGB 23 128 47

HSL 133.71, 0.7%, 0.3%

LAB 46.75, -46.11, 35.2

 

CMYK 82 / 35 / 0 / 49

HEX #175582

RGB 23 85 130

HSL 205.23, 0.7%, 0.3%

LAB 34.58, -2.32, -30.71

 

CMYK 0 / 82 / 67 / 49

HEX #82172B

RGB 130 23 43

HSL 348.79, 0.7%, 0.3%

LAB 28.2, 45.11, 16.97

 

CMYK 82 / 0 / 63 / 50

HEX #17802F

RGB 23 128 47

HSL 133.71, 0.7%, 0.3%

LAB 46.75, -46.11, 35.2

 

CMYK 65 / 82 / 0 / 49

HEX #2E1782

RGB 46 23 130

HSL 252.9, 0.7%, 0.3%

LAB 19.25, 41.03, -55.46

 

CMYK 0 / 65 / 82 / 49

HEX #822E17

RGB 130 46 23

HSL 12.9, 0.7%, 0.3%

LAB 31.26, 34.97, 32.79

 

CMYK 82 / 0 / 63 / 50

HEX #17802F

RGB 23 128 47

HSL 133.71, 0.7%, 0.3%

LAB 46.75, -46.11, 35.2

 

CMYK 82 / 35 / 0 / 49

HEX #175582

RGB 23 85 130

HSL 205.23, 0.7%, 0.3%

LAB 34.58, -2.32, -30.71

 

CMYK 0 / 82 / 18 / 49

HEX #82176B

RGB 130 23 107

HSL 312.9, 0.7%, 0.3%

LAB 30.45, 51.78, -22.07

 

CMYK 0 / 48 / 82 / 49

HEX #824417

RGB 130 68 23

HSL 25.23, 0.7%, 0.3%

LAB 35.87, 23.19, 37.25

 

CMYK 82 / 0 / 63 / 50

HEX #17802F

RGB 23 128 47

HSL 133.71, 0.7%, 0.3%

LAB 46.75, -46.11, 35.2

 

CMYK 82 / 59 / 0 / 49

HEX #173582

RGB 23 53 130

HSL 223.18, 0.7%, 0.3%

LAB 24.77, 19.49, -46.46

 

CMYK 0 / 82 / 18 / 49

HEX #82176B

RGB 130 23 107

HSL 312.9, 0.7%, 0.3%

LAB 30.45, 51.78, -22.07

 

CMYK 0 / 23 / 82 / 49

HEX #826417

RGB 130 100 23

HSL 43.18, 0.7%, 0.3%

LAB 44.12, 4.4, 44.88

 

Description

Color code: HEX #17802F | qconv.com Color code: HEX #17802F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 128 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 128 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 63 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 63% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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