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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #176A63 it is the complementary color #E8959C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #176A63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #176A63 shade: #1C6A5E, #2D7C71, #3E8E84, #4FA097 and #60B2AA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #176A63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #176A63 shade: #176A63, #065850, #00463D, #00342A and #002217

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #176A63 shade: #176962, #17694C, #176936, #176920 and #246917

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #176A63 shade: #176962, #175969, #174369, #172D69 and #171769

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #176A63 shade matches the following richer shades: #176962, #0D736A and #027D73

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #176A63 shade: #176962, #215E59, #2C5451, #364A48 and #403F3F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #176A63 shade: #176935, #17694B, #176960, #175B69 and #174569

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #176A63 shade: #082522, #104742, #176962, #1E8A81 and #26ACA1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #176A63 shade: #176A63, #1F1769 and #694017

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #176A63 shade: #176A63, #601769 and #696017

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #176A63 shade: #176A63, #1F1769, #69171F and #606917

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #176A63 shade: #176A63, #381769, #69171F and #486917

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 7 / 58

HEX #176A63

RGB 23 106 99

HSL 174.94, 0.64%, 0.25%

LAB 40.23, -25.47, -3.01

 

Complementary color

CMYK 0 / 36 / 33 / 9

HEX #E8959C

RGB 232 149 156

HSL 354.94, 0.64%, 0.75%

LAB 70.21, 32.1, 9.4

 

CMYK 74 / 0 / 11 / 58

HEX #1C6A5E

RGB 28 106 94

HSL 170.77, 0.58%, 0.26%

LAB 40.19, -26.27, -0.02

 

CMYK 64 / 0 / 9 / 51

HEX #2D7C71

RGB 45 124 113

HSL 171.65, 0.47%, 0.33%

LAB 47.19, -26.73, -1.12

 

CMYK 56 / 0 / 7 / 44

HEX #3E8E84

RGB 62 142 132

HSL 172.5, 0.39%, 0.4%

LAB 54.07, -26.94, -2.07

 

CMYK 51 / 0 / 6 / 37

HEX #4FA097

RGB 79 160 151

HSL 173.33, 0.34%, 0.47%

LAB 60.82, -27.01, -2.92

 

CMYK 46 / 0 / 4 / 30

HEX #60B2AA

RGB 96 178 170

HSL 174.15, 0.35%, 0.54%

LAB 67.45, -27, -3.69

 

CMYK 78 / 0 / 7 / 58

HEX #176A63

RGB 23 106 99

HSL 174.94, 0.64%, 0.25%

LAB 40.23, -25.47, -3.01

 

CMYK 93 / 0 / 9 / 65

HEX #065850

RGB 6 88 80

HSL 174.15, 0.87%, 0.18%

LAB 33.13, -24.26, -1.74

 

CMYK 100 / 0 / 13 / 73

HEX #00463D

RGB 0 70 61

HSL 172.29, 1%, 0.14%

LAB 25.91, -22.08, -0.14

 

CMYK 100 / 0 / 19 / 80

HEX #00342A

RGB 0 52 42

HSL 168.46, 1%, 0.1%

LAB 18.47, -19.21, 1.76

 

CMYK 100 / 0 / 32 / 87

HEX #002217

RGB 0 34 23

HSL 160.59, 1%, 0.07%

LAB 10.6, -15.93, 3.91

 

CMYK 78 / 0 / 7 / 59

HEX #176962

RGB 23 105 98

HSL 174.88, 0.64%, 0.25%

LAB 39.86, -25.28, -2.95

 

CMYK 78 / 0 / 28 / 59

HEX #17694C

RGB 23 105 76

HSL 158.78, 0.64%, 0.25%

LAB 39.25, -31.52, 9.55

 

CMYK 78 / 0 / 49 / 59

HEX #176936

RGB 23 105 54

HSL 142.68, 0.64%, 0.25%

LAB 38.81, -36.4, 21.91

 

CMYK 78 / 0 / 70 / 59

HEX #176920

RGB 23 105 32

HSL 126.59, 0.64%, 0.25%

LAB 38.53, -39.74, 33.13

 

CMYK 66 / 0 / 78 / 59

HEX #246917

RGB 36 105 23

HSL 110.49, 0.64%, 0.25%

LAB 38.79, -37.83, 37.39

 

CMYK 78 / 0 / 7 / 59

HEX #176962

RGB 23 105 98

HSL 174.88, 0.64%, 0.25%

LAB 39.86, -25.28, -2.95

 

CMYK 78 / 15 / 0 / 59

HEX #175969

RGB 23 89 105

HSL 191.71, 0.64%, 0.25%

LAB 34.7, -14.3, -15.04

 

CMYK 78 / 36 / 0 / 59

HEX #174369

RGB 23 67 105

HSL 207.8, 0.64%, 0.25%

LAB 27.34, -0.6, -26.49

 

CMYK 78 / 57 / 0 / 59

HEX #172D69

RGB 23 45 105

HSL 223.9, 0.64%, 0.25%

LAB 20.36, 14.88, -37.67

 

CMYK 78 / 78 / 0 / 59

HEX #171769

RGB 23 23 105

HSL 240, 0.64%, 0.25%

LAB 14.48, 30.21, -47.28

 

CMYK 78 / 0 / 7 / 59

HEX #176962

RGB 23 105 98

HSL 174.88, 0.64%, 0.25%

LAB 39.86, -25.28, -2.95

 

CMYK 89 / 0 / 8 / 55

HEX #0D736A

RGB 13 115 106

HSL 174.71, 0.8%, 0.25%

LAB 43.34, -28.75, -2.68

 

CMYK 98 / 0 / 8 / 51

HEX #027D73

RGB 2 125 115

HSL 175.12, 0.97%, 0.25%

LAB 46.87, -31.42, -2.86

 

CMYK 78 / 0 / 7 / 59

HEX #176962

RGB 23 105 98

HSL 174.88, 0.64%, 0.25%

LAB 39.86, -25.28, -2.95

 

CMYK 65 / 0 / 5 / 63

HEX #215E59

RGB 33 94 89

HSL 175.08, 0.48%, 0.25%

LAB 36.08, -20.72, -2.95

 

CMYK 48 / 0 / 4 / 67

HEX #2C5451

RGB 44 84 81

HSL 175.5, 0.31%, 0.25%

LAB 32.85, -14.93, -2.65

 

CMYK 27 / 0 / 3 / 71

HEX #364A48

RGB 54 74 72

HSL 174, 0.16%, 0.25%

LAB 29.79, -8.28, -1.36

 

CMYK 0 / 2 / 2 / 75

HEX #403F3F

RGB 64 63 63

HSL 0, 0.01%, 0.25%

LAB 26.75, 0.43, 0.15

 

CMYK 78 / 0 / 50 / 59

HEX #176935

RGB 23 105 53

HSL 141.95, 0.64%, 0.25%

LAB 38.8, -36.59, 22.46

 

CMYK 78 / 0 / 29 / 59

HEX #17694B

RGB 23 105 75

HSL 158.05, 0.64%, 0.25%

LAB 39.23, -31.77, 10.12

 

CMYK 78 / 0 / 9 / 59

HEX #176960

RGB 23 105 96

HSL 173.41, 0.64%, 0.25%

LAB 39.8, -25.9, -1.82

 

CMYK 78 / 13 / 0 / 59

HEX #175B69

RGB 23 91 105

HSL 190.24, 0.64%, 0.25%

LAB 35.37, -15.45, -14.01

 

CMYK 78 / 34 / 0 / 59

HEX #174569

RGB 23 69 105

HSL 206.34, 0.64%, 0.25%

LAB 28, -1.93, -25.45

 

CMYK 78 / 0 / 8 / 85

HEX #082522

RGB 8 37 34

HSL 173.79, 0.64%, 0.09%

LAB 12.55, -11.67, -1.21

 

CMYK 77 / 0 / 7 / 72

HEX #104742

RGB 16 71 66

HSL 174.55, 0.63%, 0.17%

LAB 26.76, -18.77, -2.12

 

CMYK 78 / 0 / 7 / 59

HEX #176962

RGB 23 105 98

HSL 174.88, 0.64%, 0.25%

LAB 39.86, -25.28, -2.95

 

CMYK 78 / 0 / 7 / 46

HEX #1E8A81

RGB 30 138 129

HSL 175, 0.64%, 0.33%

LAB 51.88, -31.16, -3.64

 

CMYK 78 / 0 / 6 / 33

HEX #26ACA1

RGB 38 172 161

HSL 175.07, 0.64%, 0.41%

LAB 63.75, -36.81, -4.34

 

CMYK 78 / 0 / 7 / 58

HEX #176A63

RGB 23 106 99

HSL 174.94, 0.64%, 0.25%

LAB 40.23, -25.47, -3.01

 

CMYK 70 / 78 / 0 / 59

HEX #1F1769

RGB 31 23 105

HSL 245.85, 0.64%, 0.25%

LAB 15.08, 31.11, -46.27

 

CMYK 0 / 39 / 78 / 59

HEX #694017

RGB 105 64 23

HSL 30, 0.64%, 0.25%

LAB 31.19, 14.01, 31.39

 

CMYK 78 / 0 / 7 / 58

HEX #176A63

RGB 23 106 99

HSL 174.94, 0.64%, 0.25%

LAB 40.23, -25.47, -3.01

 

CMYK 9 / 78 / 0 / 59

HEX #601769

RGB 96 23 105

HSL 293.41, 0.64%, 0.25%

LAB 24.06, 43.48, -31.28

 

CMYK 0 / 9 / 78 / 59

HEX #696017

RGB 105 96 23

HSL 53.41, 0.64%, 0.25%

LAB 40.3, -5.34, 40.36

 

CMYK 78 / 0 / 7 / 58

HEX #176A63

RGB 23 106 99

HSL 174.94, 0.64%, 0.25%

LAB 40.23, -25.47, -3.01

 

CMYK 70 / 78 / 0 / 59

HEX #1F1769

RGB 31 23 105

HSL 245.85, 0.64%, 0.25%

LAB 15.08, 31.11, -46.27

 

CMYK 0 / 78 / 70 / 59

HEX #69171F

RGB 105 23 31

HSL 354.15, 0.64%, 0.25%

LAB 22.71, 36.36, 16.97

 

CMYK 9 / 0 / 78 / 59

HEX #606917

RGB 96 105 23

HSL 66.59, 0.64%, 0.25%

LAB 42.23, -14.73, 41.91

 

CMYK 78 / 0 / 7 / 58

HEX #176A63

RGB 23 106 99

HSL 174.94, 0.64%, 0.25%

LAB 40.23, -25.47, -3.01

 

CMYK 47 / 78 / 0 / 59

HEX #381769

RGB 56 23 105

HSL 264.15, 0.64%, 0.25%

LAB 17.8, 35.03, -41.72

 

CMYK 0 / 78 / 70 / 59

HEX #69171F

RGB 105 23 31

HSL 354.15, 0.64%, 0.25%

LAB 22.71, 36.36, 16.97

 

CMYK 31 / 0 / 78 / 59

HEX #486917

RGB 72 105 23

HSL 84.15, 0.64%, 0.25%

LAB 40.48, -25.44, 39.61

 

Description

Color code: HEX #176A63 | qconv.com Color code: HEX #176A63 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 106 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 106 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 7 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 7% 58% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

40% - 고양어린이박물관
Link: http://www.goyangcm.or.kr

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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