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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #17574C it is the complementary color #E8A8B3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #17574C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #17574C shade: #1C5747, #2D695A, #3E7B6D, #4F8D80 and #609F93

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #17574C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #17574C shade: #17574C, #064539, #003326, #002113 and #000F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #17574C shade: #18594D, #18593C, #18592A, #185919 and #285918

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #17574C shade: #18594D, #185259, #184159, #182F59 and #181E59

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #17574C shade matches the following richer shades: #18594D, #0E6253 and #056B59

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #17574C shade: #18594D, #215047, #2A4642, #333D3C and #3C3436

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #17574C shade: #18592A, #18593B, #18594D, #185359 and #184259

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #17574C shade: #061714, #0F3831, #18594D, #20796A and #299A86

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #17574C shade: #17574C, #191859 and #593318

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #17574C shade: #17574C, #4D1859 and #594D18

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #17574C shade: #17574C, #191859, #591823 and #585918

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #17574C shade: #17574C, #2C1859, #591823 and #445918

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 13 / 66

HEX #17574C

RGB 23 87 76

HSL 169.69, 0.58%, 0.22%

LAB 32.96, -22.88, 0.58

 

Complementary color

CMYK 0 / 28 / 23 / 9

HEX #E8A8B3

RGB 232 168 179

HSL 349.69, 0.58%, 0.78%

LAB 75.09, 25.1, 3.71

 

CMYK 68 / 0 / 18 / 66

HEX #1C5747

RGB 28 87 71

HSL 163.73, 0.51%, 0.23%

LAB 32.96, -23.38, 3.73

 

CMYK 57 / 0 / 14 / 59

HEX #2D695A

RGB 45 105 90

HSL 165, 0.4%, 0.29%

LAB 40.24, -23.5, 2.57

 

CMYK 50 / 0 / 11 / 52

HEX #3E7B6D

RGB 62 123 109

HSL 166.23, 0.33%, 0.36%

LAB 47.36, -23.45, 1.57

 

CMYK 44 / 0 / 9 / 45

HEX #4F8D80

RGB 79 141 128

HSL 167.42, 0.28%, 0.43%

LAB 54.31, -23.33, 0.68

 

CMYK 40 / 0 / 8 / 38

HEX #609F93

RGB 96 159 147

HSL 168.57, 0.25%, 0.5%

LAB 61.12, -23.18, -0.13

 

CMYK 74 / 0 / 13 / 66

HEX #17574C

RGB 23 87 76

HSL 169.69, 0.58%, 0.22%

LAB 32.96, -22.88, 0.58

 

CMYK 91 / 0 / 17 / 73

HEX #064539

RGB 6 69 57

HSL 168.57, 0.84%, 0.15%

LAB 25.53, -22.04, 1.94

 

CMYK 100 / 0 / 25 / 80

HEX #003326

RGB 0 51 38

HSL 164.71, 1%, 0.1%

LAB 17.95, -20, 3.76

 

CMYK 100 / 0 / 42 / 87

HEX #002113

RGB 0 33 19

HSL 154.55, 1%, 0.06%

LAB 10.07, -16.3, 5.91

 

CMYK 100 / 0 / 100 / 94

HEX #000F00

RGB 0 15 0

HSL 120, 1%, 0.03%

LAB 3.09, -6.3, 4.51

 

CMYK 73 / 0 / 13 / 65

HEX #18594D

RGB 24 89 77

HSL 168.92, 0.58%, 0.22%

LAB 33.72, -23.43, 1.05

 

CMYK 73 / 0 / 33 / 65

HEX #18593C

RGB 24 89 60

HSL 153.23, 0.58%, 0.22%

LAB 33.28, -28.03, 11.01

 

CMYK 73 / 0 / 53 / 65

HEX #18592A

RGB 24 89 42

HSL 136.62, 0.58%, 0.22%

LAB 32.93, -31.83, 21.33

 

CMYK 73 / 0 / 72 / 65

HEX #185919

RGB 24 89 25

HSL 120.92, 0.58%, 0.22%

LAB 32.72, -34.3, 30.09

 

CMYK 55 / 0 / 73 / 65

HEX #285918

RGB 40 89 24

HSL 105.23, 0.58%, 0.22%

LAB 33.27, -29.99, 31.31

 

CMYK 73 / 0 / 13 / 65

HEX #18594D

RGB 24 89 77

HSL 168.92, 0.58%, 0.22%

LAB 33.72, -23.43, 1.05

 

CMYK 73 / 8 / 0 / 65

HEX #185259

RGB 24 82 89

HSL 186.46, 0.58%, 0.22%

LAB 31.69, -15.79, -9.54

 

CMYK 73 / 27 / 0 / 65

HEX #184159

RGB 24 65 89

HSL 202.15, 0.58%, 0.22%

LAB 25.85, -5.46, -18.51

 

CMYK 73 / 47 / 0 / 65

HEX #182F59

RGB 24 47 89

HSL 218.77, 0.58%, 0.22%

LAB 19.84, 6.92, -28

 

CMYK 73 / 66 / 0 / 65

HEX #181E59

RGB 24 30 89

HSL 234.46, 0.58%, 0.22%

LAB 14.65, 19.41, -36.39

 

CMYK 73 / 0 / 13 / 65

HEX #18594D

RGB 24 89 77

HSL 168.92, 0.58%, 0.22%

LAB 33.72, -23.43, 1.05

 

CMYK 86 / 0 / 15 / 62

HEX #0E6253

RGB 14 98 83

HSL 169.29, 0.75%, 0.22%

LAB 36.84, -27.47, 1.83

 

CMYK 95 / 0 / 17 / 58

HEX #056B59

RGB 5 107 89

HSL 169.41, 0.91%, 0.22%

LAB 40.03, -30.7, 2.75

 

CMYK 73 / 0 / 13 / 65

HEX #18594D

RGB 24 89 77

HSL 168.92, 0.58%, 0.22%

LAB 33.72, -23.43, 1.05

 

CMYK 59 / 0 / 11 / 69

HEX #215047

RGB 33 80 71

HSL 168.51, 0.42%, 0.22%

LAB 30.68, -18.55, 0.46

 

CMYK 40 / 0 / 6 / 73

HEX #2A4642

RGB 42 70 66

HSL 171.43, 0.25%, 0.22%

LAB 27.48, -11.65, -0.94

 

CMYK 16 / 0 / 2 / 76

HEX #333D3C

RGB 51 61 60

HSL 174, 0.09%, 0.22%

LAB 24.85, -4.37, -0.78

 

CMYK 0 / 13 / 10 / 76

HEX #3C3436

RGB 60 52 54

HSL 345, 0.07%, 0.22%

LAB 22.59, 3.97, 0.04

 

CMYK 73 / 0 / 53 / 65

HEX #18592A

RGB 24 89 42

HSL 136.62, 0.58%, 0.22%

LAB 32.93, -31.83, 21.33

 

CMYK 73 / 0 / 34 / 65

HEX #18593B

RGB 24 89 59

HSL 152.31, 0.58%, 0.22%

LAB 33.25, -28.28, 11.6

 

CMYK 73 / 0 / 13 / 65

HEX #18594D

RGB 24 89 77

HSL 168.92, 0.58%, 0.22%

LAB 33.72, -23.43, 1.05

 

CMYK 73 / 7 / 0 / 65

HEX #185359

RGB 24 83 89

HSL 185.54, 0.58%, 0.22%

LAB 32.04, -16.36, -9.02

 

CMYK 73 / 26 / 0 / 65

HEX #184259

RGB 24 66 89

HSL 201.23, 0.58%, 0.22%

LAB 26.19, -6.11, -17.98

 

CMYK 74 / 0 / 13 / 91

HEX #061714

RGB 6 23 20

HSL 169.41, 0.59%, 0.06%

LAB 6.34, -6.53, -0.09

 

CMYK 73 / 0 / 13 / 78

HEX #0F3831

RGB 15 56 49

HSL 169.76, 0.58%, 0.14%

LAB 20.64, -16.19, 0.2

 

CMYK 73 / 0 / 13 / 65

HEX #18594D

RGB 24 89 77

HSL 168.92, 0.58%, 0.22%

LAB 33.72, -23.43, 1.05

 

CMYK 74 / 0 / 12 / 53

HEX #20796A

RGB 32 121 106

HSL 169.89, 0.58%, 0.3%

LAB 45.66, -29.48, 0.76

 

CMYK 73 / 0 / 13 / 40

HEX #299A86

RGB 41 154 134

HSL 169.38, 0.58%, 0.38%

LAB 57.37, -35.8, 1.55

 

CMYK 74 / 0 / 13 / 66

HEX #17574C

RGB 23 87 76

HSL 169.69, 0.58%, 0.22%

LAB 32.96, -22.88, 0.58

 

CMYK 72 / 73 / 0 / 65

HEX #191859

RGB 25 24 89

HSL 240.92, 0.58%, 0.22%

LAB 13.12, 23.81, -38.89

 

CMYK 0 / 43 / 73 / 65

HEX #593318

RGB 89 51 24

HSL 24.92, 0.58%, 0.22%

LAB 25.43, 14.43, 23.97

 

CMYK 74 / 0 / 13 / 66

HEX #17574C

RGB 23 87 76

HSL 169.69, 0.58%, 0.22%

LAB 32.96, -22.88, 0.58

 

CMYK 13 / 73 / 0 / 65

HEX #4D1859

RGB 77 24 89

HSL 288.92, 0.58%, 0.22%

LAB 19.85, 35.16, -27.66

 

CMYK 0 / 13 / 73 / 65

HEX #594D18

RGB 89 77 24

HSL 48.92, 0.58%, 0.22%

LAB 32.91, -1.87, 32.05

 

CMYK 74 / 0 / 13 / 66

HEX #17574C

RGB 23 87 76

HSL 169.69, 0.58%, 0.22%

LAB 32.96, -22.88, 0.58

 

CMYK 72 / 73 / 0 / 65

HEX #191859

RGB 25 24 89

HSL 240.92, 0.58%, 0.22%

LAB 13.12, 23.81, -38.89

 

CMYK 0 / 73 / 61 / 65

HEX #591823

RGB 89 24 35

HSL 349.85, 0.58%, 0.22%

LAB 19.63, 30.58, 9.57

 

CMYK 1 / 0 / 73 / 65

HEX #585918

RGB 88 89 24

HSL 60.92, 0.58%, 0.22%

LAB 36.53, -9.49, 35.7

 

CMYK 74 / 0 / 13 / 66

HEX #17574C

RGB 23 87 76

HSL 169.69, 0.58%, 0.22%

LAB 32.96, -22.88, 0.58

 

CMYK 51 / 73 / 0 / 65

HEX #2C1859

RGB 44 24 89

HSL 258.46, 0.58%, 0.22%

LAB 15.01, 27.27, -35.72

 

CMYK 0 / 73 / 61 / 65

HEX #591823

RGB 89 24 35

HSL 349.85, 0.58%, 0.22%

LAB 19.63, 30.58, 9.57

 

CMYK 24 / 0 / 73 / 65

HEX #445918

RGB 68 89 24

HSL 79.38, 0.58%, 0.22%

LAB 34.88, -18.9, 33.5

 

Description

Color code: HEX #17574C | qconv.com Color code: HEX #17574C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 87 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 87 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 13 yellow and 66 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 13% 66% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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