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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #174CDC it is the complementary color #E8B323. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #174CDC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #174CDC shade: #1C4CD7, #2D5EEA, #3E70FD, #4F82FF and #6094FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #174CDC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #174CDC shade: #174CDC, #063AC9, #0028B6, #0016A3 and #000490

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #174CDC shade: #174DDE, #1717DE, #4D17DE, #8217DE and #B817DE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #174CDC shade: #174DDE and #1717DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #174CDC shade matches the following richer shades: #174DDE and #0343F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #174CDC shade: #174DDE, #2B56CA, #3F5FB6, #5368A2 and #66718E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #174CDC shade: #17B9DE, #1784DE, #174FDE, #171BDE and #4917DE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #174CDC shade: #0F3393, #1340B8, #174DDE, #3465EA and #5A81EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #174CDC shade: #174CDC, #CD17DE and #9FDE17

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #174CDC shade: #174CDC, #DE174F and #4FDE17

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #174CDC shade: #174CDC, #CD17DE, #DEA517 and #28DE17

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #174CDC shade: #174CDC, #DE17B3, #DEA517 and #17DE42

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 65 / 0 / 14

HEX #174CDC

RGB 23 76 220

HSL 223.86, 0.81%, 0.48%

LAB 38.76, 39.22, -77.3

 

Complementary color

CMYK 0 / 23 / 85 / 9

HEX #E8B323

RGB 232 179 35

HSL 43.86, 0.81%, 0.52%

LAB 75.77, 7.26, 72.66

 

CMYK 87 / 65 / 0 / 16

HEX #1C4CD7

RGB 28 76 215

HSL 224.6, 0.77%, 0.48%

LAB 38.41, 37.62, -74.99

 

CMYK 81 / 60 / 0 / 8

HEX #2D5EEA

RGB 45 94 234

HSL 224.44, 0.82%, 0.55%

LAB 44.95, 34.38, -75.08

 

CMYK 75 / 56 / 0 / 1

HEX #3E70FD

RGB 62 112 253

HSL 224.29, 0.98%, 0.62%

LAB 51.5, 31.57, -74.99

 

CMYK 69 / 49 / 0 / 0

HEX #4F82FF

RGB 79 130 255

HSL 222.61, 1%, 0.65%

LAB 56.93, 23.26, -67.28

 

CMYK 62 / 42 / 0 / 0

HEX #6094FF

RGB 96 148 255

HSL 220.38, 1%, 0.69%

LAB 62.41, 15.08, -58.44

 

CMYK 90 / 65 / 0 / 14

HEX #174CDC

RGB 23 76 220

HSL 223.86, 0.81%, 0.48%

LAB 38.76, 39.22, -77.3

 

CMYK 97 / 71 / 0 / 21

HEX #063AC9

RGB 6 58 201

HSL 224, 0.94%, 0.41%

LAB 32.44, 42.95, -76.75

 

CMYK 100 / 78 / 0 / 29

HEX #0028B6

RGB 0 40 182

HSL 226.81, 1%, 0.36%

LAB 26.43, 46.69, -75.5

 

CMYK 100 / 87 / 0 / 36

HEX #0016A3

RGB 0 22 163

HSL 231.9, 1%, 0.32%

LAB 20.9, 49.52, -73.27

 

CMYK 100 / 97 / 0 / 44

HEX #000490

RGB 0 4 144

HSL 238.33, 1%, 0.28%

LAB 16.01, 50.35, -69.72

 

CMYK 90 / 65 / 0 / 13

HEX #174DDE

RGB 23 77 222

HSL 223.72, 0.81%, 0.48%

LAB 39.18, 39.33, -77.75

 

CMYK 90 / 90 / 0 / 13

HEX #1717DE

RGB 23 23 222

HSL 240, 0.81%, 0.48%

LAB 29.59, 66.59, -93.65

 

CMYK 65 / 90 / 0 / 13

HEX #4D17DE

RGB 77 23 222

HSL 256.28, 0.81%, 0.48%

LAB 32.84, 68.69, -88.14

 

CMYK 41 / 90 / 0 / 13

HEX #8217DE

RGB 130 23 222

HSL 272.26, 0.81%, 0.48%

LAB 38.95, 73.33, -77.83

 

CMYK 17 / 90 / 0 / 13

HEX #B817DE

RGB 184 23 222

HSL 288.54, 0.81%, 0.48%

LAB 47.08, 80.46, -64.24

 

CMYK 90 / 65 / 0 / 13

HEX #174DDE

RGB 23 77 222

HSL 223.72, 0.81%, 0.48%

LAB 39.18, 39.33, -77.75

 

CMYK 90 / 90 / 0 / 13

HEX #1717DE

RGB 23 23 222

HSL 240, 0.81%, 0.48%

LAB 29.59, 66.59, -93.65

 

CMYK 90 / 65 / 0 / 13

HEX #174DDE

RGB 23 77 222

HSL 223.72, 0.81%, 0.48%

LAB 39.18, 39.33, -77.75

 

CMYK 99 / 72 / 0 / 5

HEX #0343F1

RGB 3 67 241

HSL 223.87, 0.98%, 0.48%

LAB 38.52, 51.7, -89.63

 

CMYK 90 / 65 / 0 / 13

HEX #174DDE

RGB 23 77 222

HSL 223.72, 0.81%, 0.48%

LAB 39.18, 39.33, -77.75

 

CMYK 79 / 57 / 0 / 21

HEX #2B56CA

RGB 43 86 202

HSL 223.77, 0.65%, 0.48%

LAB 40.3, 27.43, -64.39

 

CMYK 65 / 48 / 0 / 29

HEX #3F5FB6

RGB 63 95 182

HSL 223.87, 0.49%, 0.48%

LAB 42.18, 16.9, -49.67

 

CMYK 49 / 36 / 0 / 36

HEX #5368A2

RGB 83 104 162

HSL 224.05, 0.32%, 0.48%

LAB 44.73, 8.68, -33.8

 

CMYK 28 / 20 / 0 / 44

HEX #66718E

RGB 102 113 142

HSL 223.5, 0.16%, 0.48%

LAB 47.74, 2.88, -17.19

 

CMYK 90 / 17 / 0 / 13

HEX #17B9DE

RGB 23 185 222

HSL 191.16, 0.81%, 0.48%

LAB 69.58, -25.12, -29.26

 

CMYK 90 / 41 / 0 / 13

HEX #1784DE

RGB 23 132 222

HSL 207.14, 0.81%, 0.48%

LAB 53.98, 4.36, -53.74

 

CMYK 90 / 64 / 0 / 13

HEX #174FDE

RGB 23 79 222

HSL 223.12, 0.81%, 0.48%

LAB 39.66, 38.07, -76.96

 

CMYK 90 / 88 / 0 / 13

HEX #171BDE

RGB 23 27 222

HSL 238.79, 0.81%, 0.48%

LAB 30.01, 65.3, -92.94

 

CMYK 67 / 90 / 0 / 13

HEX #4917DE

RGB 73 23 222

HSL 255.08, 0.81%, 0.48%

LAB 32.49, 68.45, -88.74

 

CMYK 90 / 65 / 0 / 42

HEX #0F3393

RGB 15 51 147

HSL 223.64, 0.81%, 0.32%

LAB 25.49, 27.16, -55.85

 

CMYK 90 / 65 / 0 / 28

HEX #1340B8

RGB 19 64 184

HSL 223.64, 0.81%, 0.4%

LAB 32.4, 33.19, -66.81

 

CMYK 90 / 65 / 0 / 13

HEX #174DDE

RGB 23 77 222

HSL 223.72, 0.81%, 0.48%

LAB 39.18, 39.33, -77.75

 

CMYK 78 / 57 / 0 / 8

HEX #3465EA

RGB 52 101 234

HSL 223.85, 0.81%, 0.56%

LAB 46.95, 30.58, -71.81

 

CMYK 62 / 46 / 0 / 7

HEX #5A81EE

RGB 90 129 238

HSL 224.19, 0.81%, 0.64%

LAB 56.14, 19.77, -59.12

 

CMYK 90 / 65 / 0 / 14

HEX #174CDC

RGB 23 76 220

HSL 223.86, 0.81%, 0.48%

LAB 38.76, 39.22, -77.3

 

CMYK 8 / 90 / 0 / 13

HEX #CD17DE

RGB 205 23 222

HSL 294.87, 0.81%, 0.48%

LAB 50.53, 83.72, -58.49

 

CMYK 28 / 0 / 90 / 13

HEX #9FDE17

RGB 159 222 23

HSL 78.99, 0.81%, 0.48%

LAB 81.66, -44.48, 77.58

 

CMYK 90 / 65 / 0 / 14

HEX #174CDC

RGB 23 76 220

HSL 223.86, 0.81%, 0.48%

LAB 38.76, 39.22, -77.3

 

CMYK 0 / 90 / 64 / 13

HEX #DE174F

RGB 222 23 79

HSL 343.12, 0.81%, 0.48%

LAB 47.89, 71.88, 23.21

 

CMYK 64 / 0 / 90 / 13

HEX #4FDE17

RGB 79 222 23

HSL 103.12, 0.81%, 0.48%

LAB 78.44, -68.55, 73.59

 

CMYK 90 / 65 / 0 / 14

HEX #174CDC

RGB 23 76 220

HSL 223.86, 0.81%, 0.48%

LAB 38.76, 39.22, -77.3

 

CMYK 8 / 90 / 0 / 13

HEX #CD17DE

RGB 205 23 222

HSL 294.87, 0.81%, 0.48%

LAB 50.53, 83.72, -58.49

 

CMYK 0 / 26 / 90 / 13

HEX #DEA517

RGB 222 165 23

HSL 42.81, 0.81%, 0.48%

LAB 71.22, 10.08, 71.38

 

CMYK 82 / 0 / 90 / 13

HEX #28DE17

RGB 40 222 23

HSL 114.87, 0.81%, 0.48%

LAB 77.73, -74.71, 72.7

 

CMYK 90 / 65 / 0 / 14

HEX #174CDC

RGB 23 76 220

HSL 223.86, 0.81%, 0.48%

LAB 38.76, 39.22, -77.3

 

CMYK 0 / 90 / 19 / 13

HEX #DE17B3

RGB 222 23 179

HSL 312.96, 0.81%, 0.48%

LAB 51.15, 80.73, -32.49

 

CMYK 0 / 26 / 90 / 13

HEX #DEA517

RGB 222 165 23

HSL 42.81, 0.81%, 0.48%

LAB 71.22, 10.08, 71.38

 

CMYK 90 / 0 / 70 / 13

HEX #17DE42

RGB 23 222 66

HSL 132.96, 0.81%, 0.48%

LAB 77.77, -73.64, 60.96

 

Description

Color code: HEX #174CDC | qconv.com Color code: HEX #174CDC | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 76 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 76 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, 65 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 65% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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