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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #173E6B it is the complementary color #E8C194. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #173E6B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #173E6B shade: #1C3E66, #2D5079, #3E628C, #4F749F and #6086B2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #173E6B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #173E6B shade: #173E6B, #062C58, #001A45, #000832 and #00001F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #173E6B shade: #163C69, #162669, #1C1669, #321669 and #491669

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #173E6B shade: #163C69, #162669 and #161669

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #173E6B shade matches the following richer shades: #163C69, #0B3C73 and #013B7D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #173E6B shade: #163C69, #203D5E, #2A3E54, #353F4A and #3F3F3F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #173E6B shade: #166969, #165369, #163C69, #162669 and #1B1669

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #173E6B shade: #071525, #0F2947, #163C69, #1D508B and #2464AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #173E6B shade: #173E6B, #531669 and #5E6916

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #173E6B shade: #173E6B, #69163C and #3C6916

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #173E6B shade: #173E6B, #531669, #694216 and #2C6916

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #173E6B shade: #173E6B, #691666, #694216 and #166919

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 42 / 0 / 58

HEX #173E6B

RGB 23 62 107

HSL 212.14, 0.65%, 0.25%

LAB 25.83, 3.61, -30.17

 

Complementary color

CMYK 0 / 17 / 36 / 9

HEX #E8C194

RGB 232 193 148

HSL 32.14, 0.65%, 0.75%

LAB 80.42, 7.73, 27.87

 

CMYK 73 / 39 / 0 / 60

HEX #1C3E66

RGB 28 62 102

HSL 212.43, 0.57%, 0.25%

LAB 25.72, 2.39, -27.12

 

CMYK 63 / 34 / 0 / 53

HEX #2D5079

RGB 45 80 121

HSL 212.37, 0.46%, 0.33%

LAB 33.3, 1.03, -27.12

 

CMYK 56 / 30 / 0 / 45

HEX #3E628C

RGB 62 98 140

HSL 212.31, 0.39%, 0.4%

LAB 40.66, 0.09, -27.14

 

CMYK 50 / 27 / 0 / 38

HEX #4F749F

RGB 79 116 159

HSL 212.25, 0.34%, 0.47%

LAB 47.82, -0.6, -27.21

 

CMYK 46 / 25 / 0 / 30

HEX #6086B2

RGB 96 134 178

HSL 212.2, 0.35%, 0.54%

LAB 54.82, -1.13, -27.3

 

CMYK 79 / 42 / 0 / 58

HEX #173E6B

RGB 23 62 107

HSL 212.14, 0.65%, 0.25%

LAB 25.83, 3.61, -30.17

 

CMYK 93 / 50 / 0 / 65

HEX #062C58

RGB 6 44 88

HSL 212.2, 0.87%, 0.18%

LAB 18.12, 6.19, -30.13

 

CMYK 100 / 62 / 0 / 73

HEX #001A45

RGB 0 26 69

HSL 217.39, 1%, 0.14%

LAB 10.32, 10.36, -29.78

 

CMYK 100 / 84 / 0 / 80

HEX #000832

RGB 0 8 50

HSL 230.4, 1%, 0.1%

LAB 3.65, 11.41, -26.93

 

CMYK 100 / 100 / 0 / 88

HEX #00001F

RGB 0 0 31

HSL 240, 1%, 0.06%

LAB 0.89, 6.28, -16.61

 

CMYK 79 / 43 / 0 / 59

HEX #163C69

RGB 22 60 105

HSL 212.53, 0.65%, 0.25%

LAB 25.02, 4.02, -30.17

 

CMYK 79 / 64 / 0 / 59

HEX #162669

RGB 22 38 105

HSL 228.43, 0.65%, 0.25%

LAB 18.26, 19.83, -41.08

 

CMYK 73 / 79 / 0 / 59

HEX #1C1669

RGB 28 22 105

HSL 244.34, 0.65%, 0.25%

LAB 14.63, 31.36, -47.03

 

CMYK 52 / 79 / 0 / 59

HEX #321669

RGB 50 22 105

HSL 260.24, 0.65%, 0.25%

LAB 16.85, 34.48, -43.29

 

CMYK 30 / 79 / 0 / 59

HEX #491669

RGB 73 22 105

HSL 276.87, 0.65%, 0.25%

LAB 20.08, 38.84, -37.89

 

CMYK 79 / 43 / 0 / 59

HEX #163C69

RGB 22 60 105

HSL 212.53, 0.65%, 0.25%

LAB 25.02, 4.02, -30.17

 

CMYK 79 / 64 / 0 / 59

HEX #162669

RGB 22 38 105

HSL 228.43, 0.65%, 0.25%

LAB 18.26, 19.83, -41.08

 

CMYK 79 / 79 / 0 / 59

HEX #161669

RGB 22 22 105

HSL 240, 0.65%, 0.25%

LAB 14.2, 30.74, -47.76

 

CMYK 79 / 43 / 0 / 59

HEX #163C69

RGB 22 60 105

HSL 212.53, 0.65%, 0.25%

LAB 25.02, 4.02, -30.17

 

CMYK 90 / 48 / 0 / 55

HEX #0B3C73

RGB 11 60 115

HSL 211.73, 0.83%, 0.25%

LAB 25.38, 7.06, -36.01

 

CMYK 99 / 53 / 0 / 51

HEX #013B7D

RGB 1 59 125

HSL 211.94, 0.98%, 0.25%

LAB 25.61, 11.41, -41.98

 

CMYK 79 / 43 / 0 / 59

HEX #163C69

RGB 22 60 105

HSL 212.53, 0.65%, 0.25%

LAB 25.02, 4.02, -30.17

 

CMYK 66 / 35 / 0 / 63

HEX #203D5E

RGB 32 61 94

HSL 211.94, 0.49%, 0.25%

LAB 25.11, 0.73, -22.89

 

CMYK 50 / 26 / 0 / 67

HEX #2A3E54

RGB 42 62 84

HSL 211.43, 0.33%, 0.25%

LAB 25.5, -1.01, -15.72

 

CMYK 28 / 15 / 0 / 71

HEX #353F4A

RGB 53 63 74

HSL 211.43, 0.17%, 0.25%

LAB 26.18, -1.15, -8.05

 

CMYK 0 / 0 / 0 / 75

HEX #3F3F3F

RGB 63 63 63

HSL 0, 0%, 0.25%

LAB 26.65, 0, -0

 

CMYK 79 / 0 / 0 / 59

HEX #166969

RGB 22 105 105

HSL 180, 0.65%, 0.25%

LAB 40.07, -23.18, -6.91

 

CMYK 79 / 21 / 0 / 59

HEX #165369

RGB 22 83 105

HSL 195.9, 0.65%, 0.25%

LAB 32.65, -10.9, -18.19

 

CMYK 79 / 43 / 0 / 59

HEX #163C69

RGB 22 60 105

HSL 212.53, 0.65%, 0.25%

LAB 25.02, 4.02, -30.17

 

CMYK 79 / 64 / 0 / 59

HEX #162669

RGB 22 38 105

HSL 228.43, 0.65%, 0.25%

LAB 18.26, 19.83, -41.08

 

CMYK 74 / 79 / 0 / 59

HEX #1B1669

RGB 27 22 105

HSL 243.61, 0.65%, 0.25%

LAB 14.55, 31.25, -47.16

 

CMYK 81 / 43 / 0 / 85

HEX #071525

RGB 7 21 37

HSL 212, 0.68%, 0.09%

LAB 6.46, 0.41, -12.71

 

CMYK 79 / 42 / 0 / 72

HEX #0F2947

RGB 15 41 71

HSL 212.14, 0.65%, 0.17%

LAB 16.22, 2.04, -21.65

 

CMYK 79 / 43 / 0 / 59

HEX #163C69

RGB 22 60 105

HSL 212.53, 0.65%, 0.25%

LAB 25.02, 4.02, -30.17

 

CMYK 79 / 42 / 0 / 45

HEX #1D508B

RGB 29 80 139

HSL 212.18, 0.65%, 0.33%

LAB 33.7, 5.24, -37.63

 

CMYK 79 / 42 / 0 / 32

HEX #2464AD

RGB 36 100 173

HSL 211.97, 0.66%, 0.41%

LAB 42.01, 6.43, -44.73

 

CMYK 79 / 42 / 0 / 58

HEX #173E6B

RGB 23 62 107

HSL 212.14, 0.65%, 0.25%

LAB 25.83, 3.61, -30.17

 

CMYK 21 / 79 / 0 / 59

HEX #531669

RGB 83 22 105

HSL 284.1, 0.65%, 0.25%

LAB 21.7, 40.96, -35.19

 

CMYK 10 / 0 / 79 / 59

HEX #5E6916

RGB 94 105 22

HSL 67.95, 0.65%, 0.25%

LAB 42.06, -15.71, 42.06

 

CMYK 79 / 42 / 0 / 58

HEX #173E6B

RGB 23 62 107

HSL 212.14, 0.65%, 0.25%

LAB 25.83, 3.61, -30.17

 

CMYK 0 / 79 / 43 / 59

HEX #69163C

RGB 105 22 60

HSL 332.53, 0.65%, 0.25%

LAB 23.35, 39.26, -2.13

 

CMYK 43 / 0 / 79 / 59

HEX #3C6916

RGB 60 105 22

HSL 92.53, 0.65%, 0.25%

LAB 39.78, -30.27, 39.08

 

CMYK 79 / 42 / 0 / 58

HEX #173E6B

RGB 23 62 107

HSL 212.14, 0.65%, 0.25%

LAB 25.83, 3.61, -30.17

 

CMYK 21 / 79 / 0 / 59

HEX #531669

RGB 83 22 105

HSL 284.1, 0.65%, 0.25%

LAB 21.7, 40.96, -35.19

 

CMYK 0 / 37 / 79 / 59

HEX #694216

RGB 105 66 22

HSL 31.81, 0.65%, 0.25%

LAB 31.71, 12.73, 32.42

 

CMYK 58 / 0 / 79 / 59

HEX #2C6916

RGB 44 105 22

HSL 104.1, 0.65%, 0.25%

LAB 39.06, -35.69, 38.13

 

CMYK 79 / 42 / 0 / 58

HEX #173E6B

RGB 23 62 107

HSL 212.14, 0.65%, 0.25%

LAB 25.83, 3.61, -30.17

 

CMYK 0 / 79 / 3 / 59

HEX #691666

RGB 105 22 102

HSL 302.17, 0.65%, 0.25%

LAB 25.37, 45.37, -27.15

 

CMYK 0 / 37 / 79 / 59

HEX #694216

RGB 105 66 22

HSL 31.81, 0.65%, 0.25%

LAB 31.71, 12.73, 32.42

 

CMYK 79 / 0 / 76 / 59

HEX #166919

RGB 22 105 25

HSL 122.17, 0.65%, 0.25%

LAB 38.45, -40.64, 36.12

 

Description

Color code: HEX #173E6B | qconv.com Color code: HEX #173E6B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 62 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 62 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, 42 magenta, none yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 42% 0% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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