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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1734534C it is the complementary color #E8CBAC4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1734534C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1734534C shade: #1C344E4C, #2D46614C, #3E58744C, #4F6A874C and #607C9A4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1734534C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1734534C shade: #1734534C, #0622404C, #00102D4C, #00001A4C and #0000074C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1734534C shade: #173554, #172454, #1A1754, #2B1754 and #3B1754

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1734534C shade: #173554, #172454 and #171754

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1734534C shade matches the following richer shades: #173554, #0E345D and #063465

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1734534C shade: #173554, #20354B, #283543, #31353A and #3A3631

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1734534C shade: #175453, #174554, #173554, #172454 and #1A1754

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1734534C shade: #050C13, #0E2034, #173554, #204974 and #295D95

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1734534C shade: #173453, #431754 and #4D5417

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1734534C shade: #173453, #541735 and #355417

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1734534C shade: #173453, #431754, #543717 and #285417

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1734534C shade: #173453, #541753, #543717 and #175418

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 11 / 0 / 20

HEX #1734534C

RGBA 23 52 83 0.3

HSLA 211, 0.57%, 0.21%, 0.3

LABA 21.07, 0.71, -22.06, 0.3

 

Complementary color

CMYK 0 / 4 / 8 / 3

HEX #E8CBAC4C

RGBA 232 203 172 0.3

HSLA 31, 0.57%, 0.79%, 0.3

LABA 83.36, 5.54, 19.22, 0.3

 

CMYK 19 / 10 / 0 / 21

HEX #1C344E4C

RGBA 28 52 78 0.3

HSLA 211.2, 0.47%, 0.21%, 0.3

LABA 21.03, -0.17, -18.77, 0.3

 

CMYK 16 / 8 / 0 / 19

HEX #2D46614C

RGBA 45 70 97 0.3

HSLA 211.15, 0.37%, 0.28%, 0.3

LABA 28.91, -0.99, -18.85, 0.3

 

CMYK 14 / 7 / 0 / 16

HEX #3E58744C

RGBA 62 88 116 0.3

HSLA 211.11, 0.3%, 0.35%, 0.3

LABA 36.49, -1.53, -18.98, 0.3

 

CMYK 12 / 6 / 0 / 14

HEX #4F6A874C

RGBA 79 106 135 0.3

HSLA 211.07, 0.26%, 0.42%, 0.3

LABA 43.83, -1.92, -19.15, 0.3

 

CMYK 11 / 6 / 0 / 12

HEX #607C9A4C

RGBA 96 124 154 0.3

HSLA 211.03, 0.23%, 0.49%, 0.3

LABA 50.96, -2.22, -19.36, 0.3

 

CMYK 22 / 11 / 0 / 20

HEX #1734534C

RGBA 23 52 83 0.3

HSLA 211, 0.57%, 0.21%, 0.3

LABA 21.07, 0.71, -22.06, 0.3

 

CMYK 27 / 14 / 0 / 22

HEX #0622404C

RGBA 6 34 64 0.3

HSLA 211.03, 0.83%, 0.14%, 0.3

LABA 12.94, 2.66, -22.04, 0.3

 

CMYK 30 / 19 / 0 / 25

HEX #00102D4C

RGBA 0 16 45 0.3

HSLA 218.67, 1%, 0.09%, 0.3

LABA 5.06, 5.19, -20.96, 0.3

 

CMYK 30 / 30 / 0 / 27

HEX #00001A4C

RGBA 0 0 26 0.3

HSLA 240, 1%, 0.05%, 0.3

LABA 0.67, 4.73, -12.88, 0.3

 

CMYK 30 / 30 / 0 / 29

HEX #0000074C

RGBA 0 0 7 0.3

HSLA 240, 1%, 0.01%, 0.3

LABA 0.14, 0.97, -2.65, 0.3

 

CMYK 73 / 37 / 0 / 67

HEX #173554

RGB 23 53 84

HSL 210.49, 0.57%, 0.21%

LAB 21.46, 0.42, -22.1

 

CMYK 73 / 57 / 0 / 67

HEX #172454

RGB 23 36 84

HSL 227.21, 0.57%, 0.21%

LAB 15.92, 12.76, -30.95

 

CMYK 69 / 73 / 0 / 67

HEX #1A1754

RGB 26 23 84

HSL 242.95, 0.57%, 0.21%

LAB 12.43, 22.75, -36.62

 

CMYK 49 / 73 / 0 / 67

HEX #2B1754

RGB 43 23 84

HSL 259.67, 0.57%, 0.21%

LAB 14.21, 26.07, -33.64

 

CMYK 30 / 73 / 0 / 67

HEX #3B1754

RGB 59 23 84

HSL 275.41, 0.57%, 0.21%

LAB 16.42, 29.88, -29.96

 

CMYK 73 / 37 / 0 / 67

HEX #173554

RGB 23 53 84

HSL 210.49, 0.57%, 0.21%

LAB 21.46, 0.42, -22.1

 

CMYK 73 / 57 / 0 / 67

HEX #172454

RGB 23 36 84

HSL 227.21, 0.57%, 0.21%

LAB 15.92, 12.76, -30.95

 

CMYK 73 / 73 / 0 / 67

HEX #171754

RGB 23 23 84

HSL 240, 0.57%, 0.21%

LAB 12.19, 22.27, -37.03

 

CMYK 73 / 37 / 0 / 67

HEX #173554

RGB 23 53 84

HSL 210.49, 0.57%, 0.21%

LAB 21.46, 0.42, -22.1

 

CMYK 85 / 44 / 0 / 64

HEX #0E345D

RGB 14 52 93

HSL 211.14, 0.74%, 0.21%

LAB 21.36, 3.49, -28.24

 

CMYK 94 / 49 / 0 / 60

HEX #063465

RGB 6 52 101

HSL 210.95, 0.89%, 0.21%

LAB 21.71, 6.2, -32.92

 

CMYK 73 / 37 / 0 / 67

HEX #173554

RGB 23 53 84

HSL 210.49, 0.57%, 0.21%

LAB 21.46, 0.42, -22.1

 

CMYK 57 / 29 / 0 / 71

HEX #20354B

RGB 32 53 75

HSL 210.7, 0.4%, 0.21%

LAB 21.44, -0.95, -16.11

 

CMYK 40 / 21 / 0 / 74

HEX #283543

RGB 40 53 67

HSL 211.11, 0.25%, 0.21%

LAB 21.59, -1.22, -10.45

 

CMYK 16 / 9 / 0 / 77

HEX #31353A

RGB 49 53 58

HSL 213.33, 0.08%, 0.21%

LAB 21.96, -0.45, -3.73

 

CMYK 0 / 7 / 16 / 77

HEX #3A3631

RGB 58 54 49

HSL 33.33, 0.08%, 0.21%

LAB 22.86, 0.7, 3.77

 

CMYK 73 / 0 / 1 / 67

HEX #175453

RGB 23 84 83

HSL 179.02, 0.57%, 0.21%

LAB 32.14, -19.1, -5.06

 

CMYK 73 / 18 / 0 / 67

HEX #174554

RGB 23 69 84

HSL 194.75, 0.57%, 0.21%

LAB 26.96, -10.07, -13.55

 

CMYK 73 / 37 / 0 / 67

HEX #173554

RGB 23 53 84

HSL 210.49, 0.57%, 0.21%

LAB 21.46, 0.42, -22.1

 

CMYK 73 / 57 / 0 / 67

HEX #172454

RGB 23 36 84

HSL 227.21, 0.57%, 0.21%

LAB 15.92, 12.76, -30.95

 

CMYK 69 / 73 / 0 / 67

HEX #1A1754

RGB 26 23 84

HSL 242.95, 0.57%, 0.21%

LAB 12.43, 22.75, -36.62

 

CMYK 74 / 37 / 0 / 93

HEX #050C13

RGB 5 12 19

HSL 210, 0.58%, 0.05%

LAB 3.09, -0.56, -4.19

 

CMYK 73 / 38 / 0 / 80

HEX #0E2034

RGB 14 32 52

HSL 211.58, 0.58%, 0.13%

LAB 11.79, 0.34, -15.35

 

CMYK 73 / 37 / 0 / 67

HEX #173554

RGB 23 53 84

HSL 210.49, 0.57%, 0.21%

LAB 21.46, 0.42, -22.1

 

CMYK 72 / 37 / 0 / 55

HEX #204974

RGB 32 73 116

HSL 210.71, 0.57%, 0.29%

LAB 30.24, 1.22, -28.86

 

CMYK 72 / 38 / 0 / 42

HEX #295D95

RGB 41 93 149

HSL 211.11, 0.57%, 0.37%

LAB 38.67, 2.36, -35.75

 

CMYK 72 / 37 / 0 / 67

HEX #173453

RGB 23 52 83

HSL 211, 0.57%, 0.21%

LAB 21.07, 0.71, -22.06

 

CMYK 20 / 73 / 0 / 67

HEX #431754

RGB 67 23 84

HSL 283.28, 0.57%, 0.21%

LAB 17.67, 31.92, -27.88

 

CMYK 8 / 0 / 73 / 67

HEX #4D5417

RGB 77 84 23

HSL 66.89, 0.57%, 0.21%

LAB 33.94, -12, 33.21

 

CMYK 72 / 37 / 0 / 67

HEX #173453

RGB 23 52 83

HSL 211, 0.57%, 0.21%

LAB 21.07, 0.71, -22.06

 

CMYK 0 / 73 / 37 / 67

HEX #541735

RGB 84 23 53

HSL 330.49, 0.57%, 0.21%

LAB 19.03, 31.27, -4.13

 

CMYK 37 / 0 / 73 / 67

HEX #355417

RGB 53 84 23

HSL 90.49, 0.57%, 0.21%

LAB 32.17, -22.89, 30.81

 

CMYK 72 / 37 / 0 / 67

HEX #173453

RGB 23 52 83

HSL 211, 0.57%, 0.21%

LAB 21.07, 0.71, -22.06

 

CMYK 20 / 73 / 0 / 67

HEX #431754

RGB 67 23 84

HSL 283.28, 0.57%, 0.21%

LAB 17.67, 31.92, -27.88

 

CMYK 0 / 35 / 73 / 67

HEX #543717

RGB 84 55 23

HSL 31.48, 0.57%, 0.21%

LAB 25.8, 9.36, 24.76

 

CMYK 52 / 0 / 73 / 67

HEX #285417

RGB 40 84 23

HSL 103.28, 0.57%, 0.21%

LAB 31.47, -27.85, 29.86

 

CMYK 72 / 37 / 0 / 67

HEX #173453

RGB 23 52 83

HSL 211, 0.57%, 0.21%

LAB 21.07, 0.71, -22.06

 

CMYK 0 / 73 / 1 / 67

HEX #541753

RGB 84 23 83

HSL 300.98, 0.57%, 0.21%

LAB 20.53, 36.23, -22.48

 

CMYK 0 / 35 / 73 / 67

HEX #543717

RGB 84 55 23

HSL 31.48, 0.57%, 0.21%

LAB 25.8, 9.36, 24.76

 

CMYK 73 / 0 / 71 / 67

HEX #175418

RGB 23 84 24

HSL 120.98, 0.57%, 0.21%

LAB 30.85, -32.67, 28.53

 

Description

Color code: HEX #1734534C | qconv.com Color code: HEX #1734534C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 52 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 52 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 11 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 11% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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