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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #170BB5 it is the complementary color #E8F44A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #170BB5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #170BB5 shade: #1C0BB0, #2D1DC3, #3E2FD6, #4F41E9 and #6053FC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #170BB5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #170BB5 shade: #170BB5, #0600A2, #00008F, #00007C and #000069

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #170BB5 shade: #170BB7, #450BB7, #740BB7, #A20BB7 and #B70B9D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #170BB5 shade: #170BB7 and #0B0BB7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #170BB5 shade matches the following richer shades: #170BB7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #170BB5 shade: #170BB7, #241AA7, #322A98, #3F3A88 and #4D4978

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #170BB5 shade: #0B5BB7, #0B2DB7, #160BB7, #440BB7 and #720BB7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #170BB5 shade: #0D0669, #120890, #170BB7, #1C0DDE and #3122F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #170BB5 shade: #170BB5, #B70B89 and #44B70B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #170BB5 shade: #170BB5, #B7160B and #0BB716

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #170BB5 shade: #170BB5, #B70B89, #ACB70B and #0BB739

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #170BB5 shade: #170BB5, #B70B55, #ACB70B and #0BB76C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 94 / 0 / 29

HEX #170BB5

RGB 23 11 181

HSL 244.24, 0.89%, 0.38%

LAB 22.85, 58.84, -80.85

 

Complementary color

CMYK 5 / 0 / 70 / 4

HEX #E8F44A

RGB 232 244 74

HSL 64.24, 0.89%, 0.62%

LAB 92.73, -23.97, 76

 

CMYK 84 / 94 / 0 / 31

HEX #1C0BB0

RGB 28 11 176

HSL 246.18, 0.88%, 0.37%

LAB 22.38, 57.61, -78.64

 

CMYK 77 / 85 / 0 / 24

HEX #2D1DC3

RGB 45 29 195

HSL 245.78, 0.74%, 0.44%

LAB 27.78, 57.66, -80.91

 

CMYK 71 / 78 / 0 / 16

HEX #3E2FD6

RGB 62 47 214

HSL 245.39, 0.67%, 0.51%

LAB 33.8, 56.39, -81.98

 

CMYK 66 / 72 / 0 / 9

HEX #4F41E9

RGB 79 65 233

HSL 245, 0.79%, 0.58%

LAB 40.12, 54.6, -82.37

 

CMYK 62 / 67 / 0 / 1

HEX #6053FC

RGB 96 83 252

HSL 244.62, 0.97%, 0.66%

LAB 46.58, 52.69, -82.39

 

CMYK 87 / 94 / 0 / 29

HEX #170BB5

RGB 23 11 181

HSL 244.24, 0.89%, 0.38%

LAB 22.85, 58.84, -80.85

 

CMYK 96 / 100 / 0 / 36

HEX #0600A2

RGB 6 0 162

HSL 242.22, 1%, 0.32%

LAB 18.57, 56.46, -76.54

 

CMYK 100 / 100 / 0 / 44

HEX #00008F

RGB 0 0 143

HSL 240, 1%, 0.28%

LAB 15.4, 51.48, -70.12

 

CMYK 100 / 100 / 0 / 51

HEX #00007C

RGB 0 0 124

HSL 240, 1%, 0.24%

LAB 12.32, 46.43, -63.24

 

CMYK 100 / 100 / 0 / 59

HEX #000069

RGB 0 0 105

HSL 240, 1%, 0.21%

LAB 9.16, 41.25, -56.18

 

CMYK 87 / 94 / 0 / 28

HEX #170BB7

RGB 23 11 183

HSL 244.19, 0.89%, 0.38%

LAB 23.14, 59.38, -81.57

 

CMYK 62 / 94 / 0 / 28

HEX #450BB7

RGB 69 11 183

HSL 260.23, 0.89%, 0.38%

LAB 26.52, 61.3, -75.85

 

CMYK 37 / 94 / 0 / 28

HEX #740BB7

RGB 116 11 183

HSL 276.63, 0.89%, 0.38%

LAB 32.64, 65.68, -65.54

 

CMYK 11 / 94 / 0 / 28

HEX #A20BB7

RGB 162 11 183

HSL 292.67, 0.89%, 0.38%

LAB 40.15, 72.11, -52.99

 

CMYK 0 / 94 / 14 / 28

HEX #B70B9D

RGB 183 11 157

HSL 309.07, 0.89%, 0.38%

LAB 42.37, 71.87, -33.71

 

CMYK 87 / 94 / 0 / 28

HEX #170BB7

RGB 23 11 183

HSL 244.19, 0.89%, 0.38%

LAB 23.14, 59.38, -81.57

 

CMYK 94 / 94 / 0 / 28

HEX #0B0BB7

RGB 11 11 183

HSL 240, 0.89%, 0.38%

LAB 22.76, 59.19, -82.22

 

CMYK 87 / 94 / 0 / 28

HEX #170BB7

RGB 23 11 183

HSL 244.19, 0.89%, 0.38%

LAB 23.14, 59.38, -81.57

 

CMYK 87 / 94 / 0 / 28

HEX #170BB7

RGB 23 11 183

HSL 244.19, 0.89%, 0.38%

LAB 23.14, 59.38, -81.57

 

CMYK 78 / 84 / 0 / 35

HEX #241AA7

RGB 36 26 167

HSL 244.26, 0.73%, 0.38%

LAB 23.35, 50.16, -71.58

 

CMYK 67 / 72 / 0 / 40

HEX #322A98

RGB 50 42 152

HSL 244.36, 0.57%, 0.38%

LAB 25.57, 38.22, -58.74

 

CMYK 54 / 57 / 0 / 47

HEX #3F3A88

RGB 63 58 136

HSL 243.85, 0.4%, 0.38%

LAB 29.06, 24.97, -43.13

 

CMYK 36 / 39 / 0 / 53

HEX #4D4978

RGB 77 73 120

HSL 245.11, 0.24%, 0.38%

LAB 33.35, 13.77, -26.27

 

CMYK 94 / 50 / 0 / 28

HEX #0B5BB7

RGB 11 91 183

HSL 212.09, 0.89%, 0.38%

LAB 39.53, 14.4, -54.61

 

CMYK 94 / 75 / 0 / 28

HEX #0B2DB7

RGB 11 45 183

HSL 228.14, 0.89%, 0.38%

LAB 27.76, 44.44, -73.9

 

CMYK 88 / 94 / 0 / 28

HEX #160BB7

RGB 22 11 183

HSL 243.84, 0.89%, 0.38%

LAB 23.1, 59.36, -81.64

 

CMYK 63 / 94 / 0 / 28

HEX #440BB7

RGB 68 11 183

HSL 259.88, 0.89%, 0.38%

LAB 26.41, 61.23, -76.03

 

CMYK 38 / 94 / 0 / 28

HEX #720BB7

RGB 114 11 183

HSL 275.93, 0.89%, 0.38%

LAB 32.34, 65.44, -66.05

 

CMYK 88 / 94 / 0 / 59

HEX #0D0669

RGB 13 6 105

HSL 244.24, 0.89%, 0.22%

LAB 10.82, 38.47, -53.38

 

CMYK 88 / 94 / 0 / 44

HEX #120890

RGB 18 8 144

HSL 244.41, 0.89%, 0.3%

LAB 17.06, 49.34, -67.94

 

CMYK 87 / 94 / 0 / 28

HEX #170BB7

RGB 23 11 183

HSL 244.19, 0.89%, 0.38%

LAB 23.14, 59.38, -81.57

 

CMYK 87 / 94 / 0 / 13

HEX #1C0DDE

RGB 28 13 222

HSL 244.31, 0.89%, 0.46%

LAB 28.92, 69.2, -94.75

 

CMYK 80 / 86 / 0 / 5

HEX #3122F2

RGB 49 34 242

HSL 244.33, 0.89%, 0.54%

LAB 34.41, 69.12, -96.98

 

CMYK 87 / 94 / 0 / 29

HEX #170BB5

RGB 23 11 181

HSL 244.24, 0.89%, 0.38%

LAB 22.85, 58.84, -80.85

 

CMYK 0 / 94 / 25 / 28

HEX #B70B89

RGB 183 11 137

HSL 316.05, 0.89%, 0.38%

LAB 41.39, 69.35, -23.07

 

CMYK 63 / 0 / 94 / 28

HEX #44B70B

RGB 68 183 11

HSL 100.12, 0.89%, 0.38%

LAB 65.84, -58.49, 64.69

 

CMYK 87 / 94 / 0 / 29

HEX #170BB5

RGB 23 11 181

HSL 244.24, 0.89%, 0.38%

LAB 22.85, 58.84, -80.85

 

CMYK 0 / 88 / 94 / 28

HEX #B7160B

RGB 183 22 11

HSL 3.84, 0.89%, 0.38%

LAB 39.01, 59.66, 48.81

 

CMYK 94 / 0 / 88 / 28

HEX #0BB716

RGB 11 183 22

HSL 123.84, 0.89%, 0.38%

LAB 64.96, -66.06, 61.77

 

CMYK 87 / 94 / 0 / 29

HEX #170BB5

RGB 23 11 181

HSL 244.24, 0.89%, 0.38%

LAB 22.85, 58.84, -80.85

 

CMYK 0 / 94 / 25 / 28

HEX #B70B89

RGB 183 11 137

HSL 316.05, 0.89%, 0.38%

LAB 41.39, 69.35, -23.07

 

CMYK 6 / 0 / 94 / 28

HEX #ACB70B

RGB 172 183 11

HSL 63.84, 0.89%, 0.38%

LAB 71.32, -21.44, 71.37

 

CMYK 94 / 0 / 69 / 28

HEX #0BB739

RGB 11 183 57

HSL 136.05, 0.89%, 0.38%

LAB 65.15, -63.66, 51.08

 

CMYK 87 / 94 / 0 / 29

HEX #170BB5

RGB 23 11 181

HSL 244.24, 0.89%, 0.38%

LAB 22.85, 58.84, -80.85

 

CMYK 0 / 94 / 54 / 28

HEX #B70B55

RGB 183 11 85

HSL 334.19, 0.89%, 0.38%

LAB 39.52, 64.35, 6.74

 

CMYK 6 / 0 / 94 / 28

HEX #ACB70B

RGB 172 183 11

HSL 63.84, 0.89%, 0.38%

LAB 71.32, -21.44, 71.37

 

CMYK 94 / 0 / 41 / 28

HEX #0BB76C

RGB 11 183 108

HSL 153.84, 0.89%, 0.38%

LAB 65.76, -56.14, 27.47

 

Description

Color code: HEX #170BB5 | qconv.com Color code: HEX #170BB5 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 11 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 11 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, 94 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 94% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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