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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #16F099 it is the complementary color #E90F66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #16F099. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #16F099 shade: #1BF094, #2CFFA7, #3DFFBA, #4EFFCD and #5FFFE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #16F099. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #16F099 shade: #16F099, #05DE86, #00CC73, #00BA60 and #00A84D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #16F099 shade: #14F098, #14F05D, #14F022, #42F014 and #7DF014

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #16F099 shade: #14F098, #14F0D4, #14D1F0, #1496F0 and #145BF0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #16F099 shade matches the following richer shades: #14F098

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #16F099 shade: #14F098, #28DC94, #3DC890, #51B38C and #659F88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #16F099 shade: #14F023, #14F05D, #14F098, #14F0D3 and #14D3F0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #16F099 shade: #0BA769, #0DCE81, #14F098, #3BF2A9 and #62F5BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #16F099 shade: #16F099, #1440F0 and #F04014

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #16F099 shade: #16F099, #9814F0 and #F09814

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #16F099 shade: #16F099, #1440F0, #F0146C and #F0C414

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #16F099 shade: #16F099, #2A14F0, #F0146C and #DAF014

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 36 / 6

HEX #16F099

RGB 22 240 153

HSL 156.06, 0.88%, 0.51%

LAB 84.38, -66.78, 29.01

 

Complementary color

CMYK 0 / 94 / 56 / 9

HEX #E90F66

RGB 233 15 102

HSL 336.06, 0.88%, 0.49%

LAB 50.25, 76.8, 12.65

 

CMYK 89 / 0 / 38 / 6

HEX #1BF094

RGB 27 240 148

HSL 154.08, 0.88%, 0.52%

LAB 84.32, -67.49, 31.48

 

CMYK 83 / 0 / 35 / 0

HEX #2CFFA7

RGB 44 255 167

HSL 154.98, 1%, 0.59%

LAB 89.32, -67.84, 28.64

 

CMYK 76 / 0 / 27 / 0

HEX #3DFFBA

RGB 61 255 186

HSL 158.66, 1%, 0.62%

LAB 89.89, -62.29, 19.8

 

CMYK 69 / 0 / 20 / 0

HEX #4EFFCD

RGB 78 255 205

HSL 163.05, 1%, 0.65%

LAB 90.57, -55.95, 11.05

 

CMYK 63 / 0 / 12 / 0

HEX #5FFFE0

RGB 95 255 224

HSL 168.38, 1%, 0.69%

LAB 91.39, -48.92, 2.45

 

CMYK 91 / 0 / 36 / 6

HEX #16F099

RGB 22 240 153

HSL 156.06, 0.88%, 0.51%

LAB 84.38, -66.78, 29.01

 

CMYK 98 / 0 / 40 / 13

HEX #05DE86

RGB 5 222 134

HSL 155.67, 0.96%, 0.45%

LAB 78.46, -64.89, 30.77

 

CMYK 100 / 0 / 44 / 20

HEX #00CC73

RGB 0 204 115

HSL 153.82, 1%, 0.4%

LAB 72.51, -62.49, 32.65

 

CMYK 100 / 0 / 48 / 27

HEX #00BA60

RGB 0 186 96

HSL 150.97, 1%, 0.36%

LAB 66.49, -59.81, 34.59

 

CMYK 100 / 0 / 54 / 34

HEX #00A84D

RGB 0 168 77

HSL 147.5, 1%, 0.33%

LAB 60.37, -56.96, 36.54

 

CMYK 92 / 0 / 37 / 6

HEX #14F098

RGB 20 240 152

HSL 156, 0.88%, 0.51%

LAB 84.35, -67.07, 29.48

 

CMYK 92 / 0 / 61 / 6

HEX #14F05D

RGB 20 240 93

HSL 139.91, 0.88%, 0.51%

LAB 83.58, -76.3, 56.49

 

CMYK 92 / 0 / 86 / 6

HEX #14F022

RGB 20 240 34

HSL 123.82, 0.88%, 0.51%

LAB 83.22, -80.81, 75.4

 

CMYK 73 / 0 / 92 / 6

HEX #42F014

RGB 66 240 20

HSL 107.45, 0.88%, 0.51%

LAB 83.72, -76.52, 78.34

 

CMYK 48 / 0 / 92 / 6

HEX #7DF014

RGB 125 240 20

HSL 91.36, 0.88%, 0.51%

LAB 85.37, -63.04, 80.38

 

CMYK 92 / 0 / 37 / 6

HEX #14F098

RGB 20 240 152

HSL 156, 0.88%, 0.51%

LAB 84.35, -67.07, 29.48

 

CMYK 92 / 0 / 12 / 6

HEX #14F0D4

RGB 20 240 212

HSL 172.36, 0.88%, 0.51%

LAB 85.62, -53.18, 0.17

 

CMYK 92 / 13 / 0 / 6

HEX #14D1F0

RGB 20 209 240

HSL 188.45, 0.88%, 0.51%

LAB 77.31, -31.21, -27.13

 

CMYK 92 / 38 / 0 / 6

HEX #1496F0

RGB 20 150 240

HSL 204.55, 0.88%, 0.51%

LAB 60.12, 0.28, -53.98

 

CMYK 92 / 62 / 0 / 6

HEX #145BF0

RGB 20 91 240

HSL 220.64, 0.88%, 0.51%

LAB 44.12, 37.05, -79.83

 

CMYK 92 / 0 / 37 / 6

HEX #14F098

RGB 20 240 152

HSL 156, 0.88%, 0.51%

LAB 84.35, -67.07, 29.48

 

CMYK 92 / 0 / 37 / 6

HEX #14F098

RGB 20 240 152

HSL 156, 0.88%, 0.51%

LAB 84.35, -67.07, 29.48

 

CMYK 82 / 0 / 33 / 14

HEX #28DC94

RGB 40 220 148

HSL 156, 0.72%, 0.51%

LAB 78.33, -59.44, 23.43

 

CMYK 70 / 0 / 28 / 22

HEX #3DC890

RGB 61 200 144

HSL 155.83, 0.56%, 0.51%

LAB 72.44, -50.05, 17.48

 

CMYK 55 / 0 / 22 / 30

HEX #51B38C

RGB 81 179 140

HSL 156.12, 0.39%, 0.51%

LAB 66.43, -38.19, 11.32

 

CMYK 36 / 0 / 14 / 38

HEX #659F88

RGB 101 159 136

HSL 156.21, 0.23%, 0.51%

LAB 61.08, -24.28, 6.04

 

CMYK 92 / 0 / 85 / 6

HEX #14F023

RGB 20 240 35

HSL 124.09, 0.88%, 0.51%

LAB 83.23, -80.77, 75.2

 

CMYK 92 / 0 / 61 / 6

HEX #14F05D

RGB 20 240 93

HSL 139.91, 0.88%, 0.51%

LAB 83.58, -76.3, 56.49

 

CMYK 92 / 0 / 37 / 6

HEX #14F098

RGB 20 240 152

HSL 156, 0.88%, 0.51%

LAB 84.35, -67.07, 29.48

 

CMYK 92 / 0 / 12 / 6

HEX #14F0D3

RGB 20 240 211

HSL 172.09, 0.88%, 0.51%

LAB 85.59, -53.44, 0.66

 

CMYK 92 / 12 / 0 / 6

HEX #14D3F0

RGB 20 211 240

HSL 187.91, 0.88%, 0.51%

LAB 77.89, -32.18, -26.23

 

CMYK 93 / 0 / 37 / 35

HEX #0BA769

RGB 11 167 105

HSL 156.15, 0.88%, 0.35%

LAB 60.54, -50.96, 22.12

 

CMYK 94 / 0 / 37 / 19

HEX #0DCE81

RGB 13 206 129

HSL 156.06, 0.88%, 0.43%

LAB 73.42, -60.04, 26.65

 

CMYK 92 / 0 / 37 / 6

HEX #14F098

RGB 20 240 152

HSL 156, 0.88%, 0.51%

LAB 84.35, -67.07, 29.48

 

CMYK 76 / 0 / 30 / 5

HEX #3BF2A9

RGB 59 242 169

HSL 156.07, 0.88%, 0.59%

LAB 85.65, -61.25, 22.65

 

CMYK 60 / 0 / 24 / 4

HEX #62F5BA

RGB 98 245 186

HSL 155.92, 0.88%, 0.67%

LAB 87.7, -52.86, 16.86

 

CMYK 91 / 0 / 36 / 6

HEX #16F099

RGB 22 240 153

HSL 156.06, 0.88%, 0.51%

LAB 84.38, -66.78, 29.01

 

CMYK 92 / 73 / 0 / 6

HEX #1440F0

RGB 20 64 240

HSL 228, 0.88%, 0.51%

LAB 38.03, 53.43, -89.87

 

CMYK 0 / 73 / 92 / 6

HEX #F04014

RGB 240 64 20

HSL 12, 0.88%, 0.51%

LAB 54.28, 65.06, 61.06

 

CMYK 91 / 0 / 36 / 6

HEX #16F099

RGB 22 240 153

HSL 156.06, 0.88%, 0.51%

LAB 84.38, -66.78, 29.01

 

CMYK 37 / 92 / 0 / 6

HEX #9814F0

RGB 152 20 240

HSL 276, 0.88%, 0.51%

LAB 43.46, 80.04, -80.56

 

CMYK 0 / 37 / 92 / 6

HEX #F09814

RGB 240 152 20

HSL 36, 0.88%, 0.51%

LAB 70.2, 24.65, 72.13

 

CMYK 91 / 0 / 36 / 6

HEX #16F099

RGB 22 240 153

HSL 156.06, 0.88%, 0.51%

LAB 84.38, -66.78, 29.01

 

CMYK 92 / 73 / 0 / 6

HEX #1440F0

RGB 20 64 240

HSL 228, 0.88%, 0.51%

LAB 38.03, 53.43, -89.87

 

CMYK 0 / 92 / 55 / 6

HEX #F0146C

RGB 240 20 108

HSL 336, 0.88%, 0.51%

LAB 51.96, 78.27, 11.59

 

CMYK 0 / 18 / 92 / 6

HEX #F0C414

RGB 240 196 20

HSL 48, 0.88%, 0.51%

LAB 80.77, 1.56, 79.96

 

CMYK 91 / 0 / 36 / 6

HEX #16F099

RGB 22 240 153

HSL 156.06, 0.88%, 0.51%

LAB 84.38, -66.78, 29.01

 

CMYK 83 / 92 / 0 / 6

HEX #2A14F0

RGB 42 20 240

HSL 246, 0.88%, 0.51%

LAB 32.44, 72.53, -99.14

 

CMYK 0 / 92 / 55 / 6

HEX #F0146C

RGB 240 20 108

HSL 336, 0.88%, 0.51%

LAB 51.96, 78.27, 11.59

 

CMYK 9 / 0 / 92 / 6

HEX #DAF014

RGB 218 240 20

HSL 66, 0.88%, 0.51%

LAB 90.45, -29.44, 86.58

 

Description

Color code: HEX #16F099 | qconv.com Color code: HEX #16F099 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 22 red, 240 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
22 240 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 36 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 36% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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