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Color name
HEX #16E122

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #16E122 it is the complementary color #E91EDD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #16E122. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #16E122 shade: #1BE11D, #2CF330, #3DFF43, #4EFF56 and #5FFF69

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #16E122. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #16E122 shade: #16E122, #05CF0F, #00BD00, #00AB00 and #009900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #16E122 shade: #16DF22, #40DF16, #76DF16, #ADDF16 and #DFDB16

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #16E122 shade: #16DF22, #16DF58, #16DF8E, #16DFC4 and #16C3DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #16E122 shade matches the following richer shades: #16DF22 and #02F310

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #16E122 shade: #16DF22, #2ACB33, #3EB745, #51A356 and #659068

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #16E122 shade: #77DF16, #42DF16, #16DF20, #16DF56 and #16DF8B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #16E122 shade: #0F9416, #12B91C, #16DF22, #33EB3E and #59EF62

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #16E122 shade: #16E122, #16ADDF and #DF165C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #16E122 shade: #16E122, #2016DF and #DF2016

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #16E122 shade: #16E122, #16ADDF, #DF16D5 and #DF4816

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #16E122 shade: #16E122, #1670DF, #DF16D5 and #DF8416

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 85 / 12

HEX #16E122

RGB 22 225 34

HSL 123.55, 0.82%, 0.48%

LAB 78.54, -76.63, 71.26

 

Complementary color

CMYK 0 / 87 / 5 / 9

HEX #E91EDD

RGB 233 30 221

HSL 303.55, 0.82%, 0.52%

LAB 55.56, 87.29, -49.61

 

CMYK 88 / 0 / 87 / 12

HEX #1BE11D

RGB 27 225 29

HSL 120.61, 0.79%, 0.49%

LAB 78.56, -76.5, 72.31

 

CMYK 82 / 0 / 80 / 5

HEX #2CF330

RGB 44 243 48

HSL 121.21, 0.89%, 0.56%

LAB 84.41, -79.17, 73.28

 

CMYK 76 / 0 / 74 / 0

HEX #3DFF43

RGB 61 255 67

HSL 121.86, 1%, 0.62%

LAB 88.41, -79.45, 71.6

 

CMYK 69 / 0 / 66 / 0

HEX #4EFF56

RGB 78 255 86

HSL 122.71, 1%, 0.65%

LAB 88.83, -75.37, 65.35

 

CMYK 63 / 0 / 59 / 0

HEX #5FFF69

RGB 95 255 105

HSL 123.75, 1%, 0.69%

LAB 89.38, -70.3, 58.3

 

CMYK 90 / 0 / 85 / 12

HEX #16E122

RGB 22 225 34

HSL 123.55, 0.82%, 0.48%

LAB 78.54, -76.63, 71.26

 

CMYK 98 / 0 / 93 / 19

HEX #05CF0F

RGB 5 207 15

HSL 122.97, 0.95%, 0.42%

LAB 72.69, -73.15, 69.51

 

CMYK 100 / 0 / 100 / 26

HEX #00BD00

RGB 0 189 0

HSL 120, 1%, 0.37%

LAB 66.82, -68.81, 66.41

 

CMYK 100 / 0 / 100 / 33

HEX #00AB00

RGB 0 171 0

HSL 120, 1%, 0.34%

LAB 60.89, -63.88, 61.66

 

CMYK 100 / 0 / 100 / 40

HEX #009900

RGB 0 153 0

HSL 120, 1%, 0.3%

LAB 54.85, -58.86, 56.81

 

CMYK 90 / 0 / 85 / 13

HEX #16DF22

RGB 22 223 34

HSL 123.58, 0.82%, 0.48%

LAB 77.91, -76.08, 70.69

 

CMYK 71 / 0 / 90 / 13

HEX #40DF16

RGB 64 223 22

HSL 107.46, 0.82%, 0.48%

LAB 78.42, -71.73, 73.59

 

CMYK 47 / 0 / 90 / 13

HEX #76DF16

RGB 118 223 22

HSL 91.34, 0.82%, 0.48%

LAB 80, -58.85, 75.56

 

CMYK 22 / 0 / 90 / 13

HEX #ADDF16

RGB 173 223 22

HSL 74.93, 0.82%, 0.48%

LAB 82.76, -39.6, 78.96

 

CMYK 0 / 2 / 90 / 13

HEX #DFDB16

RGB 223 219 22

HSL 58.81, 0.82%, 0.48%

LAB 85.2, -17.29, 82.4

 

CMYK 90 / 0 / 85 / 13

HEX #16DF22

RGB 22 223 34

HSL 123.58, 0.82%, 0.48%

LAB 77.91, -76.08, 70.69

 

CMYK 90 / 0 / 61 / 13

HEX #16DF58

RGB 22 223 88

HSL 139.7, 0.82%, 0.48%

LAB 78.26, -71.7, 52.57

 

CMYK 90 / 0 / 36 / 13

HEX #16DF8E

RGB 22 223 142

HSL 155.82, 0.82%, 0.48%

LAB 78.98, -63.03, 27.39

 

CMYK 90 / 0 / 12 / 13

HEX #16DFC4

RGB 22 223 196

HSL 171.94, 0.82%, 0.48%

LAB 80.14, -50.37, 0.63

 

CMYK 90 / 13 / 0 / 13

HEX #16C3DF

RGB 22 195 223

HSL 188.36, 0.82%, 0.48%

LAB 72.58, -29.8, -25.2

 

CMYK 90 / 0 / 85 / 13

HEX #16DF22

RGB 22 223 34

HSL 123.58, 0.82%, 0.48%

LAB 77.91, -76.08, 70.69

 

CMYK 99 / 0 / 93 / 5

HEX #02F310

RGB 2 243 16

HSL 123.49, 0.98%, 0.48%

LAB 84.04, -82.78, 78.84

 

CMYK 90 / 0 / 85 / 13

HEX #16DF22

RGB 22 223 34

HSL 123.58, 0.82%, 0.48%

LAB 77.91, -76.08, 70.69

 

CMYK 79 / 0 / 75 / 20

HEX #2ACB33

RGB 42 203 51

HSL 123.35, 0.66%, 0.48%

LAB 71.85, -67.52, 60.32

 

CMYK 66 / 0 / 62 / 28

HEX #3EB745

RGB 62 183 69

HSL 123.47, 0.49%, 0.48%

LAB 66, -56.07, 47.13

 

CMYK 50 / 0 / 47 / 36

HEX #51A356

RGB 81 163 86

HSL 123.66, 0.34%, 0.48%

LAB 60.44, -41.45, 32.39

 

CMYK 30 / 0 / 28 / 44

HEX #659068

RGB 101 144 104

HSL 124.19, 0.18%, 0.48%

LAB 55.8, -23.21, 16.66

 

CMYK 47 / 0 / 90 / 13

HEX #77DF16

RGB 119 223 22

HSL 91.04, 0.82%, 0.48%

LAB 80.04, -58.55, 75.61

 

CMYK 70 / 0 / 90 / 13

HEX #42DF16

RGB 66 223 22

HSL 106.87, 0.82%, 0.48%

LAB 78.46, -71.39, 73.64

 

CMYK 90 / 0 / 86 / 13

HEX #16DF20

RGB 22 223 32

HSL 122.99, 0.82%, 0.48%

LAB 77.9, -76.16, 71.12

 

CMYK 90 / 0 / 61 / 13

HEX #16DF56

RGB 22 223 86

HSL 139.1, 0.82%, 0.48%

LAB 78.24, -71.94, 53.42

 

CMYK 90 / 0 / 38 / 13

HEX #16DF8B

RGB 22 223 139

HSL 154.93, 0.82%, 0.48%

LAB 78.93, -63.62, 28.86

 

CMYK 90 / 0 / 85 / 42

HEX #0F9416

RGB 15 148 22

HSL 123.16, 0.82%, 0.32%

LAB 53.32, -55.63, 51.4

 

CMYK 90 / 0 / 85 / 27

HEX #12B91C

RGB 18 185 28

HSL 123.59, 0.82%, 0.4%

LAB 65.68, -65.96, 61.09

 

CMYK 90 / 0 / 85 / 13

HEX #16DF22

RGB 22 223 34

HSL 123.58, 0.82%, 0.48%

LAB 77.91, -76.08, 70.69

 

CMYK 78 / 0 / 74 / 8

HEX #33EB3E

RGB 51 235 62

HSL 123.59, 0.82%, 0.56%

LAB 82.09, -75.18, 66.88

 

CMYK 63 / 0 / 59 / 6

HEX #59EF62

RGB 89 239 98

HSL 123.6, 0.82%, 0.64%

LAB 84.35, -66.83, 55.49

 

CMYK 90 / 0 / 85 / 12

HEX #16E122

RGB 22 225 34

HSL 123.55, 0.82%, 0.48%

LAB 78.54, -76.63, 71.26

 

CMYK 90 / 22 / 0 / 13

HEX #16ADDF

RGB 22 173 223

HSL 194.93, 0.82%, 0.48%

LAB 66.05, -18.63, -35.27

 

CMYK 0 / 90 / 59 / 13

HEX #DF165C

RGB 223 22 92

HSL 339.1, 0.82%, 0.48%

LAB 48.3, 73.01, 15.81

 

CMYK 90 / 0 / 85 / 12

HEX #16E122

RGB 22 225 34

HSL 123.55, 0.82%, 0.48%

LAB 78.54, -76.63, 71.26

 

CMYK 86 / 90 / 0 / 13

HEX #2016DF

RGB 32 22 223

HSL 242.99, 0.82%, 0.48%

LAB 29.93, 67.34, -93.63

 

CMYK 0 / 86 / 90 / 13

HEX #DF2016

RGB 223 32 22

HSL 2.99, 0.82%, 0.48%

LAB 47.98, 68.74, 54.56

 

CMYK 90 / 0 / 85 / 12

HEX #16E122

RGB 22 225 34

HSL 123.55, 0.82%, 0.48%

LAB 78.54, -76.63, 71.26

 

CMYK 90 / 22 / 0 / 13

HEX #16ADDF

RGB 22 173 223

HSL 194.93, 0.82%, 0.48%

LAB 66.05, -18.63, -35.27

 

CMYK 0 / 90 / 4 / 13

HEX #DF16D5

RGB 223 22 213

HSL 302.99, 0.82%, 0.48%

LAB 53.02, 85.52, -49.2

 

CMYK 0 / 68 / 90 / 13

HEX #DF4816

RGB 223 72 22

HSL 14.93, 0.82%, 0.48%

LAB 52.26, 56.8, 57.57

 

CMYK 90 / 0 / 85 / 12

HEX #16E122

RGB 22 225 34

HSL 123.55, 0.82%, 0.48%

LAB 78.54, -76.63, 71.26

 

CMYK 90 / 50 / 0 / 13

HEX #1670DF

RGB 22 112 223

HSL 213.13, 0.82%, 0.48%

LAB 48.37, 17.16, -63.33

 

CMYK 0 / 90 / 4 / 13

HEX #DF16D5

RGB 223 22 213

HSL 302.99, 0.82%, 0.48%

LAB 53.02, 85.52, -49.2

 

CMYK 0 / 41 / 90 / 13

HEX #DF8416

RGB 223 132 22

HSL 32.84, 0.82%, 0.48%

LAB 63.55, 28.12, 65.83

 

Description

Color code: HEX #16E122 | qconv.com Color code: HEX #16E122 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 22 red, 225 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
22 225 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 85 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 85% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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