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Color name
HEX #16DAC6

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #16DAC6 it is the complementary color #E92539. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #16DAC6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #16DAC6 shade: #1BDAC1, #2CECD4, #3DFEE7, #4EFFFA and #5FFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #16DAC6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #16DAC6 shade: #16DAC6, #05C8B3, #00B6A0, #00A48D and #00927A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #16DAC6 shade: #16DAC6, #16DA91, #16DA5C, #16DA27 and #39DA16

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #16DAC6 shade: #16DAC6, #16B9DA, #1684DA, #164FDA and #161ADA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #16DAC6 shade matches the following richer shades: #16DAC6 and #02EED6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #16DAC6 shade: #16DAC6, #29C7B7, #3CB3A7, #50A098 and #638D88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #16DAC6 shade: #16DA5A, #16DA8F, #16DAC3, #16BDDA and #1688DA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #16DAC6 shade: #0E8F82, #12B5A4, #16DAC6, #2FEAD7 and #54EEDE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #16DAC6 shade: #16DAC6, #2616DA and #DA7516

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #16DAC6 shade: #16DAC6, #C316DA and #DAC316

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #16DAC6 shade: #16DAC6, #2616DA, #DA162D and #CADA16

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #16DAC6 shade: #16DAC6, #6116DA, #DA162D and #8FDA16

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 9 / 15

HEX #16DAC6

RGB 22 218 198

HSL 173.88, 0.82%, 0.47%

LAB 78.69, -47.74, -2.56

 

Complementary color

CMYK 0 / 84 / 76 / 9

HEX #E92539

RGB 233 37 57

HSL 353.88, 0.82%, 0.53%

LAB 50.62, 71.24, 40.12

 

CMYK 88 / 0 / 11 / 15

HEX #1BDAC1

RGB 27 218 193

HSL 172.15, 0.78%, 0.48%

LAB 78.59, -48.84, -0.02

 

CMYK 81 / 0 / 10 / 7

HEX #2CECD4

RGB 44 236 212

HSL 172.5, 0.83%, 0.55%

LAB 84.63, -50.15, -1.25

 

CMYK 76 / 0 / 9 / 0

HEX #3DFEE7

RGB 61 254 231

HSL 172.85, 0.99%, 0.62%

LAB 90.62, -51.17, -2.37

 

CMYK 69 / 0 / 2 / 0

HEX #4EFFFA

RGB 78 255 250

HSL 178.31, 1%, 0.65%

LAB 91.7, -44.68, -10.59

 

CMYK 63 / 0 / 0 / 0

HEX #5FFFFF

RGB 95 255 255

HSL 180, 1%, 0.69%

LAB 92.21, -41.03, -12.39

 

CMYK 90 / 0 / 9 / 15

HEX #16DAC6

RGB 22 218 198

HSL 173.88, 0.82%, 0.47%

LAB 78.69, -47.74, -2.56

 

CMYK 98 / 0 / 11 / 22

HEX #05C8B3

RGB 5 200 179

HSL 173.54, 0.95%, 0.4%

LAB 72.62, -45.96, -1.23

 

CMYK 100 / 0 / 12 / 29

HEX #00B6A0

RGB 0 182 160

HSL 172.75, 1%, 0.36%

LAB 66.52, -43.76, 0.25

 

CMYK 100 / 0 / 14 / 36

HEX #00A48D

RGB 0 164 141

HSL 171.59, 1%, 0.32%

LAB 60.31, -41.37, 1.81

 

CMYK 100 / 0 / 16 / 43

HEX #00927A

RGB 0 146 122

HSL 170.14, 1%, 0.29%

LAB 53.99, -38.93, 3.44

 

CMYK 90 / 0 / 9 / 15

HEX #16DAC6

RGB 22 218 198

HSL 173.88, 0.82%, 0.47%

LAB 78.69, -47.74, -2.56

 

CMYK 90 / 0 / 33 / 15

HEX #16DA91

RGB 22 218 145

HSL 157.65, 0.82%, 0.47%

LAB 77.49, -60.63, 23.82

 

CMYK 90 / 0 / 58 / 15

HEX #16DA5C

RGB 22 218 92

HSL 141.43, 0.82%, 0.47%

LAB 76.73, -69.67, 49.02

 

CMYK 90 / 0 / 82 / 15

HEX #16DA27

RGB 22 218 39

HSL 125.2, 0.82%, 0.47%

LAB 76.35, -74.45, 68.09

 

CMYK 74 / 0 / 90 / 15

HEX #39DA16

RGB 57 218 22

HSL 109.29, 0.82%, 0.47%

LAB 76.72, -71.37, 72.11

 

CMYK 90 / 0 / 9 / 15

HEX #16DAC6

RGB 22 218 198

HSL 173.88, 0.82%, 0.47%

LAB 78.69, -47.74, -2.56

 

CMYK 90 / 15 / 0 / 15

HEX #16B9DA

RGB 22 185 218

HSL 190.1, 0.82%, 0.47%

LAB 69.42, -26.5, -27.32

 

CMYK 90 / 39 / 0 / 15

HEX #1684DA

RGB 22 132 218

HSL 206.33, 0.82%, 0.47%

LAB 53.74, 2.78, -51.87

 

CMYK 90 / 64 / 0 / 15

HEX #164FDA

RGB 22 79 218

HSL 222.55, 0.82%, 0.47%

LAB 39.28, 36.53, -75.29

 

CMYK 90 / 88 / 0 / 15

HEX #161ADA

RGB 22 26 218

HSL 238.78, 0.82%, 0.47%

LAB 29.34, 64.51, -91.75

 

CMYK 90 / 0 / 9 / 15

HEX #16DAC6

RGB 22 218 198

HSL 173.88, 0.82%, 0.47%

LAB 78.69, -47.74, -2.56

 

CMYK 99 / 0 / 10 / 7

HEX #02EED6

RGB 2 238 214

HSL 173.9, 0.98%, 0.47%

LAB 85.01, -52.31, -1.78

 

CMYK 90 / 0 / 9 / 15

HEX #16DAC6

RGB 22 218 198

HSL 173.88, 0.82%, 0.47%

LAB 78.69, -47.74, -2.56

 

CMYK 79 / 0 / 8 / 22

HEX #29C7B7

RGB 41 199 183

HSL 173.92, 0.66%, 0.47%

LAB 72.72, -42.41, -3.23

 

CMYK 66 / 0 / 7 / 30

HEX #3CB3A7

RGB 60 179 167

HSL 173.95, 0.5%, 0.47%

LAB 66.51, -35.48, -3.54

 

CMYK 50 / 0 / 5 / 37

HEX #50A098

RGB 80 160 152

HSL 174, 0.33%, 0.47%

LAB 60.88, -26.52, -3.38

 

CMYK 30 / 0 / 4 / 45

HEX #638D88

RGB 99 141 136

HSL 172.86, 0.18%, 0.47%

LAB 55.56, -15.52, -1.98

 

CMYK 90 / 0 / 59 / 15

HEX #16DA5A

RGB 22 218 90

HSL 140.82, 0.82%, 0.47%

LAB 76.71, -69.93, 49.9

 

CMYK 90 / 0 / 34 / 15

HEX #16DA8F

RGB 22 218 143

HSL 157.04, 0.82%, 0.47%

LAB 77.46, -61.05, 24.81

 

CMYK 90 / 0 / 11 / 15

HEX #16DAC3

RGB 22 218 195

HSL 172.96, 0.82%, 0.47%

LAB 78.61, -48.56, -1.07

 

CMYK 90 / 13 / 0 / 15

HEX #16BDDA

RGB 22 189 218

HSL 188.88, 0.82%, 0.47%

LAB 70.61, -28.48, -25.49

 

CMYK 90 / 38 / 0 / 15

HEX #1688DA

RGB 22 136 218

HSL 205.1, 0.82%, 0.47%

LAB 54.91, 0.38, -50.02

 

CMYK 90 / 0 / 9 / 44

HEX #0E8F82

RGB 14 143 130

HSL 173.95, 0.82%, 0.31%

LAB 53.33, -34.57, -2.11

 

CMYK 90 / 0 / 9 / 29

HEX #12B5A4

RGB 18 181 164

HSL 173.74, 0.82%, 0.39%

LAB 66.41, -41.51, -2.11

 

CMYK 90 / 0 / 9 / 15

HEX #16DAC6

RGB 22 218 198

HSL 173.88, 0.82%, 0.47%

LAB 78.69, -47.74, -2.56

 

CMYK 80 / 0 / 8 / 8

HEX #2FEAD7

RGB 47 234 215

HSL 173.9, 0.82%, 0.55%

LAB 84.15, -48.26, -3.53

 

CMYK 65 / 0 / 7 / 7

HEX #54EEDE

RGB 84 238 222

HSL 173.77, 0.82%, 0.63%

LAB 86.16, -43.8, -4.18

 

CMYK 90 / 0 / 9 / 15

HEX #16DAC6

RGB 22 218 198

HSL 173.88, 0.82%, 0.47%

LAB 78.69, -47.74, -2.56

 

CMYK 83 / 90 / 0 / 15

HEX #2616DA

RGB 38 22 218

HSL 244.9, 0.82%, 0.47%

LAB 29.53, 66.16, -91.41

 

CMYK 0 / 46 / 90 / 15

HEX #DA7516

RGB 218 117 22

HSL 29.08, 0.82%, 0.47%

LAB 59.6, 33.93, 62.58

 

CMYK 90 / 0 / 9 / 15

HEX #16DAC6

RGB 22 218 198

HSL 173.88, 0.82%, 0.47%

LAB 78.69, -47.74, -2.56

 

CMYK 11 / 90 / 0 / 15

HEX #C316DA

RGB 195 22 218

HSL 292.96, 0.82%, 0.47%

LAB 48.56, 81.63, -59.47

 

CMYK 0 / 11 / 90 / 15

HEX #DAC316

RGB 218 195 22

HSL 52.96, 0.82%, 0.47%

LAB 78.46, -7.4, 76.98

 

CMYK 90 / 0 / 9 / 15

HEX #16DAC6

RGB 22 218 198

HSL 173.88, 0.82%, 0.47%

LAB 78.69, -47.74, -2.56

 

CMYK 83 / 90 / 0 / 15

HEX #2616DA

RGB 38 22 218

HSL 244.9, 0.82%, 0.47%

LAB 29.53, 66.16, -91.41

 

CMYK 0 / 90 / 79 / 15

HEX #DA162D

RGB 218 22 45

HSL 352.96, 0.82%, 0.47%

LAB 46.54, 69.64, 41.65

 

CMYK 7 / 0 / 90 / 15

HEX #CADA16

RGB 202 218 22

HSL 64.9, 0.82%, 0.47%

LAB 83.31, -25.6, 80.22

 

CMYK 90 / 0 / 9 / 15

HEX #16DAC6

RGB 22 218 198

HSL 173.88, 0.82%, 0.47%

LAB 78.69, -47.74, -2.56

 

CMYK 56 / 90 / 0 / 15

HEX #6116DA

RGB 97 22 218

HSL 262.96, 0.82%, 0.47%

LAB 34.35, 69.43, -83.27

 

CMYK 0 / 90 / 79 / 15

HEX #DA162D

RGB 218 22 45

HSL 352.96, 0.82%, 0.47%

LAB 46.54, 69.64, 41.65

 

CMYK 34 / 0 / 90 / 15

HEX #8FDA16

RGB 143 218 22

HSL 82.96, 0.82%, 0.47%

LAB 79.64, -48.65, 75.72

 

Description

Color code: HEX #16DAC6 | qconv.com Color code: HEX #16DAC6 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 22 red, 218 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
22 218 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 9 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 9% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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