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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #16C4CB it is the complementary color #E93B34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #16C4CB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #16C4CB shade: #1BC4C6, #2CD6D9, #3DE8EC, #4EFAFF and #5FFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #16C4CB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #16C4CB shade: #16C4CB, #05B2B8, #00A0A5, #008E92 and #007C7F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #16C4CB shade: #16C3CA, #1693CA, #1662CA, #1632CA and #2C16CA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #16C4CB shade: #16C3CA, #1693CA, #1662CA, #1632CA and #1616CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #16C4CB shade matches the following richer shades: #16C3CA and #04D4DC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #16C4CB shade: #16C3CA, #29B2B8, #3BA2A6, #4D9193 and #5F8081

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #16C4CB shade: #16CA70, #16CAA0, #16C4CA, #1694CA and #1664CA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #16C4CB shade: #0E7B80, #129FA5, #16C3CA, #23DFE7 and #48E4EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #16C4CB shade: #16C4CB, #4016CA and #CA8816

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #16C4CB shade: #16C4CB, #CA16C4 and #C4CA16

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #16C4CB shade: #16C4CB, #4016CA, #CA1C16 and #A0CA16

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #16C4CB shade: #16C4CB, #7616CA, #CA1C16 and #6ACA16

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 3 / 0 / 20

HEX #16C4CB

RGB 22 196 203

HSL 182.32, 0.8%, 0.44%

LAB 72.2, -36.57, -14.9

 

Complementary color

CMYK 0 / 75 / 78 / 9

HEX #E93B34

RGB 233 59 52

HSL 2.32, 0.8%, 0.56%

LAB 52.62, 65.28, 45.02

 

CMYK 86 / 1 / 0 / 22

HEX #1BC4C6

RGB 27 196 198

HSL 180.7, 0.76%, 0.44%

LAB 72.09, -37.81, -12.34

 

CMYK 80 / 1 / 0 / 15

HEX #2CD6D9

RGB 44 214 217

HSL 181.04, 0.69%, 0.51%

LAB 78.25, -39.17, -13.35

 

CMYK 74 / 2 / 0 / 7

HEX #3DE8EC

RGB 61 232 236

HSL 181.37, 0.82%, 0.58%

LAB 84.36, -40.25, -14.27

 

CMYK 69 / 2 / 0 / 0

HEX #4EFAFF

RGB 78 250 255

HSL 181.69, 1%, 0.65%

LAB 90.42, -41.09, -15.11

 

CMYK 63 / 0 / 0 / 0

HEX #5FFFFF

RGB 95 255 255

HSL 180, 1%, 0.69%

LAB 92.21, -41.03, -12.39

 

CMYK 89 / 3 / 0 / 20

HEX #16C4CB

RGB 22 196 203

HSL 182.32, 0.8%, 0.44%

LAB 72.2, -36.57, -14.9

 

CMYK 97 / 3 / 0 / 28

HEX #05B2B8

RGB 5 178 184

HSL 182.01, 0.95%, 0.37%

LAB 66.01, -34.69, -13.8

 

CMYK 100 / 3 / 0 / 35

HEX #00A0A5

RGB 0 160 165

HSL 181.82, 1%, 0.32%

LAB 59.76, -32.35, -12.56

 

CMYK 100 / 3 / 0 / 43

HEX #008E92

RGB 0 142 146

HSL 181.64, 1%, 0.29%

LAB 53.41, -29.8, -11.26

 

CMYK 100 / 2 / 0 / 50

HEX #007C7F

RGB 0 124 127

HSL 181.42, 1%, 0.25%

LAB 46.91, -27.2, -9.92

 

CMYK 89 / 3 / 0 / 21

HEX #16C3CA

RGB 22 195 202

HSL 182.33, 0.8%, 0.44%

LAB 71.87, -36.41, -14.86

 

CMYK 89 / 27 / 0 / 21

HEX #1693CA

RGB 22 147 202

HSL 198.33, 0.8%, 0.44%

LAB 57.37, -11.95, -37.13

 

CMYK 89 / 51 / 0 / 21

HEX #1662CA

RGB 22 98 202

HSL 214.67, 0.8%, 0.44%

LAB 43.02, 17.95, -60.01

 

CMYK 89 / 75 / 0 / 21

HEX #1632CA

RGB 22 50 202

HSL 230.67, 0.8%, 0.44%

LAB 31.15, 48.51, -79.45

 

CMYK 78 / 89 / 0 / 21

HEX #2C16CA

RGB 44 22 202

HSL 247.33, 0.8%, 0.44%

LAB 27.77, 62.06, -85.04

 

CMYK 89 / 3 / 0 / 21

HEX #16C3CA

RGB 22 195 202

HSL 182.33, 0.8%, 0.44%

LAB 71.87, -36.41, -14.86

 

CMYK 89 / 27 / 0 / 21

HEX #1693CA

RGB 22 147 202

HSL 198.33, 0.8%, 0.44%

LAB 57.37, -11.95, -37.13

 

CMYK 89 / 51 / 0 / 21

HEX #1662CA

RGB 22 98 202

HSL 214.67, 0.8%, 0.44%

LAB 43.02, 17.95, -60.01

 

CMYK 89 / 75 / 0 / 21

HEX #1632CA

RGB 22 50 202

HSL 230.67, 0.8%, 0.44%

LAB 31.15, 48.51, -79.45

 

CMYK 89 / 89 / 0 / 21

HEX #1616CA

RGB 22 22 202

HSL 240, 0.8%, 0.44%

LAB 26.76, 61.39, -86.76

 

CMYK 89 / 3 / 0 / 21

HEX #16C3CA

RGB 22 195 202

HSL 182.33, 0.8%, 0.44%

LAB 71.87, -36.41, -14.86

 

CMYK 98 / 4 / 0 / 14

HEX #04D4DC

RGB 4 212 220

HSL 182.22, 0.96%, 0.44%

LAB 77.45, -39.32, -16.2

 

CMYK 89 / 3 / 0 / 21

HEX #16C3CA

RGB 22 195 202

HSL 182.33, 0.8%, 0.44%

LAB 71.87, -36.41, -14.86

 

CMYK 78 / 3 / 0 / 28

HEX #29B2B8

RGB 41 178 184

HSL 182.52, 0.64%, 0.44%

LAB 66.35, -32.52, -13.25

 

CMYK 64 / 2 / 0 / 35

HEX #3BA2A6

RGB 59 162 166

HSL 182.24, 0.48%, 0.44%

LAB 61.24, -27.78, -10.82

 

CMYK 48 / 1 / 0 / 42

HEX #4D9193

RGB 77 145 147

HSL 181.71, 0.31%, 0.44%

LAB 56.02, -20.93, -7.75

 

CMYK 26 / 1 / 0 / 49

HEX #5F8081

RGB 95 128 129

HSL 181.76, 0.15%, 0.44%

LAB 51.22, -11.36, -4.35

 

CMYK 89 / 0 / 45 / 21

HEX #16CA70

RGB 22 202 112

HSL 150, 0.8%, 0.44%

LAB 71.95, -61.41, 33.47

 

CMYK 89 / 0 / 21 / 21

HEX #16CAA0

RGB 22 202 160

HSL 166, 0.8%, 0.44%

LAB 72.86, -51.13, 9.41

 

CMYK 89 / 3 / 0 / 21

HEX #16C4CA

RGB 22 196 202

HSL 182, 0.8%, 0.44%

LAB 72.17, -36.87, -14.4

 

CMYK 89 / 27 / 0 / 21

HEX #1694CA

RGB 22 148 202

HSL 198, 0.8%, 0.44%

LAB 57.67, -12.51, -36.66

 

CMYK 89 / 50 / 0 / 21

HEX #1664CA

RGB 22 100 202

HSL 214, 0.8%, 0.44%

LAB 43.58, 16.65, -59.1

 

CMYK 89 / 4 / 0 / 50

HEX #0E7B80

RGB 14 123 128

HSL 182.63, 0.8%, 0.28%

LAB 46.73, -25.57, -10.75

 

CMYK 89 / 4 / 0 / 35

HEX #129FA5

RGB 18 159 165

HSL 182.45, 0.8%, 0.36%

LAB 59.56, -31.12, -12.85

 

CMYK 89 / 3 / 0 / 21

HEX #16C3CA

RGB 22 195 202

HSL 182.33, 0.8%, 0.44%

LAB 71.87, -36.41, -14.86

 

CMYK 85 / 3 / 0 / 9

HEX #23DFE7

RGB 35 223 231

HSL 182.45, 0.8%, 0.52%

LAB 81.24, -39.79, -16.35

 

CMYK 69 / 3 / 0 / 8

HEX #48E4EB

RGB 72 228 235

HSL 182.58, 0.8%, 0.6%

LAB 83.37, -37.44, -15.21

 

CMYK 89 / 3 / 0 / 20

HEX #16C4CB

RGB 22 196 203

HSL 182.32, 0.8%, 0.44%

LAB 72.2, -36.57, -14.9

 

CMYK 68 / 89 / 0 / 21

HEX #4016CA

RGB 64 22 202

HSL 254, 0.8%, 0.44%

LAB 29.23, 63.07, -82.57

 

CMYK 0 / 33 / 89 / 21

HEX #CA8816

RGB 202 136 22

HSL 38, 0.8%, 0.44%

LAB 61.85, 16.96, 63.38

 

CMYK 89 / 3 / 0 / 20

HEX #16C4CB

RGB 22 196 203

HSL 182.32, 0.8%, 0.44%

LAB 72.2, -36.57, -14.9

 

CMYK 0 / 89 / 3 / 21

HEX #CA16C4

RGB 202 22 196

HSL 302, 0.8%, 0.44%

LAB 48.41, 79.43, -46.98

 

CMYK 3 / 0 / 89 / 21

HEX #C4CA16

RGB 196 202 22

HSL 62, 0.8%, 0.44%

LAB 78.48, -20.37, 76.21

 

CMYK 89 / 3 / 0 / 20

HEX #16C4CB

RGB 22 196 203

HSL 182.32, 0.8%, 0.44%

LAB 72.2, -36.57, -14.9

 

CMYK 68 / 89 / 0 / 21

HEX #4016CA

RGB 64 22 202

HSL 254, 0.8%, 0.44%

LAB 29.23, 63.07, -82.57

 

CMYK 0 / 86 / 89 / 21

HEX #CA1C16

RGB 202 28 22

HSL 2, 0.8%, 0.44%

LAB 43.43, 63.86, 49.33

 

CMYK 21 / 0 / 89 / 21

HEX #A0CA16

RGB 160 202 22

HSL 74, 0.8%, 0.44%

LAB 75.93, -35.28, 73.08

 

CMYK 89 / 3 / 0 / 20

HEX #16C4CB

RGB 22 196 203

HSL 182.32, 0.8%, 0.44%

LAB 72.2, -36.57, -14.9

 

CMYK 42 / 89 / 0 / 21

HEX #7616CA

RGB 118 22 202

HSL 272, 0.8%, 0.44%

LAB 35.38, 67.88, -72.21

 

CMYK 0 / 86 / 89 / 21

HEX #CA1C16

RGB 202 28 22

HSL 2, 0.8%, 0.44%

LAB 43.43, 63.86, 49.33

 

CMYK 48 / 0 / 89 / 21

HEX #6ACA16

RGB 106 202 22

HSL 92, 0.8%, 0.44%

LAB 73.13, -54.65, 69.62

 

Description

Color code: HEX #16C4CB | qconv.com Color code: HEX #16C4CB | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 22 red, 196 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
22 196 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, 3 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 3% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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