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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #16BE91 it is the complementary color #E9416E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #16BE91. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #16BE91 shade: #1BBE8C, #2CD09F, #3DE2B2, #4EF4C5 and #5FFFD8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #16BE91. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #16BE91 shade: #16BE91, #05AC7E, #009A6B, #008858 and #007645

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #16BE91 shade: #16C092, #16C065, #16C037, #23C016 and #51C016

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #16BE91 shade: #16C092, #16BFC0, #1692C0, #1664C0 and #1637C0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #16BE91 shade matches the following richer shades: #16C092 and #05D19A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #16BE91 shade: #16C092, #28AE8A, #399D82, #4A8C7A and #5C7A72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #16BE91 shade: #16C036, #16C063, #16C090, #16C0BD and #1695C0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #16BE91 shade: #0E765A, #129B76, #16C092, #1BE4AE and #40E9BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #16BE91 shade: #16BE91, #1625C0 and #C04C16

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #16BE91 shade: #16BE91, #9016C0 and #C09016

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #16BE91 shade: #16BE91, #1625C0, #C01646 and #C0B216

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #16BE91 shade: #16BE91, #3B16C0, #C01646 and #9BC016

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 24 / 25

HEX #16BE91

RGB 22 190 145

HSL 163.93, 0.79%, 0.42%

LAB 68.78, -50.05, 11.74

 

Complementary color

CMYK 0 / 72 / 53 / 9

HEX #E9416E

RGB 233 65 110

HSL 343.93, 0.79%, 0.58%

LAB 54.27, 66.45, 13.41

 

CMYK 86 / 0 / 26 / 25

HEX #1BBE8C

RGB 27 190 140

HSL 161.6, 0.75%, 0.43%

LAB 68.72, -50.9, 14.37

 

CMYK 79 / 0 / 24 / 18

HEX #2CD09F

RGB 44 208 159

HSL 162.07, 0.65%, 0.49%

LAB 74.92, -52.02, 12.9

 

CMYK 73 / 0 / 21 / 11

HEX #3DE2B2

RGB 61 226 178

HSL 162.55, 0.74%, 0.56%

LAB 81.07, -52.81, 11.56

 

CMYK 68 / 0 / 19 / 4

HEX #4EF4C5

RGB 78 244 197

HSL 163.01, 0.88%, 0.63%

LAB 87.17, -53.36, 10.34

 

CMYK 63 / 0 / 15 / 0

HEX #5FFFD8

RGB 95 255 216

HSL 165.38, 1%, 0.69%

LAB 91.19, -50.83, 6.32

 

CMYK 88 / 0 / 24 / 25

HEX #16BE91

RGB 22 190 145

HSL 163.93, 0.79%, 0.42%

LAB 68.78, -50.05, 11.74

 

CMYK 97 / 0 / 27 / 33

HEX #05AC7E

RGB 5 172 126

HSL 163.47, 0.94%, 0.35%

LAB 62.54, -48.37, 13.36

 

CMYK 100 / 0 / 31 / 40

HEX #009A6B

RGB 0 154 107

HSL 161.69, 1%, 0.3%

LAB 56.26, -46.1, 15.17

 

CMYK 100 / 0 / 35 / 47

HEX #008858

RGB 0 136 88

HSL 158.82, 1%, 0.27%

LAB 49.87, -43.53, 17.13

 

CMYK 100 / 0 / 42 / 54

HEX #007645

RGB 0 118 69

HSL 155.08, 1%, 0.23%

LAB 43.34, -40.82, 19.19

 

CMYK 89 / 0 / 24 / 25

HEX #16C092

RGB 22 192 146

HSL 163.76, 0.79%, 0.42%

LAB 69.43, -50.59, 12.11

 

CMYK 89 / 0 / 47 / 25

HEX #16C065

RGB 22 192 101

HSL 147.88, 0.79%, 0.42%

LAB 68.61, -59.92, 34.78

 

CMYK 89 / 0 / 71 / 25

HEX #16C037

RGB 22 192 55

HSL 131.65, 0.79%, 0.42%

LAB 68.13, -65.87, 55.02

 

CMYK 82 / 0 / 89 / 25

HEX #23C016

RGB 35 192 22

HSL 115.41, 0.79%, 0.42%

LAB 68.1, -66.68, 64.59

 

CMYK 58 / 0 / 89 / 25

HEX #51C016

RGB 81 192 22

HSL 99.18, 0.79%, 0.42%

LAB 69.12, -58.09, 65.86

 

CMYK 89 / 0 / 24 / 25

HEX #16C092

RGB 22 192 146

HSL 163.76, 0.79%, 0.42%

LAB 69.43, -50.59, 12.11

 

CMYK 89 / 1 / 0 / 25

HEX #16BFC0

RGB 22 191 192

HSL 180.35, 0.79%, 0.42%

LAB 70.34, -37.6, -11.69

 

CMYK 89 / 24 / 0 / 25

HEX #1692C0

RGB 22 146 192

HSL 196.24, 0.79%, 0.42%

LAB 56.62, -15, -32.66

 

CMYK 89 / 48 / 0 / 25

HEX #1664C0

RGB 22 100 192

HSL 212.47, 0.79%, 0.42%

LAB 42.9, 12.69, -54.41

 

CMYK 89 / 71 / 0 / 25

HEX #1637C0

RGB 22 55 192

HSL 228.35, 0.79%, 0.42%

LAB 31.13, 42.05, -73.62

 

CMYK 89 / 0 / 24 / 25

HEX #16C092

RGB 22 192 146

HSL 163.76, 0.79%, 0.42%

LAB 69.43, -50.59, 12.11

 

CMYK 98 / 0 / 26 / 18

HEX #05D19A

RGB 5 209 154

HSL 163.82, 0.95%, 0.42%

LAB 74.8, -55.97, 15.36

 

CMYK 89 / 0 / 24 / 25

HEX #16C092

RGB 22 192 146

HSL 163.76, 0.79%, 0.42%

LAB 69.43, -50.59, 12.11

 

CMYK 77 / 0 / 21 / 32

HEX #28AE8A

RGB 40 174 138

HSL 163.88, 0.63%, 0.42%

LAB 63.8, -43.64, 8.55

 

CMYK 64 / 0 / 17 / 38

HEX #399D82

RGB 57 157 130

HSL 163.8, 0.47%, 0.42%

LAB 58.6, -35.62, 5.64

 

CMYK 47 / 0 / 13 / 45

HEX #4A8C7A

RGB 74 140 122

HSL 163.64, 0.31%, 0.42%

LAB 53.62, -25.65, 3.11

 

CMYK 25 / 0 / 7 / 52

HEX #5C7A72

RGB 92 122 114

HSL 164, 0.14%, 0.42%

LAB 48.77, -12.57, 0.86

 

CMYK 89 / 0 / 72 / 25

HEX #16C036

RGB 22 192 54

HSL 131.29, 0.79%, 0.42%

LAB 68.12, -65.96, 55.39

 

CMYK 89 / 0 / 48 / 25

HEX #16C063

RGB 22 192 99

HSL 147.18, 0.79%, 0.42%

LAB 68.58, -60.26, 35.75

 

CMYK 89 / 0 / 25 / 25

HEX #16C090

RGB 22 192 144

HSL 163.06, 0.79%, 0.42%

LAB 69.39, -51.08, 13.14

 

CMYK 89 / 0 / 2 / 25

HEX #16C0BD

RGB 22 192 189

HSL 178.94, 0.79%, 0.42%

LAB 70.56, -38.95, -9.73

 

CMYK 89 / 22 / 0 / 25

HEX #1695C0

RGB 22 149 192

HSL 195.18, 0.79%, 0.42%

LAB 57.53, -16.64, -31.24

 

CMYK 88 / 0 / 24 / 54

HEX #0E765A

RGB 14 118 90

HSL 163.85, 0.79%, 0.26%

LAB 43.93, -34.67, 7.74

 

CMYK 88 / 0 / 24 / 39

HEX #129B76

RGB 18 155 118

HSL 163.8, 0.79%, 0.34%

LAB 56.96, -42.83, 9.98

 

CMYK 89 / 0 / 24 / 25

HEX #16C092

RGB 22 192 146

HSL 163.76, 0.79%, 0.42%

LAB 69.43, -50.59, 12.11

 

CMYK 88 / 0 / 24 / 11

HEX #1BE4AE

RGB 27 228 174

HSL 163.88, 0.79%, 0.5%

LAB 81.17, -57.62, 13.75

 

CMYK 73 / 0 / 20 / 9

HEX #40E9BB

RGB 64 233 187

HSL 163.67, 0.79%, 0.58%

LAB 83.42, -53.14, 10.18

 

CMYK 88 / 0 / 24 / 25

HEX #16BE91

RGB 22 190 145

HSL 163.93, 0.79%, 0.42%

LAB 68.78, -50.05, 11.74

 

CMYK 89 / 81 / 0 / 25

HEX #1625C0

RGB 22 37 192

HSL 234.71, 0.79%, 0.42%

LAB 27.57, 52.16, -79.52

 

CMYK 0 / 60 / 89 / 25

HEX #C04C16

RGB 192 76 22

HSL 19.06, 0.79%, 0.42%

LAB 47.54, 44.2, 51.65

 

CMYK 88 / 0 / 24 / 25

HEX #16BE91

RGB 22 190 145

HSL 163.93, 0.79%, 0.42%

LAB 68.78, -50.05, 11.74

 

CMYK 25 / 89 / 0 / 25

HEX #9016C0

RGB 144 22 192

HSL 283.06, 0.79%, 0.42%

LAB 38.39, 69.27, -61.28

 

CMYK 0 / 25 / 89 / 25

HEX #C09016

RGB 192 144 22

HSL 43.06, 0.79%, 0.42%

LAB 62.69, 8.15, 63.55

 

CMYK 88 / 0 / 24 / 25

HEX #16BE91

RGB 22 190 145

HSL 163.93, 0.79%, 0.42%

LAB 68.78, -50.05, 11.74

 

CMYK 89 / 81 / 0 / 25

HEX #1625C0

RGB 22 37 192

HSL 234.71, 0.79%, 0.42%

LAB 27.57, 52.16, -79.52

 

CMYK 0 / 89 / 64 / 25

HEX #C01646

RGB 192 22 70

HSL 343.06, 0.79%, 0.42%

LAB 41.57, 64.03, 19.39

 

CMYK 0 / 7 / 89 / 25

HEX #C0B216

RGB 192 178 22

HSL 55.06, 0.79%, 0.42%

LAB 71.63, -9.99, 70.63

 

CMYK 88 / 0 / 24 / 25

HEX #16BE91

RGB 22 190 145

HSL 163.93, 0.79%, 0.42%

LAB 68.78, -50.05, 11.74

 

CMYK 69 / 89 / 0 / 25

HEX #3B16C0

RGB 59 22 192

HSL 253.06, 0.79%, 0.42%

LAB 27.6, 60.12, -79.42

 

CMYK 0 / 89 / 64 / 25

HEX #C01646

RGB 192 22 70

HSL 343.06, 0.79%, 0.42%

LAB 41.57, 64.03, 19.39

 

CMYK 19 / 0 / 89 / 25

HEX #9BC016

RGB 155 192 22

HSL 73.06, 0.79%, 0.42%

LAB 72.71, -32.69, 70.32

 

Description

Color code: HEX #16BE91 | qconv.com Color code: HEX #16BE91 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 22 red, 190 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
22 190 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 24 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 24% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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