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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #16B420 it is the complementary color #E94BDF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #16B420. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #16B420 shade: #1BB41B, #2CC62E, #3DD841, #4EEA54 and #5FFC67

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #16B420. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #16B420 shade: #16B420, #05A20D, #009000, #007E00 and #006C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #16B420 shade: #16B621, #37B616, #62B616, #8DB616 and #B6B316

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #16B420 shade: #16B621, #16B64B, #16B676, #16B6A1 and #169FB6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #16B420 shade matches the following richer shades: #16B621 and #06C612

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #16B420 shade: #16B621, #27A52F, #37953D, #48844C and #58745A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #16B420 shade: #63B616, #39B616, #16B61E, #16B649 and #16B673

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #16B420 shade: #0D6C13, #12911A, #16B621, #1BDA27 and #38E643

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #16B420 shade: #16B420, #168EB6 and #B6164E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #16B420 shade: #16B420, #1E16B6 and #B61E16

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #16B420 shade: #16B420, #168EB6, #B616AE and #B63E16

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #16B420 shade: #16B420, #165EB6, #B616AE and #B66E16

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 82 / 29

HEX #16B420

RGB 22 180 32

HSL 123.8, 0.78%, 0.4%

LAB 64.09, -64, 58.63

 

Complementary color

CMYK 0 / 68 / 4 / 9

HEX #E94BDF

RGB 233 75 223

HSL 303.8, 0.78%, 0.6%

LAB 59.6, 76.24, -44.34

 

CMYK 85 / 0 / 85 / 29

HEX #1BB41B

RGB 27 180 27

HSL 120, 0.74%, 0.41%

LAB 64.12, -63.81, 59.97

 

CMYK 78 / 0 / 77 / 22

HEX #2CC62E

RGB 44 198 46

HSL 120.78, 0.64%, 0.47%

LAB 70.26, -66.1, 60.4

 

CMYK 72 / 0 / 70 / 15

HEX #3DD841

RGB 61 216 65

HSL 121.55, 0.67%, 0.54%

LAB 76.37, -67.69, 60.02

 

CMYK 67 / 0 / 64 / 8

HEX #4EEA54

RGB 78 234 84

HSL 122.31, 0.79%, 0.61%

LAB 82.44, -68.78, 59.18

 

CMYK 62 / 0 / 59 / 1

HEX #5FFC67

RGB 95 252 103

HSL 123.06, 0.96%, 0.68%

LAB 88.46, -69.5, 58.11

 

CMYK 88 / 0 / 82 / 29

HEX #16B420

RGB 22 180 32

HSL 123.8, 0.78%, 0.4%

LAB 64.09, -64, 58.63

 

CMYK 97 / 0 / 92 / 36

HEX #05A20D

RGB 5 162 13

HSL 123.06, 0.94%, 0.33%

LAB 57.94, -60.74, 57.37

 

CMYK 100 / 0 / 100 / 44

HEX #009000

RGB 0 144 0

HSL 120, 1%, 0.28%

LAB 51.78, -56.31, 54.35

 

CMYK 100 / 0 / 100 / 51

HEX #007E00

RGB 0 126 0

HSL 120, 1%, 0.25%

LAB 45.53, -51.12, 49.34

 

CMYK 100 / 0 / 100 / 58

HEX #006C00

RGB 0 108 0

HSL 120, 1%, 0.21%

LAB 39.11, -45.79, 44.19

 

CMYK 88 / 0 / 82 / 29

HEX #16B621

RGB 22 182 33

HSL 124.13, 0.78%, 0.4%

LAB 64.75, -64.53, 58.97

 

CMYK 70 / 0 / 88 / 29

HEX #37B616

RGB 55 182 22

HSL 107.63, 0.78%, 0.4%

LAB 65.22, -60.59, 62.22

 

CMYK 46 / 0 / 88 / 29

HEX #62B616

RGB 98 182 22

HSL 91.5, 0.78%, 0.4%

LAB 66.6, -49.48, 63.96

 

CMYK 23 / 0 / 88 / 29

HEX #8DB616

RGB 141 182 22

HSL 75.38, 0.78%, 0.4%

LAB 68.88, -33.73, 66.79

 

CMYK 0 / 2 / 88 / 29

HEX #B6B316

RGB 182 179 22

HSL 58.88, 0.78%, 0.4%

LAB 71.04, -14.89, 69.8

 

CMYK 88 / 0 / 82 / 29

HEX #16B621

RGB 22 182 33

HSL 124.13, 0.78%, 0.4%

LAB 64.75, -64.53, 58.97

 

CMYK 88 / 0 / 59 / 29

HEX #16B64B

RGB 22 182 75

HSL 139.88, 0.78%, 0.4%

LAB 65.07, -60.57, 43.15

 

CMYK 88 / 0 / 35 / 29

HEX #16B676

RGB 22 182 118

HSL 156, 0.78%, 0.4%

LAB 65.7, -53.13, 22.07

 

CMYK 88 / 0 / 12 / 29

HEX #16B6A1

RGB 22 182 161

HSL 172.13, 0.78%, 0.4%

LAB 66.67, -42.56, -0.06

 

CMYK 88 / 13 / 0 / 29

HEX #169FB6

RGB 22 159 182

HSL 188.63, 0.78%, 0.4%

LAB 60.2, -25.34, -21.48

 

CMYK 88 / 0 / 82 / 29

HEX #16B621

RGB 22 182 33

HSL 124.13, 0.78%, 0.4%

LAB 64.75, -64.53, 58.97

 

CMYK 97 / 0 / 91 / 22

HEX #06C612

RGB 6 198 18

HSL 123.75, 0.94%, 0.4%

LAB 69.8, -70.58, 66.65

 

CMYK 88 / 0 / 82 / 29

HEX #16B621

RGB 22 182 33

HSL 124.13, 0.78%, 0.4%

LAB 64.75, -64.53, 58.97

 

CMYK 76 / 0 / 72 / 35

HEX #27A52F

RGB 39 165 47

HSL 123.81, 0.62%, 0.4%

LAB 59.48, -56.31, 49.16

 

CMYK 63 / 0 / 59 / 42

HEX #37953D

RGB 55 149 61

HSL 123.83, 0.46%, 0.4%

LAB 54.7, -46.06, 37.82

 

CMYK 45 / 0 / 42 / 48

HEX #48844C

RGB 72 132 76

HSL 124, 0.29%, 0.4%

LAB 49.98, -31.98, 24.3

 

CMYK 24 / 0 / 22 / 55

HEX #58745A

RGB 88 116 90

HSL 124.29, 0.14%, 0.4%

LAB 46.05, -15.81, 11.12

 

CMYK 46 / 0 / 88 / 29

HEX #63B616

RGB 99 182 22

HSL 91.13, 0.78%, 0.4%

LAB 66.65, -49.16, 64.01

 

CMYK 69 / 0 / 88 / 29

HEX #39B616

RGB 57 182 22

HSL 106.88, 0.78%, 0.4%

LAB 65.27, -60.2, 62.28

 

CMYK 88 / 0 / 84 / 29

HEX #16B61E

RGB 22 182 30

HSL 123, 0.78%, 0.4%

LAB 64.74, -64.69, 59.76

 

CMYK 88 / 0 / 60 / 29

HEX #16B649

RGB 22 182 73

HSL 139.13, 0.78%, 0.4%

LAB 65.05, -60.83, 44.05

 

CMYK 88 / 0 / 37 / 29

HEX #16B673

RGB 22 182 115

HSL 154.88, 0.78%, 0.4%

LAB 65.64, -53.76, 23.61

 

CMYK 88 / 0 / 82 / 58

HEX #0D6C13

RGB 13 108 19

HSL 123.79, 0.79%, 0.24%

LAB 39.34, -43.44, 39.23

 

CMYK 88 / 0 / 82 / 43

HEX #12911A

RGB 18 145 26

HSL 123.78, 0.78%, 0.32%

LAB 52.35, -54.22, 49.37

 

CMYK 88 / 0 / 82 / 29

HEX #16B621

RGB 22 182 33

HSL 124.13, 0.78%, 0.4%

LAB 64.75, -64.53, 58.97

 

CMYK 88 / 0 / 82 / 15

HEX #1BDA27

RGB 27 218 39

HSL 123.77, 0.78%, 0.48%

LAB 76.39, -74.11, 68.14

 

CMYK 76 / 0 / 71 / 10

HEX #38E643

RGB 56 230 67

HSL 123.79, 0.78%, 0.56%

LAB 80.65, -72.64, 63.7

 

CMYK 88 / 0 / 82 / 29

HEX #16B420

RGB 22 180 32

HSL 123.8, 0.78%, 0.4%

LAB 64.09, -64, 58.63

 

CMYK 88 / 22 / 0 / 29

HEX #168EB6

RGB 22 142 182

HSL 195, 0.78%, 0.4%

LAB 54.96, -16.38, -29.55

 

CMYK 0 / 88 / 57 / 29

HEX #B6164E

RGB 182 22 78

HSL 339, 0.78%, 0.4%

LAB 39.7, 61.98, 11.43

 

CMYK 88 / 0 / 82 / 29

HEX #16B420

RGB 22 180 32

HSL 123.8, 0.78%, 0.4%

LAB 64.09, -64, 58.63

 

CMYK 84 / 88 / 0 / 29

HEX #1E16B6

RGB 30 22 182

HSL 243, 0.78%, 0.4%

LAB 24.41, 55.94, -78.84

 

CMYK 0 / 84 / 88 / 29

HEX #B61E16

RGB 182 30 22

HSL 3, 0.78%, 0.4%

LAB 39.46, 57.83, 44.49

 

CMYK 88 / 0 / 82 / 29

HEX #16B420

RGB 22 180 32

HSL 123.8, 0.78%, 0.4%

LAB 64.09, -64, 58.63

 

CMYK 88 / 22 / 0 / 29

HEX #168EB6

RGB 22 142 182

HSL 195, 0.78%, 0.4%

LAB 54.96, -16.38, -29.55

 

CMYK 0 / 88 / 4 / 29

HEX #B616AE

RGB 182 22 174

HSL 303, 0.78%, 0.4%

LAB 43.62, 72.6, -41.91

 

CMYK 0 / 66 / 88 / 29

HEX #B63E16

RGB 182 62 22

HSL 15, 0.78%, 0.4%

LAB 43.43, 46.86, 47.67

 

CMYK 88 / 0 / 82 / 29

HEX #16B420

RGB 22 180 32

HSL 123.8, 0.78%, 0.4%

LAB 64.09, -64, 58.63

 

CMYK 88 / 48 / 0 / 29

HEX #165EB6

RGB 22 94 182

HSL 213, 0.78%, 0.4%

LAB 40.5, 12.61, -52.46

 

CMYK 0 / 88 / 4 / 29

HEX #B616AE

RGB 182 22 174

HSL 303, 0.78%, 0.4%

LAB 43.62, 72.6, -41.91

 

CMYK 0 / 40 / 88 / 29

HEX #B66E16

RGB 182 110 22

HSL 33, 0.78%, 0.4%

LAB 53.12, 22.49, 55.43

 

Description

Color code: HEX #16B420 | qconv.com Color code: HEX #16B420 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 22 red, 180 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
22 180 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 82 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 82% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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