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Color name
HEX #16AD71

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #16AD71 it is the complementary color #E9528E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #16AD71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #16AD71 shade: #1BAD6C, #2CBF7F, #3DD192, #4EE3A5 and #5FF5B8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #16AD71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #16AD71 shade: #16AD71, #059B5E, #00894B, #007738 and #006525

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #16AD71 shade: #16AC70, #16AC48, #16AC20, #35AC16 and #5DAC16

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #16AD71 shade: #16AC70, #16AC98, #1696AC, #166EAC and #1646AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #16AD71 shade matches the following richer shades: #16AC70 and #07BB73

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #16AD71 shade: #16AC70, #269C6D, #368C6A, #457C67 and #556D63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #16AD71 shade: #16AC20, #16AC48, #16AC70, #16AC98 and #1698AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #16AD71 shade: #0D6240, #128758, #16AC70, #1BD088 and #30E49D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #16AD71 shade: #16AD71, #1634AC and #AC3416

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #16AD71 shade: #16AD71, #7016AC and #AC7016

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #16AD71 shade: #16AD71, #1634AC, #AC1652 and #AC8E16

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #16AD71 shade: #16AD71, #2516AC, #AC1652 and #9DAC16

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 35 / 32

HEX #16AD71

RGB 22 173 113

HSL 156.16, 0.77%, 0.38%

LAB 62.72, -50.82, 20.73

 

Complementary color

CMYK 0 / 65 / 39 / 9

HEX #E9528E

RGB 233 82 142

HSL 336.16, 0.77%, 0.62%

LAB 57.38, 63.05, -1.11

 

CMYK 84 / 0 / 38 / 32

HEX #1BAD6C

RGB 27 173 108

HSL 153.29, 0.73%, 0.39%

LAB 62.68, -51.46, 23.39

 

CMYK 77 / 0 / 34 / 25

HEX #2CBF7F

RGB 44 191 127

HSL 153.88, 0.63%, 0.46%

LAB 68.99, -52.51, 21.77

 

CMYK 71 / 0 / 30 / 18

HEX #3DD192

RGB 61 209 146

HSL 154.46, 0.62%, 0.53%

LAB 75.24, -53.19, 20.3

 

CMYK 66 / 0 / 27 / 11

HEX #4EE3A5

RGB 78 227 165

HSL 155.03, 0.73%, 0.6%

LAB 81.44, -53.61, 18.95

 

CMYK 61 / 0 / 25 / 4

HEX #5FF5B8

RGB 95 245 184

HSL 155.6, 0.88%, 0.67%

LAB 87.58, -53.84, 17.72

 

CMYK 87 / 0 / 35 / 32

HEX #16AD71

RGB 22 173 113

HSL 156.16, 0.77%, 0.38%

LAB 62.72, -50.82, 20.73

 

CMYK 97 / 0 / 39 / 39

HEX #059B5E

RGB 5 155 94

HSL 155.6, 0.94%, 0.31%

LAB 56.37, -49.12, 22.53

 

CMYK 100 / 0 / 45 / 46

HEX #00894B

RGB 0 137 75

HSL 152.85, 1%, 0.27%

LAB 49.98, -46.66, 24.52

 

CMYK 100 / 0 / 53 / 53

HEX #007738

RGB 0 119 56

HSL 148.24, 1%, 0.23%

LAB 43.48, -43.73, 26.62

 

CMYK 100 / 0 / 63 / 60

HEX #006525

RGB 0 101 37

HSL 141.98, 1%, 0.2%

LAB 36.82, -40.48, 28.65

 

CMYK 87 / 0 / 35 / 33

HEX #16AC70

RGB 22 172 112

HSL 156, 0.77%, 0.38%

LAB 62.38, -50.66, 20.81

 

CMYK 87 / 0 / 58 / 33

HEX #16AC48

RGB 22 172 72

HSL 140, 0.77%, 0.38%

LAB 61.78, -57.72, 40.69

 

CMYK 87 / 0 / 81 / 33

HEX #16AC20

RGB 22 172 32

HSL 124, 0.77%, 0.38%

LAB 61.46, -61.64, 56.18

 

CMYK 69 / 0 / 87 / 33

HEX #35AC16

RGB 53 172 22

HSL 107.6, 0.77%, 0.38%

LAB 61.93, -57.74, 59.33

 

CMYK 46 / 0 / 87 / 33

HEX #5DAC16

RGB 93 172 22

HSL 91.6, 0.77%, 0.38%

LAB 63.25, -47.15, 61

 

CMYK 87 / 0 / 35 / 33

HEX #16AC70

RGB 22 172 112

HSL 156, 0.77%, 0.38%

LAB 62.38, -50.66, 20.81

 

CMYK 87 / 0 / 12 / 33

HEX #16AC98

RGB 22 172 152

HSL 172, 0.77%, 0.38%

LAB 63.3, -40.72, 0

 

CMYK 87 / 13 / 0 / 33

HEX #1696AC

RGB 22 150 172

HSL 188.8, 0.77%, 0.38%

LAB 57.04, -24.1, -20.65

 

CMYK 87 / 36 / 0 / 33

HEX #166EAC

RGB 22 110 172

HSL 204.8, 0.77%, 0.38%

LAB 44.66, -1.54, -39.94

 

CMYK 87 / 59 / 0 / 33

HEX #1646AC

RGB 22 70 172

HSL 220.8, 0.77%, 0.38%

LAB 32.98, 24.65, -58.74

 

CMYK 87 / 0 / 35 / 33

HEX #16AC70

RGB 22 172 112

HSL 156, 0.77%, 0.38%

LAB 62.38, -50.66, 20.81

 

CMYK 96 / 0 / 39 / 27

HEX #07BB73

RGB 7 187 115

HSL 156, 0.93%, 0.38%

LAB 67.14, -56.34, 25.6

 

CMYK 87 / 0 / 35 / 33

HEX #16AC70

RGB 22 172 112

HSL 156, 0.77%, 0.38%

LAB 62.38, -50.66, 20.81

 

CMYK 76 / 0 / 30 / 39

HEX #269C6D

RGB 38 156 109

HSL 156.1, 0.61%, 0.38%

LAB 57.36, -43.34, 15.64

 

CMYK 61 / 0 / 24 / 45

HEX #368C6A

RGB 54 140 106

HSL 156.28, 0.44%, 0.38%

LAB 52.49, -34.32, 10.61

 

CMYK 44 / 0 / 17 / 51

HEX #457C67

RGB 69 124 103

HSL 157.09, 0.28%, 0.38%

LAB 47.83, -23.53, 5.82

 

CMYK 22 / 0 / 9 / 57

HEX #556D63

RGB 85 109 99

HSL 155, 0.12%, 0.38%

LAB 43.9, -11.13, 2.67

 

CMYK 87 / 0 / 81 / 33

HEX #16AC20

RGB 22 172 32

HSL 124, 0.77%, 0.38%

LAB 61.46, -61.64, 56.18

 

CMYK 87 / 0 / 58 / 33

HEX #16AC48

RGB 22 172 72

HSL 140, 0.77%, 0.38%

LAB 61.78, -57.72, 40.69

 

CMYK 87 / 0 / 35 / 33

HEX #16AC70

RGB 22 172 112

HSL 156, 0.77%, 0.38%

LAB 62.38, -50.66, 20.81

 

CMYK 87 / 0 / 12 / 33

HEX #16AC98

RGB 22 172 152

HSL 172, 0.77%, 0.38%

LAB 63.3, -40.72, 0

 

CMYK 87 / 12 / 0 / 33

HEX #1698AC

RGB 22 152 172

HSL 188, 0.77%, 0.38%

LAB 57.66, -25.12, -19.7

 

CMYK 87 / 0 / 35 / 62

HEX #0D6240

RGB 13 98 64

HSL 156, 0.77%, 0.22%

LAB 36.35, -32.73, 12.75

 

CMYK 87 / 0 / 35 / 47

HEX #128758

RGB 18 135 88

HSL 155.9, 0.76%, 0.3%

LAB 49.69, -41.91, 16.91

 

CMYK 87 / 0 / 35 / 33

HEX #16AC70

RGB 22 172 112

HSL 156, 0.77%, 0.38%

LAB 62.38, -50.66, 20.81

 

CMYK 87 / 0 / 35 / 18

HEX #1BD088

RGB 27 208 136

HSL 156.13, 0.77%, 0.46%

LAB 74.27, -58.58, 24.15

 

CMYK 79 / 0 / 31 / 11

HEX #30E49D

RGB 48 228 157

HSL 156.33, 0.77%, 0.54%

LAB 81.04, -59.74, 22.48

 

CMYK 87 / 0 / 35 / 32

HEX #16AD71

RGB 22 173 113

HSL 156.16, 0.77%, 0.38%

LAB 62.72, -50.82, 20.73

 

CMYK 87 / 70 / 0 / 33

HEX #1634AC

RGB 22 52 172

HSL 228, 0.77%, 0.38%

LAB 28.39, 36.59, -66.26

 

CMYK 0 / 70 / 87 / 33

HEX #AC3416

RGB 172 52 22

HSL 12, 0.77%, 0.38%

LAB 40.06, 47.55, 44.16

 

CMYK 87 / 0 / 35 / 32

HEX #16AD71

RGB 22 173 113

HSL 156.16, 0.77%, 0.38%

LAB 62.72, -50.82, 20.73

 

CMYK 35 / 87 / 0 / 33

HEX #7016AC

RGB 112 22 172

HSL 276, 0.77%, 0.38%

LAB 31.8, 60.61, -60.37

 

CMYK 0 / 35 / 87 / 33

HEX #AC7016

RGB 172 112 22

HSL 36, 0.77%, 0.38%

LAB 52.31, 16.94, 54.24

 

CMYK 87 / 0 / 35 / 32

HEX #16AD71

RGB 22 173 113

HSL 156.16, 0.77%, 0.38%

LAB 62.72, -50.82, 20.73

 

CMYK 87 / 70 / 0 / 33

HEX #1634AC

RGB 22 52 172

HSL 228, 0.77%, 0.38%

LAB 28.39, 36.59, -66.26

 

CMYK 0 / 87 / 52 / 33

HEX #AC1652

RGB 172 22 82

HSL 336, 0.77%, 0.38%

LAB 37.76, 59.72, 5.85

 

CMYK 0 / 17 / 87 / 33

HEX #AC8E16

RGB 172 142 22

HSL 48, 0.77%, 0.38%

LAB 60.05, 0.21, 60.54

 

CMYK 87 / 0 / 35 / 32

HEX #16AD71

RGB 22 173 113

HSL 156.16, 0.77%, 0.38%

LAB 62.72, -50.82, 20.73

 

CMYK 78 / 87 / 0 / 33

HEX #2516AC

RGB 37 22 172

HSL 246, 0.77%, 0.38%

LAB 23.49, 53.34, -74.36

 

CMYK 0 / 87 / 52 / 33

HEX #AC1652

RGB 172 22 82

HSL 336, 0.77%, 0.38%

LAB 37.76, 59.72, 5.85

 

CMYK 9 / 0 / 87 / 33

HEX #9DAC16

RGB 157 172 22

HSL 66, 0.77%, 0.38%

LAB 67.07, -22.24, 65.75

 

Description

Color code: HEX #16AD71 | qconv.com Color code: HEX #16AD71 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 22 red, 173 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
22 173 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 35 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 35% 32% C M Y K

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Provide designers and agencies with accurate color values.

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