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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1699E7 it is the complementary color #E96618. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1699E7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1699E7 shade: #1B99E2, #2CABF5, #3DBDFF, #4ECFFF and #5FE1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1699E7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1699E7 shade: #1699E7, #0587D4, #0075C1, #0063AE and #00519B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1699E7 shade: #169AE9, #1661E9, #1628E9, #3C16E9 and #7516E9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1699E7 shade: #169AE9, #1661E9, #1628E9 and #1616E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1699E7 shade matches the following richer shades: #169AE9 and #01A0FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1699E7 shade: #169AE9, #2A95D5, #3F90C0, #548BAB and #688597

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1699E7 shade: #16E9C6, #16D4E9, #169CE9, #1663E9 and #162BE9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1699E7 shade: #0F689E, #1281C4, #169AE9, #3BABED and #61BBF0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1699E7 shade: #1699E7, #8E16E9 and #E9E216

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1699E7 shade: #1699E7, #E9169C and #9CE916

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1699E7 shade: #1699E7, #8E16E9, #E96316 and #71E916

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1699E7 shade: #1699E7, #CD16E9, #E96316 and #32E916

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 34 / 0 / 9

HEX #1699E7

RGB 22 153 231

HSL 202.39, 0.83%, 0.5%

LAB 60.54, -4.72, -48.34

 

Complementary color

CMYK 0 / 56 / 90 / 9

HEX #E96618

RGB 233 102 24

HSL 22.39, 0.83%, 0.5%

LAB 58.87, 47.28, 62.47

 

CMYK 88 / 32 / 0 / 11

HEX #1B99E2

RGB 27 153 226

HSL 202.01, 0.79%, 0.5%

LAB 60.34, -6.29, -45.87

 

CMYK 82 / 30 / 0 / 4

HEX #2CABF5

RGB 44 171 245

HSL 202.09, 0.91%, 0.57%

LAB 66.71, -8.39, -46.26

 

CMYK 76 / 26 / 0 / 0

HEX #3DBDFF

RGB 61 189 255

HSL 200.41, 1%, 0.62%

LAB 72.63, -13.14, -42.37

 

CMYK 69 / 19 / 0 / 0

HEX #4ECFFF

RGB 78 207 255

HSL 196.27, 1%, 0.65%

LAB 78.15, -20.48, -33.77

 

CMYK 63 / 12 / 0 / 0

HEX #5FE1FF

RGB 95 225 255

HSL 191.25, 1%, 0.69%

LAB 83.71, -26.97, -25.21

 

CMYK 90 / 34 / 0 / 9

HEX #1699E7

RGB 22 153 231

HSL 202.39, 0.83%, 0.5%

LAB 60.54, -4.72, -48.34

 

CMYK 98 / 36 / 0 / 17

HEX #0587D4

RGB 5 135 212

HSL 202.32, 0.95%, 0.43%

LAB 54.15, -1.97, -47.86

 

CMYK 100 / 39 / 0 / 24

HEX #0075C1

RGB 0 117 193

HSL 203.63, 1%, 0.38%

LAB 47.72, 1.36, -47.28

 

CMYK 100 / 43 / 0 / 32

HEX #0063AE

RGB 0 99 174

HSL 205.86, 1%, 0.34%

LAB 41.18, 5.06, -46.67

 

CMYK 100 / 48 / 0 / 39

HEX #00519B

RGB 0 81 155

HSL 208.65, 1%, 0.3%

LAB 34.5, 9.02, -46.09

 

CMYK 91 / 34 / 0 / 9

HEX #169AE9

RGB 22 154 233

HSL 202.46, 0.83%, 0.5%

LAB 60.93, -4.55, -48.82

 

CMYK 91 / 58 / 0 / 9

HEX #1661E9

RGB 22 97 233

HSL 218.67, 0.83%, 0.5%

LAB 45.09, 30.65, -74.31

 

CMYK 91 / 83 / 0 / 9

HEX #1628E9

RGB 22 40 233

HSL 234.88, 0.83%, 0.5%

LAB 33.07, 63.38, -94.13

 

CMYK 74 / 91 / 0 / 9

HEX #3C16E9

RGB 60 22 233

HSL 250.81, 0.83%, 0.5%

LAB 32.74, 70.84, -94.64

 

CMYK 50 / 91 / 0 / 9

HEX #7516E9

RGB 117 22 233

HSL 267.01, 0.83%, 0.5%

LAB 38.27, 74.61, -85.3

 

CMYK 91 / 34 / 0 / 9

HEX #169AE9

RGB 22 154 233

HSL 202.46, 0.83%, 0.5%

LAB 60.93, -4.55, -48.82

 

CMYK 91 / 58 / 0 / 9

HEX #1661E9

RGB 22 97 233

HSL 218.67, 0.83%, 0.5%

LAB 45.09, 30.65, -74.31

 

CMYK 91 / 83 / 0 / 9

HEX #1628E9

RGB 22 40 233

HSL 234.88, 0.83%, 0.5%

LAB 33.07, 63.38, -94.13

 

CMYK 91 / 91 / 0 / 9

HEX #1616E9

RGB 22 22 233

HSL 240, 0.83%, 0.5%

LAB 30.94, 69.8, -97.68

 

CMYK 91 / 34 / 0 / 9

HEX #169AE9

RGB 22 154 233

HSL 202.46, 0.83%, 0.5%

LAB 60.93, -4.55, -48.82

 

CMYK 100 / 37 / 0 / 0

HEX #01A0FE

RGB 1 160 254

HSL 202.29, 0.99%, 0.5%

LAB 63.59, -0.86, -56.13

 

CMYK 91 / 34 / 0 / 9

HEX #169AE9

RGB 22 154 233

HSL 202.46, 0.83%, 0.5%

LAB 60.93, -4.55, -48.82

 

CMYK 80 / 30 / 0 / 16

HEX #2A95D5

RGB 42 149 213

HSL 202.46, 0.67%, 0.5%

LAB 58.78, -7.57, -41.07

 

CMYK 67 / 25 / 0 / 25

HEX #3F90C0

RGB 63 144 192

HSL 202.33, 0.51%, 0.5%

LAB 56.89, -9.35, -32.17

 

CMYK 51 / 19 / 0 / 33

HEX #548BAB

RGB 84 139 171

HSL 202.07, 0.34%, 0.5%

LAB 55.37, -9.05, -22.49

 

CMYK 31 / 12 / 0 / 41

HEX #688597

RGB 104 133 151

HSL 202.98, 0.18%, 0.5%

LAB 53.98, -5.81, -12.98

 

CMYK 91 / 0 / 15 / 9

HEX #16E9C6

RGB 22 233 198

HSL 170.05, 0.83%, 0.5%

LAB 83.19, -53.91, 4.01

 

CMYK 91 / 9 / 0 / 9

HEX #16D4E9

RGB 22 212 233

HSL 185.97, 0.83%, 0.5%

LAB 77.96, -34.78, -22.39

 

CMYK 91 / 33 / 0 / 9

HEX #169CE9

RGB 22 156 233

HSL 201.9, 0.83%, 0.5%

LAB 61.51, -5.7, -47.9

 

CMYK 91 / 58 / 0 / 9

HEX #1663E9

RGB 22 99 233

HSL 218.1, 0.83%, 0.5%

LAB 45.6, 29.37, -73.47

 

CMYK 91 / 82 / 0 / 9

HEX #162BE9

RGB 22 43 233

HSL 234.03, 0.83%, 0.5%

LAB 33.52, 62.05, -93.38

 

CMYK 91 / 34 / 0 / 38

HEX #0F689E

RGB 15 104 158

HSL 202.66, 0.83%, 0.34%

LAB 41.95, -3.81, -35.97

 

CMYK 91 / 34 / 0 / 23

HEX #1281C4

RGB 18 129 196

HSL 202.58, 0.83%, 0.42%

LAB 51.63, -4.03, -42.78

 

CMYK 91 / 34 / 0 / 9

HEX #169AE9

RGB 22 154 233

HSL 202.46, 0.83%, 0.5%

LAB 60.93, -4.55, -48.82

 

CMYK 75 / 28 / 0 / 7

HEX #3BABED

RGB 59 171 237

HSL 202.25, 0.83%, 0.58%

LAB 66.65, -9.68, -41.97

 

CMYK 60 / 22 / 0 / 6

HEX #61BBF0

RGB 97 187 240

HSL 202.24, 0.83%, 0.66%

LAB 72.48, -11.65, -34.44

 

CMYK 90 / 34 / 0 / 9

HEX #1699E7

RGB 22 153 231

HSL 202.39, 0.83%, 0.5%

LAB 60.54, -4.72, -48.34

 

CMYK 39 / 91 / 0 / 9

HEX #8E16E9

RGB 142 22 233

HSL 274.12, 0.83%, 0.5%

LAB 41.54, 77.16, -79.79

 

CMYK 0 / 3 / 91 / 9

HEX #E9E216

RGB 233 226 22

HSL 58.01, 0.83%, 0.5%

LAB 87.86, -16.51, 84.8

 

CMYK 90 / 34 / 0 / 9

HEX #1699E7

RGB 22 153 231

HSL 202.39, 0.83%, 0.5%

LAB 60.54, -4.72, -48.34

 

CMYK 0 / 91 / 33 / 9

HEX #E9169C

RGB 233 22 156

HSL 321.9, 0.83%, 0.5%

LAB 52.17, 80.51, -17.17

 

CMYK 33 / 0 / 91 / 9

HEX #9CE916

RGB 156 233 22

HSL 81.9, 0.83%, 0.5%

LAB 84.69, -50.2, 80.13

 

CMYK 90 / 34 / 0 / 9

HEX #1699E7

RGB 22 153 231

HSL 202.39, 0.83%, 0.5%

LAB 60.54, -4.72, -48.34

 

CMYK 39 / 91 / 0 / 9

HEX #8E16E9

RGB 142 22 233

HSL 274.12, 0.83%, 0.5%

LAB 41.54, 77.16, -79.79

 

CMYK 0 / 58 / 91 / 9

HEX #E96316

RGB 233 99 22

HSL 21.9, 0.83%, 0.5%

LAB 58.33, 48.65, 62.66

 

CMYK 52 / 0 / 91 / 9

HEX #71E916

RGB 113 233 22

HSL 94.12, 0.83%, 0.5%

LAB 82.83, -63.92, 77.84

 

CMYK 90 / 34 / 0 / 9

HEX #1699E7

RGB 22 153 231

HSL 202.39, 0.83%, 0.5%

LAB 60.54, -4.72, -48.34

 

CMYK 12 / 91 / 0 / 9

HEX #CD16E9

RGB 205 22 233

HSL 292.04, 0.83%, 0.5%

LAB 51.19, 85.6, -63.66

 

CMYK 0 / 58 / 91 / 9

HEX #E96316

RGB 233 99 22

HSL 21.9, 0.83%, 0.5%

LAB 58.33, 48.65, 62.66

 

CMYK 79 / 0 / 91 / 9

HEX #32E916

RGB 50 233 22

HSL 112.04, 0.83%, 0.5%

LAB 81.3, -76.71, 75.93

 

Description

Color code: HEX #1699E7 | qconv.com Color code: HEX #1699E7 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 22 red, 153 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
22 153 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, 34 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 34% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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