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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #16996B it is the complementary color #E96694. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #16996B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #16996B shade: #1B9966, #2CAB79, #3DBD8C, #4ECF9F and #5FE1B2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #16996B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #16996B shade: #16996B, #058758, #007545, #006332 and #00511F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #16996B shade: #16986A, #169847, #169824, #2B9816 and #4E9816

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #16996B shade: #16986A, #16988D, #167F98, #165C98 and #163998

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #16996B shade matches the following richer shades: #16986A and #08A66E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #16996B shade: #16986A, #248A66, #327C62, #406E5E and #4E6059

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #16996B shade: #169823, #169845, #169868, #16988B and #168298

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #16996B shade: #0B5038, #117451, #16986A, #1BBC83 and #21DF9C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #16996B shade: #16996B, #162B98 and #983416

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #16996B shade: #16996B, #681698 and #986816

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #16996B shade: #16996B, #162B98, #981645 and #988216

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #16996B shade: #16996B, #271698, #981645 and #869816

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 30 / 40

HEX #16996B

RGB 22 153 107

HSL 158.93, 0.75%, 0.34%

LAB 56.1, -44.39, 14.98

 

Complementary color

CMYK 0 / 56 / 36 / 9

HEX #E96694

RGB 233 102 148

HSL 338.93, 0.75%, 0.66%

LAB 60.75, 55.09, 0.33

 

CMYK 82 / 0 / 33 / 40

HEX #1B9966

RGB 27 153 102

HSL 155.71, 0.7%, 0.35%

LAB 56.06, -45.05, 17.73

 

CMYK 74 / 0 / 29 / 33

HEX #2CAB79

RGB 44 171 121

HSL 156.38, 0.59%, 0.42%

LAB 62.54, -45.92, 16.18

 

CMYK 68 / 0 / 26 / 26

HEX #3DBD8C

RGB 61 189 140

HSL 157.03, 0.51%, 0.49%

LAB 68.95, -46.44, 14.78

 

CMYK 62 / 0 / 23 / 19

HEX #4ECF9F

RGB 78 207 159

HSL 157.67, 0.57%, 0.56%

LAB 75.29, -46.72, 13.52

 

CMYK 58 / 0 / 21 / 12

HEX #5FE1B2

RGB 95 225 178

HSL 158.31, 0.68%, 0.63%

LAB 81.56, -46.84, 12.37

 

CMYK 86 / 0 / 30 / 40

HEX #16996B

RGB 22 153 107

HSL 158.93, 0.75%, 0.34%

LAB 56.1, -44.39, 14.98

 

CMYK 96 / 0 / 35 / 47

HEX #058758

RGB 5 135 88

HSL 158.31, 0.93%, 0.27%

LAB 49.57, -42.83, 16.73

 

CMYK 100 / 0 / 41 / 54

HEX #007545

RGB 0 117 69

HSL 155.38, 1%, 0.23%

LAB 42.99, -40.43, 18.73

 

CMYK 100 / 0 / 49 / 61

HEX #006332

RGB 0 99 50

HSL 150.3, 1%, 0.19%

LAB 36.28, -37.53, 20.89

 

CMYK 100 / 0 / 62 / 68

HEX #00511F

RGB 0 81 31

HSL 142.96, 1%, 0.16%

LAB 29.37, -34.29, 23.08

 

CMYK 86 / 0 / 30 / 40

HEX #16986A

RGB 22 152 106

HSL 158.77, 0.75%, 0.34%

LAB 55.75, -44.22, 15.06

 

CMYK 86 / 0 / 53 / 40

HEX #169847

RGB 22 152 71

HSL 142.62, 0.75%, 0.34%

LAB 55.16, -51.12, 33.22

 

CMYK 86 / 0 / 76 / 40

HEX #169824

RGB 22 152 36

HSL 126.46, 0.75%, 0.34%

LAB 54.82, -55.28, 48.46

 

CMYK 72 / 0 / 86 / 40

HEX #2B9816

RGB 43 152 22

HSL 110.31, 0.75%, 0.34%

LAB 55.1, -53.09, 53.17

 

CMYK 49 / 0 / 86 / 40

HEX #4E9816

RGB 78 152 22

HSL 94.15, 0.75%, 0.34%

LAB 56.22, -44.04, 54.6

 

CMYK 86 / 0 / 30 / 40

HEX #16986A

RGB 22 152 106

HSL 158.77, 0.75%, 0.34%

LAB 55.75, -44.22, 15.06

 

CMYK 86 / 0 / 7 / 40

HEX #16988D

RGB 22 152 141

HSL 174.92, 0.75%, 0.34%

LAB 56.63, -34.91, -3.56

 

CMYK 86 / 16 / 0 / 40

HEX #167F98

RGB 22 127 152

HSL 191.54, 0.75%, 0.34%

LAB 49.03, -18.85, -21.39

 

CMYK 86 / 39 / 0 / 40

HEX #165C98

RGB 22 92 152

HSL 207.69, 0.75%, 0.34%

LAB 38.01, 1.87, -38.65

 

CMYK 86 / 63 / 0 / 40

HEX #163998

RGB 22 57 152

HSL 223.85, 0.75%, 0.34%

LAB 27.75, 25.53, -55.22

 

CMYK 86 / 0 / 30 / 40

HEX #16986A

RGB 22 152 106

HSL 158.77, 0.75%, 0.34%

LAB 55.75, -44.22, 15.06

 

CMYK 95 / 0 / 34 / 35

HEX #08A66E

RGB 8 166 110

HSL 158.73, 0.91%, 0.34%

LAB 60.29, -49.64, 19.05

 

CMYK 86 / 0 / 30 / 40

HEX #16986A

RGB 22 152 106

HSL 158.77, 0.75%, 0.34%

LAB 55.75, -44.22, 15.06

 

CMYK 74 / 0 / 26 / 46

HEX #248A66

RGB 36 138 102

HSL 158.82, 0.59%, 0.34%

LAB 51.28, -37.68, 11.14

 

CMYK 60 / 0 / 21 / 51

HEX #327C62

RGB 50 124 98

HSL 158.92, 0.43%, 0.34%

LAB 46.94, -29.67, 7.4

 

CMYK 42 / 0 / 15 / 57

HEX #406E5E

RGB 64 110 94

HSL 159.13, 0.26%, 0.34%

LAB 42.84, -19.87, 3.99

 

CMYK 19 / 0 / 7 / 62

HEX #4E6059

RGB 78 96 89

HSL 156.67, 0.1%, 0.34%

LAB 39.08, -8.45, 1.72

 

CMYK 86 / 0 / 77 / 40

HEX #169823

RGB 22 152 35

HSL 126, 0.75%, 0.34%

LAB 54.81, -55.35, 48.81

 

CMYK 86 / 0 / 55 / 40

HEX #169845

RGB 22 152 69

HSL 141.69, 0.75%, 0.34%

LAB 55.13, -51.43, 34.2

 

CMYK 86 / 0 / 32 / 40

HEX #169868

RGB 22 152 104

HSL 157.85, 0.75%, 0.34%

LAB 55.71, -44.68, 16.12

 

CMYK 86 / 0 / 9 / 40

HEX #16988B

RGB 22 152 139

HSL 174, 0.75%, 0.34%

LAB 56.58, -35.5, -2.5

 

CMYK 86 / 14 / 0 / 40

HEX #168298

RGB 22 130 152

HSL 190.15, 0.75%, 0.34%

LAB 49.98, -20.46, -19.93

 

CMYK 86 / 0 / 30 / 69

HEX #0B5038

RGB 11 80 56

HSL 159.13, 0.76%, 0.18%

LAB 29.65, -26.99, 8.44

 

CMYK 85 / 0 / 30 / 55

HEX #117451

RGB 17 116 81

HSL 158.79, 0.74%, 0.26%

LAB 43.07, -35.84, 11.87

 

CMYK 86 / 0 / 30 / 40

HEX #16986A

RGB 22 152 106

HSL 158.77, 0.75%, 0.34%

LAB 55.75, -44.22, 15.06

 

CMYK 86 / 0 / 30 / 26

HEX #1BBC83

RGB 27 188 131

HSL 158.76, 0.75%, 0.42%

LAB 67.9, -52.19, 18.1

 

CMYK 85 / 0 / 30 / 13

HEX #21DF9C

RGB 33 223 156

HSL 158.84, 0.75%, 0.5%

LAB 79.33, -59.42, 20.61

 

CMYK 86 / 0 / 30 / 40

HEX #16996B

RGB 22 153 107

HSL 158.93, 0.75%, 0.34%

LAB 56.1, -44.39, 14.98

 

CMYK 86 / 72 / 0 / 40

HEX #162B98

RGB 22 43 152

HSL 230.31, 0.75%, 0.34%

LAB 24.21, 34.88, -61.03

 

CMYK 0 / 66 / 86 / 40

HEX #983416

RGB 152 52 22

HSL 13.85, 0.75%, 0.34%

LAB 36.35, 40.44, 39.51

 

CMYK 86 / 0 / 30 / 40

HEX #16996B

RGB 22 153 107

HSL 158.93, 0.75%, 0.34%

LAB 56.1, -44.39, 14.98

 

CMYK 32 / 86 / 0 / 40

HEX #681698

RGB 104 22 152

HSL 277.85, 0.75%, 0.34%

LAB 28.86, 55.1, -53.1

 

CMYK 0 / 32 / 86 / 40

HEX #986816

RGB 152 104 22

HSL 37.85, 0.75%, 0.34%

LAB 47.8, 12.39, 49.46

 

CMYK 86 / 0 / 30 / 40

HEX #16996B

RGB 22 153 107

HSL 158.93, 0.75%, 0.34%

LAB 56.1, -44.39, 14.98

 

CMYK 86 / 72 / 0 / 40

HEX #162B98

RGB 22 43 152

HSL 230.31, 0.75%, 0.34%

LAB 24.21, 34.88, -61.03

 

CMYK 0 / 86 / 55 / 40

HEX #981645

RGB 152 22 69

HSL 338.31, 0.75%, 0.34%

LAB 33.3, 53.47, 7.42

 

CMYK 0 / 14 / 86 / 40

HEX #988216

RGB 152 130 22

HSL 49.85, 0.75%, 0.34%

LAB 54.76, -2.37, 55.35

 

CMYK 86 / 0 / 30 / 40

HEX #16996B

RGB 22 153 107

HSL 158.93, 0.75%, 0.34%

LAB 56.1, -44.39, 14.98

 

CMYK 74 / 86 / 0 / 40

HEX #271698

RGB 39 22 152

HSL 247.85, 0.75%, 0.34%

LAB 21.1, 47.55, -66.14

 

CMYK 0 / 86 / 55 / 40

HEX #981645

RGB 152 22 69

HSL 338.31, 0.75%, 0.34%

LAB 33.3, 53.47, 7.42

 

CMYK 12 / 0 / 86 / 40

HEX #869816

RGB 134 152 22

HSL 68.31, 0.75%, 0.34%

LAB 59.51, -22.22, 58.73

 

Description

Color code: HEX #16996B | qconv.com Color code: HEX #16996B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 22 red, 153 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
22 153 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 30 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 30% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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