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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1696C8 it is the complementary color #E96937. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1696C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1696C8 shade: #1B96C3, #2CA8D6, #3DBAE9, #4ECCFC and #5FDEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1696C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1696C8 shade: #1696C8, #0584B5, #0072A2, #00608F and #004E7C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1696C8 shade: #1698CA, #1667CA, #1637CA, #2716CA and #5716CA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1696C8 shade: #1698CA, #1667CA, #1637CA and #1616CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1696C8 shade matches the following richer shades: #1698CA and #04A0DC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1696C8 shade: #1698CA, #2990B8, #3B88A6, #4D8093 and #5F7881

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1696C8 shade: #16CA9A, #16CACA, #169ACA, #166ACA and #163ACA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1696C8 shade: #0E6080, #127CA5, #1698CA, #23B0E7 and #48BDEB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1696C8 shade: #1696C8, #6A16CA and #CAB216

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1696C8 shade: #1696C8, #CA169A and #9ACA16

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1696C8 shade: #1696C8, #6A16CA, #CA4616 and #76CA16

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1696C8 shade: #1696C8, #A016CA, #CA4616 and #40CA16

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 25 / 0 / 22

HEX #1696C8

RGB 22 150 200

HSL 196.85, 0.8%, 0.44%

LAB 58.18, -14.33, -34.74

 

Complementary color

CMYK 0 / 55 / 76 / 9

HEX #E96937

RGB 233 105 55

HSL 16.85, 0.8%, 0.56%

LAB 59.62, 46.69, 50.69

 

CMYK 86 / 23 / 0 / 24

HEX #1B96C3

RGB 27 150 195

HSL 196.07, 0.76%, 0.44%

LAB 58.02, -15.8, -32.16

 

CMYK 79 / 21 / 0 / 16

HEX #2CA8D6

RGB 44 168 214

HSL 196.24, 0.67%, 0.51%

LAB 64.48, -17.49, -32.72

 

CMYK 74 / 20 / 0 / 9

HEX #3DBAE9

RGB 61 186 233

HSL 196.4, 0.8%, 0.58%

LAB 70.87, -18.82, -33.22

 

CMYK 69 / 19 / 0 / 1

HEX #4ECCFC

RGB 78 204 252

HSL 196.55, 0.97%, 0.65%

LAB 77.18, -19.88, -33.66

 

CMYK 63 / 13 / 0 / 0

HEX #5FDEFF

RGB 95 222 255

HSL 192.38, 1%, 0.69%

LAB 82.86, -25.49, -26.51

 

CMYK 89 / 25 / 0 / 22

HEX #1696C8

RGB 22 150 200

HSL 196.85, 0.8%, 0.44%

LAB 58.18, -14.33, -34.74

 

CMYK 97 / 27 / 0 / 29

HEX #0584B5

RGB 5 132 181

HSL 196.7, 0.95%, 0.36%

LAB 51.69, -11.98, -34.09

 

CMYK 100 / 30 / 0 / 36

HEX #0072A2

RGB 0 114 162

HSL 197.78, 1%, 0.32%

LAB 45.14, -9.01, -33.32

 

CMYK 100 / 33 / 0 / 44

HEX #00608F

RGB 0 96 143

HSL 199.72, 1%, 0.28%

LAB 38.46, -5.67, -32.53

 

CMYK 100 / 37 / 0 / 51

HEX #004E7C

RGB 0 78 124

HSL 202.26, 1%, 0.24%

LAB 31.59, -2.1, -31.77

 

CMYK 89 / 25 / 0 / 21

HEX #1698CA

RGB 22 152 202

HSL 196.67, 0.8%, 0.44%

LAB 58.87, -14.72, -34.78

 

CMYK 89 / 49 / 0 / 21

HEX #1667CA

RGB 22 103 202

HSL 213, 0.8%, 0.44%

LAB 44.43, 14.71, -57.73

 

CMYK 89 / 73 / 0 / 21

HEX #1637CA

RGB 22 55 202

HSL 229, 0.8%, 0.44%

LAB 32.18, 45.61, -77.74

 

CMYK 81 / 89 / 0 / 21

HEX #2716CA

RGB 39 22 202

HSL 245.67, 0.8%, 0.44%

LAB 27.49, 61.87, -85.52

 

CMYK 57 / 89 / 0 / 21

HEX #5716CA

RGB 87 22 202

HSL 261.67, 0.8%, 0.44%

LAB 31.5, 64.74, -78.75

 

CMYK 89 / 25 / 0 / 21

HEX #1698CA

RGB 22 152 202

HSL 196.67, 0.8%, 0.44%

LAB 58.87, -14.72, -34.78

 

CMYK 89 / 49 / 0 / 21

HEX #1667CA

RGB 22 103 202

HSL 213, 0.8%, 0.44%

LAB 44.43, 14.71, -57.73

 

CMYK 89 / 73 / 0 / 21

HEX #1637CA

RGB 22 55 202

HSL 229, 0.8%, 0.44%

LAB 32.18, 45.61, -77.74

 

CMYK 89 / 89 / 0 / 21

HEX #1616CA

RGB 22 22 202

HSL 240, 0.8%, 0.44%

LAB 26.76, 61.39, -86.76

 

CMYK 89 / 25 / 0 / 21

HEX #1698CA

RGB 22 152 202

HSL 196.67, 0.8%, 0.44%

LAB 58.87, -14.72, -34.78

 

CMYK 98 / 27 / 0 / 14

HEX #04A0DC

RGB 4 160 220

HSL 196.67, 0.96%, 0.44%

LAB 61.94, -13.31, -40.04

 

CMYK 89 / 25 / 0 / 21

HEX #1698CA

RGB 22 152 202

HSL 196.67, 0.8%, 0.44%

LAB 58.87, -14.72, -34.78

 

CMYK 78 / 22 / 0 / 28

HEX #2990B8

RGB 41 144 184

HSL 196.78, 0.64%, 0.44%

LAB 55.97, -15.1, -29.11

 

CMYK 64 / 18 / 0 / 35

HEX #3B88A6

RGB 59 136 166

HSL 196.82, 0.48%, 0.44%

LAB 53.27, -14.17, -22.93

 

CMYK 48 / 13 / 0 / 42

HEX #4D8093

RGB 77 128 147

HSL 196.29, 0.31%, 0.44%

LAB 50.83, -11.72, -15.56

 

CMYK 26 / 7 / 0 / 49

HEX #5F7881

RGB 95 120 129

HSL 195.88, 0.15%, 0.44%

LAB 48.82, -6.84, -7.91

 

CMYK 89 / 0 / 24 / 21

HEX #16CA9A

RGB 22 202 154

HSL 164, 0.8%, 0.44%

LAB 72.72, -52.6, 12.44

 

CMYK 89 / 0 / 0 / 21

HEX #16CACA

RGB 22 202 202

HSL 180, 0.8%, 0.44%

LAB 73.98, -39.61, -11.69

 

CMYK 89 / 24 / 0 / 21

HEX #169ACA

RGB 22 154 202

HSL 196, 0.8%, 0.44%

LAB 59.48, -15.81, -33.84

 

CMYK 89 / 48 / 0 / 21

HEX #166ACA

RGB 22 106 202

HSL 212, 0.8%, 0.44%

LAB 45.28, 12.77, -56.35

 

CMYK 89 / 71 / 0 / 21

HEX #163ACA

RGB 22 58 202

HSL 228, 0.8%, 0.44%

LAB 32.83, 43.81, -76.67

 

CMYK 89 / 25 / 0 / 50

HEX #0E6080

RGB 14 96 128

HSL 196.84, 0.8%, 0.28%

LAB 37.87, -10.74, -24.33

 

CMYK 89 / 25 / 0 / 35

HEX #127CA5

RGB 18 124 165

HSL 196.73, 0.8%, 0.36%

LAB 48.59, -12.78, -29.67

 

CMYK 89 / 25 / 0 / 21

HEX #1698CA

RGB 22 152 202

HSL 196.67, 0.8%, 0.44%

LAB 58.87, -14.72, -34.78

 

CMYK 85 / 24 / 0 / 9

HEX #23B0E7

RGB 35 176 231

HSL 196.84, 0.8%, 0.52%

LAB 67.41, -16.68, -37.53

 

CMYK 69 / 20 / 0 / 8

HEX #48BDEB

RGB 72 189 235

HSL 196.93, 0.8%, 0.6%

LAB 72.08, -18.32, -32.41

 

CMYK 89 / 25 / 0 / 22

HEX #1696C8

RGB 22 150 200

HSL 196.85, 0.8%, 0.44%

LAB 58.18, -14.33, -34.74

 

CMYK 48 / 89 / 0 / 21

HEX #6A16CA

RGB 106 22 202

HSL 268, 0.8%, 0.44%

LAB 33.78, 66.55, -74.9

 

CMYK 0 / 12 / 89 / 21

HEX #CAB216

RGB 202 178 22

HSL 52, 0.8%, 0.44%

LAB 72.53, -5.59, 71.73

 

CMYK 89 / 25 / 0 / 22

HEX #1696C8

RGB 22 150 200

HSL 196.85, 0.8%, 0.44%

LAB 58.18, -14.33, -34.74

 

CMYK 0 / 89 / 24 / 21

HEX #CA169A

RGB 202 22 154

HSL 316, 0.8%, 0.44%

LAB 46.26, 73.85, -25.55

 

CMYK 24 / 0 / 89 / 21

HEX #9ACA16

RGB 154 202 22

HSL 76, 0.8%, 0.44%

LAB 75.56, -37.66, 72.63

 

CMYK 89 / 25 / 0 / 22

HEX #1696C8

RGB 22 150 200

HSL 196.85, 0.8%, 0.44%

LAB 58.18, -14.33, -34.74

 

CMYK 48 / 89 / 0 / 21

HEX #6A16CA

RGB 106 22 202

HSL 268, 0.8%, 0.44%

LAB 33.78, 66.55, -74.9

 

CMYK 0 / 65 / 89 / 21

HEX #CA4616

RGB 202 70 22

HSL 16, 0.8%, 0.44%

LAB 48.25, 50.48, 52.95

 

CMYK 42 / 0 / 89 / 21

HEX #76CA16

RGB 118 202 22

HSL 88, 0.8%, 0.44%

LAB 73.64, -50.81, 70.26

 

CMYK 89 / 25 / 0 / 22

HEX #1696C8

RGB 22 150 200

HSL 196.85, 0.8%, 0.44%

LAB 58.18, -14.33, -34.74

 

CMYK 21 / 89 / 0 / 21

HEX #A016CA

RGB 160 22 202

HSL 286, 0.8%, 0.44%

LAB 41.71, 73.51, -61.61

 

CMYK 0 / 65 / 89 / 21

HEX #CA4616

RGB 202 70 22

HSL 16, 0.8%, 0.44%

LAB 48.25, 50.48, 52.95

 

CMYK 68 / 0 / 89 / 21

HEX #40CA16

RGB 64 202 22

HSL 106, 0.8%, 0.44%

LAB 71.82, -65.24, 67.99

 

Description

Color code: HEX #1696C8 | qconv.com Color code: HEX #1696C8 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 22 red, 150 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
22 150 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, 25 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 25% 0% 22% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

15% - Quelle Energie : con...
Link: http://www.quelleenergie.fr

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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