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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1688CD it is the complementary color #E97732. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1688CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1688CD shade: #1B88C8, #2C9ADB, #3DACEE, #4EBEFF and #5FD0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1688CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1688CD shade: #1688CD, #0576BA, #0064A7, #005294 and #004081

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1688CD shade: #168AD0, #1657D0, #1625D0, #3816D0 and #6B16D0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1688CD shade: #168AD0, #1657D0, #1625D0 and #1616D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1688CD shade matches the following richer shades: #168AD0 and #038EE2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1688CD shade: #168AD0, #2885BD, #3B80AB, #4E7C98 and #607785

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1688CD shade: #16D0B1, #16BDD0, #168CD0, #165AD0 and #1628D0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1688CD shade: #0E5885, #1271AA, #168AD0, #269FE8 and #4CB0EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1688CD shade: #1688CD, #7F16D0 and #D0CA16

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1688CD shade: #1688CD, #D0168C and #8CD016

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1688CD shade: #1688CD, #7F16D0, #D05A16 and #66D016

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1688CD shade: #1688CD, #B716D0, #D05A16 and #2FD016

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 34 / 0 / 20

HEX #1688CD

RGB 22 136 205

HSL 202.62, 0.81%, 0.45%

LAB 54.22, -4.53, -43.78

 

Complementary color

CMYK 0 / 49 / 79 / 9

HEX #E97732

RGB 233 119 50

HSL 22.62, 0.81%, 0.55%

LAB 62.29, 39.63, 55.63

 

CMYK 87 / 32 / 0 / 22

HEX #1B88C8

RGB 27 136 200

HSL 202.2, 0.76%, 0.45%

LAB 54.04, -6.09, -41.23

 

CMYK 80 / 30 / 0 / 14

HEX #2C9ADB

RGB 44 154 219

HSL 202.29, 0.71%, 0.52%

LAB 60.57, -8.07, -41.6

 

CMYK 74 / 28 / 0 / 7

HEX #3DACEE

RGB 61 172 238

HSL 202.37, 0.84%, 0.59%

LAB 67.03, -9.65, -41.92

 

CMYK 69 / 25 / 0 / 0

HEX #4EBEFF

RGB 78 190 255

HSL 202.03, 1%, 0.65%

LAB 73.33, -11.58, -41.25

 

CMYK 63 / 18 / 0 / 0

HEX #5FD0FF

RGB 95 208 255

HSL 197.63, 1%, 0.69%

LAB 78.91, -18.44, -32.57

 

CMYK 89 / 34 / 0 / 20

HEX #1688CD

RGB 22 136 205

HSL 202.62, 0.81%, 0.45%

LAB 54.22, -4.53, -43.78

 

CMYK 97 / 37 / 0 / 27

HEX #0576BA

RGB 5 118 186

HSL 202.54, 0.95%, 0.37%

LAB 47.67, -1.82, -43.32

 

CMYK 100 / 40 / 0 / 35

HEX #0064A7

RGB 0 100 167

HSL 204.07, 1%, 0.33%

LAB 41.06, 1.57, -42.73

 

CMYK 100 / 45 / 0 / 42

HEX #005294

RGB 0 82 148

HSL 206.76, 1%, 0.29%

LAB 34.34, 5.4, -42.11

 

CMYK 100 / 50 / 0 / 49

HEX #004081

RGB 0 64 129

HSL 210.23, 1%, 0.25%

LAB 27.44, 9.56, -41.52

 

CMYK 89 / 34 / 0 / 18

HEX #168AD0

RGB 22 138 208

HSL 202.58, 0.81%, 0.45%

LAB 54.97, -4.58, -44.29

 

CMYK 89 / 58 / 0 / 18

HEX #1657D0

RGB 22 87 208

HSL 219.03, 0.81%, 0.45%

LAB 40.48, 27.51, -67.59

 

CMYK 89 / 82 / 0 / 18

HEX #1625D0

RGB 22 37 208

HSL 235.16, 0.81%, 0.45%

LAB 29.53, 57.18, -85.64

 

CMYK 73 / 89 / 0 / 18

HEX #3816D0

RGB 56 22 208

HSL 250.97, 0.81%, 0.45%

LAB 29.33, 64.2, -85.92

 

CMYK 49 / 89 / 0 / 18

HEX #6B16D0

RGB 107 22 208

HSL 267.42, 0.81%, 0.45%

LAB 34.51, 68.02, -77.19

 

CMYK 89 / 34 / 0 / 18

HEX #168AD0

RGB 22 138 208

HSL 202.58, 0.81%, 0.45%

LAB 54.97, -4.58, -44.29

 

CMYK 89 / 58 / 0 / 18

HEX #1657D0

RGB 22 87 208

HSL 219.03, 0.81%, 0.45%

LAB 40.48, 27.51, -67.59

 

CMYK 89 / 82 / 0 / 18

HEX #1625D0

RGB 22 37 208

HSL 235.16, 0.81%, 0.45%

LAB 29.53, 57.18, -85.64

 

CMYK 89 / 89 / 0 / 18

HEX #1616D0

RGB 22 22 208

HSL 240, 0.81%, 0.45%

LAB 27.57, 63.06, -88.91

 

CMYK 89 / 34 / 0 / 18

HEX #168AD0

RGB 22 138 208

HSL 202.58, 0.81%, 0.45%

LAB 54.97, -4.58, -44.29

 

CMYK 99 / 37 / 0 / 11

HEX #038EE2

RGB 3 142 226

HSL 202.6, 0.97%, 0.45%

LAB 56.94, -0.83, -51.28

 

CMYK 89 / 34 / 0 / 18

HEX #168AD0

RGB 22 138 208

HSL 202.58, 0.81%, 0.45%

LAB 54.97, -4.58, -44.29

 

CMYK 79 / 30 / 0 / 26

HEX #2885BD

RGB 40 133 189

HSL 202.55, 0.65%, 0.45%

LAB 52.84, -7.23, -36.84

 

CMYK 65 / 25 / 0 / 33

HEX #3B80AB

RGB 59 128 171

HSL 203.04, 0.49%, 0.45%

LAB 51.05, -7.98, -29.25

 

CMYK 49 / 18 / 0 / 40

HEX #4E7C98

RGB 78 124 152

HSL 202.7, 0.32%, 0.45%

LAB 49.86, -7.71, -19.96

 

CMYK 28 / 11 / 0 / 48

HEX #607785

RGB 96 119 133

HSL 202.7, 0.16%, 0.45%

LAB 48.73, -4.92, -10.41

 

CMYK 89 / 0 / 15 / 18

HEX #16D0B1

RGB 22 208 177

HSL 170, 0.81%, 0.45%

LAB 75.11, -49.21, 3.49

 

CMYK 89 / 9 / 0 / 18

HEX #16BDD0

RGB 22 189 208

HSL 186.13, 0.81%, 0.45%

LAB 70.26, -31.7, -20.57

 

CMYK 89 / 33 / 0 / 18

HEX #168CD0

RGB 22 140 208

HSL 201.94, 0.81%, 0.45%

LAB 55.56, -5.74, -43.35

 

CMYK 89 / 57 / 0 / 18

HEX #165AD0

RGB 22 90 208

HSL 218.06, 0.81%, 0.45%

LAB 41.27, 25.54, -66.29

 

CMYK 89 / 81 / 0 / 18

HEX #1628D0

RGB 22 40 208

HSL 234.19, 0.81%, 0.45%

LAB 30.02, 55.76, -84.83

 

CMYK 89 / 34 / 0 / 48

HEX #0E5885

RGB 14 88 133

HSL 202.69, 0.81%, 0.29%

LAB 35.53, -3.87, -31.06

 

CMYK 89 / 34 / 0 / 33

HEX #1271AA

RGB 18 113 170

HSL 202.5, 0.81%, 0.37%

LAB 45.42, -4.43, -37.57

 

CMYK 89 / 34 / 0 / 18

HEX #168AD0

RGB 22 138 208

HSL 202.58, 0.81%, 0.45%

LAB 54.97, -4.58, -44.29

 

CMYK 84 / 31 / 0 / 9

HEX #269FE8

RGB 38 159 232

HSL 202.58, 0.81%, 0.53%

LAB 62.54, -6.77, -45.71

 

CMYK 68 / 25 / 0 / 7

HEX #4CB0EC

RGB 76 176 236

HSL 202.5, 0.81%, 0.61%

LAB 68.49, -10.49, -38.51

 

CMYK 89 / 34 / 0 / 20

HEX #1688CD

RGB 22 136 205

HSL 202.62, 0.81%, 0.45%

LAB 54.22, -4.53, -43.78

 

CMYK 39 / 89 / 0 / 18

HEX #7F16D0

RGB 127 22 208

HSL 273.87, 0.81%, 0.45%

LAB 37.19, 70.22, -72.68

 

CMYK 0 / 3 / 89 / 18

HEX #D0CA16

RGB 208 202 22

HSL 58.06, 0.81%, 0.45%

LAB 79.45, -15.25, 77.38

 

CMYK 89 / 34 / 0 / 20

HEX #1688CD

RGB 22 136 205

HSL 202.62, 0.81%, 0.45%

LAB 54.22, -4.53, -43.78

 

CMYK 0 / 89 / 33 / 18

HEX #D0168C

RGB 208 22 140

HSL 321.94, 0.81%, 0.45%

LAB 46.81, 73.55, -16.16

 

CMYK 33 / 0 / 89 / 18

HEX #8CD016

RGB 140 208 22

HSL 81.94, 0.81%, 0.45%

LAB 76.52, -45.57, 73.1

 

CMYK 89 / 34 / 0 / 20

HEX #1688CD

RGB 22 136 205

HSL 202.62, 0.81%, 0.45%

LAB 54.22, -4.53, -43.78

 

CMYK 39 / 89 / 0 / 18

HEX #7F16D0

RGB 127 22 208

HSL 273.87, 0.81%, 0.45%

LAB 37.19, 70.22, -72.68

 

CMYK 0 / 57 / 89 / 18

HEX #D05A16

RGB 208 90 22

HSL 21.94, 0.81%, 0.45%

LAB 52.71, 43.57, 56.75

 

CMYK 51 / 0 / 89 / 18

HEX #66D016

RGB 102 208 22

HSL 94.19, 0.81%, 0.45%

LAB 74.82, -58.07, 70.99

 

CMYK 89 / 34 / 0 / 20

HEX #1688CD

RGB 22 136 205

HSL 202.62, 0.81%, 0.45%

LAB 54.22, -4.53, -43.78

 

CMYK 12 / 89 / 0 / 18

HEX #B716D0

RGB 183 22 208

HSL 291.94, 0.81%, 0.45%

LAB 45.9, 78.1, -58.12

 

CMYK 0 / 57 / 89 / 18

HEX #D05A16

RGB 208 90 22

HSL 21.94, 0.81%, 0.45%

LAB 52.71, 43.57, 56.75

 

CMYK 77 / 0 / 89 / 18

HEX #2FD016

RGB 47 208 22

HSL 111.94, 0.81%, 0.45%

LAB 73.4, -69.87, 69.21

 

Description

Color code: HEX #1688CD | qconv.com Color code: HEX #1688CD | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 22 red, 136 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
22 136 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, 34 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 34% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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