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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1685F6 it is the complementary color #E97A09. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1685F6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1685F6 shade: #1B85F1, #2C97FF, #3DA9FF, #4EBBFF and #5FCDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1685F6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1685F6 shade: #1685F6, #0573E3, #0061D0, #004FBD and #003DAA

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1685F6 shade: #1886F7, #184AF7, #2118F7, #5E18F7 and #9A18F7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1685F6 shade: #1886F7, #184AF7 and #1818F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1685F6 shade matches the following richer shades: #1886F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1685F6 shade: #1886F7, #2B86E3, #3E86D0, #5287BC and #6587A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1685F6 shade: #18F7EF, #18C3F7, #1887F7, #184CF7 and #1F18F7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1685F6 shade: #075DB5, #0872DD, #1886F7, #409BF8 and #67B0F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1685F6 shade: #1685F6, #B418F7 and #E0F718

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1685F6 shade: #1685F6, #F71887 and #87F718

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1685F6 shade: #1685F6, #B418F7, #F78718 and #5BF718

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1685F6 shade: #1685F6, #F718F7, #F78718 and #18F718

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 46 / 0 / 4

HEX #1685F6

RGB 22 133 246

HSL 210.27, 0.93%, 0.53%

LAB 55.68, 12.87, -64.39

 

Complementary color

CMYK 0 / 48 / 96 / 9

HEX #E97A09

RGB 233 122 9

HSL 30.27, 0.93%, 0.47%

LAB 62.73, 37.25, 68.42

 

CMYK 89 / 45 / 0 / 5

HEX #1B85F1

RGB 27 133 241

HSL 210.28, 0.88%, 0.53%

LAB 55.44, 11.21, -62.01

 

CMYK 83 / 41 / 0 / 0

HEX #2C97FF

RGB 44 151 255

HSL 209.57, 1%, 0.59%

LAB 61.56, 6.72, -59.9

 

CMYK 76 / 34 / 0 / 0

HEX #3DA9FF

RGB 61 169 255

HSL 206.6, 1%, 0.62%

LAB 66.97, -2.12, -51.28

 

CMYK 69 / 27 / 0 / 0

HEX #4EBBFF

RGB 78 187 255

HSL 203.05, 1%, 0.65%

LAB 72.48, -9.96, -42.57

 

CMYK 63 / 20 / 0 / 0

HEX #5FCDFF

RGB 95 205 255

HSL 198.75, 1%, 0.69%

LAB 78.06, -16.89, -33.87

 

CMYK 91 / 46 / 0 / 4

HEX #1685F6

RGB 22 133 246

HSL 210.27, 0.93%, 0.53%

LAB 55.68, 12.87, -64.39

 

CMYK 98 / 49 / 0 / 11

HEX #0573E3

RGB 5 115 227

HSL 210.27, 0.96%, 0.45%

LAB 49.3, 16.21, -64.09

 

CMYK 100 / 53 / 0 / 18

HEX #0061D0

RGB 0 97 208

HSL 212.02, 1%, 0.41%

LAB 42.92, 20.15, -63.63

 

CMYK 100 / 58 / 0 / 26

HEX #004FBD

RGB 0 79 189

HSL 214.92, 1%, 0.37%

LAB 36.49, 24.45, -63.08

 

CMYK 100 / 64 / 0 / 33

HEX #003DAA

RGB 0 61 170

HSL 218.47, 1%, 0.33%

LAB 30.01, 28.94, -62.42

 

CMYK 90 / 46 / 0 / 3

HEX #1886F7

RGB 24 134 247

HSL 210.4, 0.93%, 0.53%

LAB 56.05, 12.73, -64.35

 

CMYK 90 / 70 / 0 / 3

HEX #184AF7

RGB 24 74 247

HSL 226.55, 0.93%, 0.53%

LAB 40.91, 50.18, -89.05

 

CMYK 87 / 90 / 0 / 3

HEX #2118F7

RGB 33 24 247

HSL 242.42, 0.93%, 0.53%

LAB 33.33, 73.11, -101.62

 

CMYK 62 / 90 / 0 / 3

HEX #5E18F7

RGB 94 24 247

HSL 258.83, 0.93%, 0.53%

LAB 37.39, 75.62, -94.76

 

CMYK 38 / 90 / 0 / 3

HEX #9A18F7

RGB 154 24 247

HSL 274.98, 0.93%, 0.53%

LAB 44.57, 81, -82.66

 

CMYK 90 / 46 / 0 / 3

HEX #1886F7

RGB 24 134 247

HSL 210.4, 0.93%, 0.53%

LAB 56.05, 12.73, -64.35

 

CMYK 90 / 70 / 0 / 3

HEX #184AF7

RGB 24 74 247

HSL 226.55, 0.93%, 0.53%

LAB 40.91, 50.18, -89.05

 

CMYK 90 / 90 / 0 / 3

HEX #1818F7

RGB 24 24 247

HSL 240, 0.93%, 0.53%

LAB 33.06, 72.96, -102.09

 

CMYK 90 / 46 / 0 / 3

HEX #1886F7

RGB 24 134 247

HSL 210.4, 0.93%, 0.53%

LAB 56.05, 12.73, -64.35

 

CMYK 90 / 46 / 0 / 3

HEX #1886F7

RGB 24 134 247

HSL 210.4, 0.93%, 0.53%

LAB 56.05, 12.73, -64.35

 

CMYK 81 / 41 / 0 / 11

HEX #2B86E3

RGB 43 134 227

HSL 210.33, 0.77%, 0.53%

LAB 55.19, 6.48, -54.6

 

CMYK 70 / 36 / 0 / 18

HEX #3E86D0

RGB 62 134 208

HSL 210.41, 0.61%, 0.53%

LAB 54.69, 1.83, -44.68

 

CMYK 56 / 28 / 0 / 26

HEX #5287BC

RGB 82 135 188

HSL 210, 0.44%, 0.53%

LAB 54.82, -1.92, -33.07

 

CMYK 40 / 20 / 0 / 34

HEX #6587A9

RGB 101 135 169

HSL 210, 0.28%, 0.53%

LAB 55.03, -2.97, -21.78

 

CMYK 90 / 0 / 3 / 3

HEX #18F7EF

RGB 24 247 239

HSL 177.85, 0.93%, 0.53%

LAB 88.42, -48.59, -9.82

 

CMYK 90 / 21 / 0 / 3

HEX #18C3F7

RGB 24 195 247

HSL 193.99, 0.93%, 0.53%

LAB 73.51, -21.78, -36.74

 

CMYK 90 / 45 / 0 / 3

HEX #1887F7

RGB 24 135 247

HSL 210.13, 0.93%, 0.53%

LAB 56.32, 12.12, -63.91

 

CMYK 90 / 69 / 0 / 3

HEX #184CF7

RGB 24 76 247

HSL 226.01, 0.93%, 0.53%

LAB 41.34, 48.99, -88.34

 

CMYK 87 / 90 / 0 / 3

HEX #1F18F7

RGB 31 24 247

HSL 241.88, 0.93%, 0.53%

LAB 33.26, 73.07, -101.74

 

CMYK 96 / 49 / 0 / 29

HEX #075DB5

RGB 7 93 181

HSL 210.34, 0.93%, 0.37%

LAB 39.93, 12.11, -52.79

 

CMYK 96 / 48 / 0 / 13

HEX #0872DD

RGB 8 114 221

HSL 210.14, 0.93%, 0.45%

LAB 48.64, 14.58, -61.76

 

CMYK 90 / 46 / 0 / 3

HEX #1886F7

RGB 24 134 247

HSL 210.4, 0.93%, 0.53%

LAB 56.05, 12.73, -64.35

 

CMYK 74 / 38 / 0 / 3

HEX #409BF8

RGB 64 155 248

HSL 210.33, 0.93%, 0.61%

LAB 62.77, 3.83, -54.11

 

CMYK 59 / 29 / 0 / 2

HEX #67B0F9

RGB 103 176 249

HSL 210, 0.92%, 0.69%

LAB 70.02, -1.72, -43.13

 

CMYK 91 / 46 / 0 / 4

HEX #1685F6

RGB 22 133 246

HSL 210.27, 0.93%, 0.53%

LAB 55.68, 12.87, -64.39

 

CMYK 27 / 90 / 0 / 3

HEX #B418F7

RGB 180 24 247

HSL 281.97, 0.93%, 0.53%

LAB 48.35, 84.18, -76.33

 

CMYK 9 / 0 / 90 / 3

HEX #E0F718

RGB 224 247 24

HSL 66.19, 0.93%, 0.53%

LAB 92.77, -30.2, 88.06

 

CMYK 91 / 46 / 0 / 4

HEX #1685F6

RGB 22 133 246

HSL 210.27, 0.93%, 0.53%

LAB 55.68, 12.87, -64.39

 

CMYK 0 / 90 / 45 / 3

HEX #F71887

RGB 247 24 135

HSL 330.13, 0.93%, 0.53%

LAB 54.21, 81.36, -1.3

 

CMYK 45 / 0 / 90 / 3

HEX #87F718

RGB 135 247 24

HSL 90.13, 0.93%, 0.53%

LAB 87.84, -62.52, 82.04

 

CMYK 91 / 46 / 0 / 4

HEX #1685F6

RGB 22 133 246

HSL 210.27, 0.93%, 0.53%

LAB 55.68, 12.87, -64.39

 

CMYK 27 / 90 / 0 / 3

HEX #B418F7

RGB 180 24 247

HSL 281.97, 0.93%, 0.53%

LAB 48.35, 84.18, -76.33

 

CMYK 0 / 45 / 90 / 3

HEX #F78718

RGB 247 135 24

HSL 29.87, 0.93%, 0.53%

LAB 67.4, 36.41, 69.64

 

CMYK 63 / 0 / 90 / 3

HEX #5BF718

RGB 91 247 24

HSL 101.97, 0.93%, 0.53%

LAB 86.41, -73.92, 80.26

 

CMYK 91 / 46 / 0 / 4

HEX #1685F6

RGB 22 133 246

HSL 210.27, 0.93%, 0.53%

LAB 55.68, 12.87, -64.39

 

CMYK 0 / 90 / 0 / 3

HEX #F718F7

RGB 247 24 247

HSL 300, 0.93%, 0.53%

LAB 59.11, 94.11, -58.42

 

CMYK 0 / 45 / 90 / 3

HEX #F78718

RGB 247 135 24

HSL 29.87, 0.93%, 0.53%

LAB 67.4, 36.41, 69.64

 

CMYK 90 / 0 / 90 / 3

HEX #18F718

RGB 24 247 24

HSL 120, 0.93%, 0.53%

LAB 85.39, -82.79, 79

 

Description

Color code: HEX #1685F6 | qconv.com Color code: HEX #1685F6 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 22 red, 133 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
22 133 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, 46 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 46% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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