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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #167963 it is the complementary color #E9869C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #167963. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #167963 shade: #1B795E, #2C8B71, #3D9D84, #4EAF97 and #5FC1AA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #167963. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #167963 shade: #167963, #056750, #00553D, #00432A and #003117

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #167963 shade: #167963, #167948, #16792E, #197916 and #347916

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #167963 shade: #167963, #167479, #165979, #163F79 and #162479

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #167963 shade matches the following richer shades: #167963 and #0B8469

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #167963 shade: #167963, #226D5C, #2D6256, #395650 and #444A49

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #167963 shade: #16792D, #167947, #167962, #167579 and #165B79

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #167963 shade: #09332A, #105646, #167963, #1D9C7F and #23BE9C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #167963 shade: #167963, #161979 and #793A16

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #167963 shade: #167963, #621679 and #796216

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #167963 shade: #167963, #161979, #79162D and #797516

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #167963 shade: #167963, #301679, #79162D and #5E7916

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 18 / 53

HEX #167963

RGB 22 121 99

HSL 166.67, 0.69%, 0.28%

LAB 45.28, -32.77, 4.35

 

Complementary color

CMYK 0 / 42 / 33 / 9

HEX #E9869C

RGB 233 134 156

HSL 346.67, 0.69%, 0.72%

LAB 67.11, 40.31, 4.97

 

CMYK 78 / 0 / 22 / 53

HEX #1B795E

RGB 27 121 94

HSL 162.77, 0.64%, 0.29%

LAB 45.24, -33.5, 7.26

 

CMYK 68 / 0 / 19 / 45

HEX #2C8B71

RGB 44 139 113

HSL 163.58, 0.52%, 0.36%

LAB 52.05, -34.07, 5.92

 

CMYK 61 / 0 / 16 / 38

HEX #3D9D84

RGB 61 157 132

HSL 164.38, 0.44%, 0.43%

LAB 58.76, -34.35, 4.76

 

CMYK 55 / 0 / 14 / 31

HEX #4EAF97

RGB 78 175 151

HSL 165.15, 0.38%, 0.5%

LAB 65.37, -34.44, 3.72

 

CMYK 51 / 0 / 12 / 24

HEX #5FC1AA

RGB 95 193 170

HSL 165.92, 0.44%, 0.56%

LAB 71.88, -34.44, 2.77

 

CMYK 82 / 0 / 18 / 53

HEX #167963

RGB 22 121 99

HSL 166.67, 0.69%, 0.28%

LAB 45.28, -32.77, 4.35

 

CMYK 95 / 0 / 22 / 60

HEX #056750

RGB 5 103 80

HSL 165.92, 0.91%, 0.21%

LAB 38.4, -31.47, 5.88

 

CMYK 100 / 0 / 28 / 67

HEX #00553D

RGB 0 85 61

HSL 163.06, 1%, 0.17%

LAB 31.43, -29.2, 7.75

 

CMYK 100 / 0 / 37 / 74

HEX #00432A

RGB 0 67 42

HSL 157.61, 1%, 0.13%

LAB 24.26, -26.35, 9.9

 

CMYK 100 / 0 / 53 / 81

HEX #003117

RGB 0 49 23

HSL 148.16, 1%, 0.1%

LAB 16.79, -23.22, 12.27

 

CMYK 82 / 0 / 18 / 53

HEX #167963

RGB 22 121 99

HSL 166.67, 0.69%, 0.28%

LAB 45.28, -32.77, 4.35

 

CMYK 82 / 0 / 40 / 53

HEX #167948

RGB 22 121 72

HSL 150.3, 0.69%, 0.28%

LAB 44.68, -39.38, 19.3

 

CMYK 82 / 0 / 62 / 53

HEX #16792E

RGB 22 121 46

HSL 134.55, 0.69%, 0.28%

LAB 44.29, -43.9, 32.86

 

CMYK 79 / 0 / 82 / 53

HEX #197916

RGB 25 121 22

HSL 118.18, 0.69%, 0.28%

LAB 44.15, -45.91, 42.89

 

CMYK 57 / 0 / 82 / 53

HEX #347916

RGB 52 121 22

HSL 101.82, 0.69%, 0.28%

LAB 44.89, -39.75, 43.86

 

CMYK 82 / 0 / 18 / 53

HEX #167963

RGB 22 121 99

HSL 166.67, 0.69%, 0.28%

LAB 45.28, -32.77, 4.35

 

CMYK 82 / 4 / 0 / 53

HEX #167479

RGB 22 116 121

HSL 183.03, 0.69%, 0.28%

LAB 44.29, -23.62, -10.25

 

CMYK 82 / 26 / 0 / 53

HEX #165979

RGB 22 89 121

HSL 199.39, 0.69%, 0.28%

LAB 35.39, -8.45, -23.9

 

CMYK 82 / 48 / 0 / 53

HEX #163F79

RGB 22 63 121

HSL 215.15, 0.69%, 0.28%

LAB 27.03, 8.6, -37.13

 

CMYK 82 / 70 / 0 / 53

HEX #162479

RGB 22 36 121

HSL 231.52, 0.69%, 0.28%

LAB 19.28, 27.65, -49.75

 

CMYK 82 / 0 / 18 / 53

HEX #167963

RGB 22 121 99

HSL 166.67, 0.69%, 0.28%

LAB 45.28, -32.77, 4.35

 

CMYK 92 / 0 / 20 / 48

HEX #0B8469

RGB 11 132 105

HSL 166.61, 0.85%, 0.28%

LAB 49, -36.96, 6.13

 

CMYK 82 / 0 / 18 / 53

HEX #167963

RGB 22 121 99

HSL 166.67, 0.69%, 0.28%

LAB 45.28, -32.77, 4.35

 

CMYK 69 / 0 / 16 / 57

HEX #226D5C

RGB 34 109 92

HSL 166.4, 0.52%, 0.28%

LAB 41.3, -27.29, 2.83

 

CMYK 54 / 0 / 12 / 62

HEX #2D6256

RGB 45 98 86

HSL 166.42, 0.37%, 0.28%

LAB 37.78, -20.94, 1.44

 

CMYK 34 / 0 / 7 / 66

HEX #395650

RGB 57 86 80

HSL 167.59, 0.2%, 0.28%

LAB 34.2, -12.3, 0.04

 

CMYK 8 / 0 / 1 / 71

HEX #444A49

RGB 68 74 73

HSL 170, 0.04%, 0.28%

LAB 30.9, -2.66, -0.25

 

CMYK 82 / 0 / 63 / 53

HEX #16792D

RGB 22 121 45

HSL 133.94, 0.69%, 0.28%

LAB 44.28, -44.04, 33.34

 

CMYK 82 / 0 / 41 / 53

HEX #167947

RGB 22 121 71

HSL 149.7, 0.69%, 0.28%

LAB 44.66, -39.59, 19.84

 

CMYK 82 / 0 / 19 / 53

HEX #167962

RGB 22 121 98

HSL 166.06, 0.69%, 0.28%

LAB 45.26, -33.04, 4.9

 

CMYK 82 / 3 / 0 / 53

HEX #167579

RGB 22 117 121

HSL 182.42, 0.69%, 0.28%

LAB 44.62, -24.14, -9.75

 

CMYK 82 / 25 / 0 / 53

HEX #165B79

RGB 22 91 121

HSL 198.18, 0.69%, 0.28%

LAB 36.05, -9.67, -22.87

 

CMYK 82 / 0 / 18 / 80

HEX #09332A

RGB 9 51 42

HSL 167.14, 0.7%, 0.12%

LAB 18.33, -16.86, 1.6

 

CMYK 81 / 0 / 19 / 66

HEX #105646

RGB 16 86 70

HSL 166.29, 0.69%, 0.2%

LAB 32.28, -25.25, 3.34

 

CMYK 82 / 0 / 18 / 53

HEX #167963

RGB 22 121 99

HSL 166.67, 0.69%, 0.28%

LAB 45.28, -32.77, 4.35

 

CMYK 81 / 0 / 19 / 39

HEX #1D9C7F

RGB 29 156 127

HSL 166.3, 0.69%, 0.36%

LAB 57.63, -39.99, 5.86

 

CMYK 82 / 0 / 18 / 25

HEX #23BE9C

RGB 35 190 156

HSL 166.84, 0.69%, 0.44%

LAB 69.17, -46.31, 6.32

 

CMYK 82 / 0 / 18 / 53

HEX #167963

RGB 22 121 99

HSL 166.67, 0.69%, 0.28%

LAB 45.28, -32.77, 4.35

 

CMYK 82 / 79 / 0 / 53

HEX #161979

RGB 22 25 121

HSL 238.18, 0.69%, 0.28%

LAB 16.73, 34.7, -53.95

 

CMYK 0 / 52 / 82 / 53

HEX #793A16

RGB 121 58 22

HSL 21.82, 0.69%, 0.28%

LAB 32.14, 24.88, 33.65

 

CMYK 82 / 0 / 18 / 53

HEX #167963

RGB 22 121 99

HSL 166.67, 0.69%, 0.28%

LAB 45.28, -32.77, 4.35

 

CMYK 19 / 82 / 0 / 53

HEX #621679

RGB 98 22 121

HSL 286.06, 0.69%, 0.28%

LAB 25.42, 47.47, -39.38

 

CMYK 0 / 19 / 82 / 53

HEX #796216

RGB 121 98 22

HSL 46.06, 0.69%, 0.28%

LAB 42.55, 1.21, 43.45

 

CMYK 82 / 0 / 18 / 53

HEX #167963

RGB 22 121 99

HSL 166.67, 0.69%, 0.28%

LAB 45.28, -32.77, 4.35

 

CMYK 82 / 79 / 0 / 53

HEX #161979

RGB 22 25 121

HSL 238.18, 0.69%, 0.28%

LAB 16.73, 34.7, -53.95

 

CMYK 0 / 82 / 63 / 53

HEX #79162D

RGB 121 22 45

HSL 346.06, 0.69%, 0.28%

LAB 26.24, 42.8, 12.7

 

CMYK 0 / 3 / 82 / 53

HEX #797516

RGB 121 117 22

HSL 57.58, 0.69%, 0.28%

LAB 48.06, -9.65, 48.4

 

CMYK 82 / 0 / 18 / 53

HEX #167963

RGB 22 121 99

HSL 166.67, 0.69%, 0.28%

LAB 45.28, -32.77, 4.35

 

CMYK 60 / 82 / 0 / 53

HEX #301679

RGB 48 22 121

HSL 255.76, 0.69%, 0.28%

LAB 18.29, 39.01, -51.31

 

CMYK 0 / 82 / 63 / 53

HEX #79162D

RGB 121 22 45

HSL 346.06, 0.69%, 0.28%

LAB 26.24, 42.8, 12.7

 

CMYK 22 / 0 / 82 / 53

HEX #5E7916

RGB 94 121 22

HSL 76.36, 0.69%, 0.28%

LAB 47.12, -24.07, 46.74

 

Description

Color code: HEX #167963 | qconv.com Color code: HEX #167963 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 22 red, 121 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
22 121 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 18 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 18% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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